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Pygmalion And Galatea (play)
''Pygmalion and Galatea, an Original Mythological Comedy'' is a blank verse play by W. S. Gilbert in three acts based on the Pygmalion story. It opened at the Haymarket Theatre in London on 9 December 1871 and ran for a very successful 184 performances.Moss, Simon"Pygmalion and Galatea"at ''Gilbert & Sullivan: a selling exhibition of memorabilia'', c20th.com, accessed 16 November 2009 It was revived many times, including an 1883 production in New York starring Mary Anderson as Galatea, an 1883–84 revival at the Lyceum Theatre, again with Anderson, and an 1888 production at the Lyceum Theatre, with Julia Neilson as Cynisca. ''Pygmalion'' was Gilbert's greatest success to that date and is said to have earned him £40,000 during his lifetime. ''Pygmalion and Galatea'' was so popular that other Pygmalions were rushed to the stage. In January 1872, ''Ganymede and Galatea'' opened at the Gaiety Theatre. This was a comic version of Franz von Suppé's '' Die schöne Galathee'', c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Hunter Kendal
William Hunter Kendal (16 December 1843 – 7 November 1917) was an English actor and theatre manager. He and his wife Madge starred at the Haymarket in Shakespearian revivals and the old English comedies beginning in the 1860s. In the 1870s, they starred in a series of "fairy comedies" by W. S. Gilbert and in many plays on the West End with the Bancrofts and others. In the 1880s, they starred at and jointly managed (with John Hare) the St. James's Theatre. They then enjoyed a long touring career. Biography Kendal was born William Hunter Grimston in London, the middle son of portrait artist Edward Hunter Grimston, and his wife, Louisa ''née'' Rider. His maternal grandfather was a painter, and the boy demonstrated early talent in painting, but his parents urged him to study medicine. He often visited the Soho Theatre to sketch the performers, which led to his trying acting, in 1861, as Louis XIV, in ''A Life's Revenge'', billed as "Mr Kendall".Foulkes, Richard"Kendal, Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caroline Hill
Caroline Lucreza Brook Hill (June 1845 – 1926) was an English actress. She began acting as a child in the company of Samuel Phelps and soon joined the company of J. B. Buckstone at the Haymarket Theatre. There she created roles in several new plays, including some by W. S. Gilbert, in whose plays she continued to act later in her career. She played at various London and provincial theatres in the 1870s. Hill married actor Herbert Kelcey in 1883, with whom she had begun to appear on stage. The couple played mostly in New York City in the 1880s, and, mostly in England, Hill continued to act through the 1890s. Early life and career Hill was born in York, the youngest child of the comic actor John Brownlow Hill and his wife, also an actress, Caroline Bessie Knights.Featherstone, W. Paul"Caroline Lucreza Brook Hill" Featherstone One Name Study. Retrieved 29 July 2022 She began to act as a child, in about 1861, in roles such as Mamilius in '' A Winter's Tale'' and Arthur in ''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Reed Entertainment
The German Reed Entertainments were founded in 1855 and operated by Thomas German Reed (1817–1888) together with his wife, Priscilla German Reed (née Horton) (1818–1895). At a time when the theatre in London was seen as a disreputable place, the German Reed family provided family-friendly entertainments for forty years, showing that respectable theatre could be popular. The entertainments were held at the intimate Royal Gallery of Illustration, Lower Regent Street, and later at St. George's Hall, Langham Place, in London. Thomas and Priscilla German Reed usually appeared in them, together with a small group of players. They engaged talented newcomers, such as Frederic Clay, W. S. Gilbert and Arthur Law, as well as established writers such as F. C. Burnand, to create many of the entertainments. Thomas German Reed composed the music for many of the entertainments himself. The German Reed theatrical revolution This form of entertainment consisted of musical pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broken Hearts
''Broken Hearts'' is a blank verse play by W. S. Gilbert in three acts styled "An entirely original fairy play". It opened at the Royal Court Theatre in London on 9 December 1875, running for three months, and toured the provinces in 1876. It was revived at the Savoy Theatre in 1882 (with Gilbert playing Florian, alongside Hermann Vezin as Mousta, after an accident incapacitated the actor who was originally to have played Florian).Stedman, Jane W"General Utility: Victorian Author-Actors from Knowles to Pinero" ''Educational Theatre Journal'', Vol. 24, No. 3, October 1972, pp. 289–301, The Johns Hopkins University Press Julia Gwynne played Melthusine. It was revived again in 1883, and yet again in 1888 starring Marion Terry in February and Julia Neilson in May, and also at Crystal Palace that year. There was also a New York City production at the Madison Square Theatre. Background and analysis ''Broken Hearts'' was the last of several blank verse "fairy comedies" created by G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charity (play)
''Charity'' is a drama in four acts by W. S. Gilbert that explores the issue of a woman who had lived with a man as his wife without ever having married. The play analyses and critiques the double standard in the Victorian era concerning the treatment of men and women who had sex outside of marriage, anticipating the "problem plays" of George Bernard Shaw, Shaw and Henrik Ibsen, Ibsen.Crowther, AndrewSynopsis of ''Charity'' It opened on 3 January 1874 at the Haymarket Theatre in London, where Gilbert had previously presented his 'fairy comedies' ''The Palace of Truth'', ''Pygmalion and Galatea (play), Pygmalion and Galatea'', and ''The Wicked World''. ''Charity'' ran for about 61 performances, closing on 14 March 1874, and received tours and revivals thereafter. Gilbert created several plays for the Haymarket Theatre, managed by John Baldwin Buckstone and starring William Hunter Kendal and his wife, Madge Kendal, Madge Robertson Kendal, sister of the playwright Thomas William Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweethearts (play)
''Sweethearts'' is a comic play billed as a "dramatic contrast" in two acts by W. S. Gilbert. The play tells a sentimental and ironic story of the differing recollections of a man and a woman about their last meeting together before being separated and reunited after 30 years. It was first produced on 7 November 1874 at the Prince of Wales's Theatre in London, running for 132 performances until 13 April 1875. It enjoyed many revivals, thereafter, into the 1920s. The first professional production of ''Sweethearts'' in Britain in recent memory was given in 2007 at the Finborough Theatre in London, along with Arthur Sullivan's ''The Zoo''. Background This romantic comedy of manners was written for Squire Bancroft and his wife Marie (née Wilton), managers of the Prince of Wales's Theatre, and starred Mrs. Bancroft. Gilbert wanted his friend John Hare to play the male lead, to take advantage of Hare's naturally boyish appearance and of his talent for impersonating elderly men, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wicked World
''The Wicked World'' is a blank verse play by W. S. Gilbert in three acts. It opened at the Haymarket Theatre on 1873 and ran for a successful 145 performances, closing on 1873. The play is an allegory loosely based on a short illustrated story of the same title by Gilbert, written in 1871 and published in Tom Hood's ''Comic Annual'', about how pure fairies cope with a sudden introduction to them of "mortal love." Set in "Fairy Land", the action occurs within the space of 24 hours. Gilbert envisioned the set as resembling John Martin's 1853 painting ''The Plains of Heaven'': vaporous mountains and headlands around ethereal blue and a flowering slope on which sit white-clad angels. Gilbert also specified that the women characters 'in costume & general appearance – should suggest the idea rather of angels than of conventional fairies, and they exhibit an 'overweening sense of righteousness,' arising from their freedom from sin. Background W. S. Gilbert created several blan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madame De Genlis
Madame may refer to: * Madam, civility title or form of address for women, derived from the French * Madam (prostitution), a term for a woman who is engaged in the business of procuring prostitutes, usually the manager of a brothel * ''Madame'' (1961 film), a Spanish-Italian-French film * ''Madame'' (2017 film), a French comedy-drama film * Madame (singer) (born 2002), Italian singer and rapper * Madame, puppet made famous by entertainer Wayland Flowers ** Madame's Place, a 1982 sitcom starring Madame * Madame (clothing), an Indian clothing company Places * Île Madame, French island on the Atlantic coast * Palazzo Madama, seat of the Senate of the Italian Republic in Rome * Palazzo Madama, Turin Palazzo Madama e Casaforte degli Acaja is a palace in Turin, Piedmont. It was the first Senate of the Kingdom of Italy, and takes its traditional name from the embellishments it received under two queens (''madama'') of the House of Savoy. In 1 ..., Italian palace See also * Mada ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Palace Of Truth
''The Palace of Truth'' is a three-act blank verse "Fairy Comedy" by W. S. Gilbert first produced at the Haymarket Theatre in London on 19 November 1870, adapted in significant part from Madame de Genlis's fairy story, ''Le Palais de Vérite''. The play ran for approximately 140 performances and then toured the British provinces and enjoyed various revivals even well into the 20th century. There was also a New York production in 1910. After more than a century of inquiry, researchers in 2012 concluded that the three genera of Lemurs were named after characters in ''The Palace of Truth'' in 1870 by British zoologist John Edward Gray. Background Gilbert created several blank verse "fairy comedies" at the Haymarket Theatre for actor-manager John Baldwin Buckstone and starring William Hunter Kendal and his wife Madge Robertson Kendal (sister of the playwright Tom Robertson) in the early 1870s. These plays, influenced by the fairy works of James Planché, are founded upon the idea o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
