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Irish Bouzouki
The Irish bouzouki () is an adaptation of the Greek bouzouki (Greek: μπουζούκι). The newer Greek ''tetrachordo'' bouzouki (4 courses of strings) was introduced into Irish traditional music in the mid-1960s by Johnny Moynihan of the folk group Sweeney's Men. Alec Finn, first in the Cana Band and subsequently in De Dannan, introduced the first Greek ''trichordo'' (3 course) bouzouki into Irish music. In the early 1970s, Andy Irvine gave his Greek bouzouki to Dónal Lunny, who replaced the octave strings on the two lower G and D courses with unison strings, thus reinforcing their lower frequencies. Soon after, on a visit with Irvine to the workshop of luthier Peter Abnett, Lunny commissioned a 4 course bouzouki with a three-piece, partially staved back. This was the first bouzouki built specifically for Irish music. Since then, the instrument has been adapted for Irish traditional and other styles of folk music. Present role in Irish music The b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Instrument
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music ( violin, viola, cello and double bass) and a number of other instruments (e.g., viols and gambas used in early music from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Course (music)
A course, on a stringed musical instrument, is either one string or two or more adjacent strings that are closely spaced relative to the other strings, and typically played as a single string. The strings in each multiple-string course are typically tuned in unison or an octave. Normally, the term ''course'' is used to refer to a single string only on an instrument that also has multi-string courses. For example, a nine-string baroque guitar has five courses: most are two-string courses but sometimes the lowest or the highest consists of a single string. An instrument with at least one multiple-string course is referred to as ''coursed'', while one whose strings are all played individually is ''uncoursed''. Rationale and types Multiple string courses were probably originally employed to increase the volume of instruments, in eras in which electrical amplification did not exist, and stringed instruments might be expected to accompany louder instruments (such as woodwinds or bra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ale Möller
Arild Staffan Möller (born 26 March 1955), known professionally as Ale Möller, is a Swedish musician and composer. He was born and grew up in Scania in southern Sweden and started in music as a jazz trumpeter. He lived for a while in Greece where he learned to play the bouzouki and played with composer Mikis Theodorakis. Möller has been a member of Frifot, Stockholm Folk Big Band, Enteli, Filarfolket, Ale Möller's Lyckliga Enmansorkester, and Neo Minore. He has worked with Aly Bain, Bruce Molsky, Robin Williamson, Gunnar Stubseid, Lena Willemark, Per Gudmundson, Jonas Knutsson, Sten Källman, and Thomas Ringdahl. He plays traditional Scandinavian music. He is also a notable proponent of world music, combining Swedish folk traditions with those of Shetland, Greece, India, and West Africa. He plays bouzouki, mandola, accordion, flute, shawm, dulcimer, harp, and harmonica. His mandola is adapted to include extra frets. Discography * 1980 – Filarfolket – ''Birfilarmu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scale Length (string Instruments)
The scale length of a string instrument is the maximum vibrating length of the strings that produce sound, and determines the range of tones that string can produce at a given tension. It is also called string length. On instruments in which strings are not "stopped" (typically by frets or the player's fingers) or divided in length (such as in the piano), it is the actual length of string between the nut and the bridge. String instruments produce sound through the vibration of their strings. The range of tones these strings can produce is determined by three primary factors: the linear density of the string, that is its mass per unit length (which is determined by its thickness and the density of the material), the tension placed upon it, and the instrument's scale length. Generally, a string instrument has all strings approximately the same length, so the scale length can be expressed as a single measurement, e.g., the violin and most guitars. Bowed strings Violin family The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Planxty
Planxty were an Irish folk music band formed in January 1972, consisting initially of Christy Moore (vocals, acoustic guitar, bodhrán), Andy Irvine (vocals, mandolin, mandola, bouzouki, hurdy-gurdy, harmonica), Dónal Lunny (bouzouki, guitars, bodhrán, keyboards), and Liam O'Flynn ( uilleann pipes, tin whistle). They transformed and popularized Irish folk music, touring and recording to great acclaim. Subsequently, Johnny Moynihan, Paul Brady, Matt Molloy (flute), Bill Whelan (keyboards), Nollaig Casey ( fiddle) and, briefly, Noel Hill (concertina) and Tony Linnane (fiddle) were also temporary members. Planxty broke up twice, first in December 1975 and again in April 1983. The original quartet reunited in October 2003 and their final performance was on 31 January 2005. History Formation and first run (1972–1975) Christy Moore and Dónal Lunny had been friends since school days in Newbridge, County Kildare, Lunny having taught Moore how to play both guitar an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irish Bouzouki
The Irish bouzouki () is an adaptation of the Greek bouzouki (Greek: μπουζούκι). The newer Greek ''tetrachordo'' bouzouki (4 courses of strings) was introduced into Irish traditional music in the mid-1960s by Johnny Moynihan of the folk group Sweeney's Men. Alec Finn, first in the Cana Band and subsequently in De Dannan, introduced the first Greek ''trichordo'' (3 course) bouzouki into Irish music. In the early 1970s, Andy Irvine gave his Greek bouzouki to Dónal Lunny, who replaced the octave strings on the two lower G and D courses with unison strings, thus reinforcing their lower frequencies. Soon after, on a visit with Irvine to the workshop of luthier Peter Abnett, Lunny commissioned a 4 course bouzouki with a three-piece, partially staved back. This was the first bouzouki built specifically for Irish music. Since then, the instrument has been adapted for Irish traditional and other styles of folk music. Present role in Irish music The b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweeney's Men (album)
''Sweeney's Men'' is an album by Sweeney's Men,''Sweeney's Men'' LP, Transatlantic Records Ltd, TRA SAM 37, 1968. recorded in early 1968 after 'Galway Joe' Dolan had left the band and been replaced by Terry Woods. Johnny Moynihan contributed "Rattlin' Roarin' Willy"—a song written by Robbie Burns and set to the slip jig rhythm (9/8)—and also Pecker Dunne's "Sullivan John", which had previously been sung by Dolan before he left the band. Moynihan also sang "Dicey Riley" and "The Handsome Cabin Boy", which he learnt from the singing of A.L. Lloyd.Sleeve notes from ''Sweeney's Men'' LP, Transatlantic Records Ltd, TRA SAM 37, 1968. "Johnston" is Moynihan's version of the tale of sinister murder also known as "Three Huntsmen", listed as entry H185 in Sam Henry's collection, ''Song the People''Sleeve notes from ''Andy Irvine - Abocurragh'', Andy Irvine AK-3, 2010. Andy Irvine contributed the sea shanty "Sally Brown", which he learnt from a Library of Congress recording ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandolin
A mandolin ( it, mandolino ; literally "small mandola") is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of 8 strings, although five (10 strings) and six (12 strings) course versions also exist. There are of course different types of strings that can be used, metal strings are the main ones since they are the cheapest and easiest to make. The courses are typically tuned in an interval of perfect fifths, with the same tuning as a violin (G3, D4, A4, E5). Also, like the violin, it is the soprano member of a family that includes the mandola, octave mandolin, mandocello and mandobass. There are many styles of mandolin, but the three most common types are the ''Neapolitan'' or ''round-backed'' mandolin, the ''archtop'' mandolin and the ''flat-backed'' mandolin. The round-backed version has a deep bottom, constructed of strips of wood, glued toge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interval (music)
In music theory, an interval is a difference in pitch between two sounds. An interval may be described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or harmonic if it pertains to simultaneously sounding tones, such as in a chord. In Western music, intervals are most commonly differences between notes of a diatonic scale. Intervals between successive notes of a scale are also known as scale steps. The smallest of these intervals is a semitone. Intervals smaller than a semitone are called microtones. They can be formed using the notes of various kinds of non-diatonic scales. Some of the very smallest ones are called commas, and describe small discrepancies, observed in some tuning systems, between enharmonically equivalent notes such as C and D. Intervals can be arbitrarily small, and even imperceptible to the human ear. In physical terms, an interval is the ratio between two sonic fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Countermelody
In music, a counter-melody (often countermelody) is a sequence of notes, perceived as a melody, written to be played simultaneously with a more prominent lead melody. In other words, it is a secondary melody played in counterpoint with the primary melody. A counter-melody performs a subordinate role, and it is typically heard in a texture consisting of a melody plus accompaniment. In marches, the counter-melody is often given to the trombones or horns. American composer David Wallis Reeves is credited with this innovation in 1876. The more formal term countersubject applies to a secondary or subordinate melodic idea in a fugue In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the co .... A countermelody differs from a harmony part sung by a backup singer in that whereas the harmo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luthier
A luthier ( ; AmE also ) is a craftsperson who builds or repairs string instruments that have a neck and a sound box. The word "luthier" is originally French and comes from the French word for lute. The term was originally used for makers of lutes, but it came to be used already in French for makers of most bowed and plucked stringed instruments such as members of the violin family (including violas, cellos, and double basses) and guitars. Luthiers, however, do not make harps or pianos; these require different skills and construction methods because their strings are secured to a frame. The craft of luthiers, lutherie (rarely called "luthiery", but this often refers to stringed instruments other than those in the violin family), is commonly divided into the two main categories of makers of stringed instruments that are plucked or strummed and makers of stringed instruments that are bowed. Since bowed instruments require a bow, the second category includes a subtype known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
De Dannan
De Dannan (originally ''Dé Danann'') is an Irish folk music group. It was formed 1975 by Frankie Gavin ( fiddle), Alec Finn (guitar, bouzouki), Johnny "Ringo" McDonagh (bodhrán) and Charlie Piggott (banjo) as a result of sessions in Hughes's Pub in An Spidéal, County Galway, with Dolores Keane (vocals) subsequently being invited to join the band. The fiddler Mickey Finn (1951–1987) is also acknowledged to have been a founder member. The band was named after the legendary Irish tribe Tuatha Dé Danann. In 1985 the spelling of the name was changed from "Dé Danann" to "De Dannan" for reasons that have never been made clear. Since 2010, however, Finn and McDonagh have recorded and performed with a line-up named "De Danann", and, since 2012, Gavin has recorded and performed with another line-up named "De Dannan". History The group's debut album was the eponymous ''Dé Danann'', produced by Dónal Lunny and recorded at Eamonn Andrews Studios, Dublin, in 1975 and release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
