|
Dust My Broom
"Dust My Broom" is a blues song originally recorded as "I Believe I'll Dust My Broom" by American blues artist Robert Johnson in 1936. It is a solo performance in the Delta blues-style with Johnson's vocal accompanied by his acoustic guitar. As with many of his songs, it is based on earlier blues songs, the earliest of which has been identified as "I Believe I'll Make a Change", recorded by the Sparks brothers as " Pinetop and Lindberg" in 1932. Johnson's guitar work features an early use of a boogie rhythm pattern, which is seen as a major innovation, as well as a repeating triplets figure. In 1951, Elmore James recorded the song as "Dust My Broom" and "made it the classic as we know it", according to blues historian Gerard Herzhaft. James' slide guitar adaptation of Johnson's triplet figure has been identified as one of the most famous blues guitar riffs and has inspired many rock performers. The song has become a blues standard, with numerous renditions by a variety of mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
78 Rpm
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog signal, analog sound Recording medium, storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital audio, digital media, in the form of the compact disc, had gained a larger market share, and the record left the main ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammy Hall Of Fame
The Grammy Hall of Fame is a hall of fame to honor musical recordings of lasting qualitative or historical significance. Inductees are selected annually by a special member committee of eminent and knowledgeable professionals from all branches of the recording arts. It is compiled by The Recording Academy in the United States, and was established in 1973. Recordings (singles and albums) in all genres are eligible for selection, and must be over 25 years old to be considered. Additions to the list are chosen annually by a committee of recording arts professionals. Alphabetical listing by title: *List of Grammy Hall of Fame Award recipients (A–D) *List of Grammy Hall of Fame Award recipients (E–I) *List of Grammy Hall of Fame Award recipients (J–P) *List of Grammy Hall of Fame Award recipients (Q–Z) See also * Grammy Lifetime Achievement Award *Latin Grammy Hall of Fame Award *National Recording Registry References External linksOfficial website {{Authority control Aw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Invasion Of Manchuria
The Empire of Japan's Kwantung Army invaded Manchuria on 18 September 1931, immediately following the Mukden Incident. At the war's end in February 1932, the Japanese established the puppet state of Manchukuo. Their occupation lasted until the success of the Soviet Union and Mongolia with the Manchurian Strategic Offensive Operation in mid-August 1945, towards the end of the Second World War. The South Manchuria Railway Zone and the Korean Peninsula had been under the control of the Japanese Empire since the Russo-Japanese War of 1904–1905. Japan's ongoing industrialization and militarization ensured their growing dependence on oil and metal imports from the US. The US sanctions which prevented trade with the United States (which had occupied the Philippines around the same time) resulted in Japan furthering its expansion in the territory of China and Southeast Asia. The invasion of Manchuria, or the Marco Polo Bridge Incident of 7 July 1937, are sometimes cited as an alternat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Second Italo-Ethiopian War
The Second Italo-Ethiopian War, also referred to as the Second Italo-Abyssinian War, was a war of aggression which was fought between Italy and Ethiopia from October 1935 to February 1937. In Ethiopia it is often referred to simply as the Italian Invasion ( am, ጣልያን ወረራ), and in Italy as the Ethiopian War ( it, Guerra d'Etiopia). It is seen as an example of the expansionist policy that characterized the Axis powers and the ineffectiveness of the League of Nations before the outbreak of the Second World War. On 3 October 1935, two hundred thousand soldiers of the Italian Army commanded by Marshal Emilio De Bono attacked from Eritrea (then an Italian colonial possession) without prior declaration of war. At the same time a minor force under General Rodolfo Graziani attacked from Italian Somalia. On 6 October, Adwa was conquered, a symbolic place for the Italian army because of the defeat at the Battle of Adwa by the Ethiopian army during the First Italo-Ethiopian War ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shaking The Dust From The Feet
Shaking the dust from the feet was a practice of pious Jews during New Testament times. When Jesus called his twelve disciples, he told them to perform the same act against the non-believing Jews. In the early Latter Day Saint movement of the 19th century, it was practiced much as recorded in the New Testament, but later fell out of use. Other Christian groups and organizations typically do not see this as a practice that should be followed, or they see it as something not to be taken literally. New Testament In Biblical times, when leaving Gentile cities, pious Jews often shook the dust from their feet to show their separation from Gentile practices.If the disciples shook the dust of a Jewish town from their feet, it would show their separation from Jews who rejected their Messiah. The gesture was to show the people that they were making a wrong choice; the opportunity to choose Christ might not present itself again. According to the New Testament, when Jesus called his twelve di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Joe Williams
Joseph Lee "Big Joe" Williams (October 16, 1903 – December 17, 1982) was an American Delta blues guitarist, singer and songwriter, notable for the distinctive sound of his nine-string guitar. Performing over five decades, he recorded the songs "Baby Please Don't Go", " Crawlin' King Snake" and "Peach Orchard Mama", among many others, for various record labels, including Bluebird, Delmark, Okeh, Prestige and Vocalion. He was inducted into the Blues Hall of Fame on October 4, 1992. The blues historian Barry Lee Pearson (''Sounds Good to Me: The Bluesman's Story'', ''Virginia Piedmont Blues'') described Williams's performance: :When I saw him playing at Mike Bloomfield's "blues night" at the Fickle Pickle, Williams was playing an electric nine-string guitar through a small ramshackle amp with a pie plate nailed to it and a beer can dangling against that. When he played, everything rattled but Big Joe himself. The total effect of this incredible apparatus produced the most buzz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoodoo (folk Magic)
Hoodoo is a set of spiritual practices, traditions, and beliefs created and concealed from slaveholders by enslaved Africans in North America. Hoodoo evolved from various traditional African religions, practices, and in the American South incorporated with various elements of indigenous botanical knowledge. Hoodoo is an African Diaspora tradition created during the time of slavery in the United States and is an esoteric system of African-American occultism. Many of the practices are similar to other African Diaspora traditions as the practices come from the Bakongo people in Central Africa. Over the first century of the trans-Atlantic slave trade, an estimated 52% of all kidnapped Africans (over 900,000 people) came from Central African countries like Cameroon, Congo, Angola, Central African Republic and Gabon. By the end of the colonial period, enslaved Africans were taken from Angola (40 percent), Senegambia (19.5 percent), the Windward Coast (16.3 percent), and the Gold Coa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elijah Wald
Elijah Wald (born 1959) is an American folk blues guitarist and music historian. He is a 2002 Grammy Award winner for his liner notes to ''The Arhoolie Records 40th Anniversary Box: The Journey of Chris Strachwitz''. Life Wald was born in 1959 in Cambridge, Massachusetts.Elijah Wald P.O.V. Borders – Border Talk, PBS, 2002. Accessed online 2009-10-01. His parents were George Wald (co-recipient of the 1967 ) and |
Traditional Blues Verses
In the folk tradition, there are many traditional blues verses that have been sung over and over by many artists. Blues singers, who include many country and folk artists as well as those commonly identified with blues singers, use these traditional lyrics to fill out their blues performances. Artists like Jimmie Rodgers, the "blue yodeler", and Big Joe Turner, "the Boss of the Blues" compiled virtual encyclopedias of lyrics. Turner reputedly could sing the blues for hours without repeating himself. Terminology Traditional blues verses in folk-music tradition have also been called floating lyrics or maverick stanzas. Floating lyrics have been described as “lines that have circulated so long in folk communities that tradition-steeped singers call them instantly to mind and rearrange them constantly, and often unconsciously, to suit their personal and community aesthetics”.Carl Lindahl, ‘Thrills and Miracles: Legends of Lloyd Chandler’, ''Journal of Folklore Research'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josh White
Joshua Daniel White (February 11, 1914 – September 5, 1969) was an American singer, guitarist, songwriter, actor and civil rights activist. He also recorded under the names Pinewood Tom and Tippy Barton in the 1930s. White grew up in the South during the 1920s and 1930s. He became a prominent race records artist, with a prolific output of recordings in genres including Piedmont blues, country blues, gospel music, and social protest songs. In 1931, White moved to New York, and within a decade his fame had spread widely. His repertoire expanded to include urban blues, jazz, traditional folk songs, and political protest songs, and he was in demand as an actor on radio, Broadway, and film. However, White's anti-segregationist and international human rights political stance presented in many of his recordings and in his speeches at rallies were subsequently used by McCarthyites as a pretext for labeling him a communist to slander and harass him. From 1947 through the mid-1960s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leroy Carr
Leroy Carr (March 27, 1904 or 1905 – April 29, 1935) was an American blues singer, songwriter and pianist who developed a laid-back, crooning technique and whose popularity and style influenced such artists as Nat King Cole and Ray Charles. Music historian Elijah Wald has called him "the most influential male blues singer and songwriter of the first half of the 20th century". He first became famous for "How Long, How Long Blues", his debut recording released by Vocalion Records in 1928. Life and career Leroy Carr was born in Nashville, Tennessee on March 27, 1904 or 1905, and was raised in Indianapolis, Indiana. Carr was a self-taught piano player. After dropping out of high school, Carr travelled with a circus, and in the early 1920s served in the U.S. Army. Carr returned to Indianapolis and worked in a meat-packing plant. He was married in 1922. Carr worked as a bootlegger during prohibition, and became a known musician at parties. Carr had a longtime partnership with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweet Home Chicago
"Sweet Home Chicago" is a blues standard first recorded by Robert Johnson in 1936. Although he is often credited as the songwriter, several songs have been identified as precedents. The song has become a popular anthem for the city of Chicago despite ambiguity in Johnson's original lyrics. Numerous artists have interpreted the song in a variety of styles. Earlier songs The melody of "Sweet Home Chicago" is found in several blues songs, including "Honey Dripper Blues", "Red Cross Blues", and the immediate model for the song, "Kokomo Blues". The lyrics for "Honey Dripper Blues No. 2" by Edith North Johnson follow a typical AAB structure: Lucille Bogan's (as Bessie Jackson) "Red Cross Man" uses an AB plus refrain structure: Blues historian Elijah Wald suggests that Scrapper Blackwell was the first to introduce a reference to a city in his "Kokomo Blues", using a AAB verse: "Kokola Blues", recorded by Madlyn Davis a year earlier in 1927, also references Kokomo, Indiana, in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.svg "Click for more on -> Second Italo-Ethiopian War")
.jpg "Click for more on -> Josh White")
