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Thomas Leabhart
Thomas Leabhart (born 1944) is an American corporeal mime and corporeal mime teacher. Leabhart studied at the Ecole de Mime Etienne Decroux, Paris under the instruction of master mime and teacher Etienne Decroux from 1968 to 1972. He currently performs and teaches regularly in France and has performed and taught workshops at the Museum of Design in Zürich, The Austrian Theatre Museum in Vienna, the National Museum of Ethnology in Osaka, the American Center in Montevideo, Movement Theatre International in Philadelphia, and many other venues. He is editor of ''Mime Journal'' and has authored over 35 articles. He is resident artist and professor of theatre at Pomona College in Claremont, California, and continues to publish translations of Decroux's writings and methods in English. Leabhart is the most published writer on the subject of Corporeal Mime—chronicling its rise and development in the modern theatre and is closely associated with the International School of Theatr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pennsylvania
Pennsylvania (; ( Pennsylvania Dutch: )), officially the Commonwealth of Pennsylvania, is a state spanning the Mid-Atlantic, Northeastern, Appalachian, and Great Lakes regions of the United States. It borders Delaware to its southeast, Maryland to its south, West Virginia to its southwest, Ohio to its west, Lake Erie and the Canadian province of Ontario to its northwest, New York to its north, and the Delaware River and New Jersey to its east. Pennsylvania is the fifth-most populous state in the nation with over 13 million residents as of 2020. It is the 33rd-largest state by area and ranks ninth among all states in population density. The southeastern Delaware Valley metropolitan area comprises and surrounds Philadelphia, the state's largest and nation's sixth most populous city. Another 2.37 million reside in Greater Pittsburgh in the southwest, centered around Pittsburgh, the state's second-largest and Western Pennsylvania's largest city. The state's su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Living People
Related categories * :Year of birth missing (living people) / :Year of birth unknown * :Date of birth missing (living people) / :Date of birth unknown * :Place of birth missing (living people) / :Place of birth unknown * :Year of death missing / :Year of death unknown * :Date of death missing / :Date of death unknown * :Place of death missing / :Place of death unknown * :Missing middle or first names See also * :Dead people * :Template:L, which generates this category or death years, and birth year and sort keys. : {{DEFAULTSORT:Living people 21st-century people People by status ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1944 Births
Events Below, the events of World War II have the "WWII" prefix. January * January 2 – WWII: ** Free France, Free French General Jean de Lattre de Tassigny is appointed to command First Army (France), French Army B, part of the Sixth United States Army Group in North Africa. ** Landing at Saidor: 13,000 US and Australian troops land on Papua New Guinea, in an attempt to cut off a Japanese retreat. * January 8 – WWII: Philippine Commonwealth troops enter the province of Ilocos Sur in northern Luzon and attack Japanese forces. * January 11 ** President of the United States Franklin D. Roosevelt proposes a Second Bill of Rights for social and economic security, in his State of the Union address. ** The Nazi German administration expands Kraków-Płaszów concentration camp into the larger standalone ''Konzentrationslager Plaszow bei Krakau'' in occupied Poland. * January 12 – WWII: Winston Churchill and Charles de Gaulle begin a 2-day conference in Marrakech ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Lecoq
Jacques Lecoq (15 December 1921 – 19 January 1999) was a French stage actor and acting movement coach. He was best known for his teaching methods in physical theatre, movement, and mime which he taught at the school he founded in Paris known as École internationale de théâtre Jacques Lecoq. He taught there from 1956 until his death from a cerebral hemorrhage in 1999. Jacques Lecoq was known as the only noteworthy movement instructor and theatre pedagogue with a professional background in sports and sports rehabilitation in the twentieth century. Life As a teenager, Lecoq participated in many sports such as running, swimming, and gymnastics. Lecoq was particularly drawn to gymnastics. He began learning gymnastics at the age of seventeen, and through work on the parallel bars and horizontal bar, he came to see and understand the geometry of movement. Lecoq described the movement of the body through space as required by gymnastics to be purely abstract. He came to understand t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Marceau
Marcel Marceau (; born Marcel Mangel; 22 March 1923 – 22 September 2007) was a French actor and mime artist most famous for his stage persona, "Bip the Clown". He referred to mime as the "art of silence", and he performed professionally worldwide for over 60 years. As a Jewish youth, he lived in hiding and worked with the French Resistance during most of World War II, giving his first major performance to 3,000 troops after the liberation of Paris in August., ''Wallenberg lecture'', 30 April 2001 Following the war, he studied dramatic art and mime in Paris. In 1959, he established his own pantomime school in Paris, and he subsequently set up the Marceau Foundation to promote the art in the U.S. Among his various awards and honors, he was made "Grand Officier de la Légion d'Honneur" (1998) and was awarded the National Order of Merit (1998) in France. He won the Emmy Award for his work on television, was elected member of the Academy of Fine Arts in Berlin, and was declared a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Louis Barrault
Jean-Louis Bernard Barrault (; 8 September 1910 – 22 January 1994) was a French actor, director and mime artist who worked on both screen and stage. Biography Barrault was born in Le Vésinet in France in 1910. His father was 'a Burgundian pharmacist who died in the First World War.':87 He studied at the Collége Chaptal until 1930, when he began his studies at the École du Louvre.:87 Theatre From 1931 to 1935 Barrault studied and acted at Charles Dullin's ''L'Atelier''.:32 His first performance was a small role in Ben Jonson's ''Volpone''. At the time, Barrault was unable to afford rent and Dullin allowed him to sleep in the theatre on Volpone's bed.:16 It was ''L'Atelier'' that he first met and studied under Étienne Decroux,:41 with whom he would create the pantomime ''La Vie Primitive'' in 1931.:87 He was a member of the Comédie-Française from 1942 to 1946, performing lead roles in Shakespeare's ''Hamlet'' and Corneille's ''Le Cid.'':32 He and his wife, actress ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commedia Dell'arte
(; ; ) was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Characterized by masked "types", was responsible for the rise of actresses such as Isabella Andreini and improvised performances based on sketches or scenarios. A , such as ''The Tooth Puller'', is both scripted and improvised. Characters' entrances and exits are scripted. A special characteristic of is the , a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of is pantomime, which is mostly used by the character Arlecchino, now better known as Harlequin. The characters of the usually represent fixed social types and stock characters, such as foolish old men, devious servants, or military officers full of false bravado. The characters are exaggerated " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Theater
Ancient Greek theatre was a theatrical culture that flourished in ancient Greece from 700 BC. The city-state of Athens, which became a significant cultural, political, and religious place during this period, was its centre, where the theatre was institutionalised as part of a festival called the Dionysia, which honoured the god Dionysus. Tragedy (late 500 BC), comedy (490 BC), and the satyr play were the three dramatic genres to emerge there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Etymology The word grc, τραγῳδία, tragoidia, label=none, from which the word "tragedy" is derived, is a compound of two Greek words: grc, τράγος, tragos, label=none or "goat" and grc, ᾠδή, ode, label=none meaning "song", from grc, ἀείδειν, aeid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Copeau
Jacques Copeau (; 4 February 1879 – 20 October 1949) was a French theatre director, producer, actor, and dramatist. Before he founded the Théâtre du Vieux-Colombier in Paris, he wrote theatre reviews for several Parisian journals, worked at the Georges Petit Gallery where he organized exhibits of artists' works and helped found the ''Nouvelle Revue Française'' in 1909, along with writer friends, such as André Gide and Jean Schlumberger. Twentieth century French theatre is marked by Copeau's outlook. According to Albert Camus, "in the history of the French theatre, there are two periods: before Copeau and after Copeau." Early life and formative years The child of a well-off middle-class family, the Paris-born Copeau was raised in Paris and attended the best schools. At the Lycée Condorcet, he was a talented but nonchalant student whose interest in theatre already consumed him. His first staged play, ''Brouillard du matin'' ("Morning Fog"), was presented on 27 Marc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corporeal Mime
Corporeal mime is an aspect of physical theater whose objective is to place drama inside the moving human body, rather than to substitute gesture for speech as in pantomime. In this medium, the mime must apply to physical movement those principles that are at the heart of drama: pause, hesitation, weight, resistance and surprise. Corporeal mime accentuates the vital importance of the body and physical action on stage. Étienne Decroux’s dramatic corporeal mime is taking the body as a main means of expression and the actor as a starting point for creation with the aim of “making the invisible visible” (Étienne Decroux), of allowing the actor to show thought movement. Art of movement rather than art of silence, dramatic corporeal mime is first of all the art of the actor/actress. An actor, whatever his artistic ambition might be, must, before all, be present, “be” on stage and this presence is shown through the body. The body is what sustains the costume, what the specta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
