|
Tibetan Art
The vast majority of surviving Tibetan art created before the mid-20th century is religious, with the main forms being thangka, paintings on cloth, mostly in a technique described as gouache or distemper, Tibetan Buddhist wall paintings, and small statues in bronze, or large ones in clay, stucco or wood. They were commissioned by religious establishments or by pious individuals for use within the practice of Tibetan Buddhism and were manufactured in large workshops by monks and lay artists, who are mostly unknown. Various types of religious objects, such as the ''phurbu'' or ritual dagger, are finely made and lavishly decorated. Secular objects, in particular jewellery and textiles, were also made, with Chinese influences strong in the latter. Himalayan art is an overall term for Tibetan art together with the art of Bhutan, Nepal, Ladakh, Kashmir and neighbouring parts of Mongolia and China where Tibetan Buddhism is practiced. Sino-Tibetan art refers to works in a Tibetan styl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thiksey Monastery (28499443532)
Thikse Gompa or Thikse Monastery (also transliterated from Ladakhi as Tiksey, Thiksey or Thiksay) is a gompa (Tibetan-style monastery) affiliated with the Gelug sect of Tibetan Buddhism. It is located on top of a hill in Thiksey approximately east of Leh in Ladakh, India. It is noted for its resemblance to the Potala Palace in Lhasa, Tibet, and is the largest gompa in central Ladakh, notably containing a separate set of buildings for female renunciates that has been the source of significant recent building and reorganisation. The monastery is located at an altitude of in the Indus Valley. It is a twelve-storey complex and houses many items of Buddhist art such as stupas, statues, thangkas, wall paintings and swords. One of the main points of interest is the Maitreya Temple installed to commemorate the visit of the 14th Dalai Lama to this monastery in 1970; it contains a high statue of Maitreya, the largest such statue in Ladakh, covering two stories of the building. History ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamantaka Vajrabhairav
Yamāntaka ( sa, यमान्तक Yamāntaka) or Vajrabhairava (; ; ko, 대위덕명왕 ''Daewideok-myeongwang''; ja, 大威徳明王 ''Daiitoku-myōō''; mn, Эрлэгийн Жаргагчи ''Erlig-jin Jarghagchi'') is the "destroyer of death" deity of Vajrayana Buddhism. Sometimes he is conceptualized as "conqueror of the lord of death". Of the several deities in the Buddhist pantheon named 'Yamāntaka', the most well known, also called as 'Vajrabhairava' belongs to the Anuttarayoga Tantra class of deities popular within the Gelug school of Tibetan Buddhism. Etymology ''Yamāntaka'' is a Sanskrit name that can be broken down into two primary elements: ''Yama (यम)'', –the god of death; and ''antaka'' (अन्तक) –destroyer. Thus, Yamāntaka means “Destroyer of Death” or "Conqueror of Death". While Yamāntaka is therefore Yama's nemesis, his representation mirrors Yama in many ways: he too often rides a buffalo and often depicted with a buffalo's head. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sand Mandala
Sand mandala (; ) is a Tibetan Buddhism, Tibetan Buddhist tradition involving the creation and destruction of mandalas made from colored sand. Once complete, the sand mandala's ritualistic Art destruction, dismantling is accompanied by ceremonies and viewing to symbolize Buddhist doctrinal belief in the transitory nature of material life. Materials and construction Historically, the mandala was not created with naturally dyed sand, but granules of crushed colored stone. In modern times, plain white stones are ground down and dyed with opaque inks to achieve the same effect. The monks use a special, extremely dense sand in order to limit interference by things such as wind or sneezes. Before laying down the sand, the monks assigned to the project will draw the geometric measurements associated with the mandala. The sand granules are then applied using small tubes, funnels, and scrapers, called chak-pur, until the desired pattern is achieved. Sand mandalas traditionally ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thangka Wall
A thangka wall is, in Tibetan religious architecture, a stone-built structure used for hanging giant, or monumental, appliqued thangkas, or scrolls, in some of the major Buddhist monasteries of Tibet. These giant thangkas are called ''gos ku'', ''goku'', ''gheku'', ''kiku'' (cloth image) in Tibetan, and ''thongdrel'' in Bhutan. The thangka wall stands on a hillside from where it overlooks the monastic settlement. Its form is that of a narrow, elongated and tall rectangular building with a battered façade and a flat roof surrounded by a parapet. The side and rear walls are normally vertical. Thangkas are only displayed hung on the walls on special occasions such as major festivals, when they are or were unrolled by monks at the top of the wall, with considerable ceremony. Tibetan Buddhists believe that viewing the thangka with the proper spirit brings great spiritual benefits. Often the thangka was only displayed on one day in the year. Smaller monasteries that lack a speci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tibetan Festivals
In Tibet, the Tibetan calendar lags approximately four to six weeks behind the solar calendar. For example, the Tibetan First Month usually falls in February, the Fifth Month usually falls in June or early July and the Eight Month usually falls in September. List of traditional Tibetan festivals Losar The Tibetan calendar is a lunisolar calendar. Losar is celebrated on the first three days of the first lunar month. Gallery IMG 1016 Lhasa Barkhor.jpg, Pilgrims at Jokhang, Lhasa during Monlam Dancing at Sho Dun Festival, Norbulingka.JPG, Dancing at Sho Dun Festival, Norbulingka, 1993 See also *List of festivals in Asia References {{Tibet related articles Festivals Tibetan Buddhist festivals Festivals Festivals Festivals A festival is an event ordinarily celebrated by a community and centering on some characteristic aspect or aspects of that community and its religion or cultures. It is often marked as a local or national holiday, mela, or eid. A festival co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilt-bronze
Ormolu (; from French ''or moulu'', "ground/pounded gold") is the gilding technique of applying finely ground, high-carat gold– mercury amalgam to an object of bronze, and for objects finished in this way. The mercury is driven off in a kiln leaving behind a gold coating. The French refer to this technique as "''bronze doré''"; in English, it is known as "gilt bronze". Around 1830, legislation in France had outlawed the use of mercury for health reasons, though use continued to the 1900s. Craftsmen principally used ormolu for the decorative mountings of furniture, clocks, lighting devices, and porcelain. Process The manufacture of true ormolu employs a process known as mercury-gilding or fire-gilding, in which a solution of mercuric nitrate is applied to a piece of copper, brass, or bronze; followed by the application of an amalgam of gold and mercury. The item is then exposed to extreme heat until the mercury vaporizes and the gold remains, adhering to the metal obje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornament (art)
In architecture and decorative art, ornament is a decoration used to embellish parts of a building or object. Large figurative elements such as monumental sculpture and their equivalents in decorative art are excluded from the term; most ornaments do not include human figures, and if present they are small compared to the overall scale. Architectural ornament can be carved from stone, wood or precious metals, formed with plaster or clay, or painted or impressed onto a surface as applied ornament; in other applied arts the main material of the object, or a different one such as paint or vitreous enamel may be used. A wide variety of decorative styles and motifs have been developed for architecture and the applied arts, including pottery, furniture, metalwork. In textiles, wallpaper and other objects where the decoration may be the main justification for its existence, the terms pattern or design are more likely to be used. The vast range of motifs used in ornament draw from ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Painting
Chinese painting () is one of the oldest continuous artistic traditions in the world. Painting in the traditional style is known today in Chinese as ''guó huà'' (), meaning "national painting" or "native painting", as opposed to Western styles of art which became popular in China in the 20th century. It is also called ''danqing'' (). Traditional painting involves essentially the same techniques as calligraphy and is done with a brush dipped in black ink or coloured pigments; oils are not used. As with calligraphy, the most popular materials on which paintings are made are paper and silk. The finished work can be mounted on scrolls, such as hanging scrolls or handscrolls. Traditional painting can also be done on album sheets, walls, lacquerware, folding screens, and other media. The two main techniques in Chinese painting are: * Gongbi (工筆), meaning "meticulous", uses highly detailed brushstrokes that delimit details very precisely. It is often highly colored and usual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Newa Art
Newar (), or Newari and known officially in Nepal as Nepal Bhasa, is a Sino-Tibetan language spoken by the Newar people, the indigenous inhabitants of Nepal Mandala, which consists of the Kathmandu Valley and surrounding regions in Nepal. "Nepal Bhasa" literally means "Nepalese language", however the language is not the same as Nepali (Devanāgarī: नेपाली), the country's current official language of the central government. The two languages belong to different language families (Sino-Tibetan and Indo-European, respectively), but centuries of contact have resulted in a significant body of shared vocabulary. Newar was Nepal's administrative language from the 14th to the late 18th century. From the early 20th century until democratisation, Newar suffered from official suppression. From 1952 to 1991, the percentage of Newar speakers in the Kathmandu Valley dropped from 75% to 44% and today Newar culture and language are under threat. The language has been listed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Art
Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based in or draws on Chinese culture, heritage, and history. Early " Stone Age art" dates back to 10,000 BC, mostly consisting of simple pottery and sculptures. After that period, Chinese art, like Chinese history, was typically classified by the succession of ruling dynasties of Chinese emperors, most of which lasted several hundred years. The Palace Museum in Beijing and the National Palace Museum in Taipei contains extensive collections of Chinese art. Chinese art is marked by an unusual degree of continuity within, and consciousness of, tradition, lacking an equivalent to the Western collapse and gradual recovery of Western classical styles of art. Decorative arts are extremely important in Chinese art, and much of the finest work was produced in large works ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decline Of Buddhism In India
Buddhism, which originated in India, gradually dwindled and was replaced by approximately the 12th century. According to Lars Fogelin, this was "not a singular event, with a singular cause; it was a centuries-long process." The decline of Buddhism has been attributed to various factors, especially the regionalisation of India after the end of the Gupta Empire (320–650 CE). Another factor was invasions of north India by various groups such as Indo-Iranian Huns, Hephthalites, Turkic-Mongolians, Arabs and Persians and subsequent destruction of Buddhist institutions such as Taxila and Nalanda and religious persecutions. Religious competition with other Indic religions and later Islam were also important factors. The invasions of Huns in 5th century and subsequent destruction of Buddhist centres caused the decline of Buddhism in the northwest Indian subcontinent. A similar process occurred in northeast, where Islamization of Bengal and demolitions of Nalanda, Vikramasila and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bihar
Bihar (; ) is a state in eastern India. It is the 2nd largest state by population in 2019, 12th largest by area of , and 14th largest by GDP in 2021. Bihar borders Uttar Pradesh to its west, Nepal to the north, the northern part of West Bengal to the east, and with Jharkhand to the south. The Bihar plain is split by the river Ganges, which flows from west to east. On 15 November 2000, southern Bihar was ceded to form the new state of Jharkhand. Only 20% of the population of Bihar lives in urban areas as of 2021. Additionally, almost 58% of Biharis are below the age of 25, giving Bihar the highest proportion of young people of any Indian state. The official languages are Hindi and Urdu, although other languages are common, including Maithili, Magahi, Bhojpuri and other Languages of Bihar. In Ancient and Classical India, the area that is now Bihar was considered the centre of political and cultural power and as a haven of learning. From Magadha arose India's first empire, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Tibetan Art")
_1_by_N._A._Naseer.jpg "Click for more on -> Bihar")