The Lord Of Lorn
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The Lord Of Lorn
The Lord of Lorn and the False Steward or The Lord of Lorn and the Flas Steward or The Lord of Lorn is Child ballad number 271 (Roud 113). A ballad, ''Lord of Lorn and the False Steward'', was entered in the Stationers' Register in 1580, with a note that it is to the tune of ''Greensleeves''. Synopsis The son of the Lord of Lorn mastered his schoolwork quickly, and his father sent him to France, with a steward, to learn foreign languages. The steward starved him and, when he went to drink from a river, followed to drown him. The son pleaded for mercy. The steward stripped him naked, gave him rags, and sent him out to beg service. He went to work for a shepherd. The steward sold the clothing and set himself up as the lord of Lorn on the money, persuading the Duke of France's daughter to marry him. The son was in the duke's lands, and the lady noticed him, summoned him to find out why he was so mournful. He did not tell her the story, but she took him into her service. The ...
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Child Ballad
The Child Ballads are 305 traditional ballads from England and Scotland, and their American variants, anthologized by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as ''The English and Scottish Popular Ballads''. The tunes of most of the ballads were collected and published by Bertrand Harris Bronson in and around the 1960s. History Age and source of the ballads The ballads vary in age; for instance, the manuscript of "Judas" dates to the thirteenth century and a version of " A Gest of Robyn Hode" was printed in the late fifteenth or early sixteenth century. The majority of the ballads, however, date to the seventeenth and eighteenth centuries. Although some are claimed to have very ancient influences, only a handful can be definitively traced to before 1600. Moreover, few of the tunes collected are as old as the words. Nevertheless, Child's collection was far more comprehensive than any previous col ...
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Roud Folk Song Index
The Roud Folk Song Index is a database of around 250,000 references to nearly 25,000 songs collected from oral tradition in the English language from all over the world. It is compiled by Steve Roud (born 1949), a former librarian in the London Borough of Croydon. Roud's Index is a combination of the Broadside Index (printed sources before 1900) and a "field-recording index" compiled by Roud. It subsumes all the previous printed sources known to Francis James Child (the Child Ballads) and includes recordings from 1900 to 1975. Until early 2006, the index was available by a CD subscription; now it can be found online on the Vaughan Williams Memorial Library website, maintained by the English Folk Dance and Song Society (EFDSS). A partial list is also available at List of folk songs by Roud number. Purpose of index The primary function of the Roud Folk Song Index is as a research aid correlating versions of traditional English-language folk song lyrics independently documented ove ...
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Francis James Child
Francis James Child (February 1, 1825 – September 11, 1896) was an American scholar, educator, and folklorist, best known today for his collection of English and Scottish ballads now known as the Child Ballads. Child was Boylston professor of rhetoric and oratory at Harvard University, where he produced influential editions of English poetry. In 1876 he was named Harvard's first Professor of English, a position which allowed him to focus on academic research. It was during this time that he began work on the Child Ballads. The Child Ballads were published in five volumes between 1882 and 1898. While Child was primarily a literary scholar with little interest in the music of the ballads, his work became a major contribution to the study of English-language folk music. Biography Francis James Child was born in Boston, Massachusetts. His lifelong friend, scholar and social reformer Charles Eliot Norton, described Child's father, a sailmaker, as "one of that class of intelligent a ...
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Greensleeves
"Greensleeves" is a traditional English folk song. A broadside ballad by the name "A Newe Northen Dittye of ye Ladye Greene Sleves" was registered by Richard Jones at the London Stationer's Company in September 1580,Frank Kidson, ''English Folk-Song and Dance''. READ BOOKS, 2008, p.26. John M. Ward, "'And Who But Ladie Greensleeues?'", in ''The Well Enchanting Skill: Music, Poetry, and Drama in the Culture of the Renaissance: Essays in Honour of F. W. Sternfeld'', edited by John Caldwell, Edward Olleson, and Susan Wollenberg, 181–211 (Oxford:Clarendon Press; New York: Oxford University Press, 1990): 181. . and the tune is found in several late-16th-century and early-17th-century sources, such as ''Ballet's MS Lute Book'' and ''Het Luitboek van Thysius'', as well as various manuscripts preserved in the Seeley Historical Library in the University of Cambridge. Form "Greensleeves" can have a ground either of the form called a ''romanesca''; or its slight variant, the ''passame ...
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Lord Of Lorne
''For the Child ballad, see The Lord of Lorn and the False Steward.'' Lord of Lorne is a title in the Peerage of Scotland that has been created twice. ;First Creation The title was first created for Robert Stewart of Durisdeer (died 1403), son of John Stewart of Innermeath (died 1421). Robert's mother was Isabel MacDougall, daughter of John Gallda MacDougall, Lord of Lorne (died 1371×1377). The MacDougalls, formerly exiled from their Argyll lands in the reign of Robert I, King of Scotland (died 1329), had been restored to their Lorne lands in the reign of David II, King of Scotland. The close association between John Gallda and David meant that the former was out of favour in the succeeding Stewart regime under Robert II, King of Scotland (died 1390). When John Gallda died without a male heir his two legitimate daughters, including Isabel, were subsequently married off to the sons of John Stewart of Innermeath. Robert Stewart, 1st Lord of Lorne was succeeded by his oldest so ...
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False Hero
The false hero is a stock character in fairy tales, and sometimes also in ballads. The character appears near the end of a story in order to claim to be the hero or heroine and is usually of the same sex as the hero or heroine. The false hero presents some claim to the position. By testing, it is revealed that the claims are false, and the hero's true. The false hero is usually punished, and the true hero put in his place. Vladimir Propp identified it as one of the seven roles he found in an analysis of Russian folktales, but the figure is widely found in many nations' tales. Traits In some tales, the false hero appears early, and constitutes the main obstacle to the hero. These include ''The Goose Girl'' where a serving maid takes the princess's place, and makes her a goose girl, ''The White and the Black Bride'' where the stepmother pushes the bride into the river and puts her own daughter in her place, and ''The Lord of Lorn and the False Steward'', where the steward robs the you ...
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Quibble (plot Device)
In terms of fiction, a quibble is a plot device, used to fulfill the exact verbal conditions of an agreement in order to avoid the intended meaning. Typically quibbles are used in legal bargains and, in fantasy, magically enforced ones.John Grant and John Clute, ''The Encyclopedia of Fantasy'',Quibbles p 796 Examples William Shakespeare used a quibble in ''The Merchant of Venice''. Portia saves Antonio in a court of law by pointing out that the agreement called for a pound of flesh, but no blood, and therefore Shylock can collect only if he sheds no blood, which is not physically possible. He also uses one in ''Macbeth'' where Macbeth is killed by Macduff, despite it being prophesied by the Three Witches that "none of woman born" shall vanquish him, as the latter character was born by Caesarean section. In a second prophecy, Macbeth is told that he has nothing to fear until Great Birnam Wood comes to Dunsinane Hill. He feels safe since he knows that forests cannot move, but ...
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Romance (heroic Literature)
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the ''chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel ''Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ''medieva ...
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Roswall And Lillian
''Roswall and Lillian'' is a medieval Scottish chivalric romance.Laura A. Hibbard, ''Medieval Romance in England'' p290 New York Burt Franklin,1963 A late appearing tale, it nevertheless draws heavily on folkloric motifs for its account of an exiled prince, reduced to poverty, who rises from it to win a princess. Synopsis Roswall frees some of his father's prisoners whom he feels have been imprisoned unjustly. For his crime, he is exiled, albeit with a small fortune and a royal steward to accompany him. However, after leaving the kingdom, the treacherous steward threatens to murder Roswall if he does not hand over all his possessions and swear to become his servant. The steward, taking the Roswall's identity and possessions, abandons the prince to find a finer servant. After wandering alone and penniless, Roswall finds a city in another kingdom. A woman takes Roswall in and sends him to school with her son. The prince does so well he impresses the school master, who brings him t ...
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The Goose Girl
"The Goose Girl" (german: Die Gänsemagd) is a German fairy tale collected by the Brothers Grimm and first published in ''Grimm's Fairy Tales'' in 1815 (KHM 89). It is of Aarne-Thompson type 533. The story was first translated into English by Edgar Taylor in 1826, then by many others, e.g. by an anonymous community of translators in 1865, by Lucy Crane in 1881, by LucMargaret Hunt in 1884, etc. Andrew Lang included it in ''The Blue Fairy Book'' in 1889. Origin The tale was first published by the Brothers Grimm in the first edition of ''Kinder- und Hausmärchen'', vol. 2, in 1815, as number 3. It appears as no. 89 since the second edition (1819). Grimm's source for the story is the German storyteller Dorothea Viehmann (1755–1815). Summary A widowed queen sends her daughter to a faraway land to marry. Accompanying the princess are her magical horse Falada, who can speak, and a waiting maid. The queen gives the princess a special charm that will protect her as long as she ...
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The Sleeping Prince (fairy Tale)
''The Sleeping Prince'' is a Greek fairy tale collected by in ''Folktales of Greece''. It is Aarne-Thompson 425G: False Bride takes the heroine's place as she tries to stay awake; recognition when heroine tells her story. This is also found as part of ''Nourie Hadig'', and a literary variant forms part of the frame story of the ''Pentamerone''. The tale type was also closely related to AaTh 437, "The Supplanted Bride (The Needle Prince)". However, the last major revision of the International Folktale Classification Index, written in 2004 by German folklorist Hans-Jörg Uther, reclassified the tale type as ATU 894, "". Synopsis A king had only his daughter, his wife having died, and had to go to war. The princess promised to stay with her nurse while he was gone. One day, an eagle came by and said she would have a dead man for a husband; it came again the next day. She told her nurse, and her nurse told her to tell the eagle to take her to him. The third day, it came, and ...
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