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The Who Collection
''The Who Collection'' is a compilation album by The Who, released in 1985. It is notable for containing a unique remix of "Won't Get Fooled Again" and for being one of the few compact disc appearances of the extended version of " Magic Bus". The original vinyl release was a double LP package. On compact disc it first appeared as a double-CD set, then later as two single individually numbered volumes. Track listing All songs written by Pete Townshend, except where noted ;Volume One #"I Can't Explain" #" Anyway, Anyhow, Anywhere" ( Roger Daltrey, Townshend) #" My Generation" #" Substitute" #"A Legal Matter" #" The Kids Are Alright" #"I'm a Boy" #" Happy Jack" #" Boris the Spider" (John Entwistle) #"Pictures of Lily" #" I Can See for Miles" #" Won't Get Fooled Again" #" The Seeker" #"Let's See Action" #" Join Together" #" Relay" #" Love, Reign o'er Me" #" Squeeze Box" ;Volume Two #" Who Are You" #" Long Live Rock" #" 5:15" #"You Better You Bet" (omitted from CD release) #" Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Who
The Who are an English rock band formed in London in 1964. Their classic lineup consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist and singer John Entwistle, and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century, and have sold over 100 million records worldwide. Their contributions to rock music include the development of the Marshall Stack, large PA systems, the use of the synthesizer, Entwistle and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk rock, power pop and mod bands, and their songs are still regularly played. The Who were inducted into the Rock and Roll Hall of Fame in 1990. The Who developed from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Kids Are Alright (song)
"The Kids Are Alright" is a song written by Pete Townshend and recorded by the English rock band the Who. It appears as the seventh track on their debut album ''My Generation'' (1965). Background "The Kids Are Alright" was not released as a single until more than six months after it first appeared on the LP, first in the United States, and in the United Kingdom the following month. While not a huge hit at the time (reaching number 41 in the UK and number 85 in the US), the song, along with the album "My Generation", became anthems for the band and the Mod subculture of England in the 1960s. It later became the name of the documentary for the band in 1979. The song was edited for the U.S. single and this version has become much more common than the original full-length U.K. album version. The edit of the song features a substantially shortened instrumental break. A promotional film for the song was shot in Hyde Park in July or August 1966. In addition to appearing on ''My Gen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Squeeze Box (The Who Song)
Squeezebox is a class of musical instruments including accordions and concertinas. Squeezebox or Squeeze box may also refer to: * "Squeeze Box" (song), a 1975 song by The Who * Squeezebox (network music player), a digital audio streaming device *Hug machine or squeeze box, a therapeutic stress-relieving device *Squeeze box (magic trick), an illusion where the magician or his assistant has his head right next to his feet after entering a box that squeezes *A segment of the musical piece "Acadian Songs and Dances", composed by Virgil Thomson (1896–1989); from the film "Louisiana Story" of Robert Flaherty (1948) * ''Squeeze Box'' (box set), a 2017 box set release by American comedy musician "Weird Al" Yankovic *Colloquial reference to an Accordion Accordions (from 19th-century German ''Akkordeon'', from ''Akkord''—"musical chord, concord of sounds") are a family of box-shaped musical instruments of the bellows-driven free-reed aerophone type (producing sound as air flows ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love, Reign O'er Me
"Love, Reign o'er Me", subtitled "Pete's Theme", is a song by English rock band The Who. Written and composed by guitarist Pete Townshend, it was released on 27 October 1973 as the second single from the band's sixth studio album and second rock opera, ''Quadrophenia.'' It is the final song on the album, and has been a concert staple for years. The song peaked at number 76 on the US ''Billboard'' Hot 100 and number 54 on ''Cash Box''. Origin and recording "Love, Reign o'er Me," along with "Is It in My Head?" (also from ''Quadrophenia''), date back to 1972. Both songs were originally intended to be part of the unreleased autobiographical album, '' Rock Is Dead—Long Live Rock!'' This later evolved into ''Quadrophenia.'' Lyrics "Love, Reign o'er Me" concerns the main character of ''Quadrophenia,'' Jimmy, having a personal crisis. With nothing left to live for, he finds a spiritual redemption in pouring rain. As Townshend described the song: trefers to Meher Baba's one time comme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relay (song)
"Relay" (titled "The Relay" in the United States) is a song written by Pete Townshend, the guitarist of the Who, for the band's aborted ''Lifehouse (rock opera), Lifehouse'' project. The song was also released as a moderately successful single in 1972. It was also the last non-album single by the Who until "Real Good Looking Boy", 32 years later. Background "Relay" was originally written as part of the unfinished ''Lifehouse (rock opera)#1971 version, Lifehouse'' rock opera, however, like "Join Together (The Who song), Join Together", it was not written until 1972, when Pete Townshend revisited the project, at Roger Daltrey's suggestion. In 1972, the song was resurrected to be used in ''Rock Is Dead—Long Live Rock!'', another abandoned Who album that was to be released in 1972. The song was recorded during the same sessions as "Join Together (The Who song), Join Together" and a demo of "Long Live Rock" in May 1972. "Relay" was released as a single in late 1972, backed with the K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Join Together (The Who Song)
"Join Together" is a song by British rock band the Who, first released as a non-album single in May 1972. The song has since been performed live multiple times and has appeared on numerous compilation albums. "Join Together" is also notable for its roots in The Who's abandoned '' Lifehouse'' album, a quality shared by The Who's other 1972 single "Relay". Background "Join Together", under the working title of "Join Together With the Band", was originally intended to be released as part of the '' Lifehouse'' album, but upon the album's shelving, the song was temporarily abandoned. Following the abandoning of ''Lifehouse'', "Join Together", as well as other songs initially intended to appear on the album, was used in the working track list of another canceled Who album, '' Rock Is Dead—Long Live Rock!''. The song was recorded on the same day as "Relay" (its follow-up single) and a demo of "Long Live Rock" in May 1972. The band's lead singer, Roger Daltrey, remembers the song posit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let's See Action
"Let's See Action" is a song written and composed by Pete Townshend and recorded by the Who. It was released as a single in the UK in 1971 and reached #16 in the charts. Song notes The song is the first of three non-album singles by the Who, that were intended for the aborted '' Lifehouse'' project. Pete Townshend's demo version, which appears on his first major label solo album ''Who Came First'' as "Nothing Is Everything (Let's See Action)", is longer than the version on the single and contains the additional lines, "Rumor has it minds are open. Then rumors fill them up with lies." The band's bassist, John Entwistle, said that the track was Pete Townshend "Trying to talk to the kids in general." According to The Who's biographer John Atkins, the song takes ideas from the teachings of Meher Baba, encompassing "Soul searching and the utilization of positive impulses from within." B-side The B-side of the single was "When I Was a Boy", which was written and sung by John Entwistle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Seeker (The Who Song)
"The Seeker" is a song written by Pete Townshend and performed by English rock band the Who. First released as a non-album single in March 1970, it is included on their 1971 compilation album ''Meaty Beaty Big and Bouncy'' and other compilations. Background Around the time of the song's release, Townshend explained its meaning in an interview with ''Rolling Stone'': "I suppose I like this least of all the stuff", wrote Townshend the following year. "It suffered from being the first thing we did after ''Tommy'', and also from being recorded a few too many times. We did it once at my home studio, then at IBC where we normally worked then with Kit Lambert producing. Then Kit had a tooth pulled, breaking his jaw, and we did it ourselves. The results are impressive. It sounded great in the mosquito-ridden swamp I made it up in—Florida at three in the morning drunk out of my brain with Tom Wright and John Wolff. But that's always where the trouble starts, in the swamp. The alligat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Won't Get Fooled Again
"Won't Get Fooled Again" is a song by the English rock band the Who, written by Pete Townshend. It was released as a single in June 1971, reaching the top 10 in the UK, while the full eight-and-a-half-minute version appears as the final track on the band's 1971 album ''Who's Next'', released that August. Townshend wrote the song as a closing number of the '' Lifehouse'' project, and the lyrics criticise revolution and power. The track is known for a staccato keyboard figure, played on a simple home organ with a “rhythm” feature that produced a synth-like effect. The Who tried recording the song in New York in March 1971, but re-recorded a superior take at Stargroves the next month using the organ from Townshend's original demo. Ultimately, ''Lifehouse'' as a project was abandoned in favour of ''Who's Next'', a straightforward album, where it also became the closing track. It has been performed as a staple of the band's setlist since 1971, often as the set closer, and was the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Can See For Miles
"I Can See for Miles" is a song by the English rock band the Who, recorded for the band's 1967 album ''The Who Sell Out''. Written by guitarist Pete Townshend, it was the only song from the album to be released as a single. Recording Recorded in several separate sessions in studios across two continents, the recording of "I Can See for Miles" exemplifies the increasingly sophisticated studio techniques of rock bands in the late 1960s, such as those used for the Beatles and the Beach Boys. The backing tracks were recorded at CBS Studios in London, the vocals and overdubbing were performed at Talentmasters Studios in New York, and the single was mixed and mastered at Gold Star Studios in Los Angeles. The initial UK mono pressing (Track Records) and the US Decca single has an overdubbed second bass line mixed upfront, whilst the drums are mixed slightly lower. Critical reception The song is ranked number 40 on Dave Marsh's "The 1001 Greatest Singles Ever Made", number 37 on '' NME ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pictures Of Lily
"Pictures of Lily" is a single by the British rock band the Who, written by guitarist and primary songwriter Pete Townshend. In 1971, "Pictures of Lily" was included in the Who album '' Meaty Beaty Big and Bouncy'', a compilation of previously released singles. Townshend coined the term "power pop" when he used it to describe the song in a May 1967 interview with ''NME''. Synopsis In the beginning of the song, the singer laments his inability to sleep. When his father gives him the pictures of the song's titular Lily, he feels better, and is able to sleep. Soon, he feels desire for Lily as a person instead of a photo, and asks his father for an introduction. His father informs him however that "Lily" has, in fact, been dead since 1929. Initially, the singer laments, but before long turns back to his fantasy. Meaning and origin According to Pete Townshend in the 2006 book ''Lyrics'' by Rikky Rooksby, "the idea was inspired by a picture my girlfriend had on her wall of an o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Entwistle
John Alec Entwistle (9 October 194427 June 2002) was an English musician who was the bassist for the rock band The Who. Entwistle's music career spanned over four decades. Nicknamed "The Ox" and "Thunderfingers", he was the band's only member with formal musical training and also provided backing and occasional lead vocals. Entwistle was inducted into the Rock and Roll Hall of Fame as a member of the Who in 1990. Renowned for his musical abilities, Entwistle's instrumental approach used pentatonic lead lines and a then-unusual treble-rich sound ("full treble, full volume"). He was voted as the greatest bassist ever in a 2011 ''Rolling Stone'' readers' poll and, in 2020, the same magazine ranked him number three in its own list of the 50 greatest bassists of all time. Early life John Alec Entwistle was born on 9 October 1944 in Chiswick, which is now part of London. He was an only child. His father, Herbert, who died in 2003, played the trumpet and his mother, Maud (née Lee) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
