The Snow (poem)
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The Snow (poem)
"The Snow" (Welsh language, Welsh: or ) is a 14th- or 15th-century Welsh-language poem in the form of a ''cywydd'' evoking a landscape which, to the poet's chagrin, is covered with snow. It has been described as an imaginative ''tour de force''. Manuscripts of the poem mostly attribute it to Dafydd ap Gwilym, widely seen as the greatest of the Welsh poets, though some name Dafydd ab Edmwnd or Ieuan ap Rhys ap Llywelyn as the author. Modern literary historians have differed as to whether it is indeed by Dafydd ap Gwilym, but the two most recent editions of his poems (by Thomas Parry (author), Thomas Parry and Dafydd Johnston respectively) have rejected it. The poem has nevertheless remained popular with translators and it continues to appear in anthologies, including Thomas Parry's own ''The Oxford Book of Welsh Verse, Oxford Book of Welsh Verse'' and Gwyn Jones's ''Oxford Book of Welsh Verse in English''. Synopsis The poet laments that he cannot leave the house because wh ...
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Trees In ICM On Myrstigen Hiking Trail, Brastad 2
In botany, a tree is a perennial plant with an elongated Plant stem, stem, or trunk (botany), trunk, usually supporting branches and leaves. In some usages, the definition of a tree may be narrower, including only woody plants with secondary growth, plants that are usable as lumber or plants above a specified height. In wider definitions, the taller Arecaceae, palms, Cyatheales, tree ferns, Musa (genus), bananas, and bamboos are also trees. Trees are not a Taxon, taxonomic group but include a variety of plant species that Convergent evolution, have independently evolved a trunk and branches as a way to tower above other plants to compete for sunlight. The majority of tree species are angiosperms or hardwoods; of the rest, many are gymnosperms or softwoods. Trees tend to be long-lived, some reaching several thousand years old. Trees have been in existence for 370 million years. It is estimated that there are some three trillion mature trees in the world. A tree typically has ...
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Cynghanedd
In Welsh-language poetry, ''cynghanedd'' (, literally "harmony") is the basic concept of sound-arrangement within one line, using stress, alliteration and rhyme. The various forms of ''cynghanedd'' show up in the definitions of all formal Welsh verse forms, such as the ''awdl'' and ''cerdd dafod''. Though of ancient origin, ''cynghanedd'' and variations of it are still used today by many Welsh-language poets. A number of poets have experimented with using ''cynghanedd'' in English-language verse, for instance Gerard Manley Hopkins. Some of Dylan Thomas's work is also influenced by ''cynghanedd''. Forms of ''cynghanedd'' Note that ⟨dd⟩, ⟨ll⟩ and ⟨ch⟩ are digraphs in the Welsh alphabet, each representing a single consonant /ð/, /ɬ/ and /χ/ respectively. ''Cynghanedd groes'' ("cross-harmony") All consonants surrounding the main stressed vowel before the caesura must be repeated after it in the same order. However, the final consonants of the final words of each ...
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Chimere
A chimere ( , or ) is a garment worn by Anglican bishops in choir dress, and, formally as part of academic dress. A descendant of a riding cloak, the chimere resembles an academic gown but without sleeves, and is usually made of scarlet or black cloth. In modern English use the garment is worn as part of the ceremonial dress of Anglican bishops. It is a long sleeveless gown of silk or satin, open down the front, gathered in at the back between the shoulders, and with slits for the arms. It is worn over the rochet, colored either black or scarlet (a combination referred to as "convocation robes"). Ecclesiastical use The chimere is worn by the bishops of the Anglican Communion as a component of their choir habit. It is traditionally coloured either scarlet or black, although some bishops have innovated a purple chimere. The wrist-bands of the bishop's rochet typically match the colour of the chimere. For Anglican bishops, the chimere is part of their formal vesture in choir dress ...
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Middle English
Middle English (abbreviated to ME) is a form of the English language that was spoken after the Norman conquest of 1066, until the late 15th century. The English language underwent distinct variations and developments following the Old English period. Scholarly opinion varies, but the ''Oxford English Dictionary'' specifies the period when Middle English was spoken as being from 1150 to 1500. This stage of the development of the English language roughly followed the High to the Late Middle Ages. Middle English saw significant changes to its vocabulary, grammar, pronunciation, and orthography. Writing conventions during the Middle English period varied widely. Examples of writing from this period that have survived show extensive regional variation. The more standardized Old English language became fragmented, localized, and was, for the most part, being improvised. By the end of the period (about 1470) and aided by the invention of the printing press by Johannes Gutenberg in 14 ...
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Loanword
A loanword (also loan word or loan-word) is a word at least partly assimilated from one language (the donor language) into another language. This is in contrast to cognates, which are words in two or more languages that are similar because they share an etymological origin, and calques, which involve translation. Loanwords from languages with different scripts are usually transliterated (between scripts), but they are not translated. Additionally, loanwords may be adapted to phonology, phonotactics, orthography, and morphology of the target language. When a loanword is fully adapted to the rules of the target language, it is distinguished from native words of the target language only by its origin. However, often the adaptation is incomplete, so loanwords may conserve specific features distinguishing them from native words of the target language: loaned phonemes and sound combinations, partial or total conserving of the original spelling, foreign plural or case forms or indecli ...
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Mummers' Play
Mummers' plays are folk plays performed by troupes of amateur actors, traditionally all male, known as mummers or guisers (also by local names such as ''rhymers'', ''pace-eggers'', ''soulers'', ''tipteerers'', ''wrenboys'', and ''galoshins''). Historically, mummers' plays consisted of informal groups of costumed community members that visited from house to house on various holidays. Today the term refers especially to a play in which a number of characters are called on stage, two of whom engage in a combat, the loser being revived by a doctor character. This play is sometimes found associated with a sword dance though both also exist in Britain independently. Mumming spread from the British Isles to a number of former British colonies. It is sometimes performed in the street but more usually during visits to houses and pubs. It is generally performed seasonally or annually, often at Christmas, Easter or on Plough Monday, more rarely on Halloween or All Souls' Day, and often wi ...
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Adam
Adam; el, Ἀδάμ, Adám; la, Adam is the name given in Genesis 1-5 to the first human. Beyond its use as the name of the first man, ''adam'' is also used in the Bible as a pronoun, individually as "a human" and in a collective sense as "mankind". tells of God's creation of the world and its creatures, including ''adam'', meaning humankind; in God forms "Adam", this time meaning a single male human, out of "the dust of the ground", places him in the Garden of Eden, and forms a woman, Eve, as his helpmate; in Adam and Eve eat the fruit of the tree of knowledge and God condemns Adam to labour on the earth for his food and to return to it on his death; deals with the birth of Adam's sons, and lists his descendants from Seth to Noah. The Genesis creation myth was adopted by both Christianity and Islam, and the name of Adam accordingly appears in the Christian scriptures and in the Quran. He also features in subsequent folkloric and mystical elaborations in later Judaism ...
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Fall Of Man
The fall of man, the fall of Adam, or simply the Fall, is a term used in Christianity to describe the transition of the first man and woman from a state of innocent obedience to God in Christianity, God to a state of guilty disobedience. * * * * The doctrine of the Fall comes from a biblical interpretation of Book of Genesis, Genesis, chapters 1–3. At first, Adam and Eve lived with God in the Garden of Eden, but the Serpents in the Bible, serpent tempted them into Taboo#In religion and mythology, eating the Forbidden fruit, fruit from the tree of knowledge of good and evil, which God had forbidden. After doing so, they became ashamed of their nakedness and God expelled them from the Garden to prevent them from eating from the Tree of life (biblical), tree of life and becoming Immortality, immortal. In Nicene Christianity, mainstream (Nicene) Christianity, the doctrine of the Fall is closely related to that of original sin or ancestral sin. They believe that the Fall brought sin ...
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Cyfraith Hywel
''Cyfraith Hywel'' (; ''Laws of Hywel''), also known as Welsh law ( la, Leges Walliæ), was the system of law practised in medieval Wales before its final conquest by England. Subsequently, the Welsh law's criminal codes were superseded by the Statute of Rhuddlan in AD 1284 and its civil codes by Henry VIII's series of Laws in Wales Acts between 1535 and 1542. Welsh law was a form of Celtic law with many similarities to the Brehon law of Ireland and particularly the customs and terminology of the Britons of Strathclyde. It was passed down orally by jurists and bards and, according to tradition, only first codified during the reign of Hywel Dda in the mid-10th century. The earliest surviving manuscripts, however, are in Latin, date from the early 13th century, and show marked regional differences.Wade-Evans, Arthur. ''Welsh Medieval Law''. Oxford Univ., 1909. Accessed 1 Feb 2013. The law is only known to have been revised by a few rulers (particularly Bleddyn ap Cynfyn, who was ...
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Old Norse
Old Norse, Old Nordic, or Old Scandinavian, is a stage of development of North Germanic languages, North Germanic dialects before their final divergence into separate Nordic languages. Old Norse was spoken by inhabitants of Scandinavia and their Viking expansion, overseas settlements and chronologically coincides with the Viking Age, the Christianization of Scandinavia and the consolidation of Scandinavian kingdoms from about the 7th to the 15th centuries. The Proto-Norse language developed into Old Norse by the 8th century, and Old Norse began to develop into the modern North Germanic languages in the mid-to-late 14th century, ending the language phase known as Old Norse. These dates, however, are not absolute, since written Old Norse is found well into the 15th century. Old Norse was divided into three dialects: Old West Norse, ''Old West Norse'' or ''Old West Nordic'' (often referred to as ''Old Norse''), Old East Norse, ''Old East Norse'' or ''Old East Nordic'', and ''Ol ...
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Old English
Old English (, ), or Anglo-Saxon, is the earliest recorded form of the English language, spoken in England and southern and eastern Scotland in the early Middle Ages. It was brought to Great Britain by Anglo-Saxon settlement of Britain, Anglo-Saxon settlers in the mid-5th century, and the first Old English literature, Old English literary works date from the mid-7th century. After the Norman conquest of 1066, English was replaced, for a time, by Anglo-Norman language, Anglo-Norman (a langues d'oïl, relative of French) as the language of the upper classes. This is regarded as marking the end of the Old English era, since during this period the English language was heavily influenced by Anglo-Norman, developing into a phase known now as Middle English in England and Early Scots in Scotland. Old English developed from a set of Anglo-Frisian languages, Anglo-Frisian or Ingvaeonic dialects originally spoken by Germanic peoples, Germanic tribes traditionally known as the Angles, Sa ...
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The Wind (poem)
"The Wind" (Welsh: ''Y Gwynt'') is a 64-line love poem in the form of a ''cywydd'' by the 14th-century Welsh poet Dafydd ap Gwilym. Dafydd is widely seen as the greatest of the Welsh poets, and this is one of his most highly praised works. Rachel Bromwich called it "one of the greatest of all his poems", while the academic critic Andrew Breeze has hailed it as "a masterpiece" and "a work of genius", noting especially its "rhetorical splendour". Summary The poet opens by addressing the wind, calling it a strange being, going where it wills, and subject to none of the physical or legal restraints of ordinary human life. After praising it for its power the poet goes on to compare it to an author, a sower of leaves, and a jester. Then he asks the wind to visit Uwch Aeron [the northern part of Ceredigion, from where Parth came], and, paying no heed to her husband Bwa Bach to visit the poet's lover Morfudd, on whose account he is an exile from his native land. The wind is to send th ...
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