Tibor Takács (director)
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Tibor Takács (director)
Tibor Takács is a Hungarian-Canadian director, noted for directing '' The Gate'' (1987) and its sequel, '' The Gate II: Trespassers'' (1990). His career has largely been associated with horror movies, though he has also directed many Christmas-themed films, often for the Hallmark Channel. He also directed the TV movie ''Sabrina the Teenage Witch'' which became the basis for the TV series of the same name. Early life Takács was born on September 11, 1954 in Budapest, Hungary, but grew up in Canada. He described his early experiences with cinema as being the result of his “European parents who watched a lot of foreign films with subtitles.” Around the age of ten, his family moved to a more urban area with several movie theaters, where he began to see multiple American films a week for several years. He attended the University of Toronto, where he began to work in theater and directed several award-winning short films, which eventually led to commercial directing work. His fil ...
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Budapest
Budapest (, ; ) is the capital and most populous city of Hungary. It is the ninth-largest city in the European Union by population within city limits and the second-largest city on the Danube river; the city has an estimated population of 1,752,286 over a land area of about . Budapest, which is both a city and county, forms the centre of the Budapest metropolitan area, which has an area of and a population of 3,303,786; it is a primate city, constituting 33% of the population of Hungary. The history of Budapest began when an early Celtic settlement transformed into the Roman town of Aquincum, the capital of Lower Pannonia. The Hungarians arrived in the territory in the late 9th century, but the area was pillaged by the Mongols in 1241–42. Re-established Buda became one of the centres of Renaissance humanist culture by the 15th century. The Battle of Mohács, in 1526, was followed by nearly 150 years of Ottoman rule. After the reconquest of Buda in 1686, the ...
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CBC News
CBC News is a division of the Canadian Broadcasting Corporation responsible for the news gathering and production of news programs on the corporation's English-language operations, namely CBC Television, CBC Radio, CBC News Network, and CBC.ca. Founded in 1941, CBC News is the largest news broadcaster in Canada and has local, regional, and national broadcasts and stations. It frequently collaborates with its organizationally separate French-language counterpart, Radio-Canada Info. History The first CBC newscast was a bilingual radio report on November 2, 1936. The CBC News Service was inaugurated during World War II on January 1, 1941, when Dan McArthur, chief news editor, had Wells Ritchie prepare for the announcer Charles Jennings a national report at 8:00 pm. Readers who followed Jennings were Lorne Greene, Frank Herbert and Earl Cameron. ''CBC News Roundup'' (French counterpart: ''La revue de l'actualité'') started on August 16, 1943, at 7:45 pm, being replaced by ''T ...
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Pulp Magazine
Pulp magazines (also referred to as "the pulps") were inexpensive fiction magazines that were published from 1896 to the late 1950s. The term "pulp" derives from the cheap wood pulp paper on which the magazines were printed. In contrast, magazines printed on higher-quality paper were called "glossies" or "slicks". The typical pulp magazine had 128 pages; it was wide by high, and thick, with ragged, untrimmed edges. The pulps gave rise to the term pulp fiction in reference to run-of-the-mill, low-quality literature. Pulps were the successors to the penny dreadfuls, dime novels, and short-fiction magazines of the 19th century. Although many respected writers wrote for pulps, the magazines were best known for their lurid, exploitative, and sensational subject matter, even though this was but a small part of what existed in the pulps. Successors of pulps include paperback books, digest magazines, and men's adventure magazines. Modern superhero comic books are sometimes considere ...
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Film Noir
Film noir (; ) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American ''film noir''. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression. The term ''film noir'', French for 'black film' (literal) or 'dark film' (closer meaning), was first applied to Hollywood films by French critic Nino Frank in 1946, but was unrecognized by most American film industry professionals of that era. Frank is believed to have been inspired by the French literary publishing imprint Série noire, founded in 1945. Cinema historians and critics defined the category ...
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I, Madman
''I, Madman'' (retitled ''Hardcover'' in the UK, Europe and Japan) is a 1989 American horror film directed by Tibor Takács. Plot Second-hand bookstore clerk Virginia Clayton (Jenny Wright) becomes absorbed in the book ‘I, Madman’ by Malcolm Brand (Randall William Cook). In the book, the deranged, deformed Dr. Kessler is obsessed with beautiful actress Anna Templar and kills victims, sewing part of each victim’s face onto his own. But as Virginia continues to read, someone starts to emulate the killings in the book, targeting the people around her. Cast *Jenny Wright ... Virginia *Clayton Rohner ... Richard *Randall William Cook ... Dr. Alan Kessler/ Malcolm Brand *Stephanie Hodge ... Mona * Michelle Jordan ... Colette * Vance Valencia ... Sgt. Navarro * Mary Baldwin ... Librarian * Raf Nazario ... Lyle, Hotel Clerk (as Rafael Nazario) *Bob Frank ... Hotel Manager *Bruce Wagner ... Pianist Release The film premiered in April 1989 and was released theatrically in the Uni ...
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The Wraith
''The Wraith'' is a 1986 independently made American action- fantasy film, produced by John Kemeny, written and directed by Mike Marvin, and starring Charlie Sheen, Sherilyn Fenn, Nick Cassavetes, and Randy Quaid."After All These Years ... Mike Marvin Talks The Wraith."
''Dread Central'', March 17, 2010.
The film was theatrically released November 21, 1986 on just 88 screens in the United States by New Century Vista Film Company (later New Century Entertainment Corporation).


Plot

In the town of Brooks, Arizona, Packard Walsh, the leader of a gang of car thieves, coerces people with fast cars into racing with the winner of the race taking ownership of the loser's car. Packard controls everyone through intimidation including ...
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John Kemeny (film Producer)
John Kemeny (April 17, 1925 – November 23, 2012) was a Hungarian-born Canadian film producer whom the ''Toronto Star'' dubbed "the forgotten giant of Canadian film history." His production credits included the well-known 1974 film, '' The Apprenticeship of Duddy Kravitz'', which starred Richard Dreyfuss, directed by Ted Kotcheff, based on a novel by Mordecai Richler. Kemeny also produced the 1980 romantic comedy, '' Atlantic City'', starring Burt Lancaster and Susan Sarandon. Kemeny left Hungary after the Hungarian Revolution of 1956 and moved to Montreal, where he found work as a film editor at the National Film Board of Canada (NFB) in 1959. He went on to produce such NFB films as ''Memorandum'', '' Ladies and Gentlemen... Mr. Leonard Cohen'', ''The Best Damn Fiddler from Calabogie to Kaladar'' and ''Don't Let the Angels Fall ''Don't Let the Angels Fall'' is a 1969 Canadian drama film directed by George Kaczender George Kaczender (19 April 1933 – 24 August 2016) ...
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The Girl Who Owned A City
''The Girl Who Owned a City'' is the only published novel by O. T. Nelson, first published in 1975. This book, sometimes taught in schools, is considered to be best suited for those between the ages of 12 and 15. A graphic novel adaptation by Dan Jolley with art by Joëlle Jones and Jenn Manley Lee was published in 2012. Plot A deadly virus has swept the world, killing off everyone over the age of twelve in the span of a month or so. In the town of Glen Ellyn, Illinois, outside of Chicago, ten-year-old Lisa Nelson and her younger brother Todd Nelson are surviving, like all the children in the story, by looting abandoned houses and shops. Although there are abandoned cars in every driveway and lining every street, Lisa is the first child to think of driving one. She is also the first to think of raiding a farm, and the first to look at the dwindling supplies in stores and deduce that groceries come from warehouses. She finds a supermarket warehouse and raids it, enlisting the help of ...
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Metal Messiah
''Metal Messiah'' is a Canadian rock opera musical science fiction film, directed by Tibor Takács and released in 1977. An adaptation of Stephen Zoller's theatrical stage musical, the film centres on a space alien (David Jensen) who comes to earth to save humanity from destroying itself with the decadence of rock music, but must battle an evil concert promoter (John Paul Young) who wants to continue to profit from society's hedonism, and coopts the Messiah to perform as a rock star before attempting to destroy him. Most of the film's cast were real Toronto-area rock musicians; Young was the lead singer of The Cardboard Brains, while Jensen was the lead singer of Kickback. Steven Leckie of The Viletones had been cast as the Messiah, but the role was recast to star Jensen. The film was screened in 1977, before opening commercially in 1978 at the Montreal International Festival of 16mm Cinema. The film faced some criticism for being out of step with the youth culture of its tim ...
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Musical Film
Musical film is a film genre in which songs by the characters are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, but in some cases, they serve merely as breaks in the storyline, often as elaborate "production numbers". The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if a live audience were watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it. With the advent of sound in the late 1920s, musicals gained popularity with the public and are exemplified by the films of Busby Ber ...
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Science Fiction
Science fiction (sometimes shortened to Sci-Fi or SF) is a genre of speculative fiction which typically deals with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, parallel universes, extraterrestrial life, sentient artificial intelligence, cybernetics, certain forms of immortality (like mind uploading), and the singularity. Science fiction predicted several existing inventions, such as the atomic bomb, robots, and borazon, whose names entirely match their fictional predecessors. In addition, science fiction might serve as an outlet to facilitate future scientific and technological innovations. Science fiction can trace its roots to ancient mythology. It is also related to fantasy, horror, and superhero fiction and contains many subgenres. Its exact definition has long been disputed among authors, critics, scholars, and readers. Science fiction, in literature, film, television, and other media, has beco ...
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Cinema Canada
''Cinema Canada'' (1972–1989) is a defunct Canadian film magazine, which served as the trade journal of record for the Canadian film and television sector. The magazine had its origins in the Canadian Society of Cinematographers (CSC), which began publishing a bi-monthly newsletter under the name ''Canadian Cinematography'' in 1962. In 1967, the publication's name was changed to ''Cinema Canada''. In 1972, the CSC approached George Csaba Koller and Phillip McPhedran of Toronto to produce a glossier format. However, this association lasted only four issues, after which McPhedran resigned for personal reasons. Koller continued to edit and publish the magazine, which became independent of the CSC in the fall of 1973. It was scrappy, provocative and ashamedly nationalistic. In March 1975, a non-profit organization, the Cinema Canada Foundation, was formed, and in September of that year it was transferredto Jean-Pierre Tadros and Connie Tadros, who moved the editorial office to Montre ...
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