The Crucifixion (Paleokapas)
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The Crucifixion (Paleokapas)
The Crucifixion is a tempera painting by Konstantinos Paleokapas. Paleokapas was a Greek painter from the island of Crete. He was active during the early part of the 1600s. Six of his works survived, four are signed. The Crucifixion is one of the most popular events in human history. The scene has been duplicated countless times. Many crucifixion paintings were created by painters from the island of Crete. Some painters included El Greco, Andreas Pavias, Georgios Markazinis and Ioannis Moskos. Paleokapas created his own version of the popular subject. His crucifixion painting followed the prototype of many other paintings thematically. He added both the dice players and the resurrection of the dead. Andreas Pavias’s The Crucifixion (Pavias) and Margkazinis’s The Crucifixion (Margkazinis) both feature the popular pictorial representation of Mathews gospel. Paleokapas’s Crucifixion is located at the Gonia Monastery in Crete. Description The painting is egg temp ...
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Konstantinos Paleokapas
Konstantinos Paleokapas ( el, Κωνσταντίνος Παλαιοκαπάς, 1600 – after 1640) was a Greek painter active during the 17th century. He was active in Crete. His contemporaries were: Elias Moskos, Leos Moskos, Victor (iconographer), Franghias Kavertzas and Ieremias Palladas. His style was similar to his contemporaries, the artists were part of the Cretan School. The art was heavily influenced by Venetian art. His remaining work testifies to the style of the region. Six of his works have survived. His most notable work is the Crucifixion of Christ. His Crucifixion is comparable to the Ioannis Moskos Crucifixion and The Crucifixion (Pavias) by Andreas Pavias. His Crucifixion lacks the unique Impenitent thief found in many followers of Pavias's style. His Crucifixion mostly resembles Ioannis Moskos. Paleokapas had a unique style. Most of his work is at the Gonia Monastery in Crete. History He was born in Chania Crete. Not much is known about his lif ...
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Theophanes The Cretan
Theophanis Strelitzas ( el, Θεοφάνης Στρελίτζας 1490–1559), also known as Theophanes the Cretan (, pronounced ''Theophanes O Krees'') or Theophanes Bathas () was a Greek painter of icons and frescos in the style of the Cretan School. He passed much of his career as a member of the monastic community of Mount Athos. Theophanes was part of the artistically prolific Strelitzas-Bathas family, whose members have left over one hundred extant works distributed throughout Greece. His work influenced many later painters, including Fragkos Katelanos and Dionysius of Fourna. Theophanes's son and apprentice Symeon Bathas Strelitzas later became a professional painter in his own right. History Theophanes was born in Heraklion, Crete. His family, which originated in the Peloponnesus region, had been associated with painting for over a century. He was married and had two sons, Symeon and Nifos-Neophytos. Sometime before 1527 his wife died young and the family moved to Mo ...
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Paintings In Greece
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, landscape painting), Photorealism, pho ...
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17th-century Paintings
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French '' Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be mo ...
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The Crucifixion (Moskos)
The Crucifixion is an egg tempera painting created by Ioannis Moskos. Moskos was a Greek painter originally from Crete. He migrated to Venice. Two other painters named Moskos were active during the same period. Their names were Elias Moskos and Leos Moskos. Leos and Ioannis were both in Venice during the same period. Ioannis was a member of the Late Cretan School. He was active from 1650 to 1721. Forty-four of his paintings survived. The crucifixion is one of the most popular subjects among painters. The most famous crucifixion painting of the Cretan School was completed by Andreas Pavias. Countless Greek and Italian painters were inspired by his work. Other notable crucifixions were completed by Konstantinos Paleokapas and Georgios Markazinis. The crucifixion paintings each offer a unique array of hidden symbols and meanings. The most common are the dice players and the resurrection of the Christian saints. In the dice player scene, soldiers gamble to see who wins ...
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John The Evangelist
John the Evangelist ( grc-gre, Ἰωάννης, Iōánnēs; Aramaic: ܝܘܚܢܢ; Ge'ez: ዮሐንስ; ar, يوحنا الإنجيلي, la, Ioannes, he, יוחנן cop, ⲓⲱⲁⲛⲛⲏⲥ or ⲓⲱ̅ⲁ) is the name traditionally given to the author of the Gospel of John. Christians have traditionally identified him with John the Apostle, John of Patmos, and John the Presbyter, although this has been disputed by most modern scholars. Identity The Gospel of John refers to an otherwise unnamed "disciple whom Jesus loved", who "bore witness to and wrote" the Gospel's message.Theissen, Gerd and Annette Merz. The historical Jesus: a comprehensive guide. Fortress Press. 1998. translated from German (1996 edition). Chapter 2. Christian sources about Jesus. The author of the Gospel of John seemed interested in maintaining the internal anonymity of the author's identity, although interpreting the Gospel in the light of the Synoptic Gospels and considering that the author names ...
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Mary Magdalene
Mary Magdalene (sometimes called Mary of Magdala, or simply the Magdalene or the Madeleine) was a woman who, according to the four canonical gospels, traveled with Jesus as one of his followers and was a witness to crucifixion of Jesus, his crucifixion and Resurrection of Jesus, resurrection. She is mentioned by name twelve times in the canonical gospels, more than most of the Apostles in the New Testament, apostles and more than any other woman in the gospels, other than Jesus' family. Mary's epithet ''Magdalene'' may mean that she came from the town of Magdala, a fishing town on the western shore of the Sea of Galilee in Roman Judea. The Gospel of Luke Luke 8, chapter 8 lists Mary Magdalene as one of the women who traveled with Jesus and helped support his ministry "out of their resources", indicating that she was probably wealthy. The same passage also states that seven demons Exorcism, had been driven out of her, a statement which is repeated in Mark 16. In all the four can ...
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Virgin Mary
Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jewish woman of Nazareth, the wife of Joseph and the mother of Jesus. She is a central figure of Christianity, venerated under various titles such as virgin or queen, many of them mentioned in the Litany of Loreto. The Eastern and Oriental Orthodox, Church of the East, Catholic, Anglican, and Lutheran churches believe that Mary, as mother of Jesus, is the Mother of God. Other Protestant views on Mary vary, with some holding her to have considerably lesser status. The New Testament of the Bible provides the earliest documented references to Mary by name, mainly in the canonical Gospels. She is described as a young virgin who was chosen by God to conceive Jesus through the Holy Spirit. After giving birth to Jesus in Bethlehem, she raised him in the city of Nazareth in Galilee, and was in Jerusal ...
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Holy Lance
The Holy Lance, also known as the Lance of Longinus (named after Saint Longinus), the Spear of Destiny, or the Holy Spear, is the lance that pierced the side of Jesus as he hung on the cross during his crucifixion. Biblical references The lance ( el, λόγχη, ) is mentioned in the Gospel of John, but not the Synoptic Gospels. The gospel states that the Romans planned to break Jesus' legs, a practice known as , which was a method of hastening death during a crucifixion. Because it was the eve of the Sabbath (Friday sundown to Saturday sundown), the followers of Jesus needed to "entomb" him because of Sabbath laws. Just before they did so, they noticed that Jesus was already dead and that there was no reason to break his legs ("and no bone will be broken"). To make sure that he was dead, a Roman soldier (named in extra-Biblical tradition as Longinus) stabbed him in the side. Liturgical re-enactments The phenomenon of blood and water was considered a miracle by Origen. ...
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Penitent Thief
The Penitent Thief, also known as the Good Thief, Wise Thief, Grateful Thief, or Thief on the Cross, is one of two unnamed thieves in Luke's account of the crucifixion of Jesus in the New Testament. The Gospel of Luke describes him asking Jesus to "remember him" when Jesus comes into his kingdom. The other, as the impenitent thief, challenges Jesus to save himself and both of them to prove that he is the Messiah. He is officially venerated in the Catholic Church. The Roman Martyrology places his commemoration on 25 March, together with the Feast of the Annunciation, because of the ancient Christian tradition that Christ (and the penitent thief) were crucified and died exactly on the anniversary of Christ's incarnation. He is given the name Dismas in the Gospel of Nicodemus and is traditionally known in Catholicism as Saint DismasLawrence Cunningham, ''A brief history of saints'' (2005), page 32. (sometimes Dysmas; in Spanish and Portuguese, ''Dimas''). Other traditions have b ...
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Emmanuel Lambardos
Emmanuel Lampardos ( el, Εμμανουήλ Λαμπάρδος, 1567 –1631), also known as Emmanouil Lampardos and Manolitzis. He was a Cretan Renaissance painter. Emmanuel and his nephew Emmanuel Lampardos have been very difficult to distinguish because they were active painters around the same period. Countless Greek and Italian artists emulated the famous painters. The name Lampardos was very notable in reference to Cretan art. The family was affiliated with famous painters Franghias Kavertzas and Tzortzi Papadopoulo. Lampardos emulated Georgios Klontzas, Michael Damaskinos, Angelos Akotantos, Andreas Pavias, Andreas Ritzos and Nikolaos Tzafouris. His style was the typical maniera greca with a strong Venetian influence. Countless images of the virgin and child have survived. Lampardos influenced Franghias Kavertzas, Emmanuel Tzanes, Philotheos Skoufos Elias Moskos, Leos Moskos, Ioannis Moskos and Emmanuel Tzanfournaris. Over fifty-six icons have been attrib ...
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Impenitent Thief
The impenitent thief is a man described in the New Testament account of the Crucifixion of Jesus. In the Gospel narrative, two criminal bandits are crucified alongside Jesus. In the first two Gospels (Matthew and Mark), they both join the crowd in mocking him. In the version of the Gospel of Luke, however, one taunts Jesus about not saving himself and them, and the other (known as the penitent thief) asks for mercy. In apocryphal writings, the impenitent thief is given the name Gestas, which first appears in the Gospel of Nicodemus, while his companion is called Dismas. Christian tradition holds that Gestas was on the cross to the left of Jesus and Dismas was on the cross to the right of Jesus. In Jacobus de Voragine's ''Golden Legend'', the name of the impenitent thief is given as Gesmas. The impenitent thief is sometimes referred to as the "bad thief" in contrast to the good thief. The apocryphal Arabic Infancy Gospel refers to Gestas and Dismas as Dumachus and Titus, respect ...
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