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Theodor Scheidl
Theodor Scheidl (3 August 188022 April 1959) was an Austrian baritone, athlete, and academic teacher. As a member of opera houses in Stuttgart and Berlin, he performed leading roles at international houses and festivals such as the Bayreuth Festival, where he appeared from 1914 to 1928. He created roles in several world premieres, including Young Columbus in Darius Milhaud's ''Christophe Colomb''. Life Born in Vienna, Scheidl was the head cashier of the Austrian ''Medizinal-Drogen-AG'' for ten years following his schooling. He participated in the 1906 Intercalated Games and was active in track and field as high jumper, long-jumper and discus thrower, as swimmer and as gymnast. At the 1906 Olympic Games in Athens, he took part in the pentathlon, coming in ninth, and 13th in the standing long jump. His rankings in high jump and discus throw (Greek style) are not handed down and in standing long jump he was disqualified. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Programme (booklet)
A programme or program (see American and British English spelling differences#Different spellings for different meanings, spelling differences) is a booklet available for patrons attending a live event such as theatre performances, concerts, fêtes, sports events, etc. It is a printed leaflet outlining the parts of the event scheduled to take place, principal performers and background information. In the case of theatrical performances, the term playbill is also used. It may be provided free of charge by the event organisers or a charge may be levied. Performing arts At a theatre, opera, or ballet performance, they are usually given at the door in the United States, while they are usually sold in the United Kingdom. The Broadway theatre, Broadway programme makes its money from selling advertisements. A programme company pays the theatre for the rights to produce the production’s programmes, which is contrary to common belief that the theatre pays the programme company. The pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wiener Volksoper
The Vienna Volksoper (''Volksoper'' or ''Vienna People's Opera'') is an opera house in Vienna, Austria. It produces three hundred performances of twenty-five German language productions of opera, operetta, musicals, and ballet, during an annual season which runs from September through June. History Foundation The Volksoper was built in 1898 as the ''Kaiserjubiläum-Stadttheater'' (Kaiser's Jubilee Civic Theatre), originally producing only plays. Because of the very brief construction period (10 months) the first director Adam Müller-Gutenbrunn had to start with debts of 160,000 florins. After this inauspicious startup the ''Kaiserjubiläum-Stadttheater'' had to declare bankruptcy five years later in 1903. Music theater from 1903 to 1950s On 1 September 1903, Rainer Simons took over the house and renamed it the ''Kaiserjubiläum-Stadttheater - Volksoper'' (public opera). His intention was to continue the production of plays but also establish series of opera and operetta. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dutch National Opera
The Dutch National Opera (DNO; formerly De Nederlandse Opera, now De Nationale Opera in Dutch) is a Dutch opera company based in Amsterdam, Netherlands. Its present home base is the Dutch National Opera & Ballet housed in the Stopera building, a modern building designed by Cees Dam and Wilhelm Holzbauer which opened in 1986. History The DNO was established shortly after the end of World War II as a repertory company with a permanent ensemble. In the postwar period, it toured extensively in the Netherlands from its home base in the Stadsschouwburg, a ''fin de siècle'' theatre on the Leidseplein in Amsterdam. In 1964, it was renamed ''De Nederlandse Operastichting''. (''The Dutch Opera Foundation''), and the company adopted a ''stagione'' orientation, inviting different soloists and artistic teams for each new production. In 1986, the company moved to the new Stopera building, which it shares with the Dutch National Ballet, and thereafter became known as De Nederlandse Opera (DNO) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Swedish Opera
Royal Swedish Opera ( sv, Kungliga Operan) is an opera and ballet company based in Stockholm, Sweden. Location and environment The building is located in the center of Sweden's capital Stockholm in the borough of Norrmalm, on the eastern side of Gustav Adolfs torg across from the former Arvfurstens Palats, now Ministry for Foreign Affairs. It lies on the north side of the Norrström river and is connected to the Royal Palace through the Norrbro bridge. Further historically as well as architecturally important buildings in the close neighborhood are the Sager House, official residence of the Prime Minister of Sweden, and the Riksdag building. History The opera company was founded with the Royal Swedish Academy of Music by King Gustav III and its first performance, ''Thetis and Phelée'' with Carl Stenborg and Elisabeth Olin, was given on 18 January 1773; this was the first native speaking opera performed in Sweden. But the first opera house was not opened until 1782 and s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristan Und Isolde
''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "" (literally ''a drama'', ''a plot'', or ''an action''). Wagner's composition of ''Tristan und Isolde'' was inspired by the philosophy of Arthur Schopenhauer (particularly ''The World as Will and Representation''), as well as by Wagner's affair with Mathilde Wesendonck. Widely acknowledged as a pinnacle of the operatic repertoire, ''Tristan'' was notable for Wagner's unprecedented use of chromaticism, tonal ambiguity, orchestral colour, and harmonic suspension. The opera was enormously influential among Western classical com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Das Rheingold
''Das Rheingold'' (; ''The Rhinegold''), WWV 86A, is the first of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 22 September 1869, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus, on 13 August 1876. Wagner wrote the ''Ring'' librettos in reverse order, so that ''Das Rheingold'' was the last of the texts to be written; it was, however, the first to be set to music. The score was completed in 1854, but Wagner was unwilling to sanction its performance until the whole cycle was complete; he worked intermittently on this music until 1874. The 1869 Munich premiere of ''Das Rheingold'' was staged, much against Wagner's wishes, on the orders of his patron, King Ludwig II of Bavaria. Following its 1876 Bayreuth premiere, the ''Ring'' cycle was introduced into the worldwide repertory, with perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
State Opera (Prague)
The State Opera (Czech: Státní opera) is an opera house in Prague, Czech Republic. It is part of the National Theatre of the Czech Republic, founded by Ministry of Culture of the Czech Republic in 1992. The theatre itself originally opened in 1888 as the New German Theatre and from 1949 to 1989 it was known as the Smetana Theatre. More recently it was renamed the Prague State Opera. Currently it is home to approximately 300 performances a year. History New German Theatre The history of the theatre currently known as the Prague State Opera dates back to the late 19th century. While often overshadowed by the more prominent National Theatre of Prague, the company has its own distinct history. The birth of a magnificent Czech Theatre, the National Theatre, in 1883 indirectly created a longing among the Prague German community for a German-speaking opera house of its own. At that time the Czech lands were part of the Austro-Hungarian empire and there was a large German minority ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Singende Teufel
''Der singende Teufel'' is an opera in four acts by Franz Schreker with a German-language libretto by the composer. Composition history The work was composed during 1927-28 to a libretto written in 1924. Originally entitled ''Die Orgel'', according to Schreker biographer Christopher Hailey, the libretto was probably influenced by a short story by Heinrich von Kleist entitled ''Die heilige Caecilie oder die Gewalt der Musik: Eine Legende'' which had been reprinted a year earlier in a volume that also included an article on Schreker's music by the critic Eugen Thari.Christopher Hailey: 'Franz Schreker: A cultural biography' (Cambridge University Press, 1993) The opera is published by Universal Edition. Performance history The opera was first performed in Berlin at the Staatsoper Unter den Linden on 10 December 1928 conducted by Erich Kleiber with Delia Reinhardt and Fritz Wolff in the leading roles. Despite generally favourable audience reaction, the production was not a critical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Schmidt (composer)
Franz Schmidt, also Ferenc Schmidt (22 December 1874 – 11 February 1939) was an Austria-Hungary, Austro-Hungarian composer, cellist and pianist.Franz Schmidt (1874–1939) and Dohnányi Ernö (1877–1960): A study in Austro-Hungarian Alternativ. Life Schmidt was born in Pressburg, Pozsony/Pressburg, in the Transleithania, Hungarian part of Austria-Hungary (today Bratislava, Slovakia) to a half-Hungarian father – with the same name, born in the same city – and to a Hungarian mother, Mária Ravasz. He was a Roman Catholic. His earliest teacher was his mother, Mária Ravasz, an accomplished pianist, who gave him a systematic instruction in the keyboard works of Johann Sebastian Bach, J. S. Bach. He received a foundation in theory from , the organist at the Franciscan church in Pressburg. He studied piano briefly with Theodor Leschetizky, with whom he clashed. He moved to Vienna with his family in 1888, and studied at the University of Music and Performing Arts, Vienna, Vie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ture Rangström
Anders Johan Ture Rangström (30 November 1884 – 11 May 1947) belonged to a new generation of Swedish composers who, in the first decade of the 20th century, introduced modernism to their compositions. In addition to composing, Rangström was also a musical critic and conductor. Biography Rangström was born in Stockholm, where in his late teens he started to write songs. His music teacher suggested that he should "vary the harmonies a bit more, make it a bit wilder!" He followed this advice and soon gained the nickname among his colleagues of " Sturm-und-Drangström".Jacobsson, Stig (1996). "Ture Rangström – Symphony No. 2, Intermezzo drammatico". cpo 999 368-2 (CD Booklet): 10–14. He travelled to Berlin where he studied under Hans Pfitzner for a while in 1905–6, and also studied singing with the Wagnerian Julius Hey, with whom he later went to Munich for further studies. His compositions at this time were chiefly for voice and piano. Between 1907 and 1922 he taught ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
An Allem Ist Hütchen Schuld!
' ('Hattie is to blame for everything!'), Op. 11, is an opera in German in three acts composed by Siegfried Wagner in 1914/15 to his own libretto. It is described as a ''Märchenspiel'' or fairy-tale play. It premiered on 6 December 1917 at the Ccourt Theatre Stuttgart. History Siegfried Wagner, the son of Richard Wagner, composed several operas on fairy tale and legendary topics. He began the composition of ''An allem ist Hütchen schuld!'' in September 1914. He finished a draft for the first act on 22 September and its score in November that year, a draft for the second act on 10 January 1915 and its score on 12 April, and the draft for the third act on 11 June, completing the opera on 26 August 1915. He wrote the libretto based on several episodes from fairy-tales by the Brothers Grimm. The premiere was at the Hoftheater Stuttgart on 6 December 1917, staged by Franz Ludwig Hörth and conducted by Erich Band. It was a success with the public comparable to his '' Der Bärenh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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