Edward Sothern
Edward Askew Sothern (1 April 182620 January 1881) was an English actor known for his comic roles in Britain and America, particularly Lord Dundreary in ''Our American Cousin''. He was also known for his many practical jokes. Life and career Early years Sothern was born in Liverpool, the son of a merchant. He began studying medicine, and his parents hoped that he would become a minister,''The Times'' obituary, 22 January 1881, p. 9, col. F but he decided against pursuing those professions. He worked as a clerk in the late 1840s and married Frances Emily "Fannie" Stewart (died 1882). He began acting as an amateur in 1848 under the stage name of Douglas Stewart.Holder, Heidi J"Sothern, Edward Askew (1826–1881)" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004. Retrieved 7 November 2008. In 1849 he appeared in his first professional engagement at Saint Helier in Jersey, as Claude Melnotte in Bulwer Lytton's ''The Lady of Lyons''. In the early 1850s ...
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Edward Askew (E
Edward Askew may refer to: * Edward Ayscu (1550–1617), English historian *Edward Askew Sothern Edward Askew Sothern (1 April 182620 January 1881) was an English actor known for his comic roles in Britain and America, particularly Lord Dundreary in ''Our American Cousin''. He was also known for his many practical jokes. Life and career ...

Wallack's Theatre
Three New York City playhouses named Wallack's Theatre played an important part in the history of American theater, as the successive homes of the Repertory theatre, stock company managed by actors James William Wallack, James W. Wallack and his son, Lester Wallack. During its 35-year lifetime, from 1852 to 1887, that company developed and held a reputation as the best theater company in the country. Each theater operated under other names and managers after (and in one case before) the Wallack company's tenure. All three are demolished. 485 Broadway James William Wallack, James W. Wallack and Lester Wallack, father and son, were 19th century actors and theater managers; that is, Entrepreneurship, entrepreneurs whose business was a Repertory theatre, theatrical stock company, a troupe of actors and support personnel presenting a variety of plays in one theater. Actor-managers, such as the Wallacks, were members of their own company. Often, a manager leased a theater from it ...
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John Baldwin Buckstone
John Baldwin Buckstone (14 September 1802 – 31 October 1879) was an English actor, playwright and comedian who wrote 150 plays, the first of which was produced in 1826. He starred as a comic actor during much of his career for various periods at the Adelphi Theatre and the Haymarket Theatre, managing the Haymarket from 1853 to 1877. Biography Buckstone was born in Hoxton, London, the son of John Buckstone, a retired shopkeeper, and his wife Elizabeth (née Baldwin).Roy, Donald"Buckstone, John Baldwin (1802–1879)" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004; online edn, January 2008, accessed 3 January 2015 He was educated at Walworth Grammar School and was briefly apprenticed on a naval ship at age 10 but returned to school. He studied law and was articled to a solicitor but turned to acting by age 19.''The Times'', 1 November 1879, p. 5 Early career Buckstone first joined a travelling troupe in 1821 as Gabriel in ''The Children in the Wood''. ...
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John Westland Marston
John Westland Marston (30 January 1819 – 5 January 1890) was an English dramatist and critic. Life He was born at Boston, Lincolnshire, on 30 January 1819, was son of the Rev. Stephen Marston, minister of a Baptist congregation. In 1834, he was apprenticed to his maternal uncle, a London solicitor; but although he was not inattentive to the duties of the office after obtained a fair knowledge of law, literature and the theatre had much greater attractions for him. His evenings were devoted to the theatre and becoming acquainted with Heraud, Francis Barham, and other members of the group which gathered around James Pierrepont Greaves. He contributed to Heraud's magazine ''The Sunbeam,'' and himself became editor of a mystical periodical entitled ''The Psyche.'' Among its chief supporters were some wealthy ladies near Cheltenham, Through them he made the acquaintance of Eleanor Jane Potts, eldest daughter of the proprietor of ''Saunders's News-Letter,'' who had retired to Ch ...
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David Garrick (play)
''David Garrick'' is a comic play written in 1856 by Thomas William Robertson about the famous 18th-century actor and theatre manager, David Garrick. The play premiered at the Prince of Wales Theater in Birmingham, where it was successful enough to be moved to the Haymarket Theatre in London, on 30 April 1864. It was a major success for the actor Edward Askew Sothern, who played the title role, but came later to be associated with the actor Charles Wyndham. The play was designed as a star vehicle, since the principal actor has to portray David Garrick himself as an actor giving a performance. A scene from the play was painted by Edward Matthew Ward, a friend of Sothern's. The play was Robertson's first major commercial success and was frequently revived throughout the Victorian era and beyond. Several silent films were made based on ''David Garrick'', including versions in 1913 (starring Seymour Hicks and Ellaline Terriss), 1914 and 1916. A 1923 book, ''Public Speaking Today'', ...
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Thomas William Robertson
Thomas William Robertson (9 January 1829 – 3 February 1871) was an English dramatist and stage director. Born to a theatrical family, Robertson began as an actor, but he was not a success and gave up acting in his late 20s. After earning a modest living writing articles for the press, translating and adapting foreign plays and writing several of his own plays he achieved success in 1865 with his play ''Society (play), Society'', which the actor-manager Marie Wilton presented at a small London theatre, the Scala Theatre, Prince of Wales's. Over the next five years Robertson wrote five more plays for the Prince of Wales's. Their naturalistic style and treatment of contemporary social issues was in strong contrast to the melodramas and exaggerated theatricality to which the public had been accustomed, and Robertson's plays were box-office and critical successes. Robertson supervised their productions and was a pioneer of modern stage directing. Among later theatrical figures inf ...
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