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The Patriot (play)
''The Patriot, or, The Italian Conspiracy'' is a 1702 tragedy by the English writer Charles Gildon. Based on the life of Cosimo de' Medici but also inspired by Nathaniel Lee's 1680 work ''Lucius Junius Brutus'' set during the Roman Republic. The original Drury Lane cast included John Mills as Cosimo De Medici, Benjamin Husband as Lorenzo, Thomas Simpson as Uberto, Thomas Kent as Donato, Philip Griffin as Rimini, Jane Rogers as Teraminta and Mary Kent as Honoria. The prologue was by John Dennis and the epilogue by George Farquhar. Incidental music was composed by Daniel Purcell Daniel Purcell (c. 1664 – buried 26 November 1717) was an English Baroque composer, the younger brother or cousin of Henry Purcell. Biography Like Henry Purcell before him, Daniel Purcell joined the choir of the Chapel Royal at about the age of .... References Bibliography * Burling, William J. ''A Checklist of New Plays and Entertainments on the London Stage, 1700-1737''. Fairleigh Dickinson Univ P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Gildon
Charles Gildon (c. 1665 – 1 January 1724), was an English hack writer who was, by turns, a translator, biographer, essayist, playwright, poet, author of fictional letters, fabulist, short story author, and critic. He provided the source for many lives of Restoration figures, although he appears to have propagated or invented numerous errors with them. He is remembered best as a target of Alexander Pope's in both ''Dunciad'' and the '' Epistle to Dr. Arbuthnot'' and an enemy of Jonathan Swift's. Gildon's biographies are, in many cases, the only biographies available, but they have nearly without exception been shown to have wholesale invention in them. Because of Pope's caricature of Gildon, but also because of the sheer volume and rapidity of his writings, Gildon has come to stand as the epitome of the hired pen and the literary opportunist. Biography Gildon was born in Gillingham, Dorset to a Roman Catholic family that had been active in support of the Royalist side during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jane Rogers (17th-century Actress)
Jane Rogers (died 1718) was an English stage actress. To distinguish her from her daughter she is sometimes referred to as Jane Rogers the Elder. She first appeared at Theatre Royal, Drury Lane in 1692 in Thomas Shadwell's '' The Volunteers''. Following the split of the United Company in 1695, she remained at Drury Lane with Christopher Rich's company rather than join the breakaways under Thomas Betterton. She benefited from the departed of Anne Bracegirdle with whom she had been competing for roles and became one of the leading members of the company. Sometimes in the 1690s she gave birth to Jane Rogers reportedly following a liaison with fellow actor Robert Wilks. Her daughter later became an actress as part of the Lincoln's Inn Fields company, where she married Christopher Bullock and was consequently known by his surname. The elder Rogers continued at Drury Lane until 1706, when she switched to the new Queen's Theatre in the Haymarket. She then returned to Drury Lane where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Plays
English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national identity, an identity and common culture ** English language in England, a variant of the English language spoken in England * English languages (other) * English studies, the study of English language and literature * ''English'', an Amish term for non-Amish, regardless of ethnicity Individuals * English (surname), a list of notable people with the surname ''English'' * People with the given name ** English McConnell (1882–1928), Irish footballer ** English Fisher (1928–2011), American boxing coach ** English Gardner (b. 1992), American track and field sprinter Places United States * English, Indiana, a town * English, Kentucky, an unincorporated community * English, Brazoria County, Texas, an unincorporated community * Engli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1702 Plays
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Purcell
Daniel Purcell (c. 1664 – buried 26 November 1717) was an English Baroque composer, the younger brother or cousin of Henry Purcell. Biography Like Henry Purcell before him, Daniel Purcell joined the choir of the Chapel Royal at about the age of 14. In his mid-twenties he was appointed organist of Magdalen College, Oxford where he began to compose. In 1695 he moved to London to compose for the theatre providing incidental music for more than 40 plays. One of his first engagements was to complete the concluding Masque for Act V of the semi-opera ''The Indian Queen'', the preceding music for which had been written by Henry Purcell during the early months of 1695. It is unclear if Daniel Purcell had been engaged because of pressure to complete the score in time for the first performance or as a result of Henry Purcell's failing health and subsequent death. Robert King 1994 ''"Henry Purcell, a greater musical genius England never had"'' p.219. London: Thames and Hudson. The performa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incidental Music
Incidental music is music in a play, television program, radio program, video game, or some other presentation form that is not primarily musical. The term is less frequently applied to film music, with such music being referred to instead as the film score or soundtrack. Incidental music is often background music, and is intended to add atmosphere to the action. It may take the form of something as simple as a low, ominous tone suggesting an impending startling event or to enhance the depiction of a story-advancing sequence. It may also include pieces such as overtures, music played during scene changes, or at the end of an act, immediately preceding an interlude, as was customary with several nineteenth-century plays. It may also be required in plays that have musicians performing on-stage. History The use of incidental music dates back at least as far as Greek drama. A number of classical composers have written incidental music for various plays, with the more famous e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Farquhar
George Farquhar (1677The explanation for the dual birth year appears in Louis A. Strauss, ed., A Discourse Upon Comedy, The Recruiting Officer, and The Beaux’ Stratagem by George Farquhar' (Boston: D.C. Heath & Co., 1914), p. v. Strauss notes that "Our sole source of information as to the time of his birth is the entry of his matriculation in the register of Trinity College" on 17 July 1694, where "His age is given as 17." Earlier biographers took this to mean Farquhar was in his 17th year—hence born in 1678—and Strauss favors this date. But later writers, such as William Myers, ed., George Farquhar: The Recruiting Officer and Other Plays'' (Oxford: Oxford University Press, 1995), p. vii, give the dual year, and John Ross, ed., ''George Farquhar: The Recruiting Officer (New Mermaids),'' 2nd ed., (London: A&C Black, 1991), p. xiii, gives a birthdate of "''ca.'' 1677" for the playwright. – 29 April 1707) was an Irish dramatist. He is noted for his contributions to late R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epilogue
An epilogue or epilog (from Greek ἐπίλογος ''epílogos'', "conclusion" from ἐπί ''epi'', "in addition" and λόγος ''logos'', "word") is a piece of writing at the end of a work of literature, usually used to bring closure to the work. It is presented from the perspective of within the story. When the author steps in and speaks directly to the reader, that is more properly considered an afterword. The opposite is a prologue—a piece of writing at the ''beginning'' of a work of literature or drama, usually used to open the story and capture interest. Some genres, for example television programs and video games, call the epilogue an "outro" patterned on the use of "intro" for "introduction". Epilogues are usually set in the future, after the main story is completed. Within some genres it can be used to hint at the next installment in a series of work. It is also used to satisfy the reader's curiosity and to cover any loose ends of the story. History of the term T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Dennis (dramatist)
John Dennis (16 September 1658 – 6 January 1734) was an English critic and dramatist. Life He was born in the parish of St Andrew Holborn, London, in 1658. He was educated at Harrow School and Caius College, Cambridge, where he took his B.A. degree in 1679. In the next year he was fined and dismissed from his college for having wounded a fellow student with a sword. He was, however, received at Trinity Hall, where he took his M.A. degree in 1683. After travelling in France and Italy, he settled in London, where he became acquainted with Dryden, and close to Wycherley, Congreve and the leading literary figures of his day; and being made temporarily independent by inheriting a small fortune, he devoted himself to literature. The Duke of Marlborough procured him a place as one of the queen's waiters in the customs with a salary of £20 a year. This he afterwards disposed of for a small sum, retaining, at the suggestion of Lord Halifax, a yearly charge upon it for a long term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prologue
A prologue or prolog (from Greek πρόλογος ''prólogos'', from πρό ''pró'', "before" and λόγος ''lógos'', "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information. The Ancient Greek ''prólogos'' included the modern meaning of ''prologue'', but was of wider significance, more like the meaning of preface. The importance, therefore, of the prologue in Greek drama was very great; it sometimes almost took the place of a romance, to which, or to an episode in which, the play itself succeeded. Latin On the Latin stage the prologue was often more elaborate than it was in Athens, and in the careful composition of the poems which Plautus prefixes to his plays we see what importance he gave to this portion of the entertainment; sometimes, as in the preface to the ''Rudens'', Plautus rises to the height of his genius in his adroit and romantic prolo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Kent
Mary Kent (before 1692 – after 1718) was an English actress, whose career lasted from 1692 to 1718, and the wife of Drury Lane actor Thomas Kent. Her dates of birth and death are not known. Mary Kent appeared in many playbills from 1692 onwards in London, playing minor parts in the United Company until the company's tumultuous breakup in 1695. She and her husband remained with the depleted parent troupe when the senior actors walked out to set up their own cooperative company, and during the consequent brief actor shortage at Drury Lane, she played more important parts, notably Flareit in Colley Cibber's ''Love's Last Shift'' and young Tom Fashion (as a breeches role) in John Vanbrugh's ''The Relapse'' in 1697. This role came at a time when it was common for boys to be portrayed by actresses and her casting was described as perhaps "an attempt to defuse the homosexual suggestions in his (Tom Fashion's) relationship with Coupler." She continued to appear in minor roles at Drury L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Griffin
Philip Griffin was an English stage actor of the seventeenth century and early eighteenth century. He joined the King's Company at Drury Lane during the 1670s, and was later a member of the merged United Company from 1685. He was named as a manager at Drury Lane in 1695, but then took military service and was styled as Captain Griffin. In 1699 he went to act in Dublin as part of Joseph Ashbury's company at the Smock Alley Theatre, but was back in London where he acted until retired from the stage in 1707.Highfill, Burnim & Langhans p.369-71 Selected roles * Sanchez in ''The Spanish Rogue'' by Thomas Duffett (1673) * Laula in ''The Empress of Morocco'' by Thomas Duffett (1673) * Caligula's Ghost in ''Nero'' by Nathaniel Lee (1674) * Menander in ''Sophonisba'' by Nathaniel Lee (1675) * Grimani in '' Love in the Dark'' by Francis Fane (1675) * Mecaenas in ''Gloriana'' by Nathaniel Lee (1676) * Vernish in ''The Plain Dealer'' by William Wycherley (1676) * Rash in ''The Country Innoce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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