The Palace Of Memories
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The Palace Of Memories
''The Palace of Memories'' (french: Le palais des souvenirs) is a painting in oil on canvas, 46.2 × 38.2 cm, created in 1939 by Belgian surrealist artist René Magritte. It is held in a private collection. In ''The Palace of Memories'', René Magritte plunges the viewer into a scene of infinite mystery: underneath and beyond a theatre curtain is a vast, rocky landscape of crags stretching into the distance. Looking like a crater filled with lava and dominating that vista is a rock formation that resembles Magritte's images of chopped trees which would emerge in 1951 in ''The Work of Alexander''. This introduces the theme of petrification that would recur in Magritte's art, the notion of the transformation between the elements as seen in his 1936 work, ''Le précurseur'', in which a mountain range resembles an eagle. In ''The Palace of Memories'', the pool of red within the crater adds another dimension to this switch between animal, vegetable and mineral. Meanwhile, against t ...
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René Magritte
René François Ghislain Magritte (; 21 November 1898 – 15 August 1967) was a Belgian surrealist artist known for his depictions of familiar objects in unfamiliar, unexpected contexts, which often provoked questions about the nature and boundaries of reality and representation. His imagery has influenced pop art, minimalist art, and conceptual art. Early life René Magritte was born in Lessines, in the province of Hainaut, Belgium, in 1898. He was the oldest son of Léopold Magritte, a tailor and textile merchant,Meuris 1991, p 216. and Régina (née Bertinchamps), who was a milliner before she got married. Little is known about Magritte's early life. He began lessons in drawing in 1910. On 24 February 1912, his mother committed suicide by drowning herself in the River Sambre at Châtelet. It was not her first suicide attempt. Her body was not discovered until 12 March.Abadie 2003, p. 274. According to a legend, 13-year-old Magritte was present when her body was retrieved ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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Painting
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Belgians
Belgians ( nl, Belgen; french: Belges; german: Belgier) are people identified with the Kingdom of Belgium, a federal state in Western Europe. As Belgium is a multinational state, this connection may be residential, legal, historical, or cultural rather than ethnic. The majority of Belgians, however, belong to two distinct ethnic groups or ''communities'' ( nl, gemeenschap, links=no; french: communauté, links=no) native to the country, i.e. its historical regions: Flemings in Flanders, who speak Dutch; and Walloons in Wallonia, who speak French or Walloon. There is also a substantial Belgian diaspora, which has settled primarily in the United States, Canada, France, and the Netherlands. Etymology The 1830 revolution led to the establishment of an independent country under a provisional government and a national congress. The name "Belgium" was adopted for the country, the word being derived from ''Gallia Belgica'', a Roman province in the northernmost part of Gaul that, ...
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Surrealist
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, theatre, filmmaking, photography, and other media. Works of Surrealism feature the element of surprise, unexpected juxtapositions and '' non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e. artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that Surrealism was, above all, a r ...
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Cecil Harcourt Smith
Sir Cecil Harcourt-Smith (1859–1944) was a British archaeologist and museum director. He was Keeper of Greek and Roman Antiquities at the British Museum from 1904 to 1909, and Director of the Victoria and Albert Museum from 1909 to 1924. Early years Born on 11 September 1859 in Staines, Middlesex, he was the second son of William Smith, solicitor, and his wife, Harriet, daughter of Frederic Harcourt, of Ipswich. He attended Winchester College (1873–78) as a scholar. In 1879 he joined the department of Roman and Greek antiquities in the British Museum. He soon became known as a rising archaeologist, and in 1887 was a founder editor and contributor to the ''Classical Review''. In 1887 he was attached to the diplomatic mission in Persia. In 1892 he married Alice Edith, daughter of H. W. Watson of Burnopfield, Co. Durham. They had two sons, Simon and Gilbert. From 1895 to 1897 he was granted special leave to take up the directorship of the British School in Athens. The ...
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Victoria And Albert Museum
The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Royal Borough of Kensington and Chelsea, in an area known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum, the Royal Albert Hall and Imperial College London. The museum is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. As with other national British museums, entrance is free. The V&A covers and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. Ho ...
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Royal Collection
The Royal Collection of the British royal family is the largest private art collection in the world. Spread among 13 occupied and historic royal residences in the United Kingdom, the collection is owned by King Charles III and overseen by the Royal Collection Trust. The British monarch owns some of the collection in right of the Crown and some as a private individual. It is made up of over one million objects, including 7,000 paintings, over 150,000 works on paper, this including 30,000 watercolours and drawings, and about 450,000 photographs, as well as around 700,000 works of art, including tapestries, furniture, ceramics, textiles, carriages, weapons, armour, jewellery, clocks, musical instruments, tableware, plants, manuscripts, books, and sculptures. Some of the buildings which house the collection, such as Hampton Court Palace, are open to the public and not lived in by the Royal Family, whilst others, such as Windsor Castle and Kensington Palace, are both residences an ...
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Edward James
Edward Frank Willis James (16 August 1907 – 2 December 1984) was a British poet known for his patronage of the surrealist art movement. Early life and marriage James was born on 16 August 1907, the only son of William James (who had inherited a fortune from his father, merchant Daniel James) and Evelyn Forbes, a Scots socialite. He was reputedly fathered by the Prince of Wales (later Edward VII) and in his anecdotal reminiscences, recorded in ''Swans Reflecting Elephants – My Early Years'', Edward James also puts forward this hypothesis. In his memoirs he wrote "I was not, I was, in fact, his grandson" saying that it was his grandmother that had an affair with the Prince of Wales. However, there was also popular belief that Forbes was one of the Prince of Wales's mistresses and there was a much-quoted ballad by Hilaire Belloc intimating this at the time. Edward James had four older sisters: Audrey, Millicent, Xandra, and Silvia. He was educated at Lockers Park School, the ...
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Pinakothek Der Moderne
The Pinakothek der Moderne (, '' Pinakothek of the Modern'') is a modern art museum, situated in central Munich's ''Kunstareal''. Locals sometimes refer to it as the ''Dritte'' ("third") ''Pinakothek'' after the Old and New. It is one of the world's largest museums for modern and contemporary art. The building Designed by German architect Stephan Braunfels, the Pinakothek der Moderne was inaugurated in September 2002 after seven years of construction. The $120 million, 22,000-square-meter building took a decade to finish because of bureaucratic objections to design and cost, which were ultimately bridged by private initiative and financing. The rectilinear facade, dominated by white and grey concrete, is interrupted by large windows and high rise columns, the latter supporting the extensive canopied roof. Each of the four corners of the building, connected by a central domed rotunda, is dedicated to a special collection. The Museum is thus divided into Art (Kunst), Architectur ...
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Second World War
World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposing military alliances: the Allies and the Axis powers. World War II was a total war that directly involved more than 100 million personnel from more than 30 countries. The major participants in the war threw their entire economic, industrial, and scientific capabilities behind the war effort, blurring the distinction between civilian and military resources. Aircraft played a major role in the conflict, enabling the strategic bombing of population centres and deploying the only two nuclear weapons ever used in war. World War II was by far the deadliest conflict in human history; it resulted in 70 to 85 million fatalities, mostly among civilians. Tens of millions died due to genocides (including the Holocaust), starvation, ma ...
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Trompe-l'œil
''Trompe-l'œil'' ( , ; ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. ''Trompe l'oeil'', which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture. History in painting The phrase, which can also be spelled without the hyphen and ligature in English as ''trompe l'oeil'', originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800. Although the term gained currency only in the early 19th century, the illusionistic technique associated with ''trompe-l'œil'' dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical ''trompe-l'œil'' mural might depict a window, door, or hallway, intended to suggest a larger room. A version o ...
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