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The Pilgrim (play)
''The Pilgrim'' is a late Jacobean era stage play, a comedy by John Fletcher that was originally published in the first Beaumont and Fletcher folio of 1647. The play was acted by the King's Men; they performed it at Court in 1621 Christmas season. Since Fletcher's source for his plot, ''El Peregrino en su Patria'' (1604), a prose romance by Lope de Vega, was first translated into English in 1621 (from the French translation, not the Spanish original), the play was likely composed and premiered on the stage in that year. The cast list added to the play in the second Beaumont and Fletcher folio of 1679 includes Joseph Taylor, John Lowin, Nicholas Tooley, John Underwood, Robert Benfield, George Birch, John Thompson, and James Horn. ''The Pilgrim'' was both revived and adapted during the Restoration era, as were many of Fletcher's plays. Sir John Vanbrugh made a prose adaptation of Fletcher's verse original that premiered at Theatre Royal, Drury Lane in 1700, with a Prologu ...
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Literature In English
English literature is literature written in the English language from United Kingdom, its crown dependencies, the Republic of Ireland, the United States, and the countries of the former British Empire. ''The Encyclopaedia Britannica'' defines English literature more narrowly as, "the body of written works produced in the English language by inhabitants of the British Isles (including Ireland) from the 7th century to the present day. The major literatures written in English outside the British Isles are treated separately under American literature, Australian literature, Canadian literature, and New Zealand literature." However, despite this, it includes literature from the Republic of Ireland, "Anglo-American modernism", and discusses post-colonial literature. ; See also full articles on American literature and other literatures in the English language. The English language has developed over the course of more than 1,400 years. The earliest forms of English, a set of Anglo-Fri ...
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Robert Benfield
Robert Benfield (died July 1649) was a seventeenth-century actor, noted for his longtime membership in the King's Men in the years and decades after William Shakespeare's retirement and death. Nothing is known of Benfield's early life. He was most likely with the Lady Elizabeth's Men in 1613, and acted in their productions of Fletcher's ''The Coxcomb'' and the Fletcher/Massinger play ''The Honest Man's Fortune'' in that year. Benfield soon joined the King's Men, possibly to replace William Ostler, who died unexpectedly in December 1614. He acted in the company's production of John Webster's ''The Duchess of Malfi'' c. 1621. He was a shareholder in the company by 1619, when he is listed in the renewed patent for the King's Men issued in that year. Benfield also eventually became a sharer in both the Globe and Blackfriars theatres, but only after a conflict: in 1635 he was one of three King's Men (the others were Thomas Pollard and Eliard Swanston) who petitioned the Lord Chamber ...
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English Renaissance Plays
English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national identity, an identity and common culture ** English language in England, a variant of the English language spoken in England * English languages (other) * English studies, the study of English language and literature * ''English'', an Amish term for non-Amish, regardless of ethnicity Individuals * English (surname), a list of notable people with the surname ''English'' * People with the given name ** English McConnell (1882–1928), Irish footballer ** English Fisher (1928–2011), American boxing coach ** English Gardner (b. 1992), American track and field sprinter Places United States * English, Indiana, a town * English, Kentucky, an unincorporated community * English, Brazoria County, Texas, an unincorporated community * Engl ...
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Anne Oldfield
Anne Oldfield (168323 October 1730) was an English actress and one of the highest paid actresses of her time. Early life and discovery She was born in London in 1683. Her father was a soldier, James Oldfield. Her mother was either Anne or Elizabeth Blanchard. Her grandfather owned a tavern and left her father several properties, he however mortgaged these which resulted in Anne and her mother being placed in financial difficulty when he died young. It appears that Oldfield received some education because her biographers state that she read widely in her youth. Oldfield and her mother went to live with her aunt, Mrs Voss, in the Mitre tavern, St James. In 1699, she attracted George Farquhar's attention when he overheard her reciting lines from Francis Beaumont and John Fletcher's play ''The Scornful Lady'' (1616) in a back room of her tavern. Soon after, she was hired by Christopher Rich to join the cast of the Theatre Royal, Drury Lane. Career A year later she was cast in he ...
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John Dryden
'' John Dryden (; – ) was an English poet, literary critic, translator, and playwright who in 1668 was appointed England's first Poet Laureate. He is seen as dominating the literary life of Restoration England to such a point that the period came to be known in literary circles as the Age of Dryden. Romanticist writer Sir Walter Scott called him "Glorious John". Early life Dryden was born in the village rectory of Aldwincle near Thrapston in Northamptonshire, where his maternal grandfather was the rector of All Saints. He was the eldest of fourteen children born to Erasmus Dryden and wife Mary Pickering, paternal grandson of Sir Erasmus Dryden, 1st Barone t (1553–1632), and wife Frances Wilkes, Puritan landowning gentry who supported the Puritan cause and Parliament. He was a second cousin once removed of Jonathan Swift. As a boy, Dryden lived in the nearby village of Titchmarsh, where it is likely that he received his first education. In 1644 he was sent to Westminst ...
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Masque
The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masque involved music, dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Masquers who did not speak or sing were often courtiers: the English queen Anne of Denmark frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I of England performed in the masques at their courts. In the tradition of masque, Louis XIV of France danced in ballets at Versailles with music by Jean-Baptiste Lully. Development The masque tradition developed from the elaborate pageants and cou ...
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1700 In Literature
This article contains information about the literary events and publications of 1700. Events *February 1 – Richard Bentley becomes Master of Trinity College, Cambridge. *Early March - William Congreve's comedy ''The Way of the World'' is first performed at the New Theatre, Lincoln's Inn Fields in London. *May 5 – Within days of John Dryden's death on May 1, his last written work, '' The Secular Masque'', is performed as part of Vanbrugh's version of '' The Pilgrim''. New books Fiction *Aphra Behn (died 1689) – ''Histories, Novels, and Translations'' (fiction and nonfiction) * Tom Brown – ''Amusements Serious and Comical'' *Gatien de Courtilz de Sandras – ''Mémoires de Monsieur d'Artagnan'' *Peter Anthony Motteux, editor – ''The History of the Renown'd Don-Quixote de la Mancha'', translated by several hands, Volume 1 (Volumes 2–4 published in 1712 in the third edition) Drama *Anonymous – ''Caledonia, or the Pedlar Turned Merchant'' *Abel Boyer – ''Achilles; ...
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Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ...
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John Vanbrugh
Sir John Vanbrugh (; 24 January 1664 (baptised) – 26 March 1726) was an English architect, dramatist and herald, perhaps best known as the designer of Blenheim Palace and Castle Howard. He wrote two argumentative and outspoken Restoration comedies, ''The Relapse'' (1696) and ''The Provoked Wife'' (1697), which have become enduring stage favourites but originally occasioned much controversy. He was knighted in 1714.Robert Chambers, Book of Days Vanbrugh was in many senses a radical throughout his life. As a young man and a committed Whig, he was part of the scheme to overthrow James II and put William III on the throne. He was imprisoned by the French as a political prisoner. In his career as a playwright, he offended many sections of Restoration and 18th century society, not only by the sexual explicitness of his plays, but also by their messages in defence of women's rights in marriage. He was attacked on both counts, and was one of the prime targets of Jeremy Col ...
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English Restoration
The Restoration of the Stuart monarchy in the kingdoms of England, Scotland and Ireland took place in 1660 when King Charles II returned from exile in continental Europe. The preceding period of the Protectorate and the civil wars came to be known as the Interregnum (1649–1660). The term ''Restoration'' is also used to describe the period of several years after, in which a new political settlement was established. It is very often used to cover the whole reign of King Charles II (1660–1685) and often the brief reign of his younger brother King James II (1685–1688). In certain contexts it may be used to cover the whole period of the later Stuart monarchs as far as the death of Queen Anne and the accession of the Hanoverian King George I in 1714. For example, Restoration comedy typically encompasses works written as late as 1710. The Protectorate After Richard Cromwell, Lord Protector from 1658 to 1659, ceded power to the Rump Parliament, Charles Fleetwood and J ...
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John Thompson (actor)
John Thompson (died December 1634) was a noted boy player acting women's roles in English Renaissance theatre. He served in the King's Men, the acting troupe formerly of William Shakespeare and Richard Burbage. Thompson's career is notable for his length. Some boy actors, like John Honyman and Stephen Hammerton, filled female roles for only three to five years before switching to male roles; others, like Richard Sharpe, appear to have continued in women's roles for a decade. Thompson is known to have played women for at least ten years, if not more. Beginnings Thompson began as an apprentice of veteran comedian and teacher John Shank. In 1636, Shank claimed in legal testimony to have spent £40 to acquire Thompson as an apprentice. (Apprentices' contracts were sometimes purchased from their "masters," as with the case of Stephen Hammerton.) According to the cast list in the 1623 first edition of Webster's ''The Duchess of Malfi'', Thompson played Julia, the "Cardinals Mis." T ...
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King's Men Personnel
King's Men personnel were the people who worked with and for the Lord Chamberlain's Men and the King's Men (for all practical purposes a single continuous theatrical enterprise) from 1594 to 1642 (and after). The company was the major theatrical enterprise of its era and featured some of the leading actors of their generation – Richard Burbage, John Lowin, and Joseph Taylor among other – and some leading clowns and comedians, like Will Kempe and Robert Armin. The company benefitted from the services of William Shakespeare, John Fletcher, and Philip Massinger as regular dramatists. The actors who performed the plays have left the most evidence of their lives and activities; but they were supported by musicians and other functionaries, and were enabled by managers and financial backers like Cuthbert Burbage. For more information on specific individuals, see individual entries: Robert Armin, Christopher Beeston, Robert Benfield, etc. Terms * "Sharer" – an actor who was ...
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