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The Woman I Loved So Well
''The Woman I Loved So Well'' is the fifth studio album by Planxty. Like their previous album, '' After The Break'', the album was recorded at Windmill Lane Studios and released by Tara Records. Co-produced by band member Dónal Lunny and engineer Brian Masterson, the album was recorded in April and May of 1980 and released on LP in July of that year. It remains in print on CD and in digital form from Tara to date. Like their sixth album—'' Words & Music''—the album features a total of eight musicians, more than any other Planxty album. The core line-up of Christy Moore, Dónal Lunny, Andy Irvine and Liam O'Flynn are joined again by flautist Matt Molloy, who had left the band shortly after the release of '' After The Break'' to join The Chieftains full-time. Newcomer Bill Whelan joined the group in the studio to play keyboards, as did the concertina/fiddle duo of Noel Hill and Tony Linnane, who completed a short tour of Ireland with the group prior to the recordi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Windmill Lane Studios
Windmill Lane Recording Studios (earlier Windmill Lane Studios) is a recording studio in Dublin, Ireland. It was originally opened in 1978 by Brian Masterson and James Morris in premises at 22 Windmill Lane, and it subsequently relocated to its current location at 20 Ringsend Road, Dublin 4, where it still operates as one of Ireland's largest recording studios. In 2001, songwriting team Biffco bought the studio, renamed it as Biffco Studios. Over the course of its history, it has been used by many notable artists. The original site of the Windmill Lane Studios remained a popular cult symbol for music fans due to the studio's links with the Irish rock group U2; the group's albums to have been fully or partially recorded there include ''Boy'', ''October'', ''War'', ''The Unforgettable Fire'', ''The Joshua Tree'', ''Achtung Baby'', ''Zooropa'', '' Pop'', ''All That You Can't Leave Behind'', and ''Songs of Experience''. History of old location Windmill Lane Recording Studios was orig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Chieftains
The Chieftains are a traditional Irish folk band formed in Dublin in 1962, by Paddy Moloney, Seán Potts and Michael Tubridy. Their sound, which is almost entirely instrumental and largely built around uilleann pipes, has become synonymous with traditional Irish music. They are regarded as having helped popularise Irish music around the world. They have won six Grammy Awards during their career and they were given a Lifetime Achievement Award at the 2002 BBC Radio 2 Folk Awards. Some music experts have credited The Chieftains with bringing traditional Irish music to a worldwide audience, so much so that the Irish government awarded them the honorary title of 'Ireland's Musical Ambassadors' in 1989. Name The band's name came from the book ''Death of a Chieftain'' by Irish author John Montague. Assisted early on by Garech Browne, they signed with his company Claddagh Records. They needed financial success abroad, and succeeded in this. Career Origins Paddy Moloney was a member ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tin Whistle
The tin whistle, also called the penny whistle, is a simple six-holed woodwind instrument. It is a type of fipple flute, putting it in the same class as the recorder, Native American flute, and other woodwind instruments that meet such criteria. A tin whistle player is called a whistler. The tin whistle is closely associated with Irish traditional music and Celtic music. Other names for the instrument are the flageolet, English flageolet, Scottish penny whistle, tin flageolet, or Irish whistle (also ga, feadóg stáin or feadóg). History The tin whistle in its modern form is from a wider family of fipple flutes which have been seen in many forms and cultures throughout the world. In Europe, such instruments have a long and distinguished history and take various forms, of which the most widely known are the recorder, tin whistle, Flabiol, Txistu and tabor pipe. Predecessors Almost all primitive cultures had a type of fipple flute, and it is most likely the first pitched flu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uilleann Pipes
The uilleann pipes ( or , ) are the characteristic national bagpipe of Ireland. Earlier known in English as "union pipes", their current name is a partial translation of the Irish language terms (literally, "pipes of the elbow"), from their method of inflation. There is no historical record of the name or use of the term ''uilleann pipes'' before the 20th century. It was an invention of Grattan Flood and the name stuck. People mistook the term 'union' to refer to the 1800 Act of Union; this is incorrect as Breandán Breathnach points out that a poem published in 1796 uses the term 'union'. The bag of the uilleann pipes is inflated by means of a small set of bellows strapped around the waist and the right arm (in the case of a right-handed player; in the case of a left-handed player the location and orientation of all components are reversed). The bellows not only relieve the player from the effort needed to blow into a bag to maintain pressure, they also allow relatively dry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonica
The harmonica, also known as a French harp or mouth organ, is a free reed wind instrument used worldwide in many musical genres, notably in blues, American folk music, classical music, jazz, country, and rock. The many types of harmonica include diatonic, chromatic, tremolo, octave, orchestral, and bass versions. A harmonica is played by using the mouth (lips and tongue) to direct air into or out of one (or more) holes along a mouthpiece. Behind each hole is a chamber containing at least one reed. The most common is the diatonic Richter-tuned with ten air passages and twenty reeds, often called the blues harp. A harmonica reed is a flat, elongated spring typically made of brass, stainless steel, or bronze, which is secured at one end over a slot that serves as an airway. When the free end is made to vibrate by the player's air, it alternately blocks and unblocks the airway to produce sound. Reeds are tuned to individual pitches. Tuning may involve changing a reed’s length ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irish Bouzouki
The Irish bouzouki () is an adaptation of the Greek bouzouki (Greek: μπουζούκι). The newer Greek ''tetrachordo'' bouzouki (4 courses of strings) was introduced into Irish traditional music in the mid-1960s by Johnny Moynihan of the folk group Sweeney's Men. Alec Finn, first in the Cana Band and subsequently in De Dannan, introduced the first Greek ''trichordo'' (3 course) bouzouki into Irish music. In the early 1970s, Andy Irvine gave his Greek bouzouki to Dónal Lunny, who replaced the octave strings on the two lower G and D courses with unison strings, thus reinforcing their lower frequencies. Soon after, on a visit with Irvine to the workshop of luthier Peter Abnett, Lunny commissioned a 4 course bouzouki with a three-piece, partially staved back. This was the first bouzouki built specifically for Irish music. Since then, the instrument has been adapted for Irish traditional and other styles of folk music. Present role in Irish music The bou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bodhrán
The bodhrán (, ; plural ''bodhráin'' or ''bodhráns'') is a frame drum used in Irish music ranging from in diameter, with most drums measuring . The sides of the drum are deep. A goatskin head is tacked to one side (synthetic heads or other animal skins are sometimes used). The other side is open-ended for one hand to be placed against the inside of the drum head to control the pitch and timbre. One or two crossbars, sometimes removable, may be inside the frame, but this is increasingly rare on modern instruments. Some professional modern bodhráns integrate mechanical tuning systems similar to those used on drums found in drum kits. It is usually with a hex key that the bodhrán skins are tightened or loosened depending on the atmospheric conditions. History Seán Ó Riada declared the bodhrán to be the native drum of the ancient Celts (as did bodhrán maker Paraic McNeela), suggesting that it was possibly used originally for winnowing or wool dying, with a musical hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Little Musgrave And Lady Barnard
"Matty Groves", also known as "Little Musgrave and Lady Barnard" or "Little Musgrave", is a ballad probably originating in Northern England that describes an adulterous tryst between a young man and a noblewoman that is ended when the woman's husband discovers and kills them. It is listed as Child ballad number 81 and number 52 in the Roud Folk Song Index. This song exists in many textual variants and has several variant names. The song dates to at least 1613, and under the title ''Little Musgrave and Lady Barnard'' is one of the Child ballads collected by 19th-century American scholar Francis James Child. Synopsis Little Musgrave (or Matty Groves, Little Matthew Grew and other variations) goes to church on a holy day either "the holy word to hear" or "to see fair ladies there". He sees Lord Barnard's wife, the fairest lady there, and realises that she is attracted to him. She invites him to spend the night with her, and he agrees when she tells him her husband is away from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matty Groves
"Matty Groves", also known as "Little Musgrave and Lady Barnard" or "Little Musgrave", is a ballad probably originating in Northern England that describes an adulterous tryst between a young man and a noblewoman that is ended when the woman's husband discovers and kills them. It is listed as Child ballad number 81 and number 52 in the Roud Folk Song Index. This song exists in many textual variants and has several variant names. The song dates to at least 1613, and under the title ''Little Musgrave and Lady Barnard'' is one of the Child ballads collected by 19th-century American scholar Francis James Child. Synopsis Little Musgrave (or Matty Groves, Little Matthew Grew and other variations) goes to church on a holy day either "the holy word to hear" or "to see fair ladies there". He sees Lord Barnard's wife, the fairest lady there, and realises that she is attracted to him. She invites him to spend the night with her, and he agrees when she tells him her husband is away from h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noel Hill (musician)
Noel Hill (born 1958) is an Irish concertina player from County Clare who has had great influence developing the modern playing style of the Irish concertina, as a performer and educator. Early life Noel Hill was born in Caherea in West County Clare, Ireland, into a family with seven siblings. His parents and grandparents were all concertina players. He was particularly influenced by his uncle, Padraig A Chnoic, (Paddy Hill). He lived in a house which was the last house in the area to hold the traditional Irish house dance, where musicians were always welcomed; particularly towards the end of the year when farm work was done. It was at these events that he learned his early tunes, rather than from the radio, books or records. Hill started playing at nine and listened extensively to Willie Clancy, Paddy Canny, Peter O'Loughlin, Paddy Murphy, and Micky Hanrahan. Much of the music in his later repertoire comes from the music he learned as a child from those players. Hill want ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
