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Theatre Royal, Marylebone
The Theatre Royal, Marylebone (also known as the Marylebone Theatre, among other names) was a Victorian era theatre in the Marylebone area of London. Built in 1831, at various other times it was a music hall, a cinema and warehouse until it was damaged by fire in 1962, when it was demolished. Early history Over the course of its history the theatre had many names and many owners. Located on Church Street in Marylebone, it opened in 1831 as the Royal Sussex Theatre. Built at a cost of about £9,000 by Messrs Ward, Eggerton, and Abbott, the theatre's foundation stone was laid on 17 May 1831 but by the following year it was refused a performing licence as being 'unfinished'. Despite this setback it reopened in 1832 as the unlicensed Royal Pavilion Theatre for performances of 'crude melodrama and comic songs'. In 1833 the still unfinished theatre was renamed the Portman Theatre but following its owner's bankruptcy it was put up for auction in July 1833. In its early years the th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Theatre Marylebone 1945
Royal may refer to: People * Royal (name), a list of people with either the surname or given name * A member of a royal family Places United States * Royal, Arkansas, an unincorporated community * Royal, Illinois, a village * Royal, Iowa, a city * Royal, Missouri, an unincorporated community * Royal, Nebraska, a village * Royal, Franklin County, North Carolina, an unincorporated area * Royal, Utah, a ghost town * Royal, West Virginia, an unincorporated community * Royal Gorge, on the Arkansas River in Colorado * Royal Township (other) Elsewhere * Mount Royal, a hill in Montreal, Canada * Royal Canal, Dublin, Ireland * Royal National Park, New South Wales, Australia Arts, entertainment, and media * ''Royal'' (Jesse Royal album), a 2021 reggae album * '' The Royal'', a British medical drama television series * '' The Royal Magazine'', a monthly British literary magazine published between 1898 and 1939 * ''Royal'' (Indian magazine), a men's lifestyle bimonth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pantomime
Pantomime (; informally panto) is a type of musical comedy stage production designed for family entertainment. It was developed in England and is performed throughout the United Kingdom, Ireland and (to a lesser extent) in other English-speaking countries, especially during the Christmas and New Year season. Modern pantomime includes songs, gags, slapstick comedy and dancing. It employs gender-crossing actors and combines topical humour with a story more or less based on a well-known fairy tale, fable or folk tale.Reid-Walsh, Jacqueline. "Pantomime", ''The Oxford Encyclopedia of Children's Literature'', Jack Zipes (ed.), Oxford University Press (2006), Pantomime is a participatory form of theatre, in which the audience is encouraged and expected to sing along with certain parts of the music and shout out phrases to the performers. Pantomime has a long theatrical history in Western culture dating back to the era of classical theatre. It developed partly from the 16th century c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martha Cranmer Oliver
Martha Cranmer Oliver (1834 – 20 December 1880), also known as Pattie Oliver or M. Oliver, was an English actress and theatre manager. Beginning as a child actor near her home in Salisbury, Oliver was performing in London by age 13. She played in major theatre companies in the West End, including those of Madame Vestris and J. B. Buckstone. She was the leading comic actress at the Strand Theatre for several seasons in the late 1850s. She also played Mary Meredith in the hit play '' Our American Cousin'' at the Haymarket Theatre, among other engagements. In March 1866, Oliver became manager of the New Royalty Theatre, often taking leading roles. In November 1866, she produced F. C. Burnand's burlesque on ''Black-eyed Susan''. The piece was an enormous hit, playing for nearly 500 nights at the theatre, with Oliver starring in the title role. She was also known for helping members of her profession. She gave up management in 1870, acting in New York for a time with Lydia T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Double Marriage
''The Double Marriage'' is a Jacobean era stage play, a tragedy written by John Fletcher and Philip Massinger, and initially printed in the first Beaumont and Fletcher folio of 1647. Date and performance Though firm evidence on the play's date of authorship and early stage history is lacking, scholars usually assign the play to the 1619–22 period. It was acted by the King's Men, with Joseph Taylor playing the lead – a production that must have occurred after Taylor joined that company in the spring of 1619. The play's absence from the fairly thorough Revels Office records of Sir Henry Herbert probably indicates a date prior to May 1622, when Herbert first occupied the office of Master of the Revels. The cast list added to the play in the second Beaumont and Fletcher folio of 1679 mentions, in addition to Taylor, John Lowin, Robert Benfield, Richard Robinson, John Underwood, Nicholas Tooley, George Birch, and Richard Sharpe. ''The Double Marriage,'' like many of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Scornful Lady
''The Scornful Lady'' is a Jacobean era stage play, a comedy written by Francis Beaumont and John Fletcher, and first published in 1616, the year of Beaumont's death. It was one of the pair's most popular, often revived, and frequently reprinted works. Performances The title page of the 1616 first edition states that the play was premiered by the Children of the Queen's Revels; it later passed into the possession of the King's Men, who revived the play in 1624. (The company's clown, John Shank, played the Curate in their 1624 production.) The King's Men acted ''The Scornful Lady'' on 19 October 1633, when Sir Henry Herbert, the Master of the Revels, refused to let them perform ''The Woman's Prize.'' Prince Charles, the future King Charles II, attended a performance of the play at the Cockpit-in-Court Theatre on Twelfth Night, 6 January 1642. While the theatres were closed during the English Civil War and the Interregnum (1642–60), material was extracted from ''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colley Cibber
Colley Cibber (6 November 1671 – 11 December 1757) was an English actor-manager, playwright and Poet Laureate. His colourful memoir ''Apology for the Life of Colley Cibber'' (1740) describes his life in a personal, anecdotal and even rambling style. He wrote 25 plays for his own company at Drury Lane, half of which were adapted from various sources, which led Robert Lowe and Alexander Pope, among others, to criticise his "miserable mutilation" of "crucified Molière ndhapless Shakespeare". He regarded himself as first and foremost an actor and had great popular success in comical fop parts, while as a tragic actor he was persistent but much ridiculed. Cibber's brash, extroverted personality did not sit well with his contemporaries, and he was frequently accused of tasteless theatrical productions, shady business methods, and a social and political opportunism that was thought to have gained him the laureateship over far better poets. He rose to ignominious fame when he became t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Vanburgh
Sir John Vanbrugh (; 24 January 1664 (baptised) – 26 March 1726) was an English architect, dramatist and herald, perhaps best known as the designer of Blenheim Palace and Castle Howard. He wrote two argumentative and outspoken Restoration comedies, '' The Relapse'' (1696) and '' The Provoked Wife'' (1697), which have become enduring stage favourites but originally occasioned much controversy. He was knighted in 1714.Robert Chambers, Book of Days Vanbrugh was in many senses a radical throughout his life. As a young man and a committed Whig, he was part of the scheme to overthrow James II and put William III on the throne. He was imprisoned by the French as a political prisoner. In his career as a playwright, he offended many sections of Restoration and 18th century society, not only by the sexual explicitness of his plays, but also by their messages in defence of women's rights in marriage. He was attacked on both counts, and was one of the prime targets of Jeremy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Provoked Husband
''The Provoked Husband'' is a 1728 comedy play by the British writer and actor Colley Cibber, based on a fragment of play written by John Vanbrugh. It is also known by the longer title ''The Provok'd Husband: or, a Journey to London''. Vanbrugh had worked on a projected play ''A Journey to London'' for Cibber, a sharp comedy in the Restoration-style. Unfinished at his death in 1726, Vanbrugh left the manuscript to him. In need of a new play for the Drury Lane Theatre where he was a manager, Cibber finished it under a new title ''The Provoked Husband'' which echoed one of Vanbrugh's most popular works '' The Provoked Wife''. He reworked it substantially, softening the character of Lady Loverule who was renamed Lady Townly, and adding a more conventional happy ending than Vanbrugh had intended. The original cast included Robert Wilks as Lord Townly, Anne Oldfield as Lady Townly, Mary Porter as Lady Grace, John Mills as Manly, Colley Cibber as Sir Francis Wronghead, Sarah Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hunchback (play)
''The Hunchback'' is an 1832 comedy play by the Irish writer James Sheridan Knowles. Knowles wrote it in the wake of the disastrous reception of his previous comedy '' The Beggar's Daughter of Bethnal Green'' in 1828. It premiered at the Theatre Royal, Covent Garden in London's West End on 5 April 1832.Nicoll p.172 The cast included Sheridan Knowles himself as Master Walter, Fanny Kemble as Julia, Hariette Taylor as Helen, Charles Kemble as Sir Thomas Clifford, Benjamin Wrench as Lord Tinsel, William Abbot as Modus, Drinkwater Meadows Drinkwater Meadows (1799 – 12 June 1869) was an English actor. Biography Meadows was a native of Yorkshire, or, according to another account, of Wales, born in 1799, joined a theatrical company established in Kendal, and played in various towns ... as Fathom and William Payne as Stephen. It was Fanny Kemble's last performance in England before embarking on a tour of the United States with her father, where she married and retired from the stage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Winter's Tale
''The Winter's Tale'' is a play by William Shakespeare originally published in the First Folio of 1623. Although it was grouped among the comedies, many modern editors have relabelled the play as one of Shakespeare's late romances. Some critics consider it to be one of Shakespeare's " problem plays" because the first three acts are filled with intense psychological drama, while the last two acts are comic and supply a happy ending. The play has been intermittently popular, revived in productions in various forms and adaptations by some of the leading theatre practitioners in Shakespearean performance history, beginning after a long interval with David Garrick in his adaptation ''Florizel and Perdita'' (first performed in 1753 and published in 1756). ''The Winter's Tale'' was revived again in the 19th century, when the fourth " pastoral" act was widely popular. In the second half of the 20th century, ''The Winter's Tale'' in its entirety, and drawn largely from the First Fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Legitimate Theatre
Legitimate theatre is live performance that relies almost entirely on diegetic elements, with actors performing through speech and natural movement.Joyce M. Hawkins and Robert Allen, eds. "Legitimate" entry. ''The Oxford Encyclopedic English Dictionary.'' Oxford University Press, 1991. pp. 820-821. "''—adj.'' 5. constituting or relating to serious drama (including both comedy and tragedy) as distinct from musical comedy, farce, revue, etc. The term arose in the 18th c. ... It covered plays dependent entirely on acting with little or no singing, dancing or spectacle."Mark Hodin. "The Disavowal of Ethnicity: Legitimate Theatre and the Social Construction of Literary Value in Turn-of-the-Century America." ''Theatre Journal.'' 52.2: May 2000. p. 212. "The expression ''legitimate theatre''...became vernacular within heturn-of-the- 0thcentury amusement market. The legitimate prefix confirmed the fact that conventional stage plays no longer monopolized the definition of legitimate thea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadler's Wells Theatre
Sadler's Wells Theatre is a performing arts venue in Clerkenwell, London, England located on Rosebery Avenue next to New River Head. The present-day theatre is the sixth on the site since 1683. It consists of two performance spaces: a 1,500-seat main auditorium and the Lilian Baylis Studio, with extensive rehearsal rooms and technical facilities also housed within the site. Sadler's Wells is renowned as one of the world's leading dance venues. As well as a stage for visiting companies, the theatre is also a producing house, with a number of associated artists and companies that produce original works for the theatre. Sadler's Wells is also responsible for the management of the Peacock Theatre in the West End, during times not used by the London School of Economics. History First theatre and pleasure gardens Richard Sadler opened a "Musick House" in 1683, the second public theatre newly opened in London after the Restoration, the first being the Theatre Royal, Drury Lane. The f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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