The Keach I The Creel
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The Keach I The Creel
The Keach I the Creel is Child ballad 281. Synopsis A young woman tells a man that her parents keep her too close for them to meet. The man has his brother make a ladder and a pulley to hoist a basket (creel) down the chimney; the ladder takes him to the chimney, and riding in the large creel he is lowered into her bedroom. Her mother guesses there is a man in the daughter's bed and sends the father. She hides her lover and persuades her father she was praying. Her mother, still suspicious, goes herself. She trips and is caught ("keach" being catch, "keach i the creel" being "the catch in the basket" - usually referring to fish caught and stored in a basket slung from the fisherman's hip or shoulder) in the creel and tossed all about in it; the father professes that he's fed up with all of them, for he's had no rest all the night with the goings-on. Performances This ballad has been performed by: *Ewan MacColl on "The English and Scottish Popular Ballads vol 2" (1956) *Ian ...
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Child Ballad
The Child Ballads are 305 traditional ballads from England and Scotland, and their American variants, anthologized by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as ''The English and Scottish Popular Ballads''. The tunes of most of the ballads were collected and published by Bertrand Harris Bronson in and around the 1960s. History Age and source of the ballads The ballads vary in age; for instance, the manuscript of "Judas" dates to the thirteenth century and a version of " A Gest of Robyn Hode" was printed in the late fifteenth or early sixteenth century. The majority of the ballads, however, date to the seventeenth and eighteenth centuries. Although some are claimed to have very ancient influences, only a handful can be definitively traced to before 1600. Moreover, few of the tunes collected are as old as the words. Nevertheless, Child's collection was far more comprehensive than any previous col ...
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Ewan MacColl
James Henry Miller (25 January 1915 – 22 October 1989), better known by his stage name Ewan MacColl, was a folk singer-songwriter, folk song collector, labour activist and actor. Born in England to Scottish parents, he is known as one of the instigators of the 1960s folk revival as well as for writing such songs as "The First Time Ever I Saw Your Face" and "Dirty Old Town". MacColl collected hundreds of traditional folk songs, including the version of " Scarborough Fair" later popularised by Simon & Garfunkel, and released dozens of albums with A.L. Lloyd, Peggy Seeger and others, mostly of traditional folk songs. He also wrote many left-wing political songs, remaining a steadfast communist throughout his life and engaging in political activism. Early life and early career MacColl was born as James Henry Miller at 4 Andrew Street, in Broughton, Salford, England, to Scottish parents, William Miller and Betsy (née Henry), both socialists. William Miller was an iron moulde ...
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Ian Campbell Folk Group
The Ian Campbell Folk Group were one of the most popular and respected folk groups of the British folk revival of the 1960s. The group made many appearances on radio, television, and at national and international venues and festivals. They performed a mixture of British traditional folk music and new material, including compositions by Campbell. Much of their popularity flowed from the variety of their performance which included a mixture of solos, group vocals and instrumentals. History The group formed in 1956 in Birmingham, as the Clarion Skiffle Group. The band was renamed the Ian Campbell Folk Group in 1958 and became one of the most respected, popular and influential folk groups of the British folk scene of the 1960s. The group's first recordings included the EP, ''Ceilidh at the Crown'', which was released in 1962 and was the first live folk club recording to be released on vinyl.Larkin C 'Virgin Encyclopedia of Sixties Music' (Muze UK Ltd, 1997) p91 During this period ...
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Jean Redpath
Jean Redpath MBE (28 April 1937 – 21 August 2014) was a Scottish folk singer, educator and musician. Career Jean Redpath was born in Edinburgh, Scotland, to musical parents. Her mother knew many Scots songs and passed them on to Jean and her brother, and her father played the hammered dulcimer. She was raised in Leven, Fife, Scotland, and later returned to Edinburgh, taking medieval studies at the University of Edinburgh. To help pay her way through her studies, she sang for beer money and undertook part-time work as a driving instructor and undertaker's assistant. The Scottish poet and folk-song collector Hamish Henderson was working in the School of Scottish Studies at the university and Redpath took a keen interest in the archive of tapes and discs of music and songs. She learned about 400 songs, together with the oral folklore that went with them. In March 1961, at the age of 24, she arrived in the United States with just eleven dollars in her pocket. Her first performance ...
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Martin Carthy
Martin Carthy MBE (born 21 May 1941) is an English folk singer and guitarist who has remained one of the most influential figures in British traditional music, inspiring contemporaries such as Bob Dylan and Paul Simon, and later artists such as Richard Thompson, since he emerged as a young musician in the early days of the folk revival in the UK during the 1960s and 1970s. Early life He was born in Hatfield, Hertfordshire, England, and grew up in Hampstead, North West London. His mother was an active socialist and his father, from a family of Thames lightermen, went to grammar school and became a trade unionist and a councillor for Stepney at the age of 21. Martin's father had played fiddle and guitar as a young man but Martin was unaware of this connection to his folk music heritage until much later in life. His vocal and musical training began when he became a chorister at the Queen's Chapel of The Savoy. He picked up his father's old guitar for the first time after hearing ...
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Dave Swarbrick
David Cyril Eric Swarbrick (5 April 1941 – 3 June 2016) was an English folk musician and singer-songwriter. His style has been copied or developed by almost every British and many world folk violin players who have followed him. He was one of the most highly regarded musicians produced by the second British folk revival, contributing to some of the most important groups and projects of the 1960s, and he became a much sought-after session musician, which led him throughout his career to work with many of the major figures in folk and folk rock music. A member of Fairport Convention from 1969, he is credited with assisting them to produce their seminal album ''Liege & Lief'' (1969) which initiated the British folk rock movement. This, and his subsequent career, helped create greater interest in British traditional music and was highly influential within mainstream rock. After 1970 he emerged as Fairport Convention's leading figure and guided the band through a series of i ...
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Eliza Carthy
Eliza Amy Forbes Carthy, MBE (born 23 August 1975) is an English folk musician known for both singing and playing the fiddle. She is the daughter of English folk musicians singer/guitarist Martin Carthy and singer Norma Waterson. Life and career Carthy was born in Scarborough, North Yorkshire, England. She went to school at Fyling Hall School in North Yorkshire. She grew up on a family farm along with her maternal aunt and uncle's families who lived adjacent. At thirteen, Carthy formed the Waterdaughters with her mother, aunt (Lal Waterson) and cousin Marry Waterson. She has subsequently worked with Nancy Kerr, with her parents as Waterson–Carthy, and as part of the "supergroup" Blue Murder, in addition to her own solo work. When she was 13, Carthy joined the Goathland Plough Stots as a fiddle player. She left school at 17 for a career as a professional touring musician. She has twice been nominated for the Mercury Music Prize for UK album of the year: in 1998 for ''Red Ri ...
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Paul Brady
Paul Joseph Brady (born 19 May 1947) is an Irish singer-songwriter and musician from Strabane, Northern Ireland. His work straddles folk and pop. He was interested in a wide variety of music from an early age. Initially popular for playing Irish traditional music in a duo with Andy Irvine and later with Tommy Peoples and Matt Molloy, he later turned to a more rock-inspired electric style with poignant political lyrics. Some of his most popular songs are: "Crazy Dreams", "Nothing but the Same Old Story", " The Island", "Night Hunting Time", "Steel Claw" and "Paradise Is Here". Early life Paul Joseph Brady was born in Belfast and raised in the small town of Strabane in County Tyrone, Northern Ireland, on the border with County Donegal, Republic of Ireland. His father Seán Brady and mother Mollie Brady née McElholm were school teachers. Brady was educated at Sion Mills Primary School, St. Columb's College, Derry and University College Dublin. He is prominently featured in ...
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Subway To Sally
Subway to Sally is a German folk metal band founded in Potsdam in the early 1990s. Their music has clear folk and medieval influences, later also adding gothic and metal elements. With their continuous inclusion of oriental sounds and elements of classical music and the use of instruments seldom seen in metal bands such as bagpipes, shawm, violin, hurdy-gurdy and lute, Subway to Sally has acquired the label of medieval metal. The band has released 12 studio albums, two live albums, and two live DVDs. Their fame is centered mainly in the German-speaking countries, having played only a handful of concerts outside of that area. History The very first concert given by Subway to Sally was held in September 1990. The band then consisted of Ingo Hampf, Bodenski, Simon, Coni (trumpet) and Guido (drums). Their first appearance onstage was given in the Potsdamer "Stube" in January 1992, in the constellation with which they later recorded their first album (''Album 1994''). With the gr ...
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Megson (band)
Megson are an English Folk music, folk duo composed of husband and wife Stu Hanna and Debbie Hanna (previously Debbie Palmer). The duo have released nine albums and one Extended play, EP on their own label, ''edj''. Their live performances feature Stu playing a Acoustic Guitar, guitar or mandolin and Debbie sometimes playing accordion or tin whistle as backing to their Vocal harmony, vocal harmonies. Biography The duo met while singing in Cleveland Youth Choir before moving to London to allow Debbie to study classical music while Stu became involved with a progressive rock band. In 2004 they began making their own music and released their first album, ''On The Side'', while performing at acoustic clubs around London. Megson named themselves after Debbie's family dog, who at the time had just died. They had originally decided upon "The Ghost of Meg", but their family and friends convinced them that it sounded like a Death metal, death-metal band. Megson's first album, ''On The S ...
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List Of The Child Ballads
The Child Ballads is the colloquial name given to a collection of 305 ballads collected in the 19th century by Francis James Child Francis James Child (February 1, 1825 – September 11, 1896) was an American scholar, educator, and folklorist, best known today for his collection of English and Scottish ballads now known as the Child Ballads. Child was Boylston professor of ... and originally published in ten volumes between 1882 and 1898 under the title ''The English and Scottish Popular Ballads.'' The ballads Following are synopses of the stories recounted in the ballads in Child's collection. Since Child included multiple versions of most ballads, the details of a story can vary widely. The synopses presented here reflect the summaries in Child's text, but also rely on other sources as well as the ballads themselves. References {{Francis James Child Child Ballads Murder ballads ...
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Child Ballads
The Child Ballads are 305 traditional ballads from England and Scotland, and their American variants, anthologized by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as ''The English and Scottish Popular Ballads''. The tunes of most of the ballads were collected and published by Bertrand Harris Bronson in and around the 1960s. History Age and source of the ballads The ballads vary in age; for instance, the manuscript of "Judas" dates to the thirteenth century and a version of " A Gest of Robyn Hode" was printed in the late fifteenth or early sixteenth century. The majority of the ballads, however, date to the seventeenth and eighteenth centuries. Although some are claimed to have very ancient influences, only a handful can be definitively traced to before 1600. Moreover, few of the tunes collected are as old as the words. Nevertheless, Child's collection was far more comprehensive than any previous coll ...
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