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Thiruvaalangadu
Thiruvaalangadu is one of the 32 Saiva temples in Tondai Nadu which have been sung in the devaarams. Lord Siva is known as 'Vada aaranyeswarar' in this temple (Vada - meaning north and aaranyam - meaning forest and Eswarar - referring to Lord Siva) His consort here is called 'VaaNdaarkuzhali' (meaning the one whose locks attract beetles - to suck honey from the flowers that decorate it). Thiruvaalangadu also houses the Rathinasabai - which is one of the panchasabais (pancha - meaning five, and sabais meaning stage / dias), for Lord Nataraja. This temple is amongst the greatest Shiva Temples of Tamil Nadu. Saints Sambanthar has sung one pathigam (a form of poetry), Appar two pathigams and Sundarar one pathigam in praise of the Lord at Thiruvaalangadu. Kaaraikaal Ammaiyar, one of the foremost of the 63 devotees of Lord Siva, who sought and obtained a ghost form and added the signature of 'Kaaraikaal Pei' (the ghost of Kaariakaal) to her poetry, is said to have walked into this p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva Temples Of Tamil Nadu
Throughout India, there are a large amount of temples dedicated to Shiva, one of the principal deities of Hinduism. The most temples are in the South Indian state of Tamil Nadu, where there are 2,500 Shiva temples of importance. There are several kinds of temples in the South Indian state of Tamil Nadu. Pancha Bootha Sthalangal temples Pancha Booth Sthalangal are the temples that are the manifestation of the five elements – land, water, air, sky, and fire. Pancha Sabhai Sthalangal Panch Sabhai Sthalangal are the temples where Lord Shiva is believed to have performed the Cosmic Dance. Paadal Petra Sthalangal temples Shiva Temples which are glorified in Tamil Tevaram hymns are the Paadal Petra Sthalangal and have been in existence for more than 1,000 years. References to these temples are found in Tevaram Hymns, composed and authored by the 3 Nayanamars, Thirunavukarasar, Sambandar and Sundarar, who lived between 7th and 9th century CE. Chennai & Tiruvallur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shaivism
Shaivism (; sa, शैवसम्प्रदायः, Śaivasampradāyaḥ) is one of the major Hindu traditions, which worships Shiva as the Supreme Being. One of the largest Hindu denominations, it incorporates many sub-traditions ranging from devotional dualistic theism such as Shaiva Siddhanta to yoga-orientated monistic non-theism such as Kashmiri Shaivism.Ganesh Tagare (2002), The Pratyabhijñā Philosophy, Motilal Banarsidass, , pages 16–19 It considers both the Vedas and the Agama texts as important sources of theology.Mariasusai Dhavamony (1999), Hindu Spirituality, Gregorian University and Biblical Press, , pages 31–34 with footnotesMark Dyczkowski (1989), The Canon of the Śaivāgama, Motilal Banarsidass, , pages 43–44 Shaivism developed as an amalgam of pre-Vedic religions and traditions derived from the southern Tamil Shaiva Siddhanta traditions and philosophies, which were assimilated in the non-Vedic Shiva-tradition. In the process of Sanskritisa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tondai Nadu
Tondaimandalam, also known as Tondai Nadu, is a historical region located in the southern part of Andhra Pradesh and northernmost part of Tamil Nadu. The region comprises the districts which formed a part of the legendary kingdom of Athondai Chakravarti. The boundaries of Tondaimandalam are ambiguous – between the river basins of Penna River and Ponnaiyar River. During the reign of Rajaraja I, this region was called as ''Jayankonda Cholamandalam''. Geography The region includes the Nellore, Chittoor, North and South Arcot and Chingleput districts of the Andhra and Madras states. Chennai was part of the region. It covers the present day areas of Nellore, Chittoor, Tirupati, Annamayya, Vellore, Ranipet, Tirupattur, Tiruvanamalai, Villupuram, Kallakuruchi, Tiruvallur, Kanchipuram, Chengalpattu, Cuddalore and Chennai districts of modern-day Andhra Pradesh and Tamil Nadu. History Neolithic burial urn, cairn circles and jars with burials dating to the very dawn of the Christian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sambanthar
Sambandar (Tamil: சம்பந்தர்), also referred to as Tirugnana Sambandar (lit. ''Holy Sage Sambandar''), Tirujnanasambanda, Campantar or Jñāṉacampantar, was a Shaiva poet-saint of Tamil Nadu who lived sometime in the 7th century CE. He was a child prodigy who lived just 16 years. According to the Tamil Shaiva tradition, he composed an of 16,000 hymns in complex meters, of which 383 (384) hymns with 4,181 stanzas have survived. These narrate an intense loving devotion (''bhakti'') to the Hindu god Shiva. The surviving compositions of Sambandar are preserved in the first three volumes of the ''Tirumurai'', and provide a part of the philosophical foundation of Shaiva Siddhanta. He is one of the most prominent of the sixty-three Nayanars, Tamil Shaiva bhakti saints who lived between the sixth and the tenth centuries CE. He was a contemporary of Appar, another Shaiva poet-saint.''Encyclopaedia of Jainism, Volume 1, page 5468'' Life Information about Samba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Appar
Appar, also referred to as ( ta, திருநாவுக்கரசர்) or Navukkarasar, was a seventh-century Tamil Śaiva poet-saint. Born in a peasant Śaiva family, raised as an orphan by his sister, he lived about 80 years and is generally placed sometime between 570 and 650 CE.Zvelebil 1974, p. 95 Appar composed 4,900 devotional hymns to the god Shiva, out of which 313 have survived and are now canonized as the 4th to 6th volumes of ''Tirumurai''. One of the most prominent of the sixty-three revered Nayanars, he was an older contemporary of Thirugnana Sambandar. His images are found and revered in Tamil Shiva temples. His characteristic iconography in temples show him carrying a farmer's small hoe – a gardening tool and weed puller. Names Appar is also known as Tirunāvukkarasar (''lit.'' "King of the Tongue, Lord of Language"). His birth-name was Marulneekkiyar, and was renamed to Tharumasenar while he studied and later served as the head of a Jain monastery. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sundarar
Sundarar (Tamil: சுந்தரர்), also referred to as Chuntarar, Chuntaramurtti, Nampi Aruran or Tampiran Tolan, was an eighth-century poet-saint of Tamil Shaiva Siddhanta tradition of Hinduism. He is among the Tevaram trio, and one of the most prominent Nayanars, the Shaiva bhakti (devotional) poets of Tamil Nadu. His hymns form the seventh volume of the ''Tirumurai'', the twelve-volume compendium of Shaiva Siddhanta. His songs are considered the most musical in ''Tirumurai'' in Tamil language. His life and his hymns in the Tevaram are broadly grouped in four stages. First, his cancelled arranged marriage through the intervention of Shiva in the form of a mad petitioner and his conversion into a Shaiva bhakt. Second, his double marriage to temple dancers Paravai and Cankali with their stay together in Tiruvarur. Third, his blindness and then return of his sight. Finally, his reflections on wealth and material goods. Names Sundarar is referred to by many names. Sunda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nataraja
Nataraja () also known as Adalvallaan () is a depiction of the Hindu god Shiva as the divine cosmic dancer. His dance is called Tandava.''Encyclopædia Britannica'' (2015) The pose and artwork are described in many Hindu texts such as the ''Tevaram'', ''Thiruvasagam'' in Tamil and ''Anshumadbhed agama'' and ''Uttarakamika agama'' in Sanskrit and Grantha texts, the dance murti featured in all major Hindu temples of Shaivism, and is a well-known sculptural symbol in India and popularly used as a symbol of Indian culture, in particular as one of the finest illustrations of Hindu art. He is commonly referred as Koothan(), Sabesan() and Ambalavanan () in various Tamil texts. The sculpture is symbolic of Shiva as the lord of dance and dramatic arts, with its style and proportions made according to Hindu texts on arts. Tamil Devotional texts such as Tirumurai (The twelve books of Southern Shaivism) speaks that Nataraja is the form of Shiva in which he does Creation, destruction, Pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanuman
Hanuman (; sa, हनुमान, ), also called Anjaneya (), is a Hindu god and a divine '' vanara'' companion of the god Rama. Hanuman is one of the central characters of the Hindu epic ''Ramayana''. He is an ardent devotee of Rama and one of the Chiranjivis. Hanuman is regarded to be the son of the wind-god Vayu, who in several stories played a direct role in Hanuman's birth, and considered to be an incarnation or son of Shiva in Shaivism. Hanuman is mentioned in several other texts, such as the epic ''Mahabharata'' and the various Puranas. Evidence of devotional worship to Hanuman is largely absent in these texts, as well as in most archeological sites. According to Philip Lutgendorf, an American Indologist, the theological significance of Hanuman and devotional dedication to him emerged about 1,000 years after the composition of the ''Ramayana'', in the 2nd millennium CE, after the arrival of Islamic rule in the Indian subcontinent.Paula Richman (2010), ''Review: Lut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mantra
A mantra (Pali: ''manta'') or mantram (मन्त्रम्) is a sacred utterance, a numinous sound, a syllable, word or phonemes, or group of words in Sanskrit, Pali and other languages believed by practitioners to have religious, magical or spiritual powers. Feuerstein, Georg (2003), ''The Deeper Dimension of Yoga''. Shambala Publications, Boston, MA Some mantras have a syntactic structure and literal meaning, while others do not. The earliest mantras were composed in Vedic Sanskrit in India. At its simplest, the word ॐ (Aum, Om) serves as a mantra, it is believed to be the first sound which was originated on earth. Aum sound when produced creates a reverberation in the body which helps the body and mind to be calm. In more sophisticated forms, mantras are melodic phrases with spiritual interpretations such as a human longing for truth, reality, light, immortality, peace, love, knowledge, and action. Some mantras without literal meaning are musically uplifting an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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