This Is How We Party
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This Is How We Party
"This Is How We Party" is the debut single of Danish pop duo S.O.A.P., written by Remee and Holger Lagerfeldt. Released in December 1997, it was S.O.A.P.'s biggest hit, making it into the top 10 in many countries, including Sweden, where it reached 1. The single is certified platinum in Australia and gold in Belgium, France, New Zealand, and Sweden. In 2017, ''BuzzFeed'' listed the song at No. 100 on their list of "The 101 Greatest Dance Songs of the '90s". In 2002, it was sampled in BoA's song "Tragic", and in 2019, it was sampled in a song also titled "This Is How We Party" by R3hab and Icona Pop. Release and reception "This Is How We Party" was first released in Denmark as a maxi-CD single on 15 December 1997. In March of the following year, two more CDs with new cover artworks were issued, followed by a four-track maxi-CD in May. The song was made available for purchase in the US on 18 March 1998 and was scheduled to debut on radio on 17 March, though it ended up being pla ...
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Not Like Other Girls
''Not Like Other Girls'' is the debut album by S.O.A.P. It was released on 18 March 1998 in Denmark and on 5 May in the U.S., as a self-titled album on Crave Records, with a European release under Sony held around the same time. Remee wrote the lyrics for the album, which was produced by Holger Lagerfeldt. The album was certified gold in Finland and Denmark, and had sold over 15,000 copies in the US by July 1998. By August 2000, it had sold 1.5 million copies worldwide. The album's debut single was " This Is How We Party". The second single was " Ladidi Ladida", except in the US where the second single released was "Stand by You". "Stand by You" was later recorded by the UK pop group S Club 7 for their album '' 7''. The album won best pop album at the 1999 Danish Music Awards The Danish Music Awards (DMA) is a Danish award show. The show has been arranged by IFPI since 1989, and was originally called ''IFPI-prisen'' ("IFPI-Award") until 1991, when it changed its name to ''Dans ...
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IFPI Danmark
IFPI Danmark is the Danish branch of the International Federation of the Phonographic Industry (IFPI) and is the official charts provider and recording sales certification body for Denmark. Certification Gold and platinum awards were first awarded in Denmark in the early 1990s. The sales requirements are the same for domestic and international repertoire. Note that Danish certification system for music products are awarded based on shipments. Albums Sales can include digital downloads and also streams at a ratio of 1:1000 Singles Sales can include digital downloads and also streams at a ratio of 1:100 Streaming only DVDs Video-single DVDs Full-length DVDs Singles chart See: ''Hitlisten Hitlisten, also known as Tracklisten, is a Danish top 40 record chart that is updated every Thursday midnight on the website hitlisten.nu. The weekly Danish singles chart Track Top-40 combines the 40 best-selling tracks from legal music downloads ...'' References External links ...
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Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to '' Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood One, ...
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Contemporary Hit Radio
Contemporary hit radio (also known as CHR, contemporary hits, hit list, current hits, hit music, top 40, or pop radio) is a radio format that is common in many countries that focuses on playing current and recurrent popular music as determined by the Top 40 music charts. There are several subcategories, dominantly focusing on rock, pop, or urban music. Used alone, ''CHR'' most often refers to the CHR-pop format. The term ''contemporary hit radio'' was coined in the early 1980s by ''Radio & Records'' magazine to designate Top 40 stations which continued to play hits from all musical genres as pop music splintered into Adult contemporary, Urban contemporary, Contemporary Christian and other formats. The term "top 40" is also used to refer to the actual list of hit songs, and, by extension, to refer to pop music in general. The term has also been modified to describe top 50; top 30; top 20; top 10; hot 100 (each with its number of songs) and hot hits radio formats, but carrying more ...
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Rhythmic Contemporary
Rhythmic contemporary, also known as Rhythmic Top 40, Rhythmic CHR or rhythmic crossover, is a primarily American music-radio format that includes a mix of EDM, upbeat rhythmic pop, hip hop and upbeat R&B hits. Rhythmic contemporary never uses hard rock or country in its airplay, but it may occasionally use a reggae, Latin, reggaeton, or a urban contemporary gospel hit. Essentially, the format is a cross between mainstream radio and urban contemporary radio formats. Format history Although some top-40 stations such as CKLW in Windsor, Ontario, made their mark by integrating a large amount of R&B and soul product into their predominantly pop playlists as early as 1967, such stations were still considered mainstream top 40 (a cycle that continues to dominate the current Top 40/CHR chart). It was not until the disco era of the late 1970s that such stations came to be considered as a format of their own as opposed to top-40 or soul. This development was largely spurred by the high ...
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Airplay Monitor
''Billboard Radio Monitor'' was a weekly music Trade journal, trade publication that followed the radio industry and tracked the monitoring of current songs by format, station and audience cumes. The magazine was a spinoff of ''Billboard magazine'' and was mostly available through subscription to people who work in the radio industry as well as Record chart, music chart enthusiasts. It was developed in Columbia, Maryland, initially by Alan Smith and Jonas Cash, principals of the music company called AIR. AIR created music listening competitions for radio programmers in five different musical genres and were looking for a "qualifier" for the contests. The contests involved testing new songs' potential by having radio programmers listen to and respond to each song's hit potential using a national chart as the qualifier. After using Radio and Records chart for the first 10 years of the competition, AIR developed the BAM, and went into partnership with ''Billboard Magazine'' to produce ...
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Sverigetopplistan
Sverigetopplistan (, lit. "the Sweden top list") is the Swedish national record chart, formerly known as Topplistan (1975–1997) and Hitlistan (1998–2007) and known by its current name since October 2007, based on sales data from the Swedish Recording Industry Association (in Swedish Grammofonleverantörernas förening). Before Topplistan, music sales in Sweden were recorded by Kvällstoppen, whose weekly chart was a combined albums and singles list. History For the period of 1976 to 2006, the official Swedish music charts were published by Sveriges Radio P3, a station owned by Sveriges Radio. At the end of 2006, it stopped publishing the general charts, which were entrusted to Swedish Recording Industry Association in the beginning of 2007. However, Sveriges Radio P3 continued to publish the most downloaded music charts, according to the statistics compiled by Nielsen SoundScan. The new strictly-download chart was called DigiListan. Since late 2006, the chart has included ...
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Recorded Music NZ
Recorded Music NZ (formerly the Recording Industry Association of New Zealand (RIANZ)) is a non-profit trade association of record producers, distributors and recording artists who sell recorded music in New Zealand. Membership of Recorded Music NZ is open to any owner of recorded music rights operating in New Zealand, inclusive of major labels (such as Sony, Universal and Warner Music Group), independent labels and self-released artists. Recorded Music NZ has over 2000 rights-holders. Prior to June 2013 the association called itself the "Recording Industry Association of New Zealand" (RIANZ). RIANZ and PPNZ Music Licensing merged and renamed themselves "Recorded Music NZ". Recorded Music NZ functions in three areas: * member services (the New Zealand Music Awards, the Official New Zealand Music Charts, music grants and direct services to artists and labels) * music licensing (undertaken independently or, in most cases, via OneMusic, a joint licensing venture between Reco ...
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Syndicat National De L'Édition Phonographique
The National Syndicate of Phonographic Publishing (french: Syndicat national de l'édition phonographique; SNEP) is the inter-professional organisation that protects the interests of the French record industry. Originally known under the acronym SNICOP, the organisation was established in 1922 and has 48 member companies. SNEP's responsibilities include collecting and distributing royalty payments for broadcast and performance, preventing copyright infringement of its members' works (including music piracy), and sales certification of silver, gold, platinum and diamond records and videos. SNEP also compiles weekly official charts of France's top-selling music, including singles and albums. Official charts History The first attempt at a French national chart of best-selling records originated from a request by the American music industry magazine '' Billboard''. The magazine's French correspondent, Eddie Adamis, compiled a top 10 list of the country's preferred format, the exten ...
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Ultratop
Ultratop is an organization which generates and publishes the official record charts in Belgium. Ultratop is a non-profit organization, created on the initiative of the Belgian Entertainment Association (BEA), the Belgian member organization of the International Federation of the Phonographic Industry. Two parallel sets of charts are concurrently produced and published, one on behalf of Belgium's mainly Dutch-speaking Flanders region, and the other catering to the nation's mainly French-speaking region of Wallonia. Ultratop charts The music charts produced by Ultratop organization are separated along regional-language boundaries, an unusual division that is justified by the cultural differences in Belgium. So it is that the mainly Dutch-speaking Flanders region has one set of charts of record activity there, while the mainly French-speaking Wallonia region has another set to measure popularity in those provinces. The charts are broadcast on several Belgian radio statio ...
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Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ...
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Mainstream Top 40
Pop Airplay (also called Mainstream Top 40, Pop Songs, and Top 40/contemporary hit radio, CHR) is a 40-song music chart published weekly by Billboard (magazine), ''Billboard'' Magazine that ranks the most popular songs of pop music being played on a panel of Top 40 radio stations in the United States. The rankings are based on radio airplay detections as measured by Nielsen Broadcast Data Systems (Nielsen BDS), a subsidiary of the U.S.' leading marketing research company. Consumer researchers, Nielsen Audio (formerly ''Arbitron''), refers to the format as contemporary hit radio (CHR). The current number-one song as of the chart dated December 24, 2022 is "Anti-Hero (song), Anti-Hero" by Taylor Swift. History The chart debuted in Billboard (magazine), ''Billboard'' Magazine in its issued date October 3, 1992, with the introduction of two Top 40 airplay charts, Mainstream and Rhythmic (chart), Rhythm-Crossover. Both Top 40 charts measured "actual monitored airplay" from data compile ...
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