The Triumphal Arch
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The Triumphal Arch
The ''Triumphal Arch'' (also known as the ''Arch of Maximilian I'', german: Ehrenpforte Maximilians I.) is a 16th-century monumental woodcut print commissioned by the Holy Roman Emperor Maximilian I. The composite image was printed on 36 large sheets of paper from 195 separate wood blocks. At , it is one of the largest prints ever produced and was intended to be pasted to walls in city halls or the palaces of princes.Bartrum, (1995), 51 It is a part of a series of three huge prints created for Maximilian, the others being a ''Triumphal Procession'' (1516–18, 137 woodcut panels, long) which is led by a ''Large Triumphal Carriage'' (1522, 8 woodcut panels, ); only the ''Arch'' was completed in Maximilian's lifetime and distributed as propaganda, as he intended. Together, this series has been described by art historian Hyatt Mayor as "Maximilian's program of paper grandeur". They stand alongside two published biographical allegories in verse, the ' and ', heavily illustrated ...
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Albrecht Dürer - The Triumphal Arch Of Maximilian (NGA 1991
Albrecht ("noble", "bright") is a given name or surname of German origin and may refer to: First name *Albrecht Agthe, (1790–1873), German music teacher *Albrecht Altdorfer, (c. 1480–1538) German Renaissance painter *Albrecht Becker, (1906–2002), German production designer, photographer, and actor *Albrecht Berblinger, (1770–1829), German constructor (the tailor of ulm) *Albrecht Brandi, (1914–1966), German U-boat commander in World War II *Albrecht, Duke of Württemberg, (1865–1939), German field marshal in World War I *Albrecht von Wallenstein, (1583–1634), Bohemian soldier and politician during the Thirty Years' War *Albrecht Dieterich, (1866–1908) German classical philologist and religious scholar *Albrecht Dietz, (1926–2012), German entrepreneur and scientist *Albrecht Dürer, (1471–1528), German artist and mathematician * Albrecht Dürer the Elder, German goldsmith and father of Albrecht Dürer * Albrecht Elof Ihre, (1797–1877), Swedish diplomat and polit ...
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Johannes Stabius
Johannes Stabius (Johann Stab) (1450–1522) was an Austrian cartographer and astronomer of Vienna who developed, around 1500, the heart-shape (cordiform) projection map later developed further by Johannes Werner. It is called the '' Werner map projection'', but also the Stabius-Werner or the Stab-Werner projection. After its introduction by Werner in his 1514 book, ''Nova translatio primi libri geographiaae C. Ptolemaei'', the ''Werner projection'' was commonly used for world maps and some continental maps through the 16th century and into the 17th century. It was used by Mercator, Oronce Fine, and Ortelius in the late 16th century for maps of Asia and Africa. By the 18th century, it was replaced by the ''Bonne projection'' for continental maps. The ''Werner projection'' is only used today for instructional purposes and as a novelty. In 1512, Stabius published a work called the ''Horoscopion''. He also devised a card dial. In 1515 Dürer and Johannes Stabius created the f ...
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Albrecht Altdorfer
Albrecht Altdorfer (12 February 1538) was a German painter, engraver and architect of the Renaissance working in Regensburg, Bavaria. Along with Lucas Cranach the Elder and Wolf Huber he is regarded to be the main representative of the Danube School, setting biblical and historical subjects against landscape backgrounds of expressive colours. He is remarkable as one of the first artists to take an interest in landscape as an independent subject. As an artist also making small intricate engravings he is seen to belong to the Nuremberg Little Masters. Biography Altdorfer was born in Regensburg or Altdorf, Lower Bavaria, Altdorf around 1480. He acquired an interest in art from his father, Ulrich Altdorfer, who was a painter and miniaturist. At the start of his career, he won public attention by creating small, intimate modestly scaled works in unconventional media and with eccentric subject matter. He settled in the free imperial city of Regensburg, a town located on the Danube Ri ...
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Wolf Traut
The wolf (''Canis lupus''; : wolves), also known as the gray wolf or grey wolf, is a large canine native to Eurasia and North America. More than thirty subspecies of ''Canis lupus'' have been recognized, and gray wolves, as popularly understood, comprise wild subspecies. The wolf is the largest extant member of the family Canidae. It is also distinguished from other ''Canis'' species by its less pointed ears and muzzle, as well as a shorter torso and a longer tail. The wolf is nonetheless related closely enough to smaller ''Canis'' species, such as the coyote and the golden jackal, to produce fertile hybrids with them. The banded fur of a wolf is usually mottled white, brown, gray, and black, although subspecies in the arctic region may be nearly all white. Of all members of the genus ''Canis'', the wolf is most specialized for cooperative game hunting as demonstrated by its physical adaptations to tackling large prey, its more social nature, and its highly advanced ...
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Hans Springinklee
Hans Springinklee (c.1490/c.1495 – c.1540) was a German artist from Nuremberg, best known for his woodcuts.British Museum bio, see refs below. He was a pupil of Albrecht Dürer. Life Little written evidence remains of Springinklee's life, and neither his exact dates of birth or death are known. He was born in Nuremberg between 1490 and 1495, was alive in 1524, and died no later than 1540. In 1547, Johann Neudörffer the Elder wrote that Springinklee had lived with, and learned his craft from, Albrecht Dürer. His first woodcuts date from 1512–1513, but there is no evidence of his presence in Nuremberg after 1524, and it is presumed that he had left Nuremberg by that date. The first documentary evidence dates to 1520, when the council of Nuremberg commissioned him to decorate rooms in Nuremberg Castle before a visit of the Holy Roman Emperor Charles V. On 10 September 1527, his two daughters mentioned that he had left them in Nuremberg three years before, and his f ...
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Albrecht Dürer
Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I. Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are more Gothic than the rest of his work. His well-known engravings include the three '' Meisterstiche'' (master prints) ''Knight, Death and the Devil'' (1513), '' Sain ...
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Anton Kolb
Anton may refer to: People *Anton (given name), including a list of people with the given name *Anton (surname) Places *Anton Municipality, Bulgaria **Anton, Sofia Province, a village *Antón District, Panama **Antón, a town and capital of the district *Anton, Colorado, an unincorporated town *Anton, Texas, a city *Anton, Wisconsin, an unincorporated community *River Anton, Hampshire, United Kingdom Other uses *Case Anton, codename for the German and Italian occupation of Vichy France in 1942 *Anton (computer), a highly parallel supercomputer for molecular dynamics simulations * ''Anton'' (1973 film), a Norwegian film * ''Anton'' (2008 film), an Irish film *Anton Cup The Anton Cup is the championship trophy of the Swedish junior hockey league, J20 SuperElit. The trophy was donated by Anton Johansson, chairman of the Swedish Ice Hockey Association between 1924 and 1948, in 1952, as an award for Sweden's top-ra ...
, the championship trophy of the Swedish junior hockey ...
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Nuremberg
Nuremberg ( ; german: link=no, Nürnberg ; in the local East Franconian dialect: ''Nämberch'' ) is the second-largest city of the German state of Bavaria after its capital Munich, and its 518,370 (2019) inhabitants make it the 14th-largest city in Germany. On the Pegnitz River (from its confluence with the Rednitz in Fürth onwards: Regnitz, a tributary of the River Main) and the Rhine–Main–Danube Canal, it lies in the Bavarian administrative region of Middle Franconia, and is the largest city and the unofficial capital of Franconia. Nuremberg forms with the neighbouring cities of Fürth, Erlangen and Schwabach a continuous conurbation with a total population of 800,376 (2019), which is the heart of the urban area region with around 1.4 million inhabitants, while the larger Nuremberg Metropolitan Region has approximately 3.6 million inhabitants. The city lies about north of Munich. It is the largest city in the East Franconian dialect area (colloquially: "F ...
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Jacopo De' Barbari
Jacopo de' Barbari, sometimes known or referred to as de'Barbari, de Barberi, de Barbari, Barbaro, Barberino, Barbarigo or Barberigo (c. 1460/70 – before 1516), was an Italian painter, printmaker and miniaturist with a highly individual style. He moved from Venice to Germany in 1500, thus becoming the first Italian Renaissance artist of stature to work in Northern Europe. His few surviving paintings (about twelve) include the first known example of ''trompe-l'œil'' since antiquity. His twenty-nine engravings and three very large woodcuts were also highly influential. Life His place and date of birth are unknown, but he was described as a Venetian by contemporaries, including Albrecht Dürer ("van Venedig geporn"), and as 'old and weak' in 1511, so dates of between 1450 and 1470 have been proposed. Some believed that he was actually German-born before moving to Italy. However this belief is not conclusive and remains a hypothesis to researchers.Early Italian Engravings from the ...
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Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ...
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Bird's-eye View
A bird's-eye view is an elevated view of an object or location from a very steep viewing angle, creating a perspective as if the observer were a bird in flight looking downwards. Bird's-eye views can be an aerial photograph, but also a drawing, and are often used in the making of blueprints, floor plans and maps. Before crewed flight was common, the term "bird's eye" was used to distinguish views drawn from direct observation at high vantage locations (e.g. a mountain or tower), from those constructed from an imagined bird's perspectives. Bird's eye views as a genre have existed since classical times. They were significantly popular in the mid-to-late 19th century in the United States and Europe as photographic prints. Terminology The terms aerial view and aerial viewpoint are also sometimes used synonymous with bird's-eye view. The term ''aerial view'' can refer to any view from a great height, even at a wide angle, as for example when looking sideways from an airplan ...
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View Of Venice
''View of Venice'', also known as the de' Barbari Map, is a monumental woodcut print showing a bird's-eye view of the city of Venice from the southwest. It bears the title and date "VENETIE MD" ("Venice 1500"). It was printed from six wooden blocks designed from 1498 to 1500 by Jacopo de' Barbari, and then published in late 1500 by the Nuremberg publisher Anton Kolb on six large sheets of paper, each measuring about , to create a composite image measuring approximately . The individual sheets of paper were the largest produced in Europe up to that time. The finished work has an approximate scale of 1:1,250 (east-west) and 1:2,750 (north-south) and was probably intended for display on a wall. Examples of the three states of the print are held by public collections. The six large wooden printing blocks would have been carved by professional cutters, following preparatory drawings made by Jacopo de' Barbari. The six original blocks, probably made from walnut, now with splits and ...
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