|
The Temptation Of St Anthony (Schongauer)
''The Temptation of St. Anthony'' is an engraving, probably created c. 1470–75, by Martin Schongauer of this popular scene in 15th-century art. In it, grotesque demons swarm around Saint Anthony the Great, bursting with movement and energy as the saint calmly resists their temptations or blows. St. Anthony is shown with some of his signature attributes, dressed in a monk's religious habit and cowl, carrying a staff with a tau-shaped handle and his bound girdle book hanging from his belt. The literary source from which this image derives is debated. The image could depict chapter 65 from Athanasius's ''Life of St. Anthony'', where the hermit has a vision of himself floating through the air and undefined beings prevent him from ascending back to reality or it could show the ninth chapter of Athanasius's ''Life of St. Anthony'', where St. Anthony is attacked by the devil in the form of animals and beasts in the Egyptian desert and is levitated in the air by his practice of rigor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schongauer Anthony
Martin Schongauer (c. 1450–53, Colmar – 2 February 1491, Breisach), also known as Martin Schön ("Martin beautiful") or Hübsch Martin ("pretty Martin") by his contemporaries, was an Alsace, Alsatian engraver and painter. He was the most important printmaker north of the Alps before Albrecht Dürer, a younger artist who collected his work. Schongauer is the first German painter to be a significant engraver, although he seems to have had the family background and training in goldsmithing which was usual for early engravers. The bulk of Schongauer's surviving production is 116 engravings, all with his monogram but none dated, which were well known not only in Germany, but also in Italy and even made their way to England and Spain. Giorgio Vasari, Vasari says that Michelangelo copied The Temptation of St Anthony (Schongauer), one of his engravings, in the ''The Torment of Saint Anthony (Michelangelo), Trial of Saint Anthony''. His style shows no trace of Italian influence, but a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monogram
A monogram is a motif made by overlapping or combining two or more letters or other graphemes to form one symbol. Monograms are often made by combining the initials of an individual or a company, used as recognizable symbols or logos. A series of uncombined initials is properly referred to as a cypher (e.g. a royal cypher) and is not a monogram. History Monograms first appeared on coins, as early as 350 BC. The earliest known examples are of the names of Greek cities which issued the coins, often the first two letters of the city's name. For example, the monogram of Achaea consisted of the letters alpha (Α) and chi (Χ) joined together. Monograms have been used as signatures by artists and craft workers on paintings, sculptures and pieces of furniture, especially when guilds enforced measures against unauthorized participation in the trade. A famous example of a monogram serving as an artist's signature is the "AD" used by Albrecht Dürer. Christograms Over the centurie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Print Quarterly
''Print Quarterly'' is an international academic journal devoted to the history and art of printmaking, from its origins to the twentieth and twenty-first centuries. It is published in London four times a year, in March, June, September, and December. It was founded in 1984 by the scholar, patron of the arts and business man David Landau, who served as editor for twenty-eight years. The current editor Rhoda Eitel-Porter joined the staff of the periodical in September 2010. The journal’s editorial board comprises notable academics and curators working in prints history and the graphic arts. The journal publishes recent scholarship on all things related to prints. It covers the Western tradition in the graphic arts as well as Asian, Latin-American and African printmaking. Articles consider the role and import of the print from a number of perspectives including those of social and cultural history, iconography, biography, and collecting. Reviews of recent books related to the g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Lehrs
Max Lehrs (24 June 1855, in Berlin – 12 November 1938, in Dresden) was a German art historian and long-time director of the Dresden Kupferstichskabinett, 1896–1904, and 1908–24, with the intervening as director in Berlin. He is especially noted for his work on 15th-century German and Dutch engravers, and the numbers from his catalogues are still the most commonly used in modern references for many artists. Lehrs went blind while still writing his works, which were completed with the help of his daughter and his memory, leading to some lapses in late works. Further reading * * Peter Betthausen Peter Betthausen (born 27 June 1941) is a German art historian. Life Born in Harzgerode, Betthausen studied history of art, history and aesthetic at the Humboldt University of Berlin. From 1966 to 1986 he worked there and at the Leipzig Univ ..., Peter H. Feist, Christiane Fork: ''Metzler-Kunsthistoriker-Lexikon. Zweihundert Porträts deutschsprachiger Autoren au ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhode Island School Of Design Museum
The Museum of Art, Rhode Island School of Design (RISD Museum) is an art museum integrated with the Rhode Island School of Design, in Providence, Rhode Island, US. The museum was co-founded with the school in 1877, and still shares multiple buildings and facilities. It is the 20th-largest art museum in the United States, and has seven curatorial departments. History and architectural development The RISD Museum was an integral part of the college from the inception of both in 1877. Its dual mission was, and remains, to serve as an art museum open to the public, and to serve as a teaching facility for RISD students. After the Civil War, Rhode Island had emerged as one of the most heavily industrialized states in the country. Local manufacturers became interested in improving sales of their products through better design, and began to seek out qualified employees with expertise combining artistic and practical knowledge. Even earlier, in 1854, the Rhode Island Art Association had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Institute Of Chicago
The Art Institute of Chicago in Chicago's Grant Park, founded in 1879, is one of the oldest and largest art museums in the world. Recognized for its curatorial efforts and popularity among visitors, the museum hosts approximately 1.5 million people annually. Its collection, stewarded by 11 curatorial departments, is encyclopedic, and includes iconic works such as Georges Seurat's ''A Sunday on La Grande Jatte'', Pablo Picasso's ''The Old Guitarist'', Edward Hopper's '' Nighthawks'', and Grant Wood's '' American Gothic''. Its permanent collection of nearly 300,000 works of art is augmented by more than 30 special exhibitions mounted yearly that illuminate aspects of the collection and present cutting-edge curatorial and scientific research. As a research institution, the Art Institute also has a conservation and conservation science department, five conservation laboratories, and one of the largest art history and architecture libraries in the country—the Ryerson and B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Museum Of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American and modern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Brueghel The Elder
Jan Brueghel (also Bruegel or Breughel) the Elder (, ; ; 1568 – 13 January 1625) was a Flemish painter and draughtsman. He was the son of the eminent Flemish Renaissance painter Pieter Bruegel the Elder. A close friend and frequent collaborator with Peter Paul Rubens, the two artists were the leading Flemish painters in the first three decades of the 17th century. Brueghel worked in many genres including history paintings, flower still lifes, allegorical and mythological scenes, landscapes and seascapes, hunting pieces, village scenes, battle scenes and scenes of hellfire and the underworld. He was an important innovator who invented new types of paintings such as flower garland paintings, paradise landscapes, and gallery paintings in the first quarter of the 17th century.Kolb, 2005, p. 1 He further created genre paintings that were imitations, pastiches and reworkings of his father's works, in particular his father's genre scenes and landscapes with peasants. Brueghel represen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kimbell Art Museum
The Kimbell Art Museum in Fort Worth, Texas, hosts an art collection as well as traveling art exhibitions, educational programs and an extensive research library. Its initial artwork came from the private collection of Kay and Velma Kimbell, who also provided funds for a new building to house it. The building was designed by architect Louis I. Kahn and is widely recognized as one of the most significant works of architecture of recent times. It is especially noted for the wash of silvery natural light across its vaulted gallery ceilings. History Kay Kimbell was a wealthy Fort Worth businessman who built an empire of over 70 companies in a variety of industries. He married Velma Fuller, who kindled his interest in art collecting by taking him to an art show in Fort Worth in 1931, where he bought a British painting. They set up the Kimbell Art Foundation in 1935 to establish an art institute, and by the time of his death in 1964, the couple had amassed what was considered to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Torment Of Saint Anthony (Michelangelo)
''The Torment of Saint Anthony'' (or ''The Temptation of Saint Anthony'', c. 1487–88) is attributed to Michelangelo, who painted a close copy of the famous engraving by Martin Schongauer when he was only 12 or 13 years old. There is no evidence that this painting was done by Michelangelo.TheGuardian"Texas Museum Acquires Disputed Michelangelo"/ref> This painting is now in the Kimbell Art Museum in Fort Worth, Texas.Brown, Angela K.Texas museum acquires Michelangelo's 1st painting Associated Press 2009-05-13, retrieved 2009-05-13 It shows the common medieval subject, included in the ''Golden Legend'' and other sources, of Saint Anthony (AD 251 – 356) being assailed in the desert by demons, whose temptations he resisted; the '' Temptation of St Anthony'' (or "Trial") is the more common name of the subject. But this composition apparently shows a later episode where St Anthony, normally flown about the desert supported by angels, was ambushed in mid-air by devils. Ownership ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Schongauer Anthony")
