|
The Merry Widow
''The Merry Widow'' ( ) is an operetta by the Austria-Hungary, Austro-Hungarian composer Franz Lehár. The Libretto, librettists, Viktor Léon and Leo Stein (writer), Leo Stein, based the story – concerning a rich widow, and her countrymen's attempt to keep her money in the principality by finding her the right husband – on an 1861 comedy play, (''The Embassy Attaché'') by Henri Meilhac. The operetta has enjoyed extraordinary international success since its 1905 premiere in Vienna and continues to be frequently revived and recorded. Film and other adaptations have also been made. Well-known music from the score includes the "Supernatural beings in Slavic folklore#Vila, Vilja Song", "" ("You'll Find Me at Maxim's"), and the "Merry Widow Waltz". Background In 1861, Henri Meilhac premiered a comic play in Paris, (''The Embassy Attaché''), in which the Parisian ambassador of a poor German grand duchy, Baron Scharpf, schemes to arrange a marriage between his country's rich ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bain News Service - Franz Lehár
Bain may refer to: People * Bain (surname), origin and list of people with the surname * Bain of Tulloch, Scottish family * Bain Stewart, Australian film producer, husband of Leah Purcell#Personal life, Leah Purcell * Saint Bain (died c. 711 AD), Bishop of Thérouanne, Abbot of Saint Wandrille Fictional characters * Bain (The Wheel of Time), Bain (''The Wheel of Time''), character from the novels by Robert Jordan * Sunset Bain, a Marvel Comics character * Sheriff Joe Bain, a character in the work of Jack Vance * Miguel Bain, a character in the film ''Assassins (1995 film), Assassins'' * Noah Bain, a character in the TV Series It Takes a Thief (1968 TV series), It Takes a Thief * Bain, a character from the video game Payday 2 * Campbell Bain, a character in the TV drama Takin' Over the Asylum Companies * Bain & Company, a global management consulting firm * Bain Capital, a private equity group co-founded by Mitt Romney Places * Bain, Alberta, Canada * Bain, Iran * River Bain, L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Kenrick (theatre Writer)
John Kenrick (born October 3, 1959) is an American author, teacher and theatre and film historian. Kenrick is an adjunct teacher of musical theatre history at New York University, Brind School – University of the Arts (Philadelphia) and The New School, and lectures frequently on the subject elsewhere. His 2008 book ''Musical Theatre: A History'' is a comprehensive history of musical theatre from ancient times to the present. Kenrick is the curator of the extensive musical theatre and film website ''Musicals101.com: The Cyber Encyclopedia of Musical Theatre, TV and Film'' Life and career Kenrick was born and raised in Astoria, New York. He attended Monsignor McClancy Memorial High School and then Cathedral College of the Immaculate Conception in Douglaston, New York, studying English and theology.Crimmins, Cathy E. ''How the Homosexuals Saved Civilization'' (2004) Penguin Group (US) In the 1980s and 1990s, Kenrick worked first as a teacher and then in theatrical production ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diplomatic Rank
Diplomatic rank is a system of professional and social rank used in the world of diplomacy and international relations. A diplomat's rank determines many ceremonial details, such as the order of precedence at official processions, Seating plan, table seatings at state dinners, the person to whom letter of credence, diplomatic credentials should be presented, and the title by which the diplomat should be addressed. International diplomacy Ranks The current system of diplomatic ranks was established by the Vienna Convention on Diplomatic Relations (1961). There are three top ranks, two of which remain in use: * ''Ambassador''. An ambassador is a head of mission who is accredited to the receiving country's head of state. They head a diplomatic mission known as an embassy, headquartered in a Chancery (diplomacy), chancery usually in the receiving state's Capital city, capital. ** A apostolic nuncio, papal nuncio is considered to have ambassadorial rank, and presides over a nunci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Duke
Grand duke (feminine: grand duchess) is a European hereditary title, used either by certain monarchs or by members of certain monarchs' families. The title is used in some current and former independent monarchies in Europe, particularly: * in present-day Luxembourg, the last surviving Grand Duchy * historically by the sovereigns of former independent countries, such as Grand Duchy of Tuscany, Tuscany (from 1569 to 1860, now part of Italy) * in Grand Duchy of Baden, Baden, Grand Duchy of Hesse, Hesse, Grand Duchy of Oldenburg, Oldenburg, Grand Duchy of Mecklenburg-Schwerin, Mecklenburg-Schwerin, Grand Duchy of Mecklenburg-Strelitz, Mecklenburg-Strelitz and Saxe-Weimar-Eisenach (officially simply the Grand Duchy of Saxony) – grand duchies from 1815 to 1918, and all now part of Germany * formerly also in some countries in Northern Europe, such as the Grand Duchy of Finland or the Grand Duchy of Lithuania * currently by claimants to the Russian Imperial Throne (eg. Grand Duke Geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano (, ), or mezzo ( ), is a type of classical music, classical female singing human voice, voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Georges Bizet, Bizet's ''Carmen'', Angelina (Cinderella) in Gioachino Rossini, Rossini's ''La Cenerentola'', and Rosina in Rossini's ''The Barber of Seville, Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano" ''Encyclopædia Britannica'' as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a classification of the human singing voice into perceivable categories or groups. Particular human singing human voice, voices are identified as having certain qualities or characteristics of vocal range, vocal weight, tessitura, vocal timbre, and vocal transition points (''passaggio''), such as breaks and lifts within the voice. Other considerations are physical characteristics, speech level, scientific testing, and vocal register. A singer's voice type is identified by a process known as voice classification, by which the human voice is evaluated and thereby designated into a particular voice type. The discipline of voice classification developed within European classical music and is not generally applicable to other forms of singing. Voice classification is often used within opera to associate possible roles with potential voices. Several different voice classification systems are available to identify voice types, including the German ''Fach'' system and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna Philharmonic
Vienna Philharmonic (VPO; ) is an orchestra that was founded in 1842 and is considered to be one of the finest in the world. The Vienna Philharmonic is based at the Musikverein in Vienna, Austria. Its members are selected from the orchestra of the Vienna State Opera. Selection involves a lengthy process, with each musician demonstrating their capability for a minimum of three years' performance for the opera and ballet. After this probationary period, the musician may request an application for a position in the orchestra from the Vienna Philharmonic's board. The Vienna Philharmonic hires no musician over 35 years of age, and has a mandatory retirement age of 65; 30 years of service are required for full pension. History Precursors and formation Until the 1830s, orchestral performance in Vienna was done by ''ad hoc'' orchestras, consisting of professional and (often) amateur musicians brought together for specific performances. In 1833, Franz Lachner formed the forerunner of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Treumann
Louis Treumann (born Alois Pollitzer, 3 March 1872 – 5 March 1943) was an Austrian actor and operetta tenor. Treumann and his wife spent their last few months in a German concentration camp, dying a few months apart. Born in Vienna, Treumann was the son of Jewish merchants. He spent his twenties working backstage and in smaller roles, before achieving his breakthrough in 1902 in Franz Lehár's ' opposite Mizzi Günther. In 1905 he created the role of Count Danilo Danilovitsch in Lehár's ''The Merry Widow, Die lustige Witwe'' (''The Merry Widow''). During the second half of the 1920s he appeared in several silent films, such as ''Der Rastelbinder'' (1927), ''Flucht in die Fremdenlegion'' (1929), ''Play Around a Man, Spiel um den Mann'' (1929), ''Trust of Thieves, Trust der Diebe'' (1929), ''Katharina Knie (film), Katharina Knie'' (1929) and ''Die Warschauer Zitadelle'' (1930). During the 1930s, as a Jew, his opportunities to perform suffered, and his final appearance w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
