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The Jaws Of Life
''The Jaws of Life'' is the third studio album by Australian rock band Hunters & Collectors; it was released on 6 August 1984. It was co-produced by Konrad Plank and the band in Weilerswist, Germany. The album peaked at No. 89 on the Australian Kent Music Report Albums Chart and No. 37 on the New Zealand Albums Chart. The only Australian single from the album, "The Slab" ("Betty's Worry")/"Carry Me", was released as a Double A sided single, in August but failed to chart on the Australian or New Zealand singles charts. Background Late in 1983, Hunters & Collectors had briefly disbanded, but soon reformed without Martin Lubran and Greg Perano. Mark Seymour (guitar and lead vocals) explained to ''The Canberra Times'' Neil Lade why the group had reconvened " ehave something valuable to offer the Australian music scene". According to Doug Falconer, the group's drummer, the album "was written in about a month and a half after the band returned to Australia" in the previous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hunters & Collectors
Hunters & Collectors are an Australian rock band formed in 1981. Fronted by founding mainstay, singer-songwriter and guitarist Mark Seymour, they developed a blend of Pub rock (Australia), pub rock and funk, art-funk. Other mainstays are John Archer on bass guitar, Doug Falconer on drums and percussion. Soon after forming they were joined by Jack Howard on trumpet and keyboards, Jeremy Smith (Australian musician), Jeremy Smith on French horn, guitars and keyboards, and Michael Waters on trombone and keyboards. Also acknowledged as a founder was audio engineering, engineer and art director, art designer Robert Miles. Joining in 1988, Barry Palmer (musician), Barry Palmer, on lead guitar, remained until they disbanded in 1998. The group reformed in 2013 with the 1998 line-up. Originally Hunters & Collectors were influenced by Krautrock and productions of Conny Plank, featuring strong percussive influences, noisy guitar, and driving bass lines. Their sound was in the vein of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Backing Vocalist
A backing vocalist is a singer who provides vocal harmony with the lead vocalist or other backing vocalists. A backing vocalist may also sing alone as a lead-in to the main vocalist's entry or to sing a counter-melody. Backing vocalists are used in a broad range of popular music, traditional music, and world music styles. Solo artists may employ professional backing vocalists in studio recording sessions as well as during concerts. In many rock and metal bands (e.g., the power trio), the musicians doing backing vocals also play instruments, such as guitar, electric bass, drums or keyboards. In Latin or Afro-Cuban groups, backing singers may play percussion instruments or shakers while singing. In some pop and hip hop groups and in musical theater, they may be required to perform dance routines while singing through headset microphones. Styles of background vocals vary according to the type of song and genre of music. In pop and country songs, backing vocalists may sing ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Countdown (Australian TV Series)
''Countdown'' was a weekly Australian music television program that was broadcast by the Australian Broadcasting Corporation from 8 November 1974 until 19 July 1987. It was created by Executive Producer Michael Shrimpton, producer/director Robbie Weekes and record producer and music journalist Ian "Molly" Meldrum. Countdown was produced at the studios of the ABC in the Melbourne suburb of Ripponlea. It was screened Sunday night from 6:00pm to 7:00. ''Countdown'' was the most popular music program in Australian TV history. It was broadcast nationwide on Australia's government-owned broadcaster, the ABC, and commanded a huge and loyal audience. It soon exerted a strong influence on radio programmers because of its audience and the amount of Australian content it featured. The first half-hour episode went to air at 6.30pm on Friday, 8 November 1974, but for most of the time it was on air, it also gained double exposure throughout the country by screening a new episode each Sunda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triple J
Triple J (stylised in all lowercase) is a government-funded, national Australian Radio in Australia, radio station intended to appeal to listeners of alternative music, which began broadcasting in January 1975. The station also places a greater emphasis on broadcasting music of Australia, Australian content compared to commercial stations. Triple J is a division of the Australian Broadcasting Corporation. History 1970s: Launch and early years 2JJ commenced broadcasting at 11:00 am, Sunday 19 January 1975, at 1540 Hertz, kHz (which switched to 1539Hertz, kHz in 1978) on the AM radio, AM band. The new Australian Broadcasting Corporation (ABC) station was given the official call-sign 2JJ, but soon became commonly known as Double J. The station was restricted largely to the greater Sydney region, and its local reception was hampered by inadequate transmitter facilities. However, its frequency was a clear channel (broadcasting), channel nationally, so it was easily heard at n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Video
A music video is a video of variable duration, that integrates a music song or a music album with imagery that is produced for promotion (marketing), promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of Music Recording, music recordings. Although the origins of music videos date back to musical short, musical short films that first appeared, they again came into prominence when Paramount Global's MTV based its format around the medium. These kinds of videos were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip", "film clip" or simply "video". Music videos use a wide range of styles and contemporary video-making techniques, including animation, live action, live-action, documentary film, documentary, and non-narrative approaches such as Non-narrative film, abstract fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Douglas Crabbe
Douglas John Edward Crabbe (born 1947) is an Australian murderer currently imprisoned in Perth for a multiple murder which occurred when he drove his 25-tonne Mack truck into the crowded bar of a motel at the base of Uluru (Ayers Rock) on 18 August 1983. Five people were killed and sixteen seriously injured..Motel deaths: truck driver seemed to cry, court told. ''The Sydney Morning Herald'': 15 March 1984, p.12. Early life Crabbe worked as a truck driver and began driving at the age of 14. In February 1983 Crabbe was arrested and charged for assaulting a car load of youths at a service station near Tennant Creek. The youths were harassing the service station's console operator and also provoked Crabbe, who retaliated by jumping up and down on the bonnet of the victim's car. On 24 March 1983, Crabbe attended a country and western function in Curtin Springs and became involved in two fights involving police. During Crabbe's later murder trial a witness testified that on his seco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René Tinner
René Tinner (born February 18, 1953, in St. Gallen) is a Swiss recording engineer and producer, who has produced over 200 studio records and numerous live performances. Career Tinner began his career as the audio engineer of the German rock band Can in 1973, with whom he has recorded seven albums until 1989. In 1978 Tinner took over the so-called Can-Studio, which had been and continued to be the rehearsal and recording room of the Cologne based band Can. Tinner managed the studio until it was dismantled to be integrated into the German rock'n pop museum in 2007. During those years, Tinner produced there many artists and bands. In 1978 and 1979 Tinner worked on two records of Lou Reed ('' Live: Take No Prisoners'' and '' The Bells''). Other artists and bands he produced with in his studio were Maloo (worldwide hit single “The Captain of Her Heart”), KFC, Joachim Witt, Trio, Traffic, Holger Czukay, Die Krupps, Floyd George, Julian Dawson, Marius Müller-Westernhag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kraftwerk
Kraftwerk (, "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1974 and Karl Bartos in 1975, expanding the band to a quartet. On commercially successful albums such as ''Autobahn'' (1974), '' Trans-Europe Express'' (1977), ''The Man-Machine'' (1978), and ''Computer World'' (1981), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylized image including matching suits. Following the release of '' Electric Café'' (1986), Flür left the group in 1987, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cluster (band)
Cluster were a German musical duo consisting of Hans-Joachim Roedelius and Dieter Moebius, formed in 1971 and associated with West Germany's krautrock and kosmische Musik, kosmische music scenes.Bush, John. [ Allmusic: Cluster]. Retrieved 24 February 2005. Born from the earlier Berlin-based group Kluster, they relocated in 1971 into the countryside village of Forst, Lower Saxony, where they built a studio and collaborated with musicians such as Conny Plank, Brian Eno, and Michael Rother; with the latter, they formed the influential side-project Harmonia (band), Harmonia. After first disbanding in 1981, Cluster reunited several times: from 1989 to 1997, and from 2007 to 2010. AllMusic described the group as "the most important and consistently underrated space rock unit of the '70s."Bush, John. [ Allmusic: Cluster]. Retrieved 24 February 2005. Music historian Julian Cope places three Cluster albums—''Cluster II (album), Cluster II'' (1972), ''Zuckerzeit'' (1974), and ''Sowiesos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Can (band)
Can (stylised as CAN) was a German experimental rock band formed in Cologne in 1968 by Holger Czukay (bass, tape editing), Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). The group used several vocalists, most prominently the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been widely hailed as pioneers of the German krautrock scene. Coming from backgrounds in the avant-garde and jazz, Can blended elements of psychedelic rock, funk, and musique concrète on influential albums such as ''Tago Mago'' (1971), ''Ege Bamyasi'' (1972) and ''Future Days'' (1973). Can also had commercial success with singles such as "Spoon" (1971) and " I Want More" (1976) reaching national singles charts. Their work has influenced rock, post-punk, ambient, and electronic acts. History Origins: 1966–1968 The roots of Can can be traced back to Irmin Schmidt and a trip that he made to New York City in 1966. While Schmidt initial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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