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The Robert Johnson Songbook (album)
''The Robert Johnson Songbook'' is an album by the British blues band the Peter Green Splinter Group, led by Peter Green. Released in 1998, this was their second album. Green was the founder of Fleetwood Mac and a member of that group from 1967–70, before a sporadic solo career during the late 1970s and early 1980s. The album consists of songs composed by legendary blues artist Robert Johnson, and featured a guest appearance by Paul Rodgers, ex-lead vocalist of Free and Bad Company, who later worked with Queen. This was the first Splinter Group album to feature Roger Cotton and Larry Tolfree, after the departure of Cozy Powell and Spike Edney. The album won a WC Handy Award in 1999 for "Best Comeback Album". Track listing #"When You Got a Good Friend" #"32-20 Blues" #"Phonograph Blues" #"Last Fair Deal Gone Down" #"Stop Breakin' Down Blues" #"Terraplane Blues" #"Walkin' Blues" #" Love in Vain Blues" #" Ramblin' on My Mind" #"Stones in My Passway" #"Me and the Devil Blues" #" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Green Splinter Group
The Peter Green Splinter Group were a blues band formed in 1997, fronted by guitarist and singer Peter Green. Green was the leader of Fleetwood Mac until 1970. He suffered a mental breakdown during the 1970s. He was rehabilitated with the aid of Nigel Watson, Cozy Powell and other friends, and then began touring and recording with the Splinter Group. The group was disbanded in early 2004 with Green's departure from the group – an upcoming tour was cancelled, as was the planned release of a new album. Band members * Peter Green – (vocals, lead guitar, slide guitar, harmonica) * Nigel Watson – (vocals, lead guitar, rhythm guitar) * Roger Cotton – (piano, Hammond C3, rhythm guitar) (1998–2004) * Larry Tolfree – (drums, percussion) (1997–2004) * Pete Stroud – (fretless and fretted bass guitars, double bass) (1998–2004) * Neil Murray – bass guitar (1997–98) *Cozy Powell – drums (1997) *Spike Edney Philip "Spike" Edney (born 11 December 1951) is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spike Edney
Philip "Spike" Edney (born 11 December 1951) is an English musician who, since the 1960s, has performed with a number of bands, most notably with Queen in their live concerts, where his participation started in 1984 during Queen's The Works tour. During the mid-1970s, he recorded and toured with The Tymes and Ben E. King. He is primarily known for playing keyboards but also plays bass, guitar, trombone and contributes backing vocals. Subsequently, in the late 1970s, he was musical director for Edwin Starr and, during the early 1980s, worked with Duran Duran, The Boomtown Rats, Dexys Midnight Runners, Bucks Fizz, Haircut One Hundred and The Rolling Stones. He also appeared with Peter Green on his comeback tour. Edney's collaboration with Queen included mostly keyboards (his main instrument), plus rhythm guitar and backing vocals. Accompanying the band on its tours since 1984, replacing Fred Mandel. He was also part of Roger Taylor's side project The Cross as well as Brian May ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singing
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Johnson (musician)
Robert Leroy Johnson (May 8, 1911August 16, 1938) was an American blues musician and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. Although his recording career spanned only seven months, he is now recognized as a master of the blues, particularly the Delta blues style, and is also one of the most influential musicians of the 20th century. The Rock and Roll Hall of Fame describes him as being "the first ever rock star". As a traveling performer who played mostly on street corners, in juke joints, and at Saturday night dances, Johnson had little commercial success or public recognition in his lifetime. He participated in only two recording sessions, one in San Antonio in 1936, and one in Dallas in 1937, that produced 29 distinct songs (with 13 surviving alternate takes) recorded by famed Country Music Hall of Fame producer Don Law. These songs, reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweet Home Chicago
"Sweet Home Chicago" is a blues standard first recorded by Robert Johnson in 1936. Although he is often credited as the songwriter, several songs have been identified as precedents. The song has become a popular anthem for the city of Chicago despite ambiguity in Johnson's original lyrics. Numerous artists have interpreted the song in a variety of styles. Earlier songs The melody of "Sweet Home Chicago" is found in several blues songs, including "Honey Dripper Blues", "Red Cross Blues", and the immediate model for the song, "Kokomo Blues". The lyrics for "Honey Dripper Blues No. 2" by Edith North Johnson follow a typical AAB structure: Lucille Bogan's (as Bessie Jackson) "Red Cross Man" uses an AB plus refrain structure: Blues historian Elijah Wald suggests that Scrapper Blackwell was the first to introduce a reference to a city in his "Kokomo Blues", using a AAB verse: "Kokola Blues", recorded by Madlyn Davis a year earlier in 1927, also references Kokomo, Indiana, in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dust My Broom
"Dust My Broom" is a blues song originally recorded as "I Believe I'll Dust My Broom" by American blues artist Robert Johnson in 1936. It is a solo performance in the Delta blues-style with Johnson's vocal accompanied by his acoustic guitar. As with many of his songs, it is based on earlier blues songs, the earliest of which has been identified as "I Believe I'll Make a Change", recorded by the Sparks brothers as " Pinetop and Lindberg" in 1932. Johnson's guitar work features an early use of a boogie rhythm pattern, which is seen as a major innovation, as well as a repeating triplets figure. In 1951, Elmore James recorded the song as "Dust My Broom" and "made it the classic as we know it", according to blues historian Gerard Herzhaft. James' slide guitar adaptation of Johnson's triplet figure has been identified as one of the most famous blues guitar riffs and has inspired many rock performers. The song has become a blues standard, with numerous renditions by a variety of mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kind Hearted Woman Blues
"Kind Hearted Woman Blues" is a blues song recorded on November 23, 1936, in San Antonio, Texas, by the American Delta bluesman Robert Johnson. The song was originally released on 78 rpm format as Vocalion 03416 and ARC 7-03-56. Johnson performed the song in the key of A, and recorded two takes, the first of which contains his only recorded guitar solo. Both takes were used for different pressings of both the Vocalion issue and the ARC issue. The first take (SA-2580-1) can be found on many compilation albums, including the first one, '' King of the Delta Blues Singers'' (1961). Take 2 (SA-2580-2) can be heard on the later compilation '' Robert Johnson, The Complete Recordings'' (1990). Influences This was the first song that Johnson recorded, and it was carefully crafted in imitation of recent hit records. It was composed as if in answer to "Cruel Hearted Woman Blues" by Bumble Bee Slim (Amos Easton), which in turn was based on "Mean Mistreater Mama" by Leroy Carr accompa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love In Vain
"Love in Vain" (originally "Love in Vain Blues") is a blues song written by American musician Robert Johnson. Johnson's performancevocal accompanied by his finger-style acoustic guitar playinghas been described as "devastatingly bleak". He recorded the song in 1937 during his last recording session and in 1939 it was issued as the last of his original 78 rpm records. "Love in Vain" has elements of earlier Delta blues songs and for a while it was believed to be in the public domain. In 1969, the Rolling Stones recorded an updated rendition featuring an electric slide guitar solo. The popularity of their adaptation led to a lawsuit over the copyright, which was eventually resolved in favor of Johnson's estate. Various artists have recorded the song. Background In the late 1920s, Johnson began playing the guitar along with a rack-mounted harmonica. One of his influences was Leroy Carr, whose " How Long–How Long Blues" (1928) was an early favorite. Johnson later used th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walkin' Blues
"Walkin' Blues" or "Walking Blues" is a blues standard written and recorded by American Delta blues musician Son House in 1930. Although unissued at the time, it was part of House's repertoire and other musicians, including Robert Johnson and Muddy Waters, adapted the song and recorded their own versions. Besides "Walking Blues", Johnson's 1936 rendition incorporates melodic and rhythmic elements from House's "My Black Mama" (which House also used for his "Death Letter") and slide guitar techniques Johnson learned from House. In 1941, Waters recorded the song with some different lyrics as "Country Blues" in his first field recording session for Alan Lomax. It served as the basis for his first charting song, "(I Feel Like) Going Home", for Chess Records in 1948. He later recorded "Walkin' Blues" with lyrics closer to House's and Johnson's for his first single, released by Chess in 1950. Various musicians have recorded the song over the years, usually as an electric ensemble ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terraplane Blues
"Terraplane Blues" is a blues song recorded in 1936 in San Antonio, Texas, by bluesman Robert Johnson. Vocalion issued it as Johnson's first 78 rpm record, backed with "Kind Hearted Woman Blues", in March 1937. The song became a moderate regional hit, selling up to 10,000 copies. Johnson used the car model Terraplane as a metaphor for sex. In the lyrical narrative, the car will not start and Johnson suspects that his girlfriend let another man drive it when he was gone. In describing the various mechanical problems with his Terraplane, Johnson creates a setting of thinly veiled sexual innuendo. The guitar parts in "Terraplane Blues" are similar to those in Johnson's "Stones in My Passway". References {{Robert Johnson Robert Johnson songs 1936 songs Songs written by Robert Johnson Vocalion Records singles Song recordings produced by Don Law ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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