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The London Prodigal
''The London Prodigal'' is a play in English Renaissance theatre, a city comedy set in London, in which a prodigal son learns the error of his ways. The play was published in quarto in 1605 by the stationer Nathaniel Butter, and printed by Thomas Creede. In 1664 it was one of the seven plays that publisher Philip Chetwinde added to the second impression of his Third Folio of William Shakespeare's plays. The play was not entered into the Stationers' Register, but it is attributed to Shakespeare on the title page of the only edition. This attribution is widely and generally rejected by scholars. The title page also identifies the play as a King's Men's play. ''The London Prodigal'' has been dated as early as c. 1591, and as late as 1603–04. It is one of a long series of "prodigal son" plays that reach back as far as the Bible for inspiration and precedent; but it is also an example of the evolving Elizabethian genre of domestic dramas, and "one of the first naturalistic drama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Prodigal
''The London Prodigal'' is a play in English Renaissance theatre, a city comedy set in London, in which a prodigal son learns the error of his ways. The play was published in book size, quarto in 1605 by the stationer Nathaniel Butter, and printed by Thomas Creede. In 1664 it was one of the seven plays that publisher Philip Chetwinde added to the second impression of his Folios and Quartos (Shakespeare), Third Folio of William Shakespeare's plays. The play was not entered into the Stationers' Register, but it is attributed to Shakespeare on the title page of the only edition. This attribution is widely and generally rejected by scholars. The title page also identifies the play as a King's Men (playing company), King's Men's play. ''The London Prodigal'' has been dated as early as c. 1591, and as late as 1603–04. It is one of a long series of "prodigal son" plays that reach back as far as the Bible for inspiration and precedent; but it is also an example of the evolving Elizabe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stationers' Register
The Stationers' Register was a record book maintained by the Stationers' Company of London. The company is a trade guild given a royal charter in 1557 to regulate the various professions associated with the publishing industry, including printers, bookbinders, booksellers, and publishers in England. The Register itself allowed publishers to document their right to produce a particular printed work, and constituted an early form of copyright law. The company's charter gave it the right to seize illicit editions and bar the publication of unlicensed books. For the study of English literature of the later sixteenth and the seventeenth centuries—for the Elizabethan era, the Jacobean era, the Caroline era, and especially for English Renaissance theatre—the Stationers' Register is an crucial and essential resource: it provides factual information and hard data that is available nowhere else. Together with the records of the Master of the Revels (which relate to dramatic perform ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Wilkins
George Wilkins (died 1618) was an English dramatist and pamphleteer best known for his probable collaboration with William Shakespeare on the play ''Pericles, Prince of Tyre''. By profession he was an inn-keeper, but he was also apparently involved in criminal activities. Life Wilkins was an inn-keeper in Cow-Cross, London, an area that was "notorious as a haunt of whores and thieves".Roger Warren, Gary Taylor, MacDonald Pairman Jackson, ''A reconstructed text of Pericles, Prince of Tyre'', Oxford, Oxford University Press, 2004, pp.6-7. Most biographical information about him derives from his regular appearance in criminal court records for thievery and acts of violence. Many of the charges against him involved violence against women, including kicking a pregnant woman in the belly, and knocking down and stomping another woman. The latter appears in other records as a known "bawd", or keeper of prostitutes. These facts have led to the suggestion that his inn functioned as a bro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Heywood
Thomas Heywood (early 1570s – 16 August 1641) was an English playwright, actor, and author. His main contributions were to late Elizabethan and early Jacobean theatre. He is best known for his masterpiece ''A Woman Killed with Kindness'', a domestic tragedy, which was first performed in 1603 at the Rose Theatre by the Worcester's Men company. He was a prolific writer, claiming to have had "an entire hand or at least a maine finger in two hundred and twenty plays", although only a fraction of his work has survived. Early years Few details of Heywood's life have been documented with certainty. Most references indicate that the county of his birth was most likely Lincolnshire, while the year has been variously given as 1570, 1573, 1574 and 1575. It has been speculated that his father was a country parson and that he was related to the half-century-earlier dramatist John Heywood, whose death year is, again, uncertain, but indicated as having occurred not earlier than 1575 and n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Drayton
Michael Drayton (1563 – 23 December 1631) was an English poet who came to prominence in the Elizabethan era. He died on 23 December 1631 in London. Early life Drayton was born at Hartshill, near Nuneaton, Warwickshire, England. Almost nothing is known about his early life, beyond the fact that in 1580 he was in the service of Thomas Goodere of Collingham, Nottinghamshire. 19th- and 20th-century scholars, on the basis of scattered allusions in his poems and dedications, suggested that Drayton might have studied at the University of Oxford, and been intimate with the Polesworth branch of the Goodere family. More recent work has cast doubt on those speculations. Literary career 1590–1602 In 1590, he produced his first book, ''The Harmony of the Church'', a volume of spiritual poems, dedicated to Lady Devereux. It is notable for a version of the '' Song of Solomon'', executed with considerable richness of expression. However, with the exception of forty copies, seized by the A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Marston (poet)
John Marston (baptised 7 October 1576 – 25 June 1634) was an English playwright, poet and satirist during the late Elizabethan and early Jacobean periods. His career as a writer lasted only a decade. His work is remembered for its energetic and often obscure style, its contributions to the development of a distinctively Jacobean style in poetry, and its idiosyncratic vocabulary. Life Marston was born to John and Maria Marston ''née'' Guarsi, and baptised 7 October 1576, at Wardington, Oxfordshire. His father was an eminent lawyer of the Middle Temple who first argued in London and then became the counsel to Coventry and ultimately its steward. John Marston entered Brasenose College, Oxford, in 1592 and received his BA in 1594. By 1595, he was in London, living in the Middle Temple, where he had been admitted a member three years previously. He had an interest in poetry and play writing, although his father's will of 1599 expresses the hope that he would give up such vaniti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Dekker (poet)
Thomas Dekker (c. 1572 – 25 August 1632) was an English Elizabethan dramatist and pamphleteer, a versatile and prolific writer, whose career spanned several decades and brought him into contact with many of the period's most famous dramatists. Early life Little is known of Dekker's early life or origins. From references in his pamphlets, Dekker is believed to have been born in London around 1572, but nothing is known for certain about his youth. His last name suggests Dutch ancestry, and his work, some of which is translated from Latin, suggests that he attended grammar school. Career Dekker embarked on a career as a theatre writer in the middle 1590s. His handwriting is found in the manuscript of '' Sir Thomas More'', though the date of his involvement is undetermined. More certain is his work as a playwright for the Admiral's Men of Philip Henslowe, in whose account book he is first mentioned in early 1598. While there are plays connected with his name performed as early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben Jonson
Benjamin "Ben" Jonson (c. 11 June 1572 – c. 16 August 1637) was an English playwright and poet. Jonson's artistry exerted a lasting influence upon English poetry and stage comedy. He popularised the comedy of humours; he is best known for the satirical plays ''Every Man in His Humour'' (1598), '' Volpone, or The Fox'' (c. 1606), '' The Alchemist'' (1610) and '' Bartholomew Fair'' (1614) and for his lyric and epigrammatic poetry. "He is generally regarded as the second most important English dramatist, after William Shakespeare, during the reign of James I." Jonson was a classically educated, well-read and cultured man of the English Renaissance with an appetite for controversy (personal and political, artistic and intellectual) whose cultural influence was of unparalleled breadth upon the playwrights and the poets of the Jacobean era (1603–1625) and of the Caroline era (1625–1642)."Ben Jonson", ''Grolier Encyclopedia of Knowledge'', volume 10, p. 388. His ancestor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King's Men (playing Company)
The King's Men is the acting company to which William Shakespeare (1564–1616) belonged for most of his career. Formerly known as the Lord Chamberlain's Men during the reign of Queen Elizabeth I, they became the King's Men in 1603 when King James I ascended the throne and became the company's patron. The royal patent of 19 May 1603 which authorised the King's Men company named the following players, in this order: Lawrence Fletcher, William Shakespeare, Richard Burbage, Augustine Phillips, John Heminges, Henry Condell, William Sly, Robert Armin, Richard Cowley, "and the rest of their associates...." The nine cited by name became Grooms of the Chamber. On 15 March 1604, each of the nine men named in the patent was supplied with four and a half yards of red cloth for the coronation procession. Chronologically typed To 1610 In their first winter season, between December 1603 and February 1604 the company performed eight times at Court and eleven times in their second, from N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Shakespeare
William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the " Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. He remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a successful career in London as an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Renaissance Theatre
English Renaissance theatre, also known as Renaissance English theatre and Elizabethan theatre, refers to the theatre of England between 1558 and 1642. This is the style of the plays of William Shakespeare, Christopher Marlowe and Ben Jonson. Background The term ''English Renaissance theatre'' encompasses the period between 1562—following a performance of ''Gorboduc'', the first English play using blank verse, at the Inner Temple during the Christmas season of 1561—and the ban on theatrical plays enacted by the English Parliament in 1642. In a strict sense "Elizabethan" only refers to the period of Queen Elizabeth's reign (1558–1603). ''English Renaissance theatre'' may be said to encompass ''Elizabethan theatre'' from 1562 to 1603, '' Jacobean theatre'' from 1603 to 1625, and '' Caroline theatre'' from 1625 to 1642. Along with the economics of the profession, the character of the drama changed towards the end of the period. Under Elizabeth, the drama was a unified ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
