The Palace Of Truth
''The Palace of Truth'' is a three-act blank verse "Fairy Comedy" by W. S. Gilbert first produced at the Haymarket Theatre in London on 19 November 1870, adapted in significant part from Madame de Genlis's fairy story, ''Le Palais de Vérite''. The play ran for approximately 140 performances and then toured the British provinces and enjoyed various revivals even well into the 20th century. There was also a New York production in 1910. After more than a century of inquiry, researchers in 2012 concluded that the three genera of Lemurs were named after characters in ''The Palace of Truth'' in 1870 by British zoologist John Edward Gray. Background Gilbert created several blank verse "fairy comedies" at the Haymarket Theatre for actor-manager John Baldwin Buckstone and starring William Hunter Kendal and his wife Madge Robertson Kendal (sister of the playwright Tom Robertson) in the early 1870s. These plays, influenced by the fairy works of James Planché, are founded upon the idea o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pygmalion And Galatea (play)
''Pygmalion and Galatea, an Original Mythological Comedy'' is a blank verse play by W. S. Gilbert in three acts based on the Pygmalion story. It opened at the Haymarket Theatre in London on 9 December 1871 and ran for a very successful 184 performances.Moss, Simon"Pygmalion and Galatea"at ''Gilbert & Sullivan: a selling exhibition of memorabilia'', c20th.com, accessed 16 November 2009 It was revived many times, including an 1883 production in New York starring Mary Anderson as Galatea, an 1883–84 revival at the Lyceum Theatre, again with Anderson, and an 1888 production at the Lyceum Theatre, with Julia Neilson as Cynisca. ''Pygmalion'' was Gilbert's greatest success to that date and is said to have earned him £40,000 during his lifetime. ''Pygmalion and Galatea'' was so popular that other Pygmalions were rushed to the stage. In January 1872, ''Ganymede and Galatea'' opened at the Gaiety Theatre. This was a comic version of Franz von Suppé's '' Die schöne Galathee'', c ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Diatonic Interval
Diatonic and chromatic are terms in music theory that are most often used to characterize scales, and are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony. They are very often used as a pair, especially when applied to contrasting features of the common practice music of the period 1600–1900. These terms may mean different things in different contexts. Very often, ''diatonic'' refers to musical elements derived from the modes and transpositions of the "white note scale" C–D–E–F–G–A–B. In some usages it includes all forms of heptatonic scale that are in common use in Western music (the major, and all forms of the minor). ''Chromatic'' most often refers to structures derived from the twelve-note chromatic scale, which consists of all semitones. Historically, however, it had other senses, referring in Ancient Greek music theory to a particular tuning of the tetrachord, and to a rhythmic notational convention in me ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tetrachord
In music theory, a tetrachord ( el, τετράχορδoν; lat, tetrachordum) is a series of four notes separated by three intervals. In traditional music theory, a tetrachord always spanned the interval of a perfect fourth, a 4:3 frequency proportion (approx. 498 cents)—but in modern use it means any four-note segment of a scale or tone row, not necessarily related to a particular tuning system. History The name comes from ''tetra'' (from Greek—"four of something") and ''chord'' (from Greek ''chordon''—"string" or "note"). In ancient Greek music theory, ''tetrachord'' signified a segment of the greater and lesser perfect systems bounded by ''immovable'' notes ( ); the notes between these were ''movable'' ( ). It literally means ''four strings'', originally in reference to harp-like instruments such as the lyre or the kithara, with the implicit understanding that the four strings produced adjacent (i.e., conjunct) notes. Modern music theory uses the octave as the basic u ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Poseur
A poseur is someone who poses for effect, or behaves affectedly, who affects a particular attitude, character or manner to impress others, or who pretends to belong to a particular group.Definition of poseur at Dictionary.com A poseur may be a person who pretends to be what they are not or an insincere person; they may have a flair for drama or behave as if they are onstage in daily life.Hardy, Thomas. ''The Literary Notebooks of Thomas Hardy, Volume 2''. Lennart A Björk, ed. Springer, 2016. . page 256. "Poseur" or "poseuse" is also used to mean a person who poses for a visual artist—a . Examples [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fallen Fairies
''Fallen Fairies''; ''or, The Wicked World'', is a two-act comic opera, with a libretto by W. S. Gilbert and music by Edward German. The story is an operatic adaptation of Gilbert's 1873 blank-verse fairy comedy, ''The Wicked World''. In Fairyland, the fairies are curious about wicked mortals, especially their strange capacity for love. They summon three mortal men from the world below to observe them and to teach the men how to live virtuously. The fairies fall in love with the mortals, become jealous of each other and behave badly. The men return to Earth, and the fairies realize that love is overrated. The piece premiered at London's Savoy Theatre on 15 December 1909. Gilbert directed the opera. Charles Herbert Workman produced and starred as Lutin. The cast also starred Gilbert protégée Nancy McIntosh as Selene, the Fairy Queen. McIntosh received negative reviews, and Workman soon replaced her with Amy Evans and made changes in the play that angered Gilbert, who sued Workma ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Edward German
Sir Edward German (17 February 1862 – 11 November 1936) was an English musician and composer of Welsh descent, best remembered for his extensive output of incidental music for the stage and as a successor to Arthur Sullivan in the field of English comic opera. Some of his light operas, especially '' Merrie England'', are still performed. As a youth, German played the violin and led the town orchestra of Whitchurch, Shropshire. He also began to compose music. While performing and teaching violin at the Royal Academy of Music, German began to build a career as a composer in the mid-1880s, writing serious music as well as light opera. In 1888, he became music director of the Globe Theatre in London. He provided popular incidental music for many productions at the Globe and other London theatres, including ''Richard III'' (1889), ''Henry VIII'' (1892) and ''Nell Gwynn'' (1900). He also wrote symphonies, orchestral suites, symphonic poems and other works. He also wrote a consi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Engaged (play)
''Engaged'' is a three-act farcical comic play by W. S. Gilbert. The plot revolves around a rich young man, his search for a wife, and the attempts – from mercenary motives – by his uncle to encourage his marriage and by his best friend to prevent it. After frantic complications and changes of allegiance, all the main characters end up paired off, more or less to their satisfaction. The play opened at the Haymarket Theatre in London on 3 October 1877, the year before Gilbert's first great success with the composer Arthur Sullivan in their comic opera ''H.M.S. Pinafore''. ''Engaged'' was well received on the London stage and then in the British provinces, the US, Australia and New Zealand. It was subsequently revived many times and has continued to be produced during the 20th and 21st centuries. The play has been called "unquestionably the finest and funniest English comedy between Bulwer-Lytton's ''Money'' 840and Wilde's ''The Importance of Being Earnest'' 895which it d ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Edward Sothern
Edward Askew Sothern (1 April 182620 January 1881) was an English actor known for his comic roles in Britain and America, particularly Lord Dundreary in ''Our American Cousin''. He was also known for his many practical jokes. Life and career Early years Sothern was born in Liverpool, the son of a merchant. He began studying medicine, and his parents hoped that he would become a minister,''The Times'' obituary, 22 January 1881, p. 9, col. F but he decided against pursuing those professions. He worked as a clerk in the late 1840s and married Frances Emily "Fannie" Stewart (died 1882). He began acting as an amateur in 1848 under the stage name of Douglas Stewart.Holder, Heidi J"Sothern, Edward Askew (1826–1881)" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004. Retrieved 7 November 2008. In 1849 he appeared in his first professional engagement at Saint Helier in Jersey, as Claude Melnotte in Bulwer Lytton's ''The Lady of Lyons''. In the early 1850s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Arthur Sullivan
Sir Arthur Seymour Sullivan (13 May 1842 – 22 November 1900) was an English composer. He is best known for 14 comic opera, operatic Gilbert and Sullivan, collaborations with the dramatist W. S. Gilbert, including ''H.M.S. Pinafore'', ''The Pirates of Penzance'' and ''The Mikado''. His works include 24 operas, 11 major orchestral works, ten choral works and oratorios, two ballets, incidental music to several plays, and numerous church pieces, songs, and piano and chamber pieces. His hymns and songs include "Onward, Christian Soldiers" and "The Lost Chord". The son of a military bandmaster, Sullivan composed his first anthem at the age of eight and was later a soloist in the boys' choir of the Chapel Royal. In 1856, at 14, he was awarded the first Mendelssohn Scholarship by the Royal Academy of Music, which allowed him to study at the academy and then at the Felix Mendelssohn College of Music and Theatre, Leipzig Conservatoire in Germany. His graduation piece, inc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Charity (play)
''Charity'' is a drama in four acts by W. S. Gilbert that explores the issue of a woman who had lived with a man as his wife without ever having married. The play analyses and critiques the double standard in the Victorian era concerning the treatment of men and women who had sex outside of marriage, anticipating the "problem plays" of George Bernard Shaw, Shaw and Henrik Ibsen, Ibsen.Crowther, AndrewSynopsis of ''Charity'' It opened on 3 January 1874 at the Haymarket Theatre in London, where Gilbert had previously presented his 'fairy comedies' ''The Palace of Truth'', ''Pygmalion and Galatea (play), Pygmalion and Galatea'', and ''The Wicked World''. ''Charity'' ran for about 61 performances, closing on 14 March 1874, and received tours and revivals thereafter. Gilbert created several plays for the Haymarket Theatre, managed by John Baldwin Buckstone and starring William Hunter Kendal and his wife, Madge Kendal, Madge Robertson Kendal, sister of the playwright Thomas William Ro ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |