Jan Brueghel (also Bruegel or Breughel) the Elder (, ; ; 1568 – 13 January 1625) was a Flemish
painter
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ...
and
draughtsman A draughtsman (British spelling) or draftsman (American spelling) may refer to:
* An architectural drafter, who produced architectural drawings until the late 20th century
* An artist who produces drawings that rival or surpass their other types ...
. He was the son of the eminent
Flemish Renaissance
The Renaissance in the Low Countries was a cultural period in the Northern Renaissance that took place in around the 16th century in the Low Countries (corresponding to modern-day Belgium, the Netherlands and French Flanders).
Culture in the Low C ...
painter
Pieter Bruegel the Elder
Pieter Bruegel (also Brueghel or Breughel) the Elder (, ; ; – 9 September 1569) was the most significant artist of Dutch and Flemish Renaissance painting, a painter and printmaker, known for his landscapes and peasant scenes (so-called genr ...
. A close friend and frequent collaborator with
Peter Paul Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque traditio ...
, the two artists were the leading Flemish painters in the first three decades of the 17th century.
Brueghel worked in many genres including history paintings, flower
still life
A still life (plural: still lifes) is a work of art depicting mostly wikt:inanimate, inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or artificiality, m ...
s, allegorical and mythological scenes, landscapes and seascapes, hunting pieces, village scenes, battle scenes and scenes of hellfire and the underworld. He was an important innovator who invented new types of paintings such as flower garland paintings, paradise landscapes, and gallery paintings in the first quarter of the 17th century.Kolb, 2005, p. 1 He further created genre paintings that were imitations, pastiches and reworkings of his father's works, in particular his father's genre scenes and landscapes with peasants. Brueghel represented the type of the ''pictor doctus'', the erudite painter whose works are informed by the religious motifs and aspirations of the Catholic
Counter-Reformation
The Counter-Reformation (), also called the Catholic Reformation () or the Catholic Revival, was the period of Catholic resurgence that was initiated in response to the Protestant Reformation. It began with the Council of Trent (1545–1563) a ...
as well as the scientific revolution with its interest in accurate description and classification. He was court painter of the Archduke and Duchess Albrecht and Isabella, the governors of the
Habsburg Netherlands
Habsburg Netherlands was the Renaissance period fiefs in the Low Countries held by the Holy Roman Empire's House of Habsburg. The rule began in 1482, when the last House of Valois-Burgundy, Valois-Burgundy ruler of the Netherlands, Mary of Burgu ...
.
The artist was nicknamed "Velvet" Brueghel, "Flower" Brueghel, and "Paradise" Brueghel. The first is believed to have been given him because of his mastery in the rendering of fabrics.Matthias Depoorter, ''Jan Brueghel'' at Baroque in the Southern Netherlands The second nickname is a reference to his fame as a painter of (although not a specialist in) flower pieces and the last one to his invention of the genre of the paradise landscape. His brother
Pieter Brueghel the Younger
Pieter Brueghel (also Bruegel or Breughel) the Younger (, ; ; between 23 May and 10 October 1564 – between March and May 1638) was a Flemish painter, known for numerous copies after his father Pieter Bruegel the Elder's work as well as h ...
was traditionally nicknamed "de helse Brueghel" or "Hell Brueghel" because it was believed he was the author of a number of paintings with fantastic depictions of fire and grotesque imagery. These paintings have now been reattributed to Jan Brueghel the Elder.Alexander Wied and Hans J. Van Miegroet. ''Jan Breughel I''. Grove Art Online. Oxford Art Online. Oxford University Press. Web. 24 April 2016.Larry Silver, ''Peasant Scenes and Landscapes: The Rise of Pictorial Genres in the Antwerp Art Market'', University of Pennsylvania Press, 4 Jan 2012, pp. 154–158
Life
Jan Brueghel the Elder was born in
Brussels
Brussels (french: Bruxelles or ; nl, Brussel ), officially the Brussels-Capital Region (All text and all but one graphic show the English name as Brussels-Capital Region.) (french: link=no, Région de Bruxelles-Capitale; nl, link=no, Bruss ...
as the son of Pieter Bruegel the Elder and Maria (called 'Mayken') Coecke van Aelst. His mother was the daughter of the prominent Flemish Renaissance artists
Pieter Coecke van Aelst
Pieter Coecke van Aelst or Pieter Coecke van Aelst the Elder ( Aalst, 14 August 1502 – Brussels, 6 December 1550) was a Flemish painter, sculptor, architect, author and designer of woodcuts, goldsmith's work, stained glass and tapestries.
and
Mayken Verhulst
Mayken Verhulst (1518–1596 or 1599), also known as Marie Bessemers,Greer, p. 26. was a sixteenth-century miniature, tempera and watercolor painter, identified by Lodovico Guicciardini in 1567 as one of the four most important female artists in ...
. His father died about a year after Jan's birth in 1569. It is believed that after the death of his mother in 1578, Jan, together with his brother
Pieter Brueghel the Younger
Pieter Brueghel (also Bruegel or Breughel) the Younger (, ; ; between 23 May and 10 October 1564 – between March and May 1638) was a Flemish painter, known for numerous copies after his father Pieter Bruegel the Elder's work as well as h ...
and sister Marie, went to live with their grandmother Mayken Verhulst, who was by then widowed. Mayken Verhulst was an artist in her own right. The early Flemish biographer
Karel van Mander
Karel van Mander (I) or Carel van Mander I (May 1548 – 2 September 1606) was a Flemish painter, poet, art historian and art theoretician, who established himself in the Dutch Republic in the latter part of his life. He is mainly remembe ...
wrote in his
Schilder-boeck
or is a book written by the Flemish writer and painter Karel van Mander first published in 1604 in Haarlem in the Dutch Republic, where van Mander resided. The book is written in 17th-century Dutch and its title is commonly translated into Engl ...
published in 1604 that Mayken was the first art teacher of her two grandsons.Frans Jozef Peter Van den Branden, ''Geschiedenis der Antwerpsche schilderschool'', Antwerpen, 1883, pp. 444–455 She taught them drawing and watercolor painting of miniatures. Jan and his brother may also have trained with local artists in Brussels who were active as
tapestry
Tapestry is a form of textile art, traditionally woven by hand on a loom. Tapestry is weft-faced weaving, in which all the warp threads are hidden in the completed work, unlike most woven textiles, where both the warp and the weft threads may ...
designers.About Jan Brueghel at Janbrueghel.net
Jan and his brother Pieter were then sent to
Antwerp
Antwerp (; nl, Antwerpen ; french: Anvers ; es, Amberes) is the largest city in Belgium by area at and the capital of Antwerp Province in the Flemish Region. With a population of 520,504,
to study oil painting. According to Karel van Mander he studied under Peter Goetkint, an important dealer with a large collection of paintings in his shop. Goetkint died on 15 July 1583 not very long after Jan had started his training. It is possible that Jan continued his studies in this shop, which was taken over by Goetkint's widow, as no other master is recorded.
It was common for Flemish painters of that time to travel to Italy to complete their studies. Jan Brueghel left for Italy, first traveling to
Cologne
Cologne ( ; german: Köln ; ksh, Kölle ) is the largest city of the German western States of Germany, state of North Rhine-Westphalia (NRW) and the List of cities in Germany by population, fourth-most populous city of Germany with 1.1 m ...
where his sister Marie and her family lived. He later visited Frankenthal, an important cultural centre where a number of Flemish landscape artists were active.''The lives and careers of Brueghel and Rubens'', in: Anne T. Woollett et al., 2006, pp. 5–33 He then went to Naples after probably spending time in Venice. In Naples he produced after June 1590 a number of drawings, which show his interest in landscapes and monumental architecture. He worked for Don Francesco Caracciolo, a prominent nobleman and priest and founder of the
Clerics Regular Minor
The Clerics Regular Minor ( la, Ordo Clericorum Regularium Minorum), commonly known as the Caracciolini or Adorno Fathers, is a Roman Catholic religious order of priests and brothers founded by Francis Caracciolo, Augustine Adorno, and Fabrizio ...
. Jan produced small-scale decorative works for Don Francesco.
Brueghel left Naples for Rome where he resided from 1592 to 1594. He befriended
Paul Bril
Paul Bril (1554 – 7 October 1626) was a Flemish painter and printmaker principally known for his landscapes.Nicola Courtright. "Paul Bril." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 26 September 2016 He spent most of ...
. Paul Bril was a landscape specialist from Antwerp who had moved to Rome in the late 16th century. Together with his brother
Mathijs Bril
Matthijs Bril or Matthijs Bril the Younger (1550 – 8 June 1583) was a Flemish painter and draughtsman of landscapes. He spent most of his active career in Rome where his drawings of ancient Roman sites played an important role in the development ...
, he created atmospheric landscapes for many Roman residences. Brueghel took inspiration from Bril's lively drawings and small-scale landscapes of the mid-1590s. During his time in Rome Jan Brueghel became acquainted with
Hans Rottenhammer
Johann Rottenhammer, or Hans Rottenhammer (1564 – 14 August 1625), was a German painter. He specialized in highly finished paintings on a small scale.
Biography
He was born in Munich, where he studied until 1588 under Hans Donauer the Eld ...
, a German painter of small highly finished
cabinet painting
A cabinet painting (or "cabinet picture") is a small painting, typically no larger than two feet (0.6 meters) in either dimension, but often much smaller. The term is especially used for paintings that show full-length figures or landscapes at a s ...
s on copper. Rottenhammer painted religious and mythological compositions, combining German and Italian elements of style, which were highly esteemed. Brueghel collaborated with both Paul Bril and Rottenhammer. Brueghel also spent time making watercolors of Rome's antique monuments and seemed particularly fascinated by the vaulted interiors of the Colosseum.
He enjoyed the protection of Cardinal Ascanio Colonna. In Rome he also met Cardinal
Federico Borromeo
Federico Borromeo (18 August 1564 – 21 September 1631) was an Italian cardinal and Archbishop of Milan, a prominent figure of Counter-Reformation Italy.
Early life
Federico Borromeo was born in Milan as the second son of Giulio Cesare Borrom ...
, who played an important role in the
Counter-Reformation
The Counter-Reformation (), also called the Catholic Reformation () or the Catholic Revival, was the period of Catholic resurgence that was initiated in response to the Protestant Reformation. It began with the Council of Trent (1545–1563) a ...
and was also an avid art collector. The Cardinal became Brueghel's lifelong friend and patron. Brueghel took up residence in Borromeo's Palazzo Vercelli. When Borromeo became archbishop of Milan in June 1595, Brueghel followed him and became part of the Cardinal's household. He produced many landscape and flower paintings for the Cardinal.
Brueghel stayed about a year in Milan and in 1596 he had returned to Antwerp where he remained active, save for a few interruptions, for the rest of his life. A year after his return Jan Brueghel was admitted as a Free Master in Antwerp's
Guild of Saint Luke
The Guild of Saint Luke was the most common name for a city guild for painters and other artists in early modern Europe, especially in the Low Countries. They were named in honor of the Evangelist Luke, the patron saint of artists, who was ide ...
as the son of a master. The artist married on 23 January 1599 in the Cathedral of Our Lady in Antwerp. The bride was Isabella de Jode, the daughter of the cartographer, engraver and publisher
Gerard de Jode
Gerard de Jode (also known as Petrus de Jode; – 5 February 1591) was a Netherlandish cartographer, engraver, and publisher who lived and worked in Antwerp.
In 1547, De Jode was admitted to the Guild of St. Luke, and began his work as a ...
. Their son
Jan
Jan, JaN or JAN may refer to:
Acronyms
* Jackson, Mississippi (Amtrak station), US, Amtrak station code JAN
* Jackson-Evers International Airport, Mississippi, US, IATA code
* Jabhat al-Nusra (JaN), a Syrian militant group
* Japanese Article Num ...
was born on 13 September 1601. This first-born had Rubens as his godfather and later took over his father's workshop and was known as Jan Brueghel the Younger.
Brueghel was registered as a
burgher
Burgher may refer to:
* Burgher (social class), a medieval, early modern European title of a citizen of a town, and a social class from which city officials could be drawn
** Burgess (title), a resident of a burgh in northern Britain
** Grand Bu ...
of Antwerp on 4 October 1601 as 'Jan Bruegel, Peetersone, schilder, van Bruessele' ('Jan Bruegel, son of Peeter, painter, of Brussels'). Just a month before, Brueghel had been elected dean of the Guild of Saint Luke, but he had not been able to take up the position as he was not a burgher of Antwerp. Upon becoming formally registered as a burgher the same year Brueghel could finally be the dean. The next year he was re-elected as dean.
In 1603 his daughter Paschasia Brueghel was born. Rubens was also her godfather. His wife Isabella de Jode died the same year leaving him with two young children. It has been speculated that death of his wife was linked to the birth of his latest child.
In the summer of 1604 Brueghel visited
Prague
Prague ( ; cs, Praha ; german: Prag, ; la, Praga) is the capital and largest city in the Czech Republic, and the historical capital of Bohemia. On the Vltava river, Prague is home to about 1.3 million people. The city has a temperate ...
. Prague was the location of the court of
Rudolf II, Holy Roman Emperor
Rudolf II (18 July 1552 – 20 January 1612) was Holy Roman Emperor (1576–1612), King of Hungary and Croatia (as Rudolf I, 1572–1608), King of Bohemia (1575–1608/1611) and Archduke of Austria (1576–1608). He was a member of the Hous ...
who promoted artistic innovation. The Emperor's court had attracted many Northern artists such as
Hans von Aachen
Hans von Aachen (1552 – 4 March 1615) was a German painter who was one of the leading representatives of Northern Mannerism.
Hans von Aachen was a versatile and productive artist who worked in many genres. He was successful as a painter of pr ...
who created a new affected style, full of conceits, which became known as
Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, ...
.Peter Marshall, ''The Mercurial Emperor: The Magic Circle of Rudolf II in Renaissance Prague'', Random House, 28 November 2013, p. 61
Upon returning to Antwerp in September 1604 Brueghel bought a large house called "De Meerminne" (The Mermaid) in the Lange Nieuwstraat in Antwerp on 20 September 1604. The artist remarried in April 1605. With his second wife Catharina van Mariënburg he had 8 children of whom
Ambrosius
Ambrosius or Ambrosios (a Latin adjective derived from the Ancient Greek word ἀμβρόσιος, ''ambrosios'' "divine, immortal") may refer to:
Given name:
*Ambrosius Alexandrinus, a Latinization of the name of Ambrose of Alexandria (before 21 ...
became a painter.
After his appointment as court painter of the Archduke and Duchess Albrecht and Isabella in 1606, the artist was present in Brussels for periods in the years 1606, 1609, 1610 and 1613. On 28 August 1613 the court in Brussels paid Brueghel 3625 guilders for completing various works.
From October 1610 onwards Rubens started taking on the role of intermediary for his friend Jan Brueghel. By the year 1625 Rubens had written about 25 letters to Cardinal Borromeo on behalf of Brueghel. In a letter to Borromeo Brueghel referred to his friend's role as that of "mio secretario Rubens" (my secretary Rubens). In the year 1612 or 1613 Peter Paul Rubens painted a portrait of Jan Brueghel and his family (Courtauld Institute, London). In 1613 he accompanied Rubens and Hendrick van Balen the Elder on a diplomatic mission to the
Dutch Republic
The United Provinces of the Netherlands, also known as the (Seven) United Provinces, officially as the Republic of the Seven United Netherlands (Dutch: ''Republiek der Zeven Verenigde Nederlanden''), and commonly referred to in historiography ...
. Here they met
Hendrick Goltzius
Hendrick Goltzius, or Hendrik, (; ; January or February 1558 – 1 January 1617) was a German-born Dutch printmaker, draftsman, and painter. He was the leading Dutch engraver of the early Baroque period, or Northern Mannerism, lauded for his ...
and other
Haarlem
Haarlem (; predecessor of ''Harlem'' in English) is a city and municipality in the Netherlands. It is the capital of the province of North Holland. Haarlem is situated at the northern edge of the Randstad, one of the most populated metropoli ...
artists.Peter C. Sutton, ''Dutch & Flemish Paintings: The Collection of Willem Baron Van Dedem'', frances lincoln ltd, 2002, p. 66
When Duke Johan Ernest van Saksen passed through Antwerp in 1614 he took time to pay a visit to Rubens and Brueghel in their workshops. Brueghel received many official commissions from the Antwerp city magistrate. Four of his paintings were offered by the Antwerp city magistrate to the Archduke and Duchess Albrecht and Isabella on 27 August 1615. He was in 1618 one of 12 important painters from Antwerp who were commissioned by the Antwerp city magistrate to produce a series of paintings for the Archduke and Duchess Albrecht and Isabella. For this commission, Brueghel coordinated the work on a painting cycle depicting an ''Allegory of the Five Senses''. The artists participating in the project included Rubens,
Frans Snyders
Frans Snyders or Frans Snijders (11 November 1579, Antwerp – 19 August 1657, Antwerp) was a Flemish painter of animals, hunting scenes, market scenes and still lifes. He was one of the earliest specialist animaliers and he is credited with ...
,
Frans Francken the Younger
Frans Francken the Younger (1581 in Antwerp, 1581 – 6 May 1642, in Antwerp) was a Flemish painter who created altarpieces and furniture panels and gained his reputation chiefly through his small and delicate cabinet pictures with historical, m ...
,
Joos de Momper
Joos de Momper the Younger or Joost de Momper the Younger (1564February5, 1635) was a Flemish landscape painter active in Antwerp between the late 16th century and the early 17th century. Brueghel's influence is clearly evident in many of de Momp ...
, Hendrick van Balen the Elder and
Sebastiaen Vrancx
Sebastiaen Vrancx, Sebastiaan Vrancx or Sebastian Vranckx (; 22 January 1573 – 19 May 1647) was a Flemish Baroque painter, draughtsman and designer of prints who is mainly known for his battle scenes, a genre that he pioneered in Netherlandish ...
. The works were destroyed in a fire in 1713.
On 9 March 1619 Brueghel bought a third house called Den Bock (the Billy Goat) located in the Antwerp Arenbergstraat. When on 6 August 1623 his daughter Clara Eugenia was baptized, Archduchess Isabella and Cardinal Borromeo were her godparents. Jan Brueghel died on 13 January 1625 in Antwerp from complications arising from cholera.
The artist's estate was distributed on 3 June and 23 June 1627 among his surviving wife and his children from both marriages. Rubens, Hendrick van Balen the Elder,
Cornelis Schut
Cornelis Schut (13 May 1597 – 29 April 1655) was a Flemish painter, draughtsman, engraver and tapestry designer who specialized in religious and mythological scenes. Presumed to have trained under Rubens, he treated Counter-Reformation ...
and Paulus van Halmaele were the executors of his last will. Rubens was the guardian of the surviving Brueghel children.
His students included his son Jan as well as
Daniel Seghers
Daniël Seghers or Daniel Seghers (3 December 1590 – 2 November 1661) was a Flemish Jesuit brother and Flemish Baroque painter, painter who specialized in flower still lifes. He is particularly well known for his contributions to the genre of ...
. Brueghel's daughter Paschasia married the painter Hieronymus van Kessel the Younger, and their son
Jan van Kessel the Elder
Jan van Kessel the Elder or Jan van Kessel (I) (baptized 5 April 1626, Antwerp – 17 April 1679, Antwerp) was a Flemish painter active in Antwerp in the mid 17th century. A versatile artist he practised in many genres including studies of i ...
studied with
Jan Brueghel the Younger
Jan Brueghel (also Bruegel or Breughel) the Younger (, ; ; 13 September 1601 – 1 September 1678) was a Flemish Baroque painter. He was the son of Jan Brueghel the Elder, and grandson of Pieter Bruegel the Elder, both prominent painters who ...
. Brueghel's daughter Anna married
David Teniers the Younger
David Teniers the Younger or David Teniers II (bapt. 15 December 1610 – 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile arti ...
in 1637.
Work
General
Jan Brueghel the Elder was a versatile artist who practised in many genres and introduced various new subjects into Flemish art. He was an innovator who contributed to the development of the various genres to which he put his hand such as flower
still life
A still life (plural: still lifes) is a work of art depicting mostly wikt:inanimate, inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or artificiality, m ...
s, landscapes and seascapes, hunting pieces, battle scenes and scenes of hellfire and the underworld. His best-known innovations are the new types of paintings, which he introduced into the repertoire of Flemish art in the first quarter of the 17th century such as flower garland paintings, paradise landscapes and gallery paintings. Unlike contemporary Flemish Baroque artists, such as Rubens, he did not produce large altarpieces for the local churches.
Jan Brueghel the Elder achieved a superb technical mastery, which enabled him to render materials, animals and landscapes with remarkable accuracy and a high degree of finish. He had an accomplished miniaturist technique allowing him to achieve an accurate description of nature.
Little is known about the workshop practices of Brueghel. He operated a large workshop that allowed him to produce a large quantity of works, which were in turn reproduced in his workshop. After Brueghel's death in 1625, Jan Brueghel the Younger took charge of his father's workshop which he operated in the same way as his father. This is clear in the style of the surviving paintings which are in the vein of his father's and the continued collaboration with former collaborators of his father such as Rubens and Hendrick van Balen. This workshop production contributed to the wide distribution of Jan Brueghel the Elder's creations.Anne T. Woollett et al., 2006, pp. 156–165
While his brother Pieter was engaged in the large-scale production of numerous works for the Antwerp art market, Jan Brueghel worked for a select clientele of aristocratic patrons and collectors of pictures to create more expensive and exclusive images. His works, such as his paradise landscapes, appealed to the aesthetic preferences of aristocrats who loved collecting such precious objects. His works, often painted on copper, were luxury objects intended for the simple pleasure of viewing as well as contemplation.Kolb, 2005, pp. 61–76
Collaborations
Collaboration between artists specialized in distinctive genres was a defining feature of artistic practice in 17th century Antwerp. Jan Brueghel was likewise a frequent collaborator with fellow artists. As he was an artist with a wide range of skills he worked with a number of collaborators in various genres. His collaborators included landscape artists
Paul Bril
Paul Bril (1554 – 7 October 1626) was a Flemish painter and printmaker principally known for his landscapes.Nicola Courtright. "Paul Bril." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 26 September 2016 He spent most of ...
and
Joos de Momper
Joos de Momper the Younger or Joost de Momper the Younger (1564February5, 1635) was a Flemish landscape painter active in Antwerp between the late 16th century and the early 17th century. Brueghel's influence is clearly evident in many of de Momp ...
, architectural painter
Paul Vredeman de Vries
Paul Vredeman de Vries ( Antwerp, 1567 – Amsterdam, 1617), was a Flemish painter and draughtsman who specialised in architectural paintings and, in particular, church interiors.
Life
He was a son of the Dutch-born architect, painter and engin ...
and figure painters
Frans Francken the Younger
Frans Francken the Younger (1581 in Antwerp, 1581 – 6 May 1642, in Antwerp) was a Flemish painter who created altarpieces and furniture panels and gained his reputation chiefly through his small and delicate cabinet pictures with historical, m ...
Hendrick van Balen
Hendrick van Balen or Hendrick van Balen I (c. 1573–1575 in Antwerp – 17 July 1632 in Antwerp) was a Flemish Baroque painter and stained glass designer. Hendrick van Balen specialised in small cabinet pictures often painted on a copper ...
.
His collaborations with figure painter
Hans Rottenhammer
Johann Rottenhammer, or Hans Rottenhammer (1564 – 14 August 1625), was a German painter. He specialized in highly finished paintings on a small scale.
Biography
He was born in Munich, where he studied until 1588 under Hans Donauer the Eld ...
began in Rome around 1595 and ended in 1610. Rottenhammer was a gifted figure painter and known for his skill in painting nudes. Initially when the artists both lived in Venice, their collaborative works were executed on canvas, but in their later collaborations after Brueghel had returned to Antwerp they typically used copper. After Brueghel's return to Antwerp, their collaboration practice was for Brueghel to send the coppers with the landscape to Rottenhammer in Venice, who painted in the figures and then returned the coppers. In a few instances, the process was the other way around. Brueghel and Rottenhammer did not only collaborate on landscape paintings with figures. The artists jointly created one of the earliest devotional garland paintings, made for Cardinal Federico Borromeo, depicting a Virgin and Child surrounded by a flower garland (
Pinacoteca Ambrosiana
A pinacotheca (Latin borrowing from grc, πινακοθήκη, pinakothēkē = grc, πίναξ, pinax, (painted) board, tablet, label=none + grc, θήκη, thēkē, box, chest, label=none) was a picture gallery in either ancient Greece or an ...
).
While in his collaborations with Hans Rottenhammer, the landscapes were made by Brueghel, the roles were reversed when he worked with Joos de Momper as it was Brueghel who provided the figures to the landscapes painted by de Momper. An example of their collaboration is ''Mountain Landscape with Pilgrims in a Grotto Chapel'' (c. 1616,
Liechtenstein Museum
The Liechtenstein Museum is a private art museum in Vienna, Austria. It contains much of the art collection of its owners, the House of Liechtenstein, Princely Family of Liechtenstein, rulers of the principality of Liechtenstein. It includes import ...
). There are about 59 known collaborations between Brueghel and de Momper making de Momper his most frequent collaborator.Jan Brueghel I & Joos de Momper II, ''A Coastal Landscape with Fishermen with their Catch by a Ruined Tower'' /ref> Hendrick van Balen the Elder was another regular collaborator with Jan Brueghel. Their collaboration was simplified by the fact that from 1604 onwards both painters had moved to the Lange Nieuwstraat, which made it easier to carry the panels and copper plates on which they collaborated back and forth.
Another frequent collaborator of Jan Brueghel was Rubens. The two artists executed about 25 joint works in the period from 1598 to 1625. Their first collaboration was on ''The Battle of the Amazons'' (c. 1598-1600,
Sanssouci Picture Gallery
The Picture Gallery (german: Bildergalerie) in the Sanssouci Park of Potsdam was built in 1755–64 during the reign of Frederick II of Prussia under the supervision of Johann Gottfried Büring. The Picture Gallery is situated east of the palace ...
). The artists worked together in the development of the genre of the devotional garland painting with works such as the ''Madonna in a Floral Wreath'' (c. 1616-1618,
Alte Pinakothek
The Alte Pinakothek (, ''Old Pinakothek'') is an art museum located in the Kunstareal area in Munich, Germany. It is one of the oldest galleries in the world and houses a significant collection of Old Master paintings. The name Alte (Old) Pinak ...
). They further jointly made mythological scenes and an allegorical series representing the Five Senses. The collaboration between the two friends was remarkable because they worked in very different styles and specializations and were artists of equal status. They were able to preserve the individuality of their respective styles in these joint works.
Brueghel appears to have been the principal initiator of their joint works, which were made principally during the second half of the 1610s when their method of collaboration had become more systemised and included Rubens' workshop. Usually it would be Brueghel who started a painting and he would leave space for Rubens to add the figures.Anne T. Woollett et al., 2006, pp. 3–4 In their early collaborations they seem to have made major corrections to the work of the other. For instance, in the early collaborative effort ''The Return from War: Mars Disarmed by Venus'' Rubens overpainted most of the lower-right corner with gray paint so he could enlarge his figures. In later collaborations the artists seem to have streamlined their collaboration and agreed on the composition early on so that these later works show little underdrawing.Alex de Voogt and Kees Hommes, ''The signature of leadership - artistic freedom in shared leadership practice'', in: The John Ben Sheppard Journal of Practical Leadership, 1(2):1–5. As court painters to the archdukes their collaborations reflected the court's desire to emphasise the continuity of its reign with the previous Burgundian and Habsburg rulers as well as the rulers' piousness. While they were mindful of the prevailing tastes in courtly circles, which favoured themes such as the hunt, the two artists were creative in their response to the court's preferences by devising new iconography and genres, such as the devotional garland paintings, which were equally capable of conveying the devoutness and splendor of the archducal court. The joint artistic output of Brueghel and Rubens was highly prized by collectors all over Europe.
Ideological context
Jan Brueghel's work reflects the various ideological currents at work in the Catholic Spanish Netherlands during his lifetime. The Catholic
Counter-Reformation
The Counter-Reformation (), also called the Catholic Reformation () or the Catholic Revival, was the period of Catholic resurgence that was initiated in response to the Protestant Reformation. It began with the Council of Trent (1545–1563) a ...
's worldview played an important role in the artist's practice. Central in this worldview was the belief that the earth and its inhabitants were revelations of a supreme being referred to as god. Artistic representation of, and scientific investigation into, that divine revelation was encouraged and valued. Breughel's friend and patron, the Counter-Reformation Cardinal Federico Borromeo, particularly emphasized the beauty and diversity of the animal world. In his ''I tre libri delle laudi divine'' (published only posthumously in 1632) Borromeo wrote: 'Looking then with attentive study at animals' construction and formation, and at their parts, members, and characters, can it not be said how excellently divine wisdom has demonstrated the value of its great works?' Jan Brueghel's realistic depictions of nature in all its various forms, in flowers, landscapes, animals, etc., was clearly in line with the view that study of the god's creation was an important source for knowing this god.
Brueghel's era also saw a growing interest in the study of nature through empirical evidence as opposed to relying on inherited tradition. The increased access to new animals and exotic plants from the newly discovered territories played an important role in this intellectual exploration. This resulted in the appearance of the first scholarly catalogues and encyclopedias, including the illustrated natural history catalogues of 16th-century naturalists
Conrad Gesner
Conrad Gessner (; la, Conradus Gesnerus 26 March 1516 – 13 December 1565) was a Swiss physician, naturalist, bibliographer, and philologist. Born into a poor family in Zürich, Switzerland, his father and teachers quickly realised his tale ...
and
Ulisse Aldrovandi
Ulisse Aldrovandi (11 September 1522 – 4 May 1605) was an Italian naturalist, the moving force behind Bologna's botanical garden, one of the first in Europe. Carl Linnaeus and the comte de Buffon reckoned him the father of natural history st ...
. Their major contribution to natural history was the creation of an extensive system of description of each animal. Gesner placed all the species within four general categories:
quadruped
Quadrupedalism is a form of locomotion where four limbs are used to bear weight and move around. An animal or machine that usually maintains a four-legged posture and moves using all four limbs is said to be a quadruped (from Latin ''quattuor' ...
s, birds, fish and serpents. He described animals in alphabetical order and in terms of nomenclature, geographic origins, mode of living and behavior. Aldrovandi took another approach and did not order animals alphabetically. He relied on visual resemblance as the classifying factor. For example, he grouped the horse together with analogous animals, such as the donkey and mule, and separated species into categories, such as birds with webbed feet and nocturnal birds.
Brueghel's works reflect this contemporary encyclopedic interest in the classification and ordering of all of the natural world. This is evidenced in his flower pieces, landscapes, allegorical works and gallery paintings. In his paradise landscapes, for instance, Brueghel grouped most of the species according to their basic categories of biological classification, in other words, according to the main groups of related species that resemble one another, such as birds or quadrupeds. He further classified most of them into subdivisions consisting of similar morphological and behavioral characteristics. His paradise landscapes thus constituted a visual catalogue of animals and birds which fulfilled the role of micro-encyclopedia.
Brueghel's endeavor to represent the world through ordering and classifying its many elements based on empirical observation did not stop with the natural world. In Prague he had acquired knowledge of the large collections of Emperor Rudolf II, which were divided in natural, artificial and scientific objects. Brueghel's allegorical paintings of the four elements and of the five senses reveal the same classifying obsession, using each element or sense to organize natural, man-made instruments and scientific objects. In this skillful union of the areas of art, science, and nature Brueghel demonstrates his mastery of these various disciplines. His paintings serve the same purpose to that of encyclopedic collections by linking between the ''mundus sensibilis'' and the ''mundus intelligibilis''. His approach to describing and cataloguing nature in art resembles the distinction natural historians were starting to make between perceptual experience and theoretical knowledge.
Brueghel's obsession with classifying the world was completely in line with the encyclopedic tastes of the court in Brussels as is demonstrated by their large art collection of predominantly Flemish paintings, menagerie of exotic species and extensive library.
Flower paintings
Jan Brueghel the Elder was one of the first artists in the Habsburg Netherlands who started to paint pure flower still lifes. A pure flower still life depicts flowers, typically arranged in a vase or other vessel, as the principal subject of the picture, rather than as a subordinate part of another work such as a history painting.Jan Brueghel the Elder, ''Still life of flowers in a stoneware vase'' at Sotheby's Jan Brueghel is regarded as an important contributor to the emerging genre of the flower piece in Northern art, a contribution that was already appreciated in his time when he received the nickname 'Flower Brueghel'. While the traditional interpretation of these flower pieces was that they were
vanitas
A ''vanitas'' (Latin for 'vanity') is a symbolic work of art showing the temporality, transience of life, the futility of pleasure, and the certainty of death, often contrasting symbols of wealth and symbols of ephemerality and death. Best-kn ...
symbols or allegories of transience with hidden meanings, it is now more common to interpret them as mere depictions of the natural world.Jan Brueghel, ''Flowers in a Ceramic Vase'' at Art & Architecture at Sotheby's Brueghel's approach to these works was informed by his desire to display his skill in giving a realistic, almost scientific rendering of nature. These works reflected the ideological concerns demonstrated in his work, which combined the worldview that nature was a revelation of a god with the interest in gaining a scientific understanding of nature.
Brueghel's flower pieces are dominated by the floral arrangements, which are placed against a neutral dark background. Minor details such as insects, butterflies, snails and separate sprays of flowers or rosemary may occasionally be added but are subordinate to the principal subject. While Brueghel sought out very rare flowers, he used certain common blooms such as tulips, irises and roses to anchor his bouquets. This may have been a response to his patrons' wishes as well as compositional considerations. His bouquets were typically composed of flowers blooming in different seasons of the year so they could never have been painted together directly from nature. Brueghel was in the habit of traveling to make drawings of flowers that were not available in Antwerp, so that he could paint them into his bouquets. Brueghel rendered the flowers with an almost scientific precision. He arranged each flower with hardly any overlap so that they are shown off to their best advantage, and many are shown at different angles. The flowers are arranged by size with smaller ones at the bottom of the bouquet, larger flowers such as tulips, cornflowers, peonies and guelder roses in the centre and large flowers, such as white lilies and blue irises, at the top of the bouquet.
This arrangement is clear in the ''Flowers in a Ceramic Vase'' (c. 1620,
Royal Museum of Fine Arts Antwerp
The Royal Museum of Fine Arts Antwerp (Dutch: ''Koninklijk Museum voor Schone Kunsten Antwerpen'', ''KMSKA'') is a museum in Antwerp, Belgium, founded in 1810, that houses a collection of paintings, sculptures and drawings from the fourteenth t ...
). The vase in which the flowers are arranged is decorated with motifs in relief. The two cartouches - separated by a fantastic figure - show Amphitrite, a sea goddess from Greek mythology, on the left, and Ceres, the Roman corn goddess, on the right. These two goddesses were typically used in allegorical representations of the four elements to symbolise water and earth respectively. The other two cartouches on that part of the vase that is invisible likely show Vulcan, who was associated with fire, and Apollo, who was associated with air. The occurrence of the four elements and the flowers in a single work can be interpreted as the emanation of the macrocosm in the microcosm.
Brueghel often repeated motifs in his flower pieces. Even so, he was able to give each work a remarkable freshness and vitality of its own.
Garland paintings
Jan Brueghel the Elder played a key role in the invention and development of the genre of garland paintings. Garland paintings typically show a flower garland around a devotional image or portrait. Together with
Hendrick van Balen
Hendrick van Balen or Hendrick van Balen I (c. 1573–1575 in Antwerp – 17 July 1632 in Antwerp) was a Flemish Baroque painter and stained glass designer. Hendrick van Balen specialised in small cabinet pictures often painted on a copper ...
, he painted around 1607-1608 the first known garland painting for Italian
cardinal
Cardinal or The Cardinal may refer to:
Animals
* Cardinal (bird) or Cardinalidae, a family of North and South American birds
**''Cardinalis'', genus of cardinal in the family Cardinalidae
**''Cardinalis cardinalis'', or northern cardinal, the ...
Federico Borromeo
Federico Borromeo (18 August 1564 – 21 September 1631) was an Italian cardinal and Archbishop of Milan, a prominent figure of Counter-Reformation Italy.
Early life
Federico Borromeo was born in Milan as the second son of Giulio Cesare Borrom ...
, a passionate art collector and Catholic reformer. Borromeo requested the painting to respond to the destruction of images of the Virgin in the preceding century and it thus combined both the cardinal's interests in Catholic reform and the arts. Brueghel, the still life specialist, painted the flower garland, while van Balen, a specialist figure painter, was responsible for the image of the Virgin.Susan Merriam, ''Seventeenth-Century Flemish Garland Paintings. Still Life, Vision and the Devotional Image'', Ashgate Publishing, Ltd., 2012
The genre of garland paintings was inspired by the cult of veneration and devotion to
Mary
Mary may refer to:
People
* Mary (name), a feminine given name (includes a list of people with the name)
Religious contexts
* New Testament people named Mary, overview article linking to many of those below
* Mary, mother of Jesus, also calle ...
prevalent at the
Habsburg
The House of Habsburg (), alternatively spelled Hapsburg in Englishgerman: Haus Habsburg, ; es, Casa de Habsburgo; hu, Habsburg család, it, Casa di Asburgo, nl, Huis van Habsburg, pl, dom Habsburgów, pt, Casa de Habsburgo, la, Domus Hab ...
court (then the rulers over the Habsburg Netherlands) and in Antwerp generally. The genre was initially connected to the visual imagery of the
Counter-Reformation
The Counter-Reformation (), also called the Catholic Reformation () or the Catholic Revival, was the period of Catholic resurgence that was initiated in response to the Protestant Reformation. It began with the Council of Trent (1545–1563) a ...
movement.David Freedberg, "The Origins and Rise of the Flemish Madonnas in Flower Garlands, Decoration and Devotion", ''Münchener Jahrbuch der bildenden Kunst'', xxxii, 1981, pp. 115–150. Garland paintings were usually collaborations between a still life and a figure painter. Brueghel's collaborators on garland paintings included Rubens,
Frans Francken the Younger
Frans Francken the Younger (1581 in Antwerp, 1581 – 6 May 1642, in Antwerp) was a Flemish painter who created altarpieces and furniture panels and gained his reputation chiefly through his small and delicate cabinet pictures with historical, m ...
Alte Pinakothek
The Alte Pinakothek (, ''Old Pinakothek'') is an art museum located in the Kunstareal area in Munich, Germany. It is one of the oldest galleries in the world and houses a significant collection of Old Master paintings. The name Alte (Old) Pinak ...
).
An example of a collaborative garland painting he made with
Hendrick van Balen
Hendrick van Balen or Hendrick van Balen I (c. 1573–1575 in Antwerp – 17 July 1632 in Antwerp) was a Flemish Baroque painter and stained glass designer. Hendrick van Balen specialised in small cabinet pictures often painted on a copper ...
is the ''Garland of Fruit surrounding a Depiction of a Goddess Receiving Gifts from Personifications of the Four Seasons'' of which there are two versions, one in the Belfius collection and a second in the
Mauritshuis
The Mauritshuis (; en, Maurice House) is an art museum in The Hague, Netherlands. The museum houses the Royal Cabinet of Paintings which consists of 854 objects, mostly Dutch Golden Age paintings. The collection contains works by Johannes Vermeer ...
in The Hague. Both versions are considered to be autograph paintings, but small differences between the two suggest that the panel in the Belfius collection is the original version. The medallion in the centre is traditionally believed to depict Cybele, the ancient Phrygian goddess of the earth and nature as it was described as such in 1774 when it was catalogued in the collection of
William V, Prince of Orange
William V (Willem Batavus; 8 March 1748 – 9 April 1806) was a prince of Orange and the last stadtholder of the Dutch Republic. He went into exile to London in 1795. He was furthermore ruler of the Principality of Orange-Nassau until his death in ...
in The Hague. More recently an identification of the goddess with
Ceres
Ceres most commonly refers to:
* Ceres (dwarf planet), the largest asteroid
* Ceres (mythology), the Roman goddess of agriculture
Ceres may also refer to:
Places
Brazil
* Ceres, Goiás, Brazil
* Ceres Microregion, in north-central Goiás ...
, the Roman goddess of agriculture, grain crops, fertility and motherly relationships, has been proposed. The reason is that the goddess in the medallion has none of the attributes traditionally connected with Cybele. Around the medallion is suspended a garland of flowers, vegetables and fruit – a tribute to the goddess and an ode to plenty and fertility. Van Balen painted the medallion while Brueghel painted the abundant garland, the surrounding figures and the numerous animals.
Landscapes
Jan Brueghel's father, Pieter Bruegel the Elder, is regarded as an important innovator of landscape art. By introducing greater naturalism in his Alpine mountain settings, his father had expanded on the
world landscape
The world landscape, a translation of the German ''Weltlandschaft'', is a type of composition in Western painting showing an imaginary panoramic landscape seen from an elevated viewpoint that includes mountains and lowlands, water, and buildings. ...
tradition that had been founded mainly by
Joachim Patinir
Joachim Patinir, also called Patenier (c. 1480 – 5 October 1524), was a Flemish Renaissance painter of history and landscape subjects. He was Flemish, from the area of modern Wallonia, but worked in Antwerp, then the centre of the art market ...
. Some of Pieter the Elder's works also foreshadowed the forest landscape that would start to dominate landscape painting around the turn of the 16th century. Pieter the Elder also developed the village and rural landscape, placing Flemish hamlets and farms in exotic prospects of mountains and river valleys.Larry Silver, 2012, p. 162
Jan developed on the formula he learned from his father of arranging country figures traveling a road, which recedes into the distance. He emphasized the recession into space by carefully diminishing the scale of figures in the foreground, middle-ground, and far distance. To further the sense of atmospheric perspective, he used varying tones of brown, green, and blue progressively to characterize the recession of space. His landscapes with their vast depth are balanced through his attention to the peasant figures and their humble activities in the foreground.
Like his father, Jan Brueghel also painted various village landscapes. He used the surrounding landscapes as the stage for the crowds of anecdotal, colorfully dressed peasants who engage in various activities in the market, the country roads and during the rowdy kermesses. Jan Brueghel's landscape paintings with their strong narrative elements and attention to detail had a significant influence on Flemish and Dutch landscape artists in the second decade of the 17th century. His river views were certainly known to painters working in Haarlem, including
Esaias van de Velde
Esaias van de Velde (17 May 1587 (baptized) – 18 November 1630 (buried)
) was a Dutch landscape painter.
Biography
He was born in Amsterdam, where his Flemish father Hans had fled as a Protestant in 1585. He probably studied under his fath ...
and
Willem Buytewech
Willem Pieterszoon Buytewech (1591/92 – September 23, 1624) was a Dutch Golden Age painter, draughtsman and etcher. He is one of the early specialists in the merry company type of subject in Dutch genre painting. His contemporaries named hi ...
, whom Brueghel may have met there when he accompanied Peter Paul Rubens on a diplomatic mission to the Dutch Republic in 1613.Brueghel the Elder, Jan, ''River Landscape'', 1607 at the National Gallery of Art
Jan Brueghel was along with artists such as
Gillis van Coninxloo
Gillis van Coninxloo (now also referred to as Gillis van Coninxloo II but previously referred to as Gillis van Coninxloo III) (24 January 1544 – January 1607) was a Flemish painter of landscapes who played an important role in the development ...
one of the prime developers of the dense forest landscape in the 17th century. Jan Breughel in fact experimented with such works before Coninxloo's first dated wooded landscape of 1598. In his forest landscapes Brueghel depicted heavily wooded glades in which he captured the verdant density, and even mystery, of the forest. Although on occasion inhabited by humans and animals, these forest scenes contain dark recesses, virtually no open sky and no outlet for the eye to penetrate beyond the thick trees.
Paradise landscapes
Jan Brueghel invented the 'paradise landscape', a subgenre that involved a combination of landscape and animal painting. Works in this genre are typically crawling with numerous animals from exotic and native European species who coexist harmoniously in a lush landscape setting. These landscapes are inspired by episodes from Genesis, the chapter of the bible, which tells the story of the creation of the world and of man. The favorite themes taken from Genesis where the creation of man, Adam and Eve in paradise, the
fall of man
The fall of man, the fall of Adam, or simply the Fall, is a term used in Christianity to describe the transition of the first man and woman from a state of innocent obedience to God in Christianity, God to a state of guilty disobedience.
*
*
*
* ...
and the entry of the animals in Noah's ark.
Like his flower pieces, these landscapes were informed by the Catholic
Counter-Reformation
The Counter-Reformation (), also called the Catholic Reformation () or the Catholic Revival, was the period of Catholic resurgence that was initiated in response to the Protestant Reformation. It began with the Council of Trent (1545–1563) a ...
's worldview, which regarded earth and its inhabitants as revelations of their god and valued artistic representation of, and scientific investigation into, that divine revelation. As described above, Breughel's friend and patron, the Counter-Reformation Cardinal Federico Borromeo, had particularly emphasized the beauty and diversity of the animal world. Brueghel tried to render this worldview in his paradise landscapes. The novelty of Brueghel's paradise landscapes lies not only in the impressive variety of animals, which the artist studied mainly from life but also in their presentation as both figures of a religious narrative and as subjects of a scientific order.
Brueghel developed his earliest paradise landscapes during his stay in Venice in the early 1590s. His first paradise landscape known as ''The Garden of Eden with the Fall of Man'' is now in the
Doria Pamphilj Gallery
The Doria Pamphilj Gallery is a large art collection housed in the Palazzo Doria Pamphilj in Rome, Italy, between Via del Corso and Via della Gatta. The principal entrance is on the Via del Corso (until recently, the entrance to the gallery was fr ...
in Rome. The reference to Genesis in the picture appears in a small vignette representing the
creation of Man
The Genesis creation narrative is the creation myth of both Judaism and Christianity. The narrative is made up of two stories, roughly equivalent to the first two chapters of the Book of Genesis. In the first, Elohim (the Hebrew generic word f ...
in the background, but the main focus is on the animals and the landscape itself. This work was the first paradise landscape in which Brueghel 'catalogued' animals and depicts common and domesticated types. Brueghel's interest in the cataloguing of animals was stimulated by his visit to the court of
Rudolf II, Holy Roman Emperor
Rudolf II (18 July 1552 – 20 January 1612) was Holy Roman Emperor (1576–1612), King of Hungary and Croatia (as Rudolf I, 1572–1608), King of Bohemia (1575–1608/1611) and Archduke of Austria (1576–1608). He was a member of the Hous ...
in Prague. The emperor had established an encyclopedic collection of rarities and animals. While in his early paradise landscapes Brueghel seems to have based some of his renderings of the animals on works by other artists, he later could rely on studies from life of the various species in the menagerie of the court in Brussels.Kolb, 2005, pp. 47–60 Brueghel had also seen
Albrecht Dürer
Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Due ...
's depiction of animals during his visit to Prague and had made a painted copy of Dürer's watercolor ''The Madonna with a Multitude of Animals'' (1503). Dürer's representations of animals play a pivotal role in Renaissance zoology, since they are the purest artistic form of nature study. The studies of animals by Flemish artists
Hans Bol
Hans Bol or Jan Bol (16 December 1534 – 20 November 1593), was a Flemish-Belgian painter, print artist, miniaturist painter and draftsman.Joris Hoefnagel
Joris Hoefnagel or Georg Hoefnagel (1542, in Antwerp – 24 July 1601, in Vienna) was a Flemish painter, printmaker, miniaturist, draftsman and merchant. He is noted for his illustrations of natural history subjects, topographical views, ...
also had an important influence on Brueghel. In particular Hoefnagel's ''Four Elements'' (1575-1582) was the first artistic work to categorize animals in a book format. Hoefnagel's approach to the representation of the animal world combined natural historical, classical, emblematic, and biblical references, which incorporated the various species into the categories of the four elements of the cosmos: earth, water, air, and fire. Brueghel's paradise landscapes also embodied the encyclopedic attitudes of his time by depicting a wide variety of species.Kolb, 2005, pp. 33–40
Brueghel continued refining his treatment of the subject of paradise landscapes throughout his career. The many renderings and variations of the paradise landscape produced by Brueghel earned him the nickname Paradise Brueghel.
Allegorical paintings
Jan Brueghel the Elder produced various sets of allegorical paintings, in particular on the themes of the ''Five senses'' and the ''Four Elements''. These paintings were often collaborations with other painters such as is the case with the five paintings representing the ''Five senses'' on which Brueghel and Rubens collaborated and which are now in the Prado Museum in Madrid. He also collaborated with Hendrick van Balen on various allegorical compositions such as a series on the ''Four Elements'' as well as an ''Allegory of Public Welfare'' (
Museum of Fine Arts, Budapest
The Museum of Fine Arts ( hu, Szépművészeti Múzeum seːpmyveːsɛti ˈmuːzɛum is a museum in Heroes' Square, Budapest, Hungary, facing the Palace of Art.
It was built by the plans of Albert Schickedanz and Fülöp Herzog in an eclecti ...
).
In his allegories Jan Breughel illustrated an abstract concept, such as one of the senses or one of the four elements through a multitude of concrete objects that can be associated with it. He thus represented a concept by means of descriptive tropes. Brueghel resorted in these allegorical compositions to the encyclopedic imagery that he also displayed in his paradise landscapes. This is demonstrated in his composition ''Allegory of Fire; Venus in the Forge of Vulcan'' of which there are various versions of which one (
Doria Pamphilj Gallery
The Doria Pamphilj Gallery is a large art collection housed in the Palazzo Doria Pamphilj in Rome, Italy, between Via del Corso and Via della Gatta. The principal entrance is on the Via del Corso (until recently, the entrance to the gallery was fr ...
, Rome) is a collaboration with Hendrick van Balen and another (
Pinacoteca Ambrosiana
A pinacotheca (Latin borrowing from grc, πινακοθήκη, pinakothēkē = grc, πίναξ, pinax, (painted) board, tablet, label=none + grc, θήκη, thēkē, box, chest, label=none) was a picture gallery in either ancient Greece or an ...
, Milan) is attributed to Jan Brueghel alone. Brueghel's encyclopedic approach in this composition offers such detail that historians of science have relied on the composition as a source of information on the types of tools used in 17th century metallurgical practice.
Scenes of hell and demons
Jan was early on nicknamed 'Hell Brueghel' but by the 19th century that name had become erroneously associated with his brother Pieter the Younger. Jan Brueghel was given the nickname because of his scenes with demons and hell scenes. An example is the ''Temptation of St. Anthony'' (
Kunsthistorisches Museum
The Kunsthistorisches Museum ( "Museum of Art History", often referred to as the "Museum of Fine Arts") is an art museum in Vienna, Austria. Housed in its festive palatial building on the Vienna Ring Road, it is crowned with an octagonal do ...
, Vienna), which reprises a subject first explored by
Hieronymus Bosch
Hieronymus Bosch (, ; born Jheronimus van Aken ; – 9 August 1516) was a Dutch/Netherlandish painter from Brabant. He is one of the most notable representatives of the Early Netherlandish painting school. His work, generally oil on oa ...
. In this demon-plagued scene the monsters are seen attacking the small saint in the corner of a large and dense forest landscape, rather than within the expanded panoramas of Patinir.
Jan Brueghel is believed to have produced his hell scenes for a newer, elite audience of learned and sophisticated collectors. To appeal to this erudite clientele he often populated the hell scenes with mythological rather than religious subjects, in particular the Vergilian scene of Aeneas in Hades, escorted by the Cumaean Sibyl. An example is ''Aeneas and the Sibyl in the Underworld'' (1619,
Kunsthistorisches Museum
The Kunsthistorisches Museum ( "Museum of Art History", often referred to as the "Museum of Fine Arts") is an art museum in Vienna, Austria. Housed in its festive palatial building on the Vienna Ring Road, it is crowned with an octagonal do ...
, Vienna). Other mythological themes appearing in his hell scenes included the image of Juno visiting Hades and Orpheus in the Underworld from
Ovid
Pūblius Ovidius Nāsō (; 20 March 43 BC – 17/18 AD), known in English as Ovid ( ), was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is often ranked as one of the th ...
's ''
Metamorphoses
The ''Metamorphoses'' ( la, Metamorphōsēs, from grc, μεταμορφώσεις: "Transformations") is a Latin narrative poem from 8 CE by the Roman poet Ovid. It is considered his ''magnum opus''. The poem chronicles the history of the wo ...
Palazzo Pitti
The Palazzo Pitti (), in English sometimes called the Pitti Palace, is a vast, mainly Renaissance, palace in Florence, Italy. It is situated on the south side of the River Arno, a short distance from the Ponte Vecchio. The core of the present ...
). In these compositions brightly colored monsters provide the 'recreational terror' of the later manifestations of Boschian design.
Brueghel's hell scenes were influential and Jacob van Swanenburg, one of Rembrandt's teachers, was inspired by them to create his own hell scenes.Amy Golahny, ''Rembrandt's Reading: The Artist's Bookshelf of Ancient Poetry and History'', Amsterdam University Press, 2003, pp. 59–64
Gallery paintings
Jan Brueghel the Elder and Frans Francken the Younger were the first artists to create paintings of art and curiosity collections in the 1620s. Gallery paintings depict large rooms in which many paintings and other precious items are displayed in elegant surroundings. These rooms were often referred to as ''Kunstkammern'' ("art rooms") or '' Wunderkammern'' ("wonder rooms"). The earliest works in this genre depicted art objects together with other items such as scientific instruments or peculiar natural specimens. Some gallery paintings include portraits of the owners or collectors of the art objects or artists at work. The paintings are heavy with symbolism and allegory and are a reflection of the intellectual preoccupations of the age, including the cultivation of personal virtue and the importance of connoisseurship.Marr, Alexander (2010) 'The Flemish 'Pictures of Collections' Genre: An Overview', Intellectual History Review, 20: 1, 5–25 The genre became immediately quite popular and was followed by other artists such as Jan Brueghel the Younger,
Cornelis de Baellieur
Cornelis de Baellieur (1607, Antwerp – 1671, Antwerp), was a Flemish Baroque painter.
Biography
According to the RKD he was a pupil of Anthonis Liesaert and is known for paintings of art galleries such as '' Interior of an Art Gallery'' ...
,
Hans Jordaens
Hans Jordaens the Elder (1555–1630), was a Flemish Baroque painter whose religious works are often confused with that of other painters with the same name.
Biography
He was born in Antwerp, but after the siege of Antwerp, his family moved to ...
,
David Teniers the Younger
David Teniers the Younger or David Teniers II (bapt. 15 December 1610 – 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile arti ...
,
Gillis van Tilborch
Gillis van Tilborgh or Gillis van Tilborch (''c''. 1625 – ''c''. 1678) was a Flemish painter who worked in various genres including portraits, 'low-life' and elegant genre paintings and paintings of picture galleries. He became the keeper of ...
and
Hieronymus Janssens
Hieronymus Janssens or Jeroom Janssens (nicknamed ''Den danser'') (1624, Antwerp – 1693, Antwerp) was a Flemish genre painter known for his compositions depicting elegant companies engaging in dance, music or play, which were of influence on t ...
Walters Art Museum
The Walters Art Museum, located in Mount Vernon-Belvedere, Baltimore, Maryland, United States, is a public art museum founded and opened in 1934. It holds collections established during the mid-19th century. The museum's collection was amassed ...
, Baltimore). The work is believed to be a collaboration between Jan Brueghel the Elder and
Hieronymus Francken II
Hieronymus Francken the Younger or Hieronymus II (Antwerp, 1578 – Antwerp, 1623) was a Flemish painter and one of the most prominent members of the large Francken family of artists. Along with his brother Frans Francken II he played an imp ...
. This gallery painting represents the early phase of the genre of collector's cabinets. During this early 'encyclopaedic' phase, the genre reflected the culture of curiosity of that time, when art works, scientific instruments, naturalia and artificialia were equally the object of study and admiration. As a result, the cabinets depicted in these compositions are populated by persons who appear to be as interested in discussing scientific instruments as in admiring paintings. Later the genre concentrated more on galleries solely containing works of art. The compositions depicted in ''The Archdukes Albert and Isabella Visiting a Collector's Cabinet'' are predominantly allegories of
and the victory of painting (art) over ignorance. They are references to the iconoclasm of the
Beeldenstorm
''Beeldenstorm'' () in Dutch and ''Bildersturm'' in German (roughly translatable from both languages as 'attack on the images or statues') are terms used for outbreaks of destruction of religious images that occurred in Europe in the 16th centu ...
that had raged in the Low Countries in the 16th century and the victory over the iconoclasts during the reign of the Archdukes
Albert
Albert may refer to:
Companies
* Albert (supermarket), a supermarket chain in the Czech Republic
* Albert Heijn, a supermarket chain in the Netherlands
* Albert Market, a street market in The Gambia
* Albert Productions, a record label
* Alber ...
and
Isabella
Isabella may refer to:
People and fictional characters
* Isabella (given name), including a list of people and fictional characters
* Isabella (surname), including a list of people
Places
United States
* Isabella, Alabama, an unincorpor ...
who jointly ruled the
Spanish Netherlands
Spanish Netherlands (Spanish: Países Bajos Españoles; Dutch: Spaanse Nederlanden; French: Pays-Bas espagnols; German: Spanische Niederlande.) (historically in Spanish: ''Flandes'', the name "Flanders" was used as a ''pars pro toto'') was the Ha ...
in the beginning of the 17th century.Adriaen van Stalbent, ''Las Ciencias y las Artes'' at the PradoJames Simpson, ''Under the Hammer: Iconoclasm in the Anglo-American Tradition'', Oxford University Press, 2010 Jan Brueghel was responsible for the large vase of flowers, which is crowned by a large sunflower. This South American flower, which could grow very tall and would turn towards the sun, was first seen by Europeans in the mid-1500s. It had been illustrated as a New World wonder in botanical treatises, but Jan Brueghel was the first to include the flower in a painting and use it as a symbol of princely patronage in this composition. By turning toward Albert and Isabella (taking the position of the sun), the sunflower symbolizes the way that the arts were able to grow and blossom in the light and warmth of princely patronage.
Singeries
Breughel contributed to the development of the genre of the 'monkey scene', also called 'singerie' (a word, which in French means a 'comical grimace, behaviour or trick').'Singerie' in Larousse online Comical scenes with monkeys appearing in human attire and a human environment are a pictorial genre that was initiated in Flemish painting in the 16th century and was subsequently further developed in the 17th century.Bert Schepers, ''Monkey Madness in Seventeenth-Century Antwerp'', in: The Rubenianum Quarterly, 2012 2, p. 5 Monkeys were regarded as shameless and impish creatures and excellent imitators of human behaviour. These depictions of monkeys enacting various human roles were a playful metaphor for all the folly in the world.Jan Brueghel I, ''Monkeys feasting (singerie) at the Rubenshuis
The Flemish engraver Pieter van der Borcht introduced the singerie as an independent theme around 1575 in a series of prints, which were strongly embedded in the artistic tradition of
Pieter Bruegel the Elder
Pieter Bruegel (also Brueghel or Breughel) the Elder (, ; ; – 9 September 1569) was the most significant artist of Dutch and Flemish Renaissance painting, a painter and printmaker, known for his landscapes and peasant scenes (so-called genr ...
. These prints were widely disseminated and the theme was then picked up by other Flemish artists. The first one to do so was the Antwerp artist Frans Francken the Younger, who was quickly followed by Jan Brueghel the Elder, the Younger,
Sebastiaen Vrancx
Sebastiaen Vrancx, Sebastiaan Vrancx or Sebastian Vranckx (; 22 January 1573 – 19 May 1647) was a Flemish Baroque painter, draughtsman and designer of prints who is mainly known for his battle scenes, a genre that he pioneered in Netherlandish ...
and
Jan van Kessel the Elder
Jan van Kessel the Elder or Jan van Kessel (I) (baptized 5 April 1626, Antwerp – 17 April 1679, Antwerp) was a Flemish painter active in Antwerp in the mid 17th century. A versatile artist he practised in many genres including studies of i ...
. Jan Brueghel the Elder's son-in-law
David Teniers the Younger
David Teniers the Younger or David Teniers II (bapt. 15 December 1610 – 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile arti ...
became the principal practitioner of the genre and developed it further with his younger brother
Abraham Teniers
Abraham Teniers (1 March 1629 – 26 September 1670) was a Flemish painter and engraver who specialized in genre paintings of villages, inns and monkey scenes. He was a member of artist family Teniers which came to prominence in the 17th century. ...
. Later in the 17th century Nicolaes van Verendael started to paint these 'monkey scenes' as well.
An example of a singerie by Jan Brueghel is the ''Monkeys feasting'', which dates from his early years as an artist (private collection, on long-term loan to the
Rubenshuis
The Rubenshuis () is the former home and workshop of Peter Paul Rubens (1577–1640) in Antwerp. Purchased in 1610, Rubens had the Flemish townhouse renovated and extended on the basis of designs by Rubens himself. After the renovations, the ho ...
, Antwerp). This painting on copper was probably one of the first examples of a singerie painting. Jan Brueghel likely drew his monkeys in the zoo of the Archdukes in Brussels. While the composition shows the monkeys engaged in all kinds of mischief, it includes a painting above the door jamb, which is a work from Rubens' studio, called "Ceres and Pan". The representation of Ceres and Pan provides a contrast been the ''cultivated'' versus the ''wild'' world of the monkeys below.
References
Sources
* Leopoldine van Hogendorp Prosperetti, 'Landscape and Philosophy in the Art of Jan Brueghel the Elder (1568-1625)', Ashgate Publishing, Ltd., 2009
* Arianne Faber Kolb, ''Jan Brueghel the Elder: The Entry of the Animals into Noah’s Ark'', Getty Publications, 2005
* Larry Silver, ''Peasant Scenes and Landscapes: The Rise of Pictorial Genres in the Antwerp Art Market'', University of Pennsylvania Press, 4 January 2012
* Anne T. Woollett and Ariane van Suchtelen; with contributions by Tiarna Doherty, Mark Leonard, and Jørgen Wadum, ''Rubens and Brueghel: A Working Friendship'', 2006