Synth-pop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic music, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the New wave music, new wave movement of the late 1970s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the band ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempos being in the range from 120 to 150 beats per minute (bpm). The central rhythm is typically in common time ( ) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's Roland TR-808 and Roland TR-909 are highly prized, and software emulations of such retro instruments are popular in this style. Much of the instrumentation in techno is used to emphasize the role of rhythm over other musical aspects. Vocals and melodies are uncommon. The use of sound synthesis in developing distinctive timbres tends to feature more prominently. Typical harmonic practices found in other forms of music are often ignored in favor of repetitive sequences of notes. More generally the creatio ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
New Wave Music
New wave is a music genre that encompasses pop music, pop-oriented styles from the 1970s through the 1980s. It is considered a lighter and more melodic "broadening of Punk subculture, punk culture". It was originally used as a catch-all for the various styles of music that emerged after punk rock. Later, critical consensus favored "new wave" as an umbrella term involving many contemporary popular music styles, including synth-pop, alternative dance and post-punk. The main new wave movement coincided with late 1970s punk and continued into the early 1980s. The common characteristics of new wave music include a humorous or quirky pop approach, angular guitar riffs, jerky rhythms, the use of electronics, and a distinctive visual style in fashion. In the early 1980s, virtually every new pop and rock act – and particularly those that employed synthesizers – were tagged as "new wave" in the United States. Although new wave shares punk's do-it-yourself philosophy, the musician ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Electronic Music
Electronic music broadly is a group of music genres that employ electronic musical instruments, circuitry-based music technology and software, or general-purpose electronics (such as personal computers) in its creation. It includes both music made using electronic and electromechanical means (electroacoustic music). Pure electronic instruments depend entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer: no acoustic waves need to be previously generated by mechanical means and then converted into electrical signals. On the other hand, electromechanical instruments have mechanical parts such as strings or hammers that generate the sound waves, together with electric elements including pickup (music technology), magnetic pickups, power amplifiers and loudspeakers that convert the acoustic waves into electrical signals, process them and convert them back into sound waves. Such electromechanical devices in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Electronic Rock
Electronic rock (also known as electro rock and synth rock) is a music genre that involves a combination of rock music and electronic music, featuring instruments typically found within both genres. It originates from the late 1960s when rock bands began incorporating electronic instrumentation into their music. Electronic rock acts usually fuse elements from other music styles, including punk rock, industrial rock, hip hop, techno and synth-pop, which has helped spur subgenres such as indietronica, dance-punk and electroclash. Overview Being a fusion of rock and electronic, electronic rock features instruments found in both genres, such as synthesizers, mellotrons, tape music techniques, electric guitars and drums. Some electronic rock artists, however, often eschew guitar in favor of using technology to emulate a rock sound. Vocals are typically mellow or upbeat, but instrumentals are also common in the genre. A trend of rock bands that incorporated electronic sounds bega ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Dance-pop
Dance-pop is a Music genre, genre of electronic dance music that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of Dance music, dance and Pop music, pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be Record prod ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Disco
Disco is a music genre, genre of dance music and a subculture that emerged in the late 1960s from the United States' urban nightclub, nightlife, particularly in African Americans, African-American, Italian-Americans, Italian-American, LGBTQ community, Gay and Hispanic and Latino Americans, Latino communities. Its sound features four-on-the-floor (music), four-on-the-floor beats, syncopation, syncopated basslines, string sections, brass instrument, brass and horn (musical instrument), horns, electric pianos, synthesizers, and electric rhythm guitars. Discothèques, mostly a French invention, were imported to the United States with the opening of Le Club, a members-only restaurant and nightclub at 416 East 55th Street in Manhattan, by French expatriate Olivier Coquelin, on New Year's Eve 1960. Disco music originated from music popular with African-American culture, African Americans, Hispanic and Latino Americans#Cultural matters, Latino Americans, and Italian Americans#Influe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Hypnagogic Pop
Hypnagogic pop (abbreviated as h-pop) is pop music, pop or psychedelic music that evokes cultural memory and 1980s nostalgia, nostalgia for the popular entertainment of the past (principally the 1980s). It emerged in the mid to late 2000s as American lo-fi music, lo-fi and noise music, noise musicians began adopting retro aesthetics remembered from their childhood, such as mainstream rock, radio rock, new wave music, new wave pop, synth-pop, video game music, soft rock, light rock, and contemporary R&B, R&B. Recordings circulated on audio cassette, cassette or Internet blogs and were typically marked by the use of outmoded analog recording, analog equipment and do it yourself, DIY experimentation. The genre's name was coined by journalist David Keenan in an August 2009 issue of ''The Wire (magazine), The Wire'' to label the developing trend, which he characterized as "pop music refracted through the memory of a memory." It was used interchangeably with "chillwave" or "glo-fi" a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Electropop
Electropop is a popular music fusion genre combining elements of the electronic and pop styles. It has been described as a variant of synth-pop with emphasis on a hard electronic sound. The genre was developed in the 1980s and saw a revival of popularity and influence in the late 2000s. The genre is often confused with electro, which is sometimes called electro-pop but is a separate genre which incorporates funk and early hip hop. History Early 1980s Depeche Mode's composer Martin Gore said: "For anyone of our generation involved in electronic music, Kraftwerk were the godfathers". During the early 1980s, Japanese artists such as Yellow Magic Orchestra and Ryuichi Sakamoto and British artists such as Gary Numan, Depeche Mode, Orchestral Manoeuvres in the Dark, the Human League, Soft Cell, John Foxx and Visage helped pioneer a new synth-pop style that drew more heavily from electronic music and emphasized primary usage of synthesizers. 21st century ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Progressive Rock
Progressive rock (shortened as prog rock or simply prog) is a broad genre of rock music that primarily developed in the United Kingdom through the mid- to late 1960s, peaking in the early-to-mid-1970s. Initially termed " progressive pop", the style emerged from psychedelic bands who abandoned standard pop or rock traditions in favour of instrumental and compositional techniques more commonly associated with jazz, folk, or classical music, while retaining the instrumentation typical of rock music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of " art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock includes a fusion of styles, approaches and genres, and tends to be diverse and eclectic. Progressive rock is often associated with long solos, exte ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Italo Disco
Italo disco (variously capitalized, and sometimes hyphenated as Italo-disco) is a music genre which originated in Italy in the late 1970s and was mainly produced in the 1980s. Italo disco evolved from the then-current underground dance, pop, and electronic music, both domestic and foreign (hi-NRG, Euro disco) and developed into a diverse genre. The genre employs electronic drums, drum machines, synthesizers, and occasionally vocoders. It is usually sung in English, and to a lesser extent in Italian and Spanish. The origin of the genre's name is strongly tied to marketing efforts of the ZYX record label, which began licensing and marketing the music outside Italy in 1982.Folklore that ZYX boss Bernhard Mikulski coined the term ''Italo-disco'' in 1983 was long published on Wikipedia, but is unsubstantiated; to date, reliable third-party documentation has not been found to support whether ZYX label boss Mikulski himself named it, or whether ZYX was even the first to publish t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Detroit Techno
Detroit techno is a type of techno music that generally includes the first techno productions by Detroit-based artists during the 1980s and early 1990s. Prominent Detroit techno artists include Juan Atkins, Eddie Fowlkes, Derrick May, Jeff Mills, Kevin Saunderson, Blake Baxter, Drexciya, Mike Banks, James Pennington and Robert Hood. Artists like Terrence Parker and his lead vocalist, Nicole Gregory, set the tone for Detroit's piano techno house sound. The Belleville Three The three individuals most closely associated with the birth of Detroit techno as a genre are Juan Atkins, Kevin Saunderson and Derrick May, also known as the " Belleville Three".Hanf, Mathias Kilian. ''Detroit Techno: Transfer of the Soul through the Machine'' VDM Verlag Dr. Müller, 2010. The three, who were high school friends from Belleville, Michigan, created electronic music tracks in their basement(s). Derrick May once described Detroit techno music as being a "complete mistake ... like Geo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Electroclash
Electroclash (also known as synthcore, retro-electro, tech-pop, nouveau disco, and the new new wave) is a Music genre, genre of popular music that fuses 1980s Electro (music), electro, New wave music, new wave and synth-pop with 1990s techno, retro-style electropop and electronic dance music. It emerged in the late 1990s and was pioneered by and associated with acts such as I-F, DJ Hell, Miss Kittin and The Hacker, and Fischerspooner. Terminology and characteristics The term electroclash describes a musical movement that combined synthpop, techno, punk rock, punk and performance art. The genre was in reaction to the rigid formulations of techno music, putting an emphasis on song writing, showmanship and a sense of humour, and was described by ''The Guardian'' as one of "the two most significant upheavals in recent dance music history". The visual aesthetic of electroclash has been associated with the 1982 cult film ''Liquid Sky''. DJ Hell is widely credited as inventor and name g ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |