Thomas Quinlan (impresario)
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Thomas Quinlan (impresario)
Thomas Quinlan, (10 March 1881, Bury – 20 November 1951, Holborn) was a musical impresario, best known for founding the Quinlan Opera Company. Early life and career Thomas Quinlan was the son of Dennis Quinlan, a railway clerk, and Ellen Quinlan, née Carroll. He was the eldest of five children. Quinlan studied as an accountant, and in 1901 he was company secretary of the Withnell Brick company. He also trained as a baritone; he was first coached by Granville Bantock, and later studied for the operatic stage under Victor Maurel. He began music management in 1906, touring among others Enrico Caruso, Fritz Kreisler, John Philip Sousa and including a Nellie Melba tour of Ireland in 1908.The Lone Hand, 2 September 1912 On 4 July 1907 he married Dora Collins (daughter of James Collins, a tea merchant) at St Peter and St Edward Church, 43 Palace Street, Pimlico, London SW1. The witnesses were Gertrude Browning and the pianist Angelo Fronani, who married the opera singer Zélie d ...
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Thomas Quinlan (impresario)
Thomas Quinlan, (10 March 1881, Bury – 20 November 1951, Holborn) was a musical impresario, best known for founding the Quinlan Opera Company. Early life and career Thomas Quinlan was the son of Dennis Quinlan, a railway clerk, and Ellen Quinlan, née Carroll. He was the eldest of five children. Quinlan studied as an accountant, and in 1901 he was company secretary of the Withnell Brick company. He also trained as a baritone; he was first coached by Granville Bantock, and later studied for the operatic stage under Victor Maurel. He began music management in 1906, touring among others Enrico Caruso, Fritz Kreisler, John Philip Sousa and including a Nellie Melba tour of Ireland in 1908.The Lone Hand, 2 September 1912 On 4 July 1907 he married Dora Collins (daughter of James Collins, a tea merchant) at St Peter and St Edward Church, 43 Palace Street, Pimlico, London SW1. The witnesses were Gertrude Browning and the pianist Angelo Fronani, who married the opera singer Zélie d ...
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Her Majesty's Theatre, Melbourne
Her Majesty's Theatre is a 1,700-seat theatre in Melbourne's East End Theatre District, Australia. Built in 1886, it is located at 219 Exhibition Street, Melbourne. It is classified by the National Trust of Australia and is listed on the Victorian Heritage Register. Purchased in 2000 by Mike Walsh, the theatre was restored and refitted to accommodate larger productions. History The first recorded use of the area near the corner of Stephen (now known as Exhibition) Street and Little Bourke Street as a venue for entertainment was in 1880, when tiered seating was constructed and an openair venue for circuses and equestrian shows established. The Hippodrome lasted four years before the French born entrepreneur, Jules François de Sales Joubert, secured a 30-year lease on the site and commissioned architect Nahum Barnet to design a theatre, business and accommodation complex. In 1886, work on Joubert's project was completed. On 1 October, the Alexandra Theatre opened. Named a ...
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Hubert Bath
Hubert Charles Bath (6 November 188324 April 1945) was a British film composer, music director, and conductor. His credits include the music to the Oscar-winning documentary ''Wings Over Everest'' (1934), as well as to the films ''Tudor Rose'' (1936), ''A Yank at Oxford'' (1938) and '' Love Story'' (1944). Biography Bath was born in Barnstaple, Devon in 1883. He sang in the local church choir and in 1899 attended the Royal Academy of Music, studying piano with Oscar Beringer and composition with Frederick Corder. In 1913-14 he conducted Thomas Quinlan's opera troupe on its world tour, also acting as chorus master. He conducted "Madame Butterfly" at the London Opera House in July 1915, in a performance that starred Tamaki Miura. After that he established himself as a composer of light operas, including ''Young England'' (Birmingham, 1915) and '' Bubbole'' (Milan, 1920), extending the genre towards grand opera with ''Trilby''. He went on to compose many film scores (including ...
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Royal Opera Stockholm
Royal Swedish Opera ( sv, Kungliga Operan) is an opera and ballet company based in Stockholm, Sweden. Location and environment The building is located in the center of Sweden's capital Stockholm in the borough of Norrmalm, on the eastern side of Gustav Adolfs torg across from the former Arvfurstens Palats, now Ministry for Foreign Affairs. It lies on the north side of the Norrström river and is connected to the Royal Palace through the Norrbro bridge. Further historically as well as architecturally important buildings in the close neighborhood are the Sager House, official residence of the Prime Minister of Sweden, and the Riksdag building. History The opera company was founded with the Royal Swedish Academy of Music by King Gustav III and its first performance, ''Thetis and Phelée'' with Carl Stenborg and Elisabeth Olin, was given on 18 January 1773; this was the first native speaking opera performed in Sweden. But the first opera house was not opened until 1782 and serv ...
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Agnes Nicholls
Agnes Helen Nicholls (14 July 1876 – 21 September 1959)Announcement in ''Cheltenham Mercury'' Saturday 26 August 1876 'July 14, at 3 Claremont Square, Mrs A.C. Nicholls of a daughter - Agnes Helen.' was one of the greatest English sopranos of the 20th century, both in the concert hall and on the operatic stage. Born in Cheltenham, Nicholls was the daughter of a director of Cavendish House, a prestigious store in the town. She received her early education at Bedford High School where she started singing lessons with Dr H. Alfred Harding. In 1894, she won a scholarship to the Royal College of Music where her teacher was Albert Visetti. During her student years she took the part of Dido in Purcell's ''Dido and Aeneas'', and sang three times in front of Queen Victoria at private functions. Nicholls' voice matured into an impressive, dramatic-sized instrument. Her operatic roles ranged from major Wagner and Mozart parts through to the Dewman in Humperdinck's '' Hänsel und Grete ...
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Dramatic Soprano
A dramatic soprano is a type of operatic soprano with a powerful, rich, emotive voice that can sing over, or cut through, a full orchestra. Thicker vocal folds in dramatic voices usually (but not always) mean less agility than lighter voices but a sustained, fuller sound. Usually this voice has a lower tessitura than other sopranos, and a darker timbre. They are often used for heroic, often long- suffering, tragic women of opera. Dramatic sopranos have a range from approximately low A ( A3) to "high C" (C6).Coffin (1960) Some dramatic sopranos, known as Wagnerian sopranos, have an exceptionally big voice that can assert itself over a large orchestra (of more than 80 or even 100 pieces). These voices are substantial, often denser in tone, extremely powerful and, ideally, evenly balanced throughout the vocal registers. Wagnerian sopranos usually play mythic heroines. Successful Wagnerian sopranos are rare and often Wagnerian roles are performed by Italianate dramatic sopranos. Drama ...
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John Coates (tenor)
John Coates (29 June 1865 – 16 August 1941) was a leading English tenor, who sang in opera and oratorio and on the concert platform. His repertoire ranged from Bach and Purcell to contemporary works, and embraced the major heldentenor roles in Richard Wagner's operas. For more than 40 years, with only a four-year interruption for military service during World War I, he overcame the limitations of a voice that was not naturally large by impressing listeners with his intense artistic expression, lively diction, musical versatility and memorable stage presence. Coates spent some time on the European continent, toured Australia and South Africa in 1912–13 and performed in North America in the 1890s and again in 1925. He performed most often, however, in his native country and became a beloved figure at England's regional music festivals. Elgar's ''Dream of Gerontius'' was one of his specialties. After 1921, he limited his performances to the concert stage and recitals, still pe ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Lalla Miranda
Lalla Miranda (1874–1944) was an Australian coloratura soprano who was primarily active in Belgium, France, and Great Britain. Born in Melbourne, she was the daughter of opera singers David Miranda and Annetta Hirst and the older sister of opera singer Beatrice Miranda. After studies in London and Paris, she made her professional opera debut in The Hague in 1898. She then appeared in numerous operas in Amsterdam in successive years. In 1899 she was a resident artist at La Monnaie. She made several appearances at the Palais Garnier in Paris and at theatres in the French Provences during the first two decades of the 20th century. In 1900–1901 and from 1907–1911 she was committed the Royal Opera House on London. In 1910 she was committed to both the Manhattan Opera Company and the Philadelphia Opera Company. She notably opened the 1910 season at the Manhattan Opera House in the title role of Donizetti's ''Lucia di Lammermoor'', a role for which she was famous. In New York and Phi ...
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Die Walküre
(; ''The Valkyrie''), WWV 86B, is the second of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 14 August 1876. As the ''Ring'' cycle was conceived by Wagner in reverse order of performance, ''Die Walküre'' was the third of the four texts to be written, although Wagner composed the music in performance sequence. The text was completed by July 1852, and the music by March 1856. Wagner largely followed the principles related to the form of musical drama, which he had set out in his 1851 essay ''Opera and Drama'' under which the music would interpret the text emotionally, reflecting the feelings and moods behind the work, using a system of recurring leitmotifs to represent people, ideas, and situations rather than the conv ...
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Hänsel Und Gretel (opera)
''Hansel and Gretel'' (German: ') is an opera by nineteenth-century composer Engelbert Humperdinck, who described it as a ' (fairy-tale opera). The libretto was written by Humperdinck's sister, Adelheid Wette, based on the Grimm brothers' fairy tale "Hansel and Gretel". It is much admired for its folk music-inspired themes, one of the most famous being the "" ("Evening Benediction") from act 2. The idea for the opera was proposed to Humperdinck by his sister, who approached him about writing music for songs that she had written for her children for Christmas based on "Hansel and Gretel". After several revisions, the musical sketches and the songs were turned into a full-scale opera. Humperdinck composed ''Hansel and Gretel'' in Frankfurt in 1891 and 1892. The opera was first performed in the Hoftheater in Weimar on 23 December 1893, conducted by Richard Strauss. It has been associated with Christmas since its earliest performances and today it is still most often performed at ...
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Debussy
(Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, '' Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes'' (1897–1899) and ''Images'' (1905–1912). His music was to a considerable extent a r ...
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