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The Vision Of Constantine (Moskos)
''The Vision of Constantine'' was an egg tempera painting created by Elias Moskos. Moskos was active during the 17th century. Fifty-two paintings are attributed to the artist. He was active on the Greek islands of Crete and Zakynthos. He is one of the few artists that belongs to the Cretan school and the Heptanese School. Constantine is one of the most important figures in the Christian religion. He was the first Roman emperor to accept the new faith. He has been depicted in art since the inception of the new religion. He is often depicted with his mother Helen. The Vision of Constantine was very popular in Greek and Italian art. Constantine and his army were at war with Roman Emperor Maxentius. Constantine was praying with his army. According to legend, a cross appeared in the sky, above the Sun. There was also an inscription: Ἐν τούτῳ νίκα (En to tow nika) the translation was by this sign, you will conquer. In Mosko's rendition, an angel appears relay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elias Moskos
Ilias or Elias Moskos ( el, Ηλίας Μόσκος, 1620/1629- January 26, 1687) was a Greek educator, shipping merchant and painter from Crete. The last name Moskos was associated with three famous painters of the Cretan School alive during the same period, along with Ioannis Moskos and Leos Moskos, possibly his relatives. Elias incorporated Italo-Byzantine, maniera greca with the Venetian style. Theodore Poulakis and Moskos brought the art and style of Crete into the Heptanese School (painting), Heptanese School of the Ionian Islands. Some of his work was inspired by Angelos Akotantos. He was affiliated with other artists such as Philotheos Skoufos. He is often confused with Leos Moskos. His son was not Ioannis Moskos although they were probably related. Elias most popular painting is ''Christ Pantocrator''. Fifty-two of his paintings survived. History Elias was born in Rethymno Crete. His father's name was Ioannis. He was a painter, shipping merchant, and teacher. He e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hatzidakis
Hatzidakis or Hadjidakis ( gr, Χατζηδάκης or Χατζιδάκις) is a Greek surname, a diminutive of Hatzis: * Georgios Hatzidakis (1843–1941), linguist * Hatzidakis (athlete), shooter in the 1896 Olympics * Ioannis Hatzidakis (1844–1921), mathematician * Kostis Hatzidakis (born 1965), conservative politician * Manos Hatzidakis (1925–1994), composer * Nikolaos Hatzidakis 250px Nikolaos J. Hatzidakis (Νικόλαος Χατζιδάκις, also ''Nicholas Hadzidakis'', 25 April 1872 – 25 January 1942) was a Greek mathematician. Biography Hatzidakis was born in 1872 in Berlin. His parents were from Crete. He atte ... (1872–1942), mathematician {{surname, Hatzidakis Greek-language surnames Surnames ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cretan Renaissance Paintings
Crete ( el, Κρήτη, translit=, Modern: , Ancient: ) is the largest and most populous of the Greek islands, the 88th largest island in the world and the fifth largest island in the Mediterranean Sea, after Sicily, Sardinia, Cyprus, and Corsica. Crete rests about south of the Greek mainland, and about southwest of Anatolia. Crete has an area of and a coastline of 1,046 km (650 mi). It bounds the southern border of the Aegean Sea, with the Sea of Crete (or North Cretan Sea) to the north and the Libyan Sea (or South Cretan Sea) to the south. Crete and a number of islands and islets that surround it constitute the Region of Crete ( el, Περιφέρεια Κρήτης, links=no), which is the southernmost of the 13 top-level administrative units of Greece, and the fifth most populous of Greece's regions. Its capital and largest city is Heraklion, on the north shore of the island. , the region had a population of 636,504. The Dodecanese are located to the nort ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In Greece
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, landscape painting), Photorealism, pho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Paintings
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French '' Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ionian School (painting)
The Heptanese School of painting ( el, Επτανησιακή Σχολή, , The School of the Seven Islands, also known as the Ionian Islands School) succeeded the Cretan School as the leading school of Greek post-Byzantine painting after Crete fell to the Ottomans in 1669. Like the Cretan school, it combined Byzantine traditions with an increasing Western European artistic influence and also saw the first significant depiction of secular subjects. The school was based in the Ionian Islands, which were not part of Ottoman Greece, from the middle of the 17th century until the middle of the 19th century. The center of Greek art migrated urgently to the Ionian islands but countless Greek artists were influenced by the school including the ones living throughout the Greek communities in the Ottoman Empire and elsewhere in the world. The early Heptanese school was influenced by Flemish, French, Italian and German engravings. Artists representative of that era were Theodore Poulakis, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florentine Painting
Florentine painting or the Florentine School refers to artists in, from, or influenced by the naturalistic style developed in Florence in the 14th century, largely through the efforts of Giotto di Bondone, and in the 15th century the leading school of Western painting. Some of the best known painters of the earlier Florentine School are Fra Angelico, Botticelli, Filippo Lippi, the Ghirlandaio family, Masolino, and Masaccio. Florence was the birthplace of the High Renaissance, but in the early 16th century the most important artists, including Michelangelo and Raphael were attracted to Rome, where the largest commissions then were. In part this was following the Medici, some of whom became cardinals and even the pope. A similar process affected later Florentine artists. By the Baroque period, the many painters working in Florence were rarely major figures. Before 1400 The earliest distinctive Tuscan art, produced in the 13th century in Pisa and Lucca, formed the basis for later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venetian Painting
Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini (c. 1430–1516) and his brother Gentile Bellini (c. 1429–1507) and their workshops, the major artists of the Venetian school included Giorgione (c. 1477–1510), Titian (c. 1489–1576), Tintoretto (1518–1594), Paolo Veronese (1528–1588) and Jacopo Bassano (1510–1592) and his sons. Considered to give primacy to colour over line, the tradition of the Venetian school contrasted with the Mannerism prevalent in the rest of Italy. The Venetian style exerted great influence upon the subsequent development of Western painting.Gardner, p. 679. By chance, the main phases of Venetian painting fit rather neatly into the centuries. The glories of the 16th century were followed by a great fall-off in the 17th, but an unexpected revival in the 18th, when Venetian painters enjoyed great success around Europe, as Baroque painting turned to Rococo. This had ended c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italo-Byzantine
Italo-Byzantine is a style term in art history, mostly used for medieval paintings produced in Italy under heavy influence from Byzantine art. It initially covers religious paintings copying or imitating the standard Byzantine icon types, but painted by artists without a training in Byzantine techniques. These are versions of Byzantine icons, most of the Madonna and Child, but also of other subjects; essentially they introduced the relatively small portable painting with a frame to Western Europe. Very often they are on a gold ground. It was the dominant style in Italian painting until the end of the 13th century, when Cimabue and Giotto began to take Italian, or at least Florentine, painting into new territory. But the style continued until the 15th century and beyond in some areas and contexts. ''Maniera greca'' ("Greek style/manner") was the Italian term used at the time, and by Vasari and others; it is one of the first post-classical European terms for style in art. Vasa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Main
Main may refer to: Geography * Main River (other) **Most commonly the Main (river) in Germany *Main, Iran, a village in Fars Province *"Spanish Main", the Caribbean coasts of mainland Spanish territories in the 16th and 17th centuries *''The Main'', the diverse core running through Montreal, Quebec, Canada, also separating the Two Solitudes *Main (lunar crater), located near the north pole of the Moon *Main (Martian crater) People and organisations *Main (surname), a list of people with this family name *Ma'in, alternate spelling for the Minaeans, an ancient people of modern-day Yemen *Main (band), a British ambient band formed in 1991 *Chas. T. Main, an American engineering and hydroelectric company founded in 1893 *MAIN (Mountain Area Information Network), former operator of WPVM-LP (MAIN-FM) in Asheville, North Carolina, U.S. Ships * ''Main'' (ship), an iron sailing ship launched in 1884 * SS ''Main'', list of steamships with this name * ''Main'' (A515), a modern G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Crucifixion (Paleokapas)
The Crucifixion is a tempera painting by Konstantinos Paleokapas. Paleokapas was a Greek painter from the island of Crete. He was active during the early part of the 1600s. Six of his works survived, four are signed. The Crucifixion is one of the most popular events in human history. The scene has been duplicated countless times. Many crucifixion paintings were created by painters from the island of Crete. Some painters included El Greco, Andreas Pavias, Georgios Markazinis and Ioannis Moskos. Paleokapas created his own version of the popular subject. His crucifixion painting followed the prototype of many other paintings thematically. He added both the dice players and the resurrection of the dead. Andreas Pavias’s The Crucifixion (Pavias) and Margkazinis’s The Crucifixion (Margkazinis) both feature the popular pictorial representation of Mathews gospel. Paleokapas’s Crucifixion is located at the Gonia Monastery in Crete. Description The painting is egg temp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konstantinos Paleokapas
Konstantinos Paleokapas ( el, Κωνσταντίνος Παλαιοκαπάς, 1600 – after 1640) was a Greek painter active during the 17th century. He was active in Crete. His contemporaries were: Elias Moskos, Leos Moskos, Victor (iconographer), Franghias Kavertzas and Ieremias Palladas. His style was similar to his contemporaries, the artists were part of the Cretan School. The art was heavily influenced by Venetian art. His remaining work testifies to the style of the region. Six of his works have survived. His most notable work is the Crucifixion of Christ. His Crucifixion is comparable to the Ioannis Moskos Crucifixion and The Crucifixion (Pavias) by Andreas Pavias. His Crucifixion lacks the unique Impenitent thief found in many followers of Pavias's style. His Crucifixion mostly resembles Ioannis Moskos. Paleokapas had a unique style. Most of his work is at the Gonia Monastery in Crete. History He was born in Chania Crete. Not much is known about his lif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
