Thomas Creede
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Thomas Creede
Thomas Creede ( fl. 1593 – 1617) was a printer of the Elizabethan and Jacobean eras, rated as "one of the best of his time." Based in London, he conducted his business under the sign of the Catherine Wheel in Thames Street from 1593 to 1600, and under the sign of the Eagle and Child in the Old Exchange from 1600 to 1617. Creede is best known for printing editions of works in English Renaissance drama, especially for ten editions of six Shakespearean plays and three works in the Shakespeare Apocrypha. Printing In Creede's era, the disciplines of printing and publishing were generally conducted separately. Books were published by stationers or booksellers, who subcontracted the job of printing to professional printers. Those individuals, like William Jaggard of First Folio fame, who regularly functioned as both publishers and printers, were the exceptions to the general rule. Much of Creede's most noteworthy work, as with Shakespearean texts, followed this model – he work ...
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Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ...
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Second Quarto
The earliest texts of William Shakespeare's works were published during the 16th and 17th centuries in quarto or folio format. Folios are large, tall volumes; quartos are smaller, roughly half the size. The publications of the latter are usually abbreviated to Q1, Q2, etc., where the letter stands for "quarto" and the number for the first, second, or third edition published. Plays Eighteen of the 36 plays in the First Folio were printed in separate and individual editions prior to 1623. ''Pericles, Prince of Tyre, Pericles'' (1609) and ''The Two Noble Kinsmen'' (1634) also appeared separately before their inclusions in folio collections (the Shakespeare Third Folio and the Beaumont and Fletcher folios, second Beaumont and Fletcher folio, respectively). All of these were book size, quarto editions, with two exceptions: ''The True Tragedy of Richard Duke of York'', the first edition of ''Henry VI, Part 3'', was printed in book size, octavo form in 1595, as was the 1611 edition of ' ...
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Monsieur D'Olive
''Monsier D'Olive'' is an early Jacobean era stage play, a comedy written by George Chapman. The play was first published in 1606, in a quarto printed by Thomas Creede for the bookseller William Holmes. This was the drama's sole edition before the 19th century. The title page identifies Chapman as the author, and states that the play was performed by the Queen's Revels Children at the Blackfriars Theatre. The play was almost certainly written and debuted onstage in 1605. Chapman structured his main plot to express his interest in the Neoplatonist Neoplatonism is a strand of Platonic philosophy that emerged in the 3rd century AD against the background of Hellenistic philosophy and religion. The term does not encapsulate a set of ideas as much as a chain of thinkers. But there are some id ... philosophy of Marsilio Ficino. Critics have been divided as to the success of Chapman's effort and the value of the resulting play. 19th-century critics often praised ''Monsieur D'Oli ...
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George Chapman
George Chapman (Hitchin, Hertfordshire, – London, 12 May 1634) was an English dramatist, translator and poet. He was a classical scholar whose work shows the influence of Stoicism. Chapman has been speculated to be the Rival Poet of Shakespeare's sonnets by William Minto, and as an anticipator of the metaphysical poets of the 17th century. Chapman is best remembered for his translations of Homer's ''Iliad'' and ''Odyssey'', and the Homeric ''Batrachomyomachia''. Life and work Chapman was born at Hitchin in Hertfordshire. There is conjecture that he studied at Oxford but did not take a degree, though no reliable evidence affirms this. Very little is known about Chapman's early life, but Mark Eccles uncovered records that reveal much about Chapman's difficulties and expectations. In 1585 Chapman was approached in a friendly fashion by John Wolfall Sr., who offered to supply a bond of surety for a loan to furnish Chapman money "for his proper use in Attendance upon the the ...
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The Wisdom Of Doctor Dodypoll
''The Wisdom of Doctor Dodypoll'' is a later Elizabethan stage play, an anonymous comedy first published in 1600. It is illustrative of the type of drama staged by the companies of child actors when they returned to public performance in that era. Date, performance, publication ''The Wisdom of Doctor Dodypoll'' was entered into the Stationers' Register on 7 October 1600, and was published before the end of that year, in a quarto printed by Thomas Creede for the bookseller Richard Olive. This was the only edition of the play prior to the nineteenth century. The title page states the drama had been acted by the Children of Paul's, the troupe of boy actors that had resumed public dramatic performances in 1599 or 1600 after a decade's absence. Various internal features in the play point to a date of authorship in the 1599–1600 interval. Like many plays of the children's companies, ''Doctor Dodypoll'' parodies the works of the established adult companies, including those of Will ...
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The Maid's Metamorphosis
''The Maid's Metamorphosis'' is a late Elizabethan stage play, a pastoral first published in 1600. The play, "a comedy of considerable merit," was published anonymously, and its authorship has been a long-standing point of dispute among scholars. Date, performance, publication ''The Maid's Metamorphosis'' was entered into the Stationers' Register on 24 July 1600, and published later that year in a quarto printed by Thomas Creede for the bookseller Richard Olive. The title page of the first edition states that the play was acted by the Children of Paul's, one of the companies of boy actors popular at the time. That company resumed dramatic performances in 1599, and the play itself refers to a leap year and a year of drought, which was true only of 1600 in the relevant period – indicating that the play was performed in that year. Authorship The earliest attribution of authorship was on Edward Archer's play list of 1656, which assigned the play to John Lyly. The play is writt ...
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The Merry Devil Of Edmonton
''The Merry Devil of Edmonton'' is an Elizabethan-era stage play; a comedy about a magician, Peter Fabell, nicknamed the Merry Devil. It was at one point attributed to William Shakespeare, but is now considered part of the Shakespeare Apocrypha. Date and text Scholars have conjectured dates of authorship for the play as early as 1592, though most favor a date in the 1600–4 period. ''The Merry Devil'' enters the historical record in 1604, when it is mentioned in a contemporary work called the ''Black Booke''. The play was entered into the Stationers' Register on 22 October 1607, and published the next year, in a quarto printed by Henry Ballard for the bookseller Arthur Johnson (Q1 – 1608). Five more quartos appeared through the remainder of the century: Q2 – 1612; Q3 – 1617; Q4 – 1626; Q5 – 1631; and Q6 – 1655. All of these quartos were anonymous. Shakespearean authorship Publisher Humphrey Moseley obtained the rights to the play and re-registered it on 9 September ...
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The London Prodigal
''The London Prodigal'' is a play in English Renaissance theatre, a city comedy set in London, in which a prodigal son learns the error of his ways. The play was published in quarto in 1605 by the stationer Nathaniel Butter, and printed by Thomas Creede. In 1664 it was one of the seven plays that publisher Philip Chetwinde added to the second impression of his Third Folio of William Shakespeare's plays. The play was not entered into the Stationers' Register, but it is attributed to Shakespeare on the title page of the only edition. This attribution is widely and generally rejected by scholars. The title page also identifies the play as a King's Men's play. ''The London Prodigal'' has been dated as early as c. 1591, and as late as 1603–04. It is one of a long series of "prodigal son" plays that reach back as far as the Bible for inspiration and precedent; but it is also an example of the evolving Elizabethian genre of domestic dramas, and "one of the first naturalistic drama ...
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Book Size
The size of a book is generally measured by the height against the width of a leaf, or sometimes the height and width of its cover. A series of terms is commonly used by libraries and publishers for the general sizes of modern books, ranging from ''folio'' (the largest), to ''quarto'' (smaller) and ''octavo'' (still smaller). Historically, these terms referred to the format of the book, a technical term used by printers and bibliographers to indicate the size of a leaf in terms of the size of the original sheet. For example, a quarto (from Latin ''quartō'', ablative form of ''quartus'', fourth) historically was a book printed on sheets of paper folded in half twice, with the first fold at right angles to the second, to produce 4 leaves (or 8 pages), each leaf one fourth the size of the original sheet printed – note that a ''leaf'' refers to the single piece of paper, whereas a ''page'' is one side of a leaf. Because the actual format of many modern books cannot be determined fro ...
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Nathaniel Butter
Nathaniel Butter (died 22 February 1664) was a London publisher of the early 17th century. The publisher of the first edition of Shakespeare's ''King Lear'' in 1608, he has also been regarded as one of the first publishers of a newspaper in English. Beginnings Nathaniel Butter was the son of a Thomas Butter, a bookseller; the son followed the father's profession. Nathaniel became a "freeman" (a full member) of the Stationers Company on 20 February 1604, and registered his first title before the end of that year. In his career, Butter concentrated on bookselling and publishing; as was a common practice in his era, he commissioned printers to print his books, and worked with most of the printers of his generation. Drama ''King Lear'' was entered into the Stationers' Register on 26 November 1607, by Butter and colleague John Busby. The first quarto edition of the play was published the following year, printed by Nicholas Okes, with Butter listed as publisher. Busby appears to have ...
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Pericles, Prince Of Tyre
''Pericles, Prince of Tyre'' is a Jacobean play written at least in part by William Shakespeare and included in modern editions of his collected works despite questions over its authorship, as it was not included in the First Folio. It was published in 1609 as a quarto, was not included in Shakespeare's collections of works until the third folio, and the main inspiration for the play was Gower's ''Confessio Amantis''. Various arguments support the theory that Shakespeare was the sole author of the play, notably in DelVecchio and Hammond's Cambridge edition of the play, but modern editors generally agree that Shakespeare was responsible for almost exactly half the play — 827 lines — the main portion after scene 9 that follows the story of Pericles and Marina. Modern textual studies suggest that the first two acts, 835 lines detailing the many voyages of Pericles, were written by a collaborator, who may well have been the victualler, panderer, dramatist and pamphleteer Geo ...
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The Merry Wives Of Windsor
''The Merry Wives of Windsor'' or ''Sir John Falstaff and the Merry Wives of Windsor'' is a comedy by William Shakespeare first published in 1602, though believed to have been written in or before 1597. The Windsor of the play's title is a reference to the town of Windsor, also the location of Windsor Castle, in Berkshire, England. Though nominally set in the reign of Henry IV or early in the reign of Henry V, the play makes no pretence to exist outside contemporary Elizabethan-era English middle-class life. It features the character Sir John Falstaff, the fat knight who had previously been featured in ''Henry IV, Part 1'' and '' Part 2''. It has been adapted for the opera at least ten times. The play is one of Shakespeare's lesser-regarded works among literary critics. Tradition has it that ''The Merry Wives of Windsor'' was written at the request of Queen Elizabeth I. After watching ''Henry IV Part I'', she asked Shakespeare to write a play depicting Falstaff in love. Char ...
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