The Mother Of Us All
''The Mother of Us All'' is a two-act opera composed by Virgil Thomson to a libretto by Gertrude Stein. Thomson and Stein met in 1945 to begin the writing process, almost twenty years after their first collaborative project, the opera ''Four Saints in Three Acts''. Stein wrote the libretto in the winter of 1945–46 before sending it to Thomson in March. After Stein's death in July, Thomson began working on the score, which he finished within just a few months. The opera centers around Susan B. Anthony, one of the major figures in the fight for women's suffrage in the United States, with a supporting cast of characters both fictional and based on other historical figures. Thomson famously described the work as a "pageant". Composition According to experts, Gertrude Stein's exploration of rhythm and repetition within her writing lent itself to a musical setting. Both her libretto and Thomson's orchestration were highly idiomatic, matching patriotic dialogue with "hymns, marches, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Enrico Di Giuseppe
Enrico Di Giuseppe (October 14, 1932 – December 31, 2005) was a celebrated American operatic tenor who had an active performance career from the late 1950s through the 1990s. He spent most of his career performing in New York City, juggling concurrent performance contracts with both the New York City Opera and the Metropolitan Opera during the 1970s and 1980s. In the latter part of his career, he was active with the Grand Opera House. Possessing a lyric tenor voice with a bright timbre and easy upper extension, Di Giuseppe excelled in the Italian repertory. He was particularly successful in tackling the bel canto repertoire, notably partnering Beverly Sills in productions of Donizetti's ''Anna Bolena'', ''Maria Stuarda'', and ''Roberto Devereux'', as well as Bellini's ''I puritani'' at the NYCO. Di Giuseppe performed in similar repertoire at the Met opposite other notable bel canto interpreters like Dame Joan Sutherland, Marilyn Horne and Renata Scotto. Early life and ca ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Thomas Paul (bass)
Thomas Paul (born February 22, 1934, Chicago) is an American bass and voice teacher who had an active performance career during the second half of the 20th century. While more frequently heard in oratorios and other concert literature, Paul also appeared in operas during his career with companies like the New York City Opera, the San Francisco Opera, and Washington National Opera. In 1964 he created the role of Jack Spaniard in the world premiere of Robert Ward's ''The Lady From Colorado'' at the Central City Opera. In 1976 he portrayed Jared Bilby in the world premiere of Carlisle Floyd's ''Bilby's Doll'' at the Houston Grand Opera. He was a full time professor of voice at the Eastman School of Music at the University of Rochester from 1973 through 1998, and also taught at the Aspen Music Festival and School. Paul has made recordings with The Cleveland Orchestra, the Philadelphia Orchestra, the Robert Shaw Chorale, and the Speculum Musicae chamber ensemble among other music grou ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Betty Allen
Betty Allen (March 17, 1927 – June 22, 2009) was an American operatic mezzo-soprano who had an active international singing career during the 1950s through the 1970s. In the latter part of her career her voice acquired a contralto-like darkening, which can be heard on her recording of Sergei Prokofiev’s ''Alexander Nevsky'' with conductor Eugene Ormandy and the Philadelphia Orchestra. She was known for her collaborations with American composers, such as Leonard Bernstein, Aaron Copland, David Diamond, Ned Rorem, and Virgil Thomson among others. Allen was part of the first generation of black opera singers to achieve wide success and is viewed as part of an instrumental group of performers who helped break down the barriers of racial prejudice in the opera world. She was greatly admired by Bernstein and the conductor notably chose her to be the featured soloist for his final performances as music director of the New York Philharmonic in 1973. After her singing career ended, sh ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Johanna Meier
Johanna Meier (born February 13, 1938) is an American operatic soprano. She has been described as "one of the foremost Wagnerian sopranos of her era".Johanna Meier at WagnerOpera.net, accessed 14 July 2010. She had an international career, including fourteen years at the and three summers singing the role of Isolde in Wagner's '''' for the [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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American Opera Society
The American Opera Society (AOS) was a New York City-based musical organization that presented concert and semi-staged performances of operas between 1951 and 1970. The company was highly influential in sparking and perpetuating the post World War II bel canto revival, particularly through a number of highly lauded productions of rarely heard works by Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini. The AOS also presented many operas to the American public for the first time, including the United States premieres of Benjamin Britten's '' Billy Budd'', Giuseppe Verdi's ''Giovanna d'Arco'', George Frideric Handel's ''Hercules'' and Hector Berlioz's ''Les troyens'' to name just a few. History The American Opera Society was founded in 1950 by two young musicians at the Juilliard School: Allen Sven Oxenburg and Arnold Gamson. Oxenburg served as the AOS's Artistic Director throughout the company's entire history. Gamson served as the AOS's Music Director and principal conductor ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Carnegie Hall
Carnegie Hall ( ) is a concert venue in Midtown Manhattan in New York City. It is at 881 Seventh Avenue (Manhattan), Seventh Avenue, occupying the east side of Seventh Avenue between West 56th Street (Manhattan), 56th and 57th Street (Manhattan), 57th Streets. Designed by architect William Burnet Tuthill and built by philanthropist Andrew Carnegie, it is one of the most prestigious venues in the world for both classical music and popular music. Carnegie Hall has its own artistic programming, development, and marketing departments and presents about 250 performances each season. It is also rented out to performing groups. Carnegie Hall has 3,671 seats, divided among three auditoriums. The largest one is the Stern Auditorium, a five-story auditorium with 2,804 seats. Also part of the complex are the 599-seat Zankel Hall on Seventh Avenue, as well as the 268-seat Joan and Sanford I. Weill Recital Hall on 57th Street. Besides the auditoriums, Carnegie Hall contains offices on its t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Off-Broadway
An off-Broadway theatre is any professional theatre venue in New York City with a seating capacity between 100 and 499, inclusive. These theatres are smaller than Broadway theatres, but larger than off-off-Broadway theatres, which seat fewer than 100. An "off-Broadway production" is a production of a play, musical, or revue that appears in such a venue and adheres to related trade union and other contracts. Some shows that premiere off-Broadway are subsequently produced on Broadway. History The term originally referred to any venue, and its productions, on a street intersecting Broadway in Midtown Manhattan's Theater District, the hub of the American theatre industry. It later became defined by the League of Off-Broadway Theatres and Producers as a professional venue in Manhattan with a seating capacity of at least 100, but not more than 499, or a production that appears in such a venue and adheres to related trade union and other contracts. Previously, regardless of the size ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Obie Award
The Obie Awards or Off-Broadway Theater Awards are annual awards originally given by ''The Village Voice'' newspaper to theatre artists and groups in New York City. In September 2014, the awards were jointly presented and administered with the American Theatre Wing. As the Tony Awards cover Broadway productions, the Obie Awards cover off-Broadway and off-off-Broadway productions. Background The Obie Awards were initiated by Edwin (Ed) Fancher, publisher of ''The Village Voice,'' who handled the financing and business side of the project. They were first given in 1956 under the direction of theater critic Jerry Tallmer. Initially, only off-Broadway productions were eligible; in 1964, off-off-Broadway productions were made eligible. The first Obie Awards ceremony was held at Helen Gee's cafe.Aletti, Vince"Helen Gee 1919–2004" ''Village Voice'' (New York City), 12 October 2004, accessed on 21 November 2013 With the exception of the Lifetime Achievement and Best New American Pl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Shirlee Emmons
Shirlee Emmons (August 5, 1923 – April 16, 2010) was an American classical soprano, voice teacher, and author on vocal pedagogy. She began her career in the early 1940s as a concert soprano, eventually becoming one of the original singers in the Robert Shaw Chorale in 1948. She branched out into opera in the 1950s; performing mainly with regional companies in the United States. She achieved several honours as a performer, including winning the Marian Anderson Award in 1953 and an Obie Award in 1956. In 1964 Emmons abandoned her career as a singer to begin a second career as a voice teacher which lasted until her death 46 years later. She taught on the faculties of several universities, including Boston University and Princeton University, and gave masterclasses and guest lectures at schools like the University of California and Westminster Choir College. Several of her students have had successful singing careers, including Metropolitan Opera stars Harolyn Blackwell and Hei- ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dorothy Dow
Dorothy Dow (8 October 1920 – 26 February 2005) was an American classical dramatic soprano who had an active international career in concerts, operas, and recitals during the 1940s through the 1960s. After retiring from the stage in 1968, she embarked on a second career as an academic. Biography Dow was born in Houston, Texas. She studied at the Juilliard School in New York City, graduating with a bachelor's degree in vocal performance in 1942. She quickly became one of the leading concert sopranos in the United States, singing with orchestras throughout the country and giving a number of highly lauded recitals. She made her first appearance on the opera stage in Buffalo, New York as Santuzza in ''Cavalleria rusticana'' in 1946. Her first major critical success was singing the role of Brünnhilde in a concert version of Richard Wagner's ''Götterdämmerung'' with the Philadelphia Orchestra under Eugene Ormandy in 1947. As an opera singer, Dow's career was more centered in Euro ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |