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The Suicide Of Saul
''The Suicide of Saul'' is an oil-on-panel by the Netherlandish Renaissance artist Pieter Bruegel the Elder, painted in 1562. It is in the collection of the Kunsthistorisches Museum in Vienna. Description An inscription on the painting identifies the subject as the rarely represented scene of the suicide of Saul after his defeat by the Philistines. These events are described in 1 Samuel 31, 1-5: Bruegel has chosen the highly dramatic moment of the death of the armourbearer, just as the Philistines are approaching. See 1st detail Saul's death was interpreted as a punishment of pride - it was among the proud that Dante met Saul in the ''Purgatorio'' - and this may account for Bruegel's choice of such an unusual subject. As with most of his subjects taken from the Bible, Bruegel treats Saul's suicide as a contemporary event, showing the armies in 16th century armour. In 1529 the German painter Albrecht Altdorfer had shown the clash of the forces of Alexander the Great and Dari ...
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Pieter Bruegel The Elder
Pieter Bruegel (also Brueghel or Breughel) the Elder (, ; ; – 9 September 1569) was the most significant artist of Dutch and Flemish Renaissance painting, a painter and printmaker, known for his landscapes and peasant scenes (so-called genre painting); he was a pioneer in making both types of subject the focus in large paintings. He was a formative influence on Dutch Golden Age painting and later painting in general in his innovative choices of subject matter, as one of the first generation of artists to grow up when religious subjects had ceased to be the natural subject matter of painting. He also painted no portraits, the other mainstay of Netherlandish art. After his training and travels to Italy, he returned in 1555 to settle in Antwerp, where he worked mainly as a prolific designer of prints for the leading publisher of the day. Only towards the end of the decade did he switch to make painting his main medium, and all his famous paintings come from the following peri ...
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Alexander The Great
Alexander III of Macedon ( grc, Ἀλέξανδρος, Alexandros; 20/21 July 356 BC – 10/11 June 323 BC), commonly known as Alexander the Great, was a king of the ancient Greek kingdom of Macedon. He succeeded his father Philip II to the throne in 336 BC at the age of 20, and spent most of his ruling years conducting a lengthy military campaign throughout Western Asia and Egypt. By the age of thirty, he had created one of the largest empires in history, stretching from Greece to northwestern India. He was undefeated in battle and is widely considered to be one of history's greatest and most successful military commanders. Until the age of 16, Alexander was tutored by Aristotle. In 335 BC, shortly after his assumption of kingship over Macedon, he campaigned in the Balkans and reasserted control over Thrace and Illyria before marching on the city of Thebes, which was subsequently destroyed in battle. Alexander then led the League of Corinth, and used his authori ...
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Landscape Art
Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism. Landscape views in art may be entirely i ...
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The Procession To Calvary (Bruegel)
''The Procession to Calvary'' is an oil-on-panel by the Netherlandish Renaissance artist Pieter Bruegel the Elder of Christ carrying the Cross set in a large landscape, painted in 1564. It is in the Kunsthistorisches Museum in Vienna. History and description This is the second-largest known painting by Bruegel. It is one of sixteen paintings by him which are listed in the inventory of the wealthy Antwerp collector, Niclaes Jonghelinck, drawn up in 1566. It was Jonghelinck who commissioned the ''Months'' from Bruegel and he may also have commissioned this work. Jonghelinck's Bruegels passed into the possession of the city of Antwerp in the year in which the inventory was made. In 1604 it was recorded in the Prague collections of Rudolf II, Holy Roman Emperor, then transferred to Vienna, and in 1809 (until 1815) in Paris, requisitioned by Napoleon Bonaparte as part of his war booty. For Bruegel the composition is unusually traditional. Perhaps because he was treating such a sol ...
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Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music ...
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The Magpie On The Gallows
''The Magpie on the Gallows'' (German: ''Die Elster auf dem Galgen)'' is a 1568 oil painting, oil-on-panel painting, wood panel painting by the Dutch and Flemish Renaissance painting, Netherlandish Renaissance artist Pieter Bruegel the Elder. It is now in the Hessisches Landesmuseum in Darmstadt. Description The painting shows a world landscape, with the foreground a woodland clearing containing three peasants dancing to a bagpipes, next to a gallows upon which a magpie is perched. The gallows stands in the centre of the picture, dividing the painting in two, a Mannerist composition with the right side more "open" and left more "closed",Early Netherlandish painting
Volume 4 of Collections of the National Gallery of Art Systematic Catalogue, Cambridge University Press, 1986, , p.32 with the magpie close to the exact centr ...
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Pieter Bruegel The Elder - The Suicide Of Saul (detail) - WGA3327
Pieter is a male given name, the Dutch form of Peter. The name has been one of the most common names in the Netherlands for centuries, but since the mid-twentieth century its popularity has dropped steadily, from almost 3000 per year in 1947 to about 100 a year in 2016.Pieter
at the Corpus of First Names in The Netherlands Some of the better known people with this name are below. See for a longer list. * (?-1332), Flemish revolutionary * Pieter van der Moere (c. 1480–1572), Flemish Franciscan missionary in Mexico known as "Pedro de Gante" *

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Karel Van Mander
Karel van Mander (I) or Carel van Mander I (May 1548 – 2 September 1606) was a Flemish painter, poet, art historian and art theoretician, who established himself in the Dutch Republic in the latter part of his life. He is mainly remembered as a biographer of Early Netherlandish painters and Northern Renaissance artists in his ''Schilder-boeck''. As an artist and art theoretician he played a significant role in the spread and development of Northern Mannerism in the Dutch Republic.Painting in the Dutch Golden Age - A Profile of the Seventeenth Century, National Gallery of Art, 2007, p. 119 Life Most of the information about Karel van Mander's life is based on a brief and anonymous biographical sketch included in the posthumous second edition of the Schilder-boeck published in 1618 by Jacob Pietersz Wachter. It is not certain who wrote this biographical sketch and various candidates have been proposed. Most recently it has been argued that it was written by his son Kar ...
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Biographer
Biographers are authors who write an account of another person's life, while autobiographers are authors who write their own biography. Biographers Countries of working life: Ab=Arabia, AG=Ancient Greece, Al=Australia, Am=Armenian, AR=Ancient Rome, Au=Austria, AH=Austria/Hungary, Ca=Canada, En=England, Fl=Finland, Fr=France, Ge=Germany, Id=Indonesia, In=India, Ir=Ireland, Is=Israel, Jp=Japan, Nw=Norway, SA=South Africa, Sc=Scotland, SL=Sierra Leone, So=Somalia, Sp=Spain, Sw=Sweden, TT=Trinidad & Tobago, US=United States, Ve=Venezuela, Wl=Wales A–G *Hermann Abert (Ge, 1871–1927) – Robert Schumann, Niccolò Jommelli, W. A. Mozart *Alfred Ainger (En, 1837–1904) – Charles Lamb *Ellis Amburn (US, 1933–2018) – Roy Orbison, Buddy Holly, Jack Kerouac, Elizabeth Taylor, Warren Beatty and Janis Joplin * Rudolph Angermüller (Ge, born 1940) – Antonio Salieri, W. A. Mozart *Núria Añó (Sp. born 1973) – Salka Viertel * Marie Célestine Amélie d'Armaillé (1830–1918) ...
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Joachim Patinir
Joachim Patinir, also called Patenier (c. 1480 – 5 October 1524), was a Flemish Renaissance painter of history and landscape subjects. He was Flemish, from the area of modern Wallonia, but worked in Antwerp, then the centre of the art market in the Low Countries. Patinir was a pioneer of landscape as an independent genre and he was the first Flemish painter to regard himself primarily as a landscape painter. He effectively invented the world landscape, a distinct style of panoramic northern Renaissance landscapes which is Patinir's important contribution to Western art.Hans Devisscher. "Patinir, Joachim."
Grove Art Online. Oxford Art Online. Oxford University Press. Web. 30 April 2022. Subscription required
His work marks an important stage in the development of the representation of per ...
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Antwerp
Antwerp (; nl, Antwerpen ; french: Anvers ; es, Amberes) is the largest city in Belgium by area at and the capital of Antwerp Province in the Flemish Region. With a population of 520,504,Statistics Belgium; ''Loop van de bevolking per gemeente'' (Excel file)
Population of all municipalities in Belgium, . Retrieved 1 November 2017.
it is the most populous municipality in Belgium, and with a metropolitan population of around 1,200,000 people, it is the second-largest metro ...
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Jörg Breu The Younger
Jörg Breu the Younger (c. 1510 – 1547) was a painter of Augsburg. He was the son of Jörg Breu the Elder, and collaborated with his father on some works. In the 1540s, he was involved with the creation of the Fechtbucher commissioned by Paulus Hector Mair. He did also wood carvings ''Lebenstreppen'', together with Cornelis Anthonisz Work A selection: * ''Madonna with child'' * ''Conquest of Rhodos by Queen Artemisia'', 1535. Bavarian State Painting Collections}, Munich * ''Der reiche Prasser und der arme Lazarus'', 1535 * ''Festival in Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The isla ...'', 1539 * ''History of Suzanne'', 1540 * ''Kaiserl. Schlittenfahrt'', vers 1540 * ''Siege of Algiers'', 1541 * ''Sacrifice of Isaac'', 1545 References 16th-century Germ ...
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