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Roswall And Lillian
''Roswall and Lillian'' is a medieval Scottish chivalric romance.Laura A. Hibbard, ''Medieval Romance in England'' p290 New York Burt Franklin,1963 A late appearing tale, it nevertheless draws heavily on folkloric motifs for its account of an exiled prince, reduced to poverty, who rises from it to win a princess. Synopsis Roswall frees some of his father's prisoners whom he feels have been imprisoned unjustly. For his crime, he is exiled, albeit with a small fortune and a royal steward to accompany him. However, after leaving the kingdom, the treacherous steward threatens to murder Roswall if he does not hand over all his possessions and swear to become his servant. The steward, taking the Roswall's identity and possessions, abandons the prince to find a finer servant. After wandering alone and penniless, Roswall finds a city in another kingdom. A woman takes Roswall in and sends him to school with her son. The prince does so well he impresses the school master, who brings him t ...
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Chivalric Romance
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the ''chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel ''Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ''medieva ...
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The Lord Of Lorn And The False Steward
The Lord of Lorn and the False Steward or The Lord of Lorn and the Flas Steward or The Lord of Lorn is Child ballad number 271 (Roud 113). A ballad, ''Lord of Lorn and the False Steward'', was entered in the Stationers' Register in 1580, with a note that it is to the tune of ''Greensleeves''. Synopsis The son of the Lord of Lorn mastered his schoolwork quickly, and his father sent him to France, with a steward, to learn foreign languages. The steward starved him and, when he went to drink from a river, followed to drown him. The son pleaded for mercy. The steward stripped him naked, gave him rags, and sent him out to beg service. He went to work for a shepherd. The steward sold the clothing and set himself up as the lord of Lorn on the money, persuading the Duke of France's daughter to marry him. The son was in the duke's lands, and the lady noticed him, summoned him to find out why he was so mournful. He did not tell her the story, but she took him into her service. The ...
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Walter Scott
Sir Walter Scott, 1st Baronet (15 August 1771 – 21 September 1832), was a Scottish novelist, poet, playwright and historian. Many of his works remain classics of European and Scottish literature, notably the novels ''Ivanhoe'', ''Rob Roy (novel), Rob Roy'', ''Waverley (novel), Waverley'', ''Old Mortality'', ''The Heart of Mid-Lothian'' and ''The Bride of Lammermoor'', and the narrative poems ''The Lady of the Lake (poem), The Lady of the Lake'' and ''Marmion (poem), Marmion''. He had a major impact on European and American literature. As an advocate, judge and legal administrator by profession, he combined writing and editing with daily work as Clerk of Session and Sheriff court, Sheriff-Depute of Selkirkshire. He was prominent in Edinburgh's Tory (political faction), Tory establishment, active in the Royal Highland and Agricultural Society of Scotland, Highland Society, long a president of the Royal Society of Edinburgh (1820–1832), and a vice president of the Society o ...
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Fairy Tale
A fairy tale (alternative names include fairytale, fairy story, magic tale, or wonder tale) is a short story that belongs to the folklore genre. Such stories typically feature magic (paranormal), magic, incantation, enchantments, and mythical or fanciful beings. In most cultures, there is no clear line separating myth from folk or fairy tale; all these together form the literature of preliterate societies. Fairy tales may be distinguished from other folk narratives such as legends (which generally involve belief in the veracity of the events described) and explicit moral tales, including beast fables. In less technical contexts, the term is also used to describe something blessed with unusual happiness, as in "fairy-tale ending" (a happy ending) or "fairy-tale romance (love), romance". Colloquially, the term "fairy tale" or "fairy story" can also mean any far-fetched story or tall tale; it is used especially of any story that not only is not true, but could not possibly be true ...
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Iron Hans
"Iron John" (AKA "Iron Hans" or "Der Eisenhans") is a German fairy tale found in the collections of the Brothers Grimm, tale number 136, about a wild iron-skinned man and a prince. The original German title is ''Eisenhans'', a compound of ''Eisen'' "iron" and ''Hans'' (like English ''John'', a common short form of the personal name Johannes). It represents Aarne–Thompson type 502, "The wild man as a helper".D.L. Ashliman,The Grimm Brothers' Children's and Household Tales (Grimms' Fairy Tales)"/ref> Most people see the story as a parable about a boy maturing into adulthood. The story also became the basis for the book '' Iron John: A Book About Men'' by Robert Bly which spawned the mythopoetic men's movement in the early 1990s after spending 62 weeks on ''The New York Times'' Best Seller list. Origin According to the Brothers Grimm, the source of ''Eisern Hans'', in their compilation, was tale nr. 17 from Friedmund von Arnim's book. Synopsis A King sends a huntsman into a ...
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The Gold-bearded Man
The Gold-bearded Man ( Hungarian: ''Az aranszakállú embör'') is a Hungarian fairy tale collected by Laszlo Arany. It was translated and published as ''Der goldbärtige Mann'' by Elisabeth Rona-Sklárek in ''Ungarische Volksmährchen''. Andrew Lang included it in ''The Crimson Fairy Book''. Origin The tale was collected in dialectal form in the region of Nagykőrös.Sklarek, Elisabet. ''Ungarische Volksmärchen''. Einl. A. Schullerus. Leipzig: Dieterich 1901. p. 291. Synopsis A dying king asked of his queen that she would never remarry, but rather devote the rest of her life to caring for their only son. She promised to do as he requested, but no sooner was her husband dead than she remarried and had her new husband made king instead of her son. The stepfather was a wicked man and treated his stepson very cruelly. By the castle, there was a brook that was of milk rather than water, which had plenty for everyone, but the new king forbade anyone to take the milk. The guards ...
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The Hairy Man
The Hairy Man is a Russian fairy tale. Andrew Lang included it in ''The Crimson Fairy Book''. Synopsis Two ricks of a king's rapeseed fields are burned every night. Finally, a shepherd with dogs keeps watch, and catches the "Hairy Man" who is responsible. The King puts him in a cage. The Hairy Man pleads with the King's son so earnestly that the young prince frees him. For this, the King orders that his son be taken to the forest and killed, and that his lungs and liver be brought back as proof. The man who takes him can not do it and kills an old sick dog instead. The boy wanders the forest. Years later, he comes upon a cottage, where the Hairy Man lives. There he stays for seven years, working hard like a peasant, but never complaining until he is old enough to travel on. Before he leaves, the Hairy Man gives the boy a golden apple (which magically contains a golden staff and a golden-maned horse), a silver apple (which contains a silver staff and an army of hussars), and a coppe ...
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The Goose Girl
"The Goose Girl" (german: Die Gänsemagd) is a German fairy tale collected by the Brothers Grimm and first published in ''Grimm's Fairy Tales'' in 1815 (KHM 89). It is of Aarne-Thompson type 533. The story was first translated into English by Edgar Taylor in 1826, then by many others, e.g. by an anonymous community of translators in 1865, by Lucy Crane in 1881, by LucMargaret Hunt in 1884, etc. Andrew Lang included it in ''The Blue Fairy Book'' in 1889. Origin The tale was first published by the Brothers Grimm in the first edition of ''Kinder- und Hausmärchen'', vol. 2, in 1815, as number 3. It appears as no. 89 since the second edition (1819). Grimm's source for the story is the German storyteller Dorothea Viehmann (1755–1815). Summary A widowed queen sends her daughter to a faraway land to marry. Accompanying the princess are her magical horse Falada, who can speak, and a waiting maid. The queen gives the princess a special charm that will protect her as long as she ...
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Ipomedon
''Ipomedon'' is a romance composed in Anglo-Norman verse by Hue de Rotelande in the late 12th century at Credenhill near Hereford. In the sequel '' Protheselaus'', which must have been composed slightly later, Hue acknowledges as his patron Gilbert fitzBaderon, lord of Monmouth. Gilbert's death in or just before 1191 gives an approximate terminus ante quem to both romances. ''Ipomedon'' is comparatively rich in references to the real world in which the poet lived. He names himself in full ''Hue de Rotelande'' (line 33 and two other places) and confirms that his house was at Credenhill: ''A Credehulle a ma meisun'' (line 10571). He mentions the siege of Rouen by King Louis VII of France in 1174 (lines 5351-5352), and also names a Welsh king called "''Ris''", almost certainly Rhys ap Gruffydd (line 8942). He has a backhanded compliment for the well-known writer Walter Map, evidently a friend or rival: ''Sul ne sai pas de mentir l'art: Walter Map reset ben sa part'' ("I am not the onl ...
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Sir Gowther
''Sir Gowther'' is a relatively short Middle English tail-rhyme romance in twelve-line stanzas, found in two manuscripts, each dating to the mid- or late-fifteenth century. The poem tells a story that has been variously defined as a secular hagiography, a Breton lai and a romance, and perhaps "complies to a variety of possibilities." An adaptation of the story of Robert the Devil, the story follows the fortunes of Sir Gowther from birth to death, from his childhood as the son of a fiend, his wicked early life, through contrition and a penance imposed by the Pope involving him in a lowly and humiliating position in society, and to his eventual rise, via divine miracles, as a martial hero and ultimately to virtual canonization. But despite this saintly end, "like many other lays and romances, ''Sir Gowther'' derives much of its inspiration from a rich and vastly underappreciated folk tradition." Manuscripts The story of Sir Gowther is found in two manuscripts: British Library Royal ...
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