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The Last Film
"The Last Film" is a song by the English band Kissing the Pink, released as both a 7" and 12" single from their debut studio album, ''Naked'' (1983). Their only Top 20 hit, it peaked at No. 19 on the UK Singles Chart. The single features the non-album track, "Shine" as its B-side. Sylvia Griffin sang the middle 8 The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century. A ... but left the band whilst they were still recording the rest of the album. When lead vocalist Nick Whitecross was asked about the lyrics to the song he said that they were “just about a soldier who sat in a tent watching one of those 40s or 50s Hollywood war films just before he’s about to go out and fight for real. It’s not controversial, war is horrible and unglamorous.” Track listing 7" single # "The Last Film" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kissing The Pink
Kissing the Pink are an English new wave and synth-pop band that formed in London in 1980. The current members are lead singer and guitarist Nick Whitecross, keyboardist Jon Kingsley Hall, second keyboardist George Stewart, and guitarist Simon Aldridge. Former members include saxophonist Josephine Wells, violinist Peter Barnett, drummer Stevie Cusack, and vocalist Sylvia Griffin. Career The band formed in 1980 at the Royal College of Music, located in South Kensington, London. Their debut single was "Don't Hide in the Shadows", recorded with producer Martin Hannett at Strawberry Studios in Stockport. Hannett had previously worked with Joy Division, the Durutti Column, and John Cooper Clarke, but it was not until they dropped their first manager (celebrated in their song "Michael"), and signed a recording contract with Magnet Records that they began to get any airplay. They recorded their debut studio album, ''Naked'', at AIR Studios with Colin Thurston as the main producer. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naked (Kissing The Pink Album)
''Naked'' is the debut studio album by English new wave and synth-pop band Kissing the Pink, released on 27 May 1983 by Magnet Records. The album peaked at No. 54 on the UK Albums Chart in June 1983, and produced their Top 20 hit "The Last Film". The song was their best performing single in the UK, and the only one to break the top 75. It is their only album to feature singer Sylvia Griffin who left the band before the album was completed. 32 years after its original release, ''Naked'' was reissued in 2015 as a remastered special edition CD by Cherry Red, which includes the 12 original album tracks plus seven related bonus tracks all sourced from the original master tapes. Track listing Personnel Credits are adapted from the ''Naked'' liner notes. Kissing the Pink * Nicholas Whitecross – guitar; vocals * Jon Kingsley Hall – keyboards; synthesizer; vocals * George Stewart – keyboards; vocals * Josephine Wells – saxophone; vocals * Stevie Cusack&nb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Associated Independent Recording
Associated Independent Recording (AIR) is an independent recording company founded in London in 1965 by record producer Sir George Martin and his business partner John Burgess, after their departure from Parlophone. The studio complex was founded in 1969. Since then AIR has operated its own professional audio recording facilities, AIR Studios. Oxford Street, London (1970–1991) AIR's first facility opened on 6 October 1970. It was located on the fourth floor of 214 Oxford Street, at Oxford Circus, containing four studios and (later) a MIDI programming room. The facility included two large studios (one 58×32 feet, the other 30×28 feet) and two small ones. The studios contained two Bösendorfer pianos, many soundproof booths, and a 56-channel mixing console, custom-designed by Neve Electronics to AIR's specification. AIR London became popular in the 1970s for spoken word recordings. It also became one of the most in-demand music studios in London by 1973. AIR Montserrat (19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synth-pop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnet Records
Magnet Records was a British record label, started in 1973 by Michael Levy and Peter Shelley. It was acquired by Warner Bros. Records in 1988 for an estimated £10m. Artists on the label included Alvin Stardust, Stevenson's Rocket, Matchbox, Adrian Baker, Silver Convention, Guys 'n' Dolls, Darts, Kissing the Pink, Bad Manners, David D'Or, Blue Zoo and Chris Rea, who all achieved success during the 1970s and 1980s. Successful 1990s band D:Ream were signed to a later incarnation of the label. Music management expert Kim Glover began her music career working for Michael Levy in the radio promotions department, and eventually ended up as Head of TV and Radio for Magnet, creating campaigns for all the artists signed to the label. Pete Waterman also worked for the label during the mid-1970s, as his first break in the recording business. The unrelated British reggae label Magnet Records was started in 1971Discogs.com by R. A. Coke, and was based in Stoke Newington, North London ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colin Thurston
Colin Thurston (13 July 1947 – 15 January 2007) was an English recording engineer and record producer. Born in Brentford, Middlesex, Thurston played in bands in London before he "bluffed his way" into audio engineering.Pierre Perrone (24 January 2007)Colin Thurston obituary, ''The Independent'' Online After meeting Tony Visconti, he co-engineered David Bowie's '' "Heroes"'' and Iggy Pop's '' Lust for Life'' (both 1977); he is also credited with co-producing the latter album with Bowie and Pop, under the collective pseudonym "Bewlay Bros". Thurston's debut as a solo producer was Magazine's second album ''Secondhand Daylight'' (1979). He later recalled, "I think they were a bit nervous and so I didn't tell them it was my first production". The same year, he produced the Human League's first album, ''Reproduction'' and their single "I Don't Depend on You" released under the name of The Men. His lesser-known productions around this time included the single "Move in Rhythm" by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love Lasts Forever (Kissing The Pink Song)
"Love Lasts Forever" is a song by the English new wave and synth-pop band Kissing the Pink, released as both a 7" and 12" single from their debut studio album, ''Naked'' (1983). Produced by Peter Walsh, "Love Lasts Forever" was the follow-up single to their Top 20 hit "The Last Film", but it only peaked at No. 85 on the UK Singles Chart. The single features an instrumental version of the non-album track, "Underage" as its B-side The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record compan .... Track listing 7" single # "Love Lasts Forever" # "Underage (Instrumental Version)" 12" single # "Love Lasts Forever" # "Underage (Extended Instrumental Version)" Chart performance References External links * {{DEFAULTSORT:Love Lasts Forever (Kissing The Pink Song) Kissing the Pink songs 1983 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle 8
The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century. As its alternative name ''AABA'' implies, this song form consists of four sections: an eight-bar A section; a second eight-bar A section (which may have slight changes from the first A section); an eight-bar B section, often with contrasting harmony or "feel"; and a final eight-bar A section. The core melody line is generally retained in each A section, although variations may be added, particularly for the last A section. Examples of 32-bar AABA form songs include " Over the Rainbow", "I Got Rhythm", "What'll I Do", "Make You Feel My Love", " The Man I Love", and " Blue Skies". Many show tunes that have become jazz standards are 32-bar song forms. Basic song form At its core, the basic AABA 32-bar song form consists of four sections, ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
