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Théâtre Du Palais-Royal (rue Saint-Honoré)
The Théâtre du Palais-Royal (or Grande Salle du Palais-Royal) on the rue Saint-Honoré in Paris was a theatre in the east wing of the Palais-Royal, which opened on 14 January 1641 with a performance of Jean Desmarets' tragicomedy ''Mirame''. The theatre was used by the troupe of Molière from 1660 to 1673 and as an opera house by the Académie Royale de Musique from 1673 to 1763, when it was destroyed by fire.Coeyman 1998, pp. 60–71. It was rebuilt and reopened in 1770, but again was destroyed by fire in 1781 and not rebuilt.Pitou 1983, pp. 26–30. First theatre Cardinal Richelieu The Palais-Royal was originally known as the Palais-Cardinal, since it was built in the 1630s as the principal residence of Cardinal Richelieu. The palace already had a small theatre, the Petite Salle des Comédies, located in the wing running north from the east end of the '' corps-de-logis''. On a 1673 plan it is marked "Petite Salle des Ballets". In 1637 Richelieu asked his architect Jac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palais-Royal - View 1679 - V Johnson 2008 P88
The Palais-Royal () is a former royal palace located in the 1st arrondissement of Paris, 1st arrondissement of Paris, France. The screened entrance court faces the Place du Palais-Royal, opposite the Louvre Palace, Louvre. Originally called the Palais-Cardinal, it was built for Cardinal Richelieu from about 1633 to 1639 by the architect Jacques Lemercier. Richelieu bequeathed it to Louis XIII, and Louis XIV gave it to his younger brother, the Philippe I, Duke of Orléans, Duke of Orléans. As the succeeding dukes of Orléans made such extensive alterations over the years, almost nothing remains of Lemercier's original design. The Palais-Royal now serves as the seat of the Ministry of Culture (France), Ministry of Culture, the Conseil d'État (France), Conseil d'État and the Constitutional Council (France), Constitutional Council. The central Palais-Royal Garden (Jardin du Palais-Royal) serves as a public park, and the arcade houses shops. History Palais-Cardinal Originally cal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Torelli
Giacomo Torelli (1 September 1608 – 17 June 1678) was an Italian Scenic design, stage designer, scenery painter, engineer, and architect. His work in stage design, particularly his designs of machinery for creating spectacular scenery changes and other special effects, was extensively engraved and hence survives as the most complete record of mid-seventeenth-century set design. Biography Early life and career in Italy Torelli was born in Fano, where he may have first worked on amateur theatre productions at the commune's Palazzo della Ragione (other), Palazzo della Ragione, and he may also have gained experience in theatre design in nearby Pesaro or Urbino. His first documented work was in January 1641 for the opening of the Teatro Novissimo in Venice, where he was involved in the design of scenery and stage machinery for Francesco Sacrati's opera ''La finta pazza''. This was followed with designs for two other works by Sacrati at the same theatre, ''Bellerofonte'' i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regent
A regent (from Latin : ruling, governing) is a person appointed to govern a state '' pro tempore'' (Latin: 'for the time being') because the monarch is a minor, absent, incapacitated or unable to discharge the powers and duties of the monarchy, or the throne is vacant and the new monarch has not yet been determined. One variation is in the Monarchy of Liechtenstein, where a competent monarch may choose to assign regency to their of-age heir, handing over the majority of their responsibilities to prepare the heir for future succession. The rule of a regent or regents is called a regency. A regent or regency council may be formed ''ad hoc'' or in accordance with a constitutional rule. ''Regent'' is sometimes a formal title granted to a monarch's most trusted advisor or personal assistant. If the regent is holding their position due to their position in the line of succession, the compound term '' prince regent'' is often used; if the regent of a minor is their mother, she would b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Louis XIV
Louis XIV (Louis Dieudonné; 5 September 16381 September 1715), also known as Louis the Great () or the Sun King (), was List of French monarchs, King of France from 14 May 1643 until his death in 1715. His reign of 72 years and 110 days is the List of longest-reigning monarchs, longest of any sovereign in history whose date is verifiable. Although Louis XIV's France was emblematic of the Absolutism (European history), age of absolutism in Europe, the King surrounded himself with a variety of significant political, military, and cultural figures, such as Jacques-Bénigne Bossuet, Bossuet, Jean-Baptiste Colbert, Colbert, Charles Le Brun, Le Brun, André Le Nôtre, Le Nôtre, Jean-Baptiste Lully, Lully, Cardinal Mazarin, Mazarin, Molière, Jean Racine, Racine, Henri de La Tour d'Auvergne, Viscount of Turenne, Turenne, and Sébastien Le Prestre de Vauban, Vauban. Louis began his personal rule of France in 1661, after the death of his chief minister, the Cardinal Mazarin. An adherent o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Of Austria
Anne of Austria (french: Anne d'Autriche, italic=no, es, Ana María Mauricia, italic=no; 22 September 1601 – 20 January 1666) was an infanta of Spain who became Queen of France as the wife of King Louis XIII from their marriage in 1615 until Louis XIII died in 1643. She was also Queen of Navarre until that kingdom was annexed into the French crown in 1620. After her husband's death, Anne was regent to her son Louis XIV, during his minority, until 1651. During her regency, Cardinal Mazarin served as France's chief minister. Accounts of French court life of Anne's era emphasize her difficult marital relations with her husband, her closeness to her son, and her disapproval of her son's marital infidelity to her niece and daughter-in-law Maria Theresa. Early life Born at the in Valladolid, Spain, and baptised Ana María Mauricia, she was the eldest daughter of King Philip III of Spain and his wife Margaret of Austria. She held the titles of Infanta of Spain and of Portugal ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegory
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, different" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hôtel De Bourgogne (theatre)
Hôtel de Bourgogne was a theatre, built in 1548 for the first authorized theatre troupe in Paris, the Confrérie de la Passion. It was located on the rue Mauconseil (now the rue Étienne Marcel in the 2nd arrondissement of Paris), on a site that had been part of the residence of the Dukes of Burgundy (the former Hôtel de Bourgogne). The most important French theatre until the 1630s, it continued to be used until 1783,Forman 2010, p. 134 ("Hôtel de Bourgogne"). after which it was converted to a leather market and eventually totally demolished. The Confrérie performed farce and secular dramas, but lacking great success, began renting the theatre to itinerant acting companies, including Italian ''commedia dell'arte'' troupes, who introduced the characters Harlequin and Pantalone, as well as burlesque. In 1628, a French company, the Comédiens du Roi, became permanently established and performed many of the classics of French theatre, including ''Andromaque'' and ''Phèdre'' by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Marais
The Théâtre du Marais has been the name of several theatres and theatrical troupes in Paris, France. The original and most famous theatre of the name operated in the 17th century. The name was briefly revived for a revolutionary theatre in 1791, and revived again in 1976. The present-day Théâtre du Marais operates at 37, rue Volta in the 3rd arrondissement of Paris. First incarnation (1634–1673) The Théâtre du Marais was founded in 1634, at which time there had been only one theatre company in Paris, the '' comédiens du Roi'' ("comedians of the King"), at the Hôtel de Bourgogne. The actors Charles Lenoir and Montdory decided to create their own troupe, and situated it in the fashionable Le Marais district of Paris, where they converted the Jeu de Paume des "Maretz", an unused tennis court on the Vieille Rue du Temple opposite the Capuchins, into a theatre.Scott 2000, p. 40. The new theatre's repertory was made up mainly of farces by Jodelet and works by Pierre Corn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel Gilbert
Gabriel Gilbert (c.1620 – c.1680) was a 17th-century French poet and playwright. He was secretary of duchesse de Rohan and secretary of commandments by Christina, Queen of Sweden in 1656. He wrote tragicomedies and tragedies, including ''Marguerite de France'', ''Téléphonte'', ''Rodogune'', ''Sémiramis'', ', ''Les Amours de Diane et d'Endymion''. Publications *1641: ''Marguerite de France'', tragicomedy *1642: ''Téléphonte'', five-act tragicomedy in verse *1646: ''Rodogune'', tragicomedy *1646: ''Hypolite, ou Le garçon insensible'', tragedy, *1647: ''Sémiramis'', tragedy, *1650: ''Panégyrique des dames'', dedicated to Mademoiselle *1656: ''L'Art de plaire''text online*1657: ''Les Amours de Diane et d'Endimion'', tragedy *1659: ''Chresphonte, ou le Retour des Héraclides dans le Péloponèse'', tragicomedy *1659: ''Ode à son Eminence'' *1660: ''Arie et Petus, ou les Amours de Néron'', tragedy *1661: ''Les Poésies diverses de M. Gilbert'' *1663: ''Les Amours d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Justus Van Egmont
Justus van Egmont or Joost van Egmont (1601 – 8 January 1674) was a painter and a tapestry designer during the 17th century.Justus van Egmont at the After training in Antwerp with and working with , van Egmont also worked in Peter Paul Rube ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grisaille
Grisaille ( or ; french: grisaille, lit=greyed , from ''gris'' 'grey') is a painting executed entirely in shades of grey or of another neutral greyish colour. It is particularly used in large decorative schemes in imitation of sculpture. Many grisailles include a slightly wider colour range. Paintings executed in brown are referred to as ''brunaille'', and paintings executed in green are called ''verdaille''. A grisaille may be executed for its own sake, as an underpainting for an oil painting (in preparation for glazing layers of colour over it) or as a model from which an engraver may work (as was done by Rubens and his school). Full colouring of a subject makes many demands of an artist, and working in grisaille was often chosen as it may be quicker and cheaper than traditional painting, although the effect was sometimes deliberately chosen for aesthetic reasons. Grisaille paintings resemble the drawings, normally in monochrome, that artists from the Renaissance on were tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stefano Della Bella
Stefano della Bella (17 May 1610 – 12 July 1664) was an Italian draughtsman and printmaker known for etchings of a great variety of subjects, including military and court scenes, landscapes, and lively genre scenes. He left 1052 prints, and several thousand drawings, but only one known painting. He was born and died in Florence, Italy. Early life in Florence Della Bella was born at Florence to a family of artists, and was apprenticed to a goldsmith,Chishholm 1911. but became an engraver working briefly under Orazio Vanni and then Cesare Dandini.Massar 1996. He studied etching under Remigio Cantagallina, who had also been the instructor of Jacques Callot.Massar 1968, p. 160. Della Bella's early prints are very similar to those of Callot. When he was seventeen years of age, he presented an etching depicting a banquet in the Palazzo Pitti to the young Giancarlo de' Medici following which della Bella would receive official commissions by the Medici family. In 1630, at the age of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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