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The Mix (Kraftwerk Album)
''The Mix'' is the tenth studio album by German electronic music band Kraftwerk. It was released on 11 June 1991 through Kling Klang and EMI in Europe and through Elektra Records in North America. It features entirely re-arranged and re-recorded versions of a selection of songs which had originally appeared on their albums ''Autobahn'' (1974) through '' Electric Café'' (1986). Some of the songs, such as "The Robots" and "Radioactivity", featured new additional melodies and/or lyrics. Background In 1990, Kraftwerk had made a return to the stage, following a nine-year hiatus from touring. Ralf Hütter stated in interviews that he regarded ''The Mix'' as a type of "live" album, as it captured the results of the band's continual digital improvisations in their Kling Klang studio. The versions of songs on ''The Mix'' subsequently became staples of the band's live set. Karl Bartos stated in a 1998 interview with ''Sound on Sound'' that the original idea for ''The Mix'' was to rel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kraftwerk
Kraftwerk (, "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1974 and Karl Bartos in 1975, expanding the band to a quartet. On commercially successful albums such as ''Autobahn'' (1974), '' Trans-Europe Express'' (1977), ''The Man-Machine'' (1978), and ''Computer World'' (1981), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylized image including matching suits. Following the release of '' Electric Café'' (1986), Flür left the group in 1987, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound On Sound
''Sound on Sound'' is an independently owned monthly music technology magazine published by SOS Publications Group, based in Cambridge, United Kingdom. The magazine includes product tests of electronic musical performance and recording devices, and interviews with industry professionals. Due to its technical focus, it is predominantly aimed at the professional recording studio market as well as artist project studios and home recording enthusiasts. All news and articles printed in the magazine since January 1994 have also been published online via its website, often including rich media content such as video and audio files that correspond to the content of individual articles. The articles printed in the magazine before January 1994 can be found on the Mu:zines website. History The magazine was conceived, created and founded by brothers Ian and Paul Gilby in 1985, and was originally launched in 1985 on the UK Channel 4 television programme, '' The Tube'', championing the conve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bauer Media Group
Heinrich Bauer Publishing (german: Heinrich Bauer Verlag KG), trading as Bauer Media Group, is a German multimedia conglomerate headquartered in Hamburg. It operates worldwide and owns more than 600 magazines, over 400 digital products and 50 radio and TV stations, as well as print shops, postal, distribution and marketing services. Bauer has a workforce of approximately 11,000 in 17 countries. Bauer Verlagsgruppe has been managed by five generations of the Bauer family. In November 2010, Heinz Heinrich's daughter Yvonne Bauer became CEO and 85% owner of the Bauer Media Group after joining the family business in 2005. In February 2021, Bauer Media Group announced it was to acquire Ireland's Communicorp Group, subject to regulatory approval. The acquisition was completed on 1 June 2021. H Bauer UK Originally a small printing house in Germany, Bauer Media Group entered the UK with the launch of ''Bella'' magazine in 1987. Under the name of H Bauer Publishing they became Bri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mojo (magazine)
''Mojo'' is a popular music music magazine, magazine published monthly in the United Kingdom, initially by Ascential, Emap, and since January 2008 by Bauer Verlagsgruppe, Bauer. Following the success of the magazine ''Q (magazine), Q'', publishers Emap were looking for a title that would cater for the burgeoning interest in classic rock music. The magazine was designed to appeal to the 30 to 45-plus age group, or the baby boomer generation. ''Mojo'' was first published on 15 October 1993. In keeping with its classic rock aesthetic, the first issue had Bob Dylan and John Lennon as its first cover stars. Noted for its in-depth coverage of both popular and cult acts, it acted as the inspiration for ''Blender (magazine), Blender'' and ''Uncut (magazine), Uncut''. Many noted music critics have written for it, including Charles Shaar Murray, Greil Marcus, Nick Kent, Jon Savage and Sylvie Simmons. The launch editor of ''Mojo'' was Paul Du Noyer and his successors have included Mat Snow, P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drowned In Sound
''Drowned in Sound'', sometimes abbreviated to ''DiS'', is a UK-based music webzine financed by artist management company Silentway. Founded by editor Sean Adams, the site features reviews, news, interviews, and discussion forums. History ''DiS'' began as an email fanzine in 1998 called ''The Last Resort'' but was relaunched by founder and editor Sean Adams as ''Drowned in Sound'' in 2000. The freelance writing team is currently spread across four continents – North America, Asia, Europe and Australasia. The site is mostly based on contributions from unpaid writers and has an integrated forum to allow for discussion and comments on interviews, news and reviews. It also includes a user-rated database of artists and bands as well as details for most live music venues (big and small) in the UK. The site has over 60,000 registered members, and gets around 470,000 unique visitors per month. In 2006, the site launched a podcast called ''Drowned in Sound Radio''. In November 2007 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Christgau
Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. Christgau spent 37 years as the chief music critic and senior editor for ''The Village Voice'', during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for ''Esquire'', ''Creem'', ''Newsday'', ''Playboy'', ''Rolling Stone'', ''Billboard'', NPR, ''Blender'', and ''MSN Music'', and was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world – when he talks, people listen." Christgau is best known for his terse, letter-graded capsule album reviews, composed in a concentrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fernando Abrantes
Fernando Fromm-Abrantes (born 1960) is a German-Portuguese producer and musician. Background He is a former member/keyboardist of the electronic/experimental pop band Kraftwerk. He went to the German school in Lisbon. After finishing school he moved to Germany and studied music and electronics in Düsseldorf together with Kraftwerk members Fritz Hilpert and Henning Schmitz. Afterwards he returned to Portugal. He lives in Lisbon, where he owns a music production studio. He is fluent in German, Portuguese and English. In 1985-1986 he performed a few shows as keyboardist of Sandra and her world hit " Maria Magdalena". Abrantes joined Kraftwerk in winter 1990-1991 during production of the album '' The Mix'', shortly after the departure of electronic percussionist and songwriter Karl Bartos. Abrantes performed in ''The Mix'' UK-tour (10 concerts) in 1991. He can be seen in robotic form in promotional pictures from this period and in the booklet of the album ''The Mix'', in additio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fritz Hilpert
Friedrich "Fritz" Hilpert (born 31 May 1956) is a member of the electropop group Kraftwerk. Background Fritz Hilpert studied trumpet and percussion at the Musisches Max-Reger-Gymnasium, Germany, until 1976. He also played drums in several live bands at that time. From 1978 he studied sound engineering at the Musikhochschule Rheinland and the FH Düsseldorf. In 1986 he received his Diplom-Ingenieur qualification (the German equivalent of a Master of Science degree) in sound and image technology. He worked as freelance sound engineer with several German acts as the new wave-band Din A Testbild before becoming associated with Kraftwerk in 1989. In addition to studio work, he replaced Wolfgang Flür in concert when Kraftwerk resumed their touring activities in 1990, and engineered the album '' The Mix'', released in 1991. He has made musical contributions to Kraftwerk's compositions since "Expo 2000" in 1999. He is credited as a co-composer on most of the tracks on the album ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Flür
Wolfgang Flür (born 17 July 1947) is a German musician, best known for playing percussion in the electronic group Kraftwerk from 1973 to 1987. Flür claims that he invented the electric drums the group used throughout the 1970s. However, patent records dispute this, citing Florian Schneider and Ralf Hütter as the creators. Background In the 1960s, Flür played an acoustic drum kit in the Düsseldorf band The Spirits of Sound, along with guitarist Michael Rother, who would also go on to play in Kraftwerk, and who would later form Neu! with Kraftwerk drummer Klaus Dinger. Post-Kraftwerk In 1997, Flür founded the band Yamo and released the album ''Time Pie'', a collaboration with Mouse on Mars. Yamo's next release, the 12" ''I Was a Robot'', reached number 6 in the German club charts. Collaborations with Pizzicato Five and Der Plan founding member Pyrolator were announced, and the lyrics to a song called "Greed" appeared in Flür's autobiography, but this material remains ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Programming (music)
Programming is a form of music production and performance using electronic devices and computer software, such as sequencers and workstations or hardware synthesizers, sampler and sequencers, to generate sounds of musical instruments. These musical sounds are created through the use of music coding languages. There are many music coding languages of varying complexity. Music programming is also frequently used in modern pop and rock music from various regions of the world, and sometimes in jazz and contemporary classical music. It gained popularity in the 1950s and has been emerging ever since. Music programming is the process in which a musician produces a sound or "patch" (be it from scratch or with the aid of a synthesizer/ sampler), or uses a sequencer to arrange a song. Coding languages Music coding languages are used to program the electronic devices to produce the instrumental sounds they make. Each coding language has its own level of difficulty and function. Alda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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