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Thérèse (opera)
''Thérèse'' is an opera in two acts by Jules Massenet to a French libretto by Jules Claretie. While ''Thérèse'' remains among Massenet's lesser-known works, the piece has spawned a number of revivals and recordings. First performed in Monte Carlo in 1907, it has a running time of approximately 70 minutes. Notable recordings of the work include a 1970s Richard Bonynge version for Decca, featuring Huguette Tourangeau in the title role, as well as a 2013 version by Alain Altinoglu. Performance history ''Thérèse'' was first performed at the Opéra de Monte-Carlo on 7 February 1907, featuring Lucy Arbell in the title role, Edmond Clément as Armand de Clerval and Hector Dufranne as André Thorel. For the Paris premiere at the Opéra-Comique in 1911, Arbell and Clément repeated their roles, while the off-stage harpsichord in the minuet was played by Louis Diémer; the work on this occasion was paired in a double-bill with the premiere of Ravel's ''L'heure espagnole''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucy Arbell
Lucy Arbell (''née'' Georgette Gall, Georgette Wallace) (8 June 1878 – 21 May 1947) was a French mezzo-soprano whose operatic career was mainly centred in Paris and who was particularly associated with the composer Jules Massenet. Life and career Georgette's father was Edmond Richard Wallace (1840–1887), son of Sir Richard Wallace, the renowned art collector and philanthropist. Arbell made her stage debut as Dalila at the Paris Opéra on 23 October 1903. She also sang there as Amneris in ''Aida'', Madalena in ''Rigoletto'', Uta in ''Sigurd'', Fricka in ''Die Walküre'' and '' Thérèse''. She had a close association with the late operas of Massenet, creating roles in '' Ariane'' (Perséphone), ''Thérèse'' (title role), ''Bacchus'' (Queen Amahelli), ''Don Quichotte'' (Dulcinée) in Monte-Carlo and Paris, ''Roma'' (Postumia), and '' Panurge'' (Colombe). She had a close relationship with Massenet as well; the critic Rodney Milnes describes Arbell as "gold-digging", cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Annales Du Théâtre Et De La Musique
''Les Annales du Théâtre et de la Musique'' ("The Annals of Theatre and Music") was an annual French periodical which covered French dramatic and lyric theatre for 42 years, from 1875 to 1916. The volumes also covered concert series and necrology. It was co-edited by Édouard Noël (1848–1926) and Edmond Stoullig (1845–1918) and was published in Paris by Charpentier from 1876 to 1895 and Berger-Levrault in 1896. Beginning in 1897 it was published annually by Paul Ollendorff (with Stoullig as the sole editor) up to 1914 with the penultimate volume published in 1916 (covering the years 1914–1915) and the final volume in 1918 (covering the year 1916). A total of 41 volumes were published. at |
Victor Chalmin
The name Victor or Viktor may refer to: * Victor (name), including a list of people with the given name, mononym, or surname Arts and entertainment Film * ''Victor'' (1951 film), a French drama film * ''Victor'' (1993 film), a French short film * ''Victor'' (2008 film), a 2008 TV film about Canadian swimmer Victor Davis * ''Victor'' (2009 film), a French comedy * ''Victor'', a 2017 film about Victor Torres by Brandon Dickerson * ''Viktor'' (film), a 2014 Franco/Russian film Music * ''Victor'' (album), a 1996 album by Alex Lifeson * "Victor", a song from the 1979 album ''Eat to the Beat'' by Blondie Businesses * Victor Talking Machine Company, early 20th century American recording company, forerunner of RCA Records * Victor Company of Japan, usually known as JVC, a Japanese electronics corporation originally a subsidiary of the Victor Talking Machine Company ** Victor Entertainment, or JVCKenwood Victor Entertainment, a Japanese record label ** Victor Interactive S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léon Jehin
Léon Jehin (17 July 1853 – 14 February 1928) was a conductor and composer, especially associated with the opera house in Monte Carlo.Favre G. ''Histoire Musicale de la Principauté de Monaco du XVIe au XXe siècle.'' Éditions des Archives du Palais Princier, Monaco/Éditions A et J Picard, Paris, 1974. He composed the national anthem of Monaco. Life and career Jehin was born in Spa, Belgium. He studied at the conservatoire in Liege and then in Brussels. He was a violinist at La Monnaie in the Belgian capital and conducted at Anvers, Aix-les-Bains, and the Royal Opera House. In 1889, when he was an assistant conductor in Brussels, he succeeded Arthur Steck as the conductor of the Monte Carlo Opera in Monaco, a position he held until his death. His first performance there was of ''Mireille'' by Charles Gounod.Walsh T J. ''Monte Carlo opera, 1879–1909.'' Gill and Macmillan, Dublin, 1975. In addition to conducting the main repertoire at the Monte Carlo opera, he conducted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera (British Magazine)
''Opera'' is a monthly Great Britain, British magazine devoted to covering all things related to opera. It contains reviews and articles about current opera productions internationally, as well as articles on opera recordings, opera singers, opera companies, opera directors, and opera books. The magazine also contains major features and analysis on individual operas and people associated with opera. The magazine employs a network of international correspondents around the world who write for the magazine. Contributors to the magazine, past and present, include William Ashbrook, Martin Bernheimer, Julian Budden, Rodolfo Celletti, Alan Blyth, Elizabeth Forbes (musicologist), Elizabeth Forbes, and J.B. Steane among many others. Format ''Opera'' is printed in ISO 216, A5 size, with colour photos, and consists of around 130 pages. Page numbering is consecutive for a complete year (e.g. September 2009 covers pages 1033–1168). All issues since February 1950 are available online to cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodney Milnes
Rodney Milnes Blumer OBE (26 July 1936 – 5 December 2015) was an English music critic, musicologist, writer, translator and broadcaster, with a particular interest in opera.Rodney Milnes. ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. He wrote under the professional name of Rodney Milnes. Life and career Milnes was born in Stafford, where his father was a surgeon. He learnt the piano as a child, to the level of playing the early Beethoven sonatas, and later recalled accompanying a fellow Oxford student in ''Winterreise'' at the Holywell Music Room. Wheatcroft, Geoffrey. Rodney Milnes, 1936-2015. ''Opera'', Vol 67 No 2, February 2016, p140-145. Milnes attended Rugby School and studied history at Christ Church, Oxford University. He was a member of the Oxford University Opera Club, taking part in ''The Fair Maid of Perth'' in 1955 (with Dudley Moore among the first violins and David Lloyd-Jones in the chorus),Rodney remembered (letters). L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Castronovo
Charles Castronovo (born June 19, 1975) is an American operatic tenor. Castronovo was born to a Sicilian father and an Ecuadorian mother in Queens, New York, but grew up in Southern California. He attended California State University, Fullerton, for undergraduate studies in classical voice. During his time at the university, his talent came to the attention of William Vendice, the chorusmaster of the Los Angeles Opera, who promptly hired him as a chorister. Career He began his professional career as a resident artist with the Los Angeles Opera. In the summer of 1998 he was a participant in San Francisco Opera's prestigious Merola Opera Program, and later joined the Metropolitan Opera's Lindemann Young Artist Development Program. After garnering much experience at the Metropolitan Opera, a series of significant role debuts soon followed such as Don Ottavio (Mozart's ''Don Giovanni''), Ernesto (Donizetti's ''Don Pasquale''), Fenton (Verdi's ''Falstaff''), Ferrando in Mozart's ''Cosà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nora Gubisch
Nora Gubisch (born Paris, 1971) is a French operatic mezzo-soprano. Born in 1971, Nora Gubisch began her musical studies at an early age at the Maîtrise of Radio France, then at the Conservatoire of Saint-Maur where she ... She is married to the pianist and conductor . Discography * : "Thérèse". Altinoglu, Castronovo, Dupuis * |
Festival De Radio France Et Montpellier
The Festival Radio France Occitanie Montpellier, formerly the Festival de Radio France et de Montpellier, is a summer festival of opera and music held in Montpellier, France created in 1985. The music festival concentrates on classical music and jazz with about 100 events, including opera, concerts, films, and talks, most of which are free and located in the historic courtyards of the city or the modern concert halls of Le Corum. Since its beginning, the festival has been entrusted to René Koering. Jean-Noël Jeanneney, president and general manager of Radio France in 1985 declared the purpose the festival was to reconcile "the classic and the unexpected, great interpreters and musicians making their debut, ancient accents and the sonorities of tomorrow... in the great tradition of public service". The Festival is held for more than two weeks in mid to late July. Significant premieres * 2006 premiere Édouard Lalo's lost opera ''Fiesque''. With Roberto Alagna, cond. Alain Alt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
