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The Inspiration Of The Poet
''The Inspiration of the Poet'' is an oil-on-canvas in the classical style by the artist Nicolas Poussin, painted between 1629 and 1630. It is currently held and exhibited at the Louvre in Paris. History The painting seems to be the one which was in the Cardinal Mazarin Collection in 1653. It was given to Louis XIV in 1693, together with its companion piece, '' A Seaport'', by the French architect and gardener André Le Nôtre. It was acquired by the Louvre in 1911. The painting depicts Apollo, accompanied by infant Cupids and by one of the Muses, about to crown a poet who is writing under his inspiration. It is not known to what the painting alludes, nor what is its exact subject. Perhaps the latter was always indefinite, because the picture appears in Mazarin's inventory of 1653 as ''Apollo with a Muse and a Poet crowned with Laurels''. Its warm colouring reveals the Titianesque strain in Poussin's work; it must have been painted during his first Roman period, at the end o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his earliest surviving works. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Frontispiece
A frontispiece in books is a decorative or informative illustration facing a book's title page—on the left-hand, or verso, page opposite the right-hand, or recto, page. In some ancient editions or in modern luxury editions the frontispiece features thematic or allegory, allegorical elements, in others is the author's portrait that appears as the frontispiece. In medieval illuminated manuscripts, a presentation miniature showing the book or text being presented (by whom and to whom varies) was often used as a frontispiece. Origin The word comes from the French language, French ''frontispice'', which derives from the late Latin ''frontispicium'', composed of the Latin ''frons'' ('forehead') and ''specere'' ('to look at'). It was synonymous with 'metoposcopy'. In English, it was originally used as an frontispiece (architecture), architectural term, referring to the decorative facade of a building. In the 17th century, in other languages as in Italian language, Italian, the term cam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1630 Paintings
Year 163 ( CLXIII) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Laelianus and Pastor (or, less frequently, year 916 ''Ab urbe condita''). The denomination 163 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Marcus Statius Priscus re-conquers Armenia; the capital city of Artaxata is ruined. Births * Cui Yan (or Jigui), Chinese official and politician (d. 216) * Sun Shao (or Changxu), Chinese chancellor (d. 225) * Tiberius Claudius Severus Proculus, Roman politician * Xun Yu, Chinese politician and adviser (d. 212) Deaths * Kong Zhou, father of Kong Rong (b. 103) * Marcus Annius Libo Marcus Annius Libo was a Roman Senator active in the early second century AD. Life Libo came from the upper ranks of the Roman aristoc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mythological Paintings By Nicolas Poussin
Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrative as a myth can be highly controversial. Many adherents of religions view their own religions' stories as truth and so object to their characterization as myth, the way they see the stories of other religions. As such, some scholars label all religious narratives "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars avoid using the term "myth" altogether and instead use different terms like "sacred history", "holy story", or simply "history" to avoid placing pejorative overtones on any sacred narrative. Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many socie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Academy
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a decad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Painting
The history of Western painting represents a continuous, though disrupted, tradition from antiquity until the present time. Until the mid-19th century it was primarily concerned with representational and Classical modes of production, after which time more modern, abstract and conceptual forms gained favor. Initially serving imperial, private, civic, and religious patronage, Western painting later found audiences in the aristocracy and the middle class. From the Middle Ages through the Renaissance painters worked for the church and a wealthy aristocracy. Beginning with the Baroque era artists received private commissions from a more educated and prosperous middle class. The idea of "art for art's sake" began to find expression in the work of the Romantic painters like Francisco de Goya, John Constable, and J. M. W. Turner. During the 19th century commercial galleries became established and continued to provide patronage in the 20th century. Western painting reached its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Nicolas Poussin Paintings
This page is a list of paintings by Nicolas Poussin (Les Andelys, Andelys, 15 June 1594 – Rome, 19 November 1665). The attributions vary notably from one art historian to another. Jacques Thuillier, one of the most restrictive, produced a list in 1994 that gave 224 uncontested autograph works and 33 works with minor or major doubts about their attribution to Poussin. Certain attributions have since changed, when paintings thought lost are rediscovered, meaning that this list cannot be considered exhaustive. List This list includes paintings whose locations have been definitely found. The numbers refer to the two last 'catalogues raisonnés' cited in the sources : Thuillier 1994 and Blunt 1966. References Bibliography * * Jacques Thuillier, ''Tout l'œuvre peint de Poussin : Documentation et catalogue raisonné'', Paris, Rizzoli-Flammarion, Les Classique de l'Art series, 1974, 136 p. * Jacques Thuillier, ''Nicolas Poussin'', Paris, Flammarion, 1994, 287 p. () – contai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Painting
The history of painting reaches back in time to artifacts and artwork created by pre-historic artists, and spans all cultures. It represents a continuous, though periodically disrupted, tradition from Antiquity. Across cultures, continents, and millennia, the history of painting consists of an ongoing river of creativity that continues into the 21st century. Until the early 20th century it relied primarily on Representational art, representational, Religious art, religious and Classical antiquity, classical motifs, after which time more purely Abstract art, abstract and Conceptual art, conceptual approaches gained favor. Developments in Eastern painting historically parallel those in Western painting, in general, a few centuries earlier.''The Meeting of Eastern and Western Art'', Revised and Expanded edition (Hardcover) by Michael Sullivan (art historian), Michael Sullivan. African art, Jewish art, Islamic art, Indonesian art, Indian art, Chinese art, and Japanese art each had si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Et In Arcadia Ego
''Et in Arcadia ego'' (also known as ''Les bergers d'Arcadie'' or ''The Arcadian Shepherds'') is a 1637–38 painting by Nicolas Poussin (1594–1665), the leading painter of the classical French Baroque style. It depicts a pastoral scene with idealized shepherds from classical antiquity, and a woman, possibly a shepherdess, gathered around an austere tomb that includes this inscription. It is held in the Louvre. Poussin painted two versions of the subject under the same title. His earlier version, painted in 1627, is held at Chatsworth House. An earlier treatment of the theme was painted by Guercino circa 1618–1622, also titled ''Et in Arcadia ego''. Inspiration A tomb with a memorial inscription (to Daphnis) amid the idyllic settings of Arcadia is first described in Virgil's ''Eclogues'' V 42 ff. Virgil took the idealized Sicilian rustics included in the ''Idylls'' of Theocritus and set them in the primitive Greek region of Arcadia (see Eclogues VII and X). The idea was tak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Lorenzo In Lucina
The Minor Basilica of St. Lawrence in Lucina ( it, Basilica Minore di San Lorenzo in Lucina or simply it, San Lorenzo in Lucina; la, S. Laurentii in Lucina) is a Roman Catholic parish, titular church, and minor basilica in central Rome, Italy. The basilica is located in Piazza di San Lorenzo in Lucina in the Rione Colonna, about two blocks behind the Palazzo Montecitorio, proximate to the Via del Corso. History The basilica is dedicated to St. Lawrence of Rome, deacon and martyr. The name "Lucina" derives from that of the Roman matron of the AD 4th century who permitted Christians to erect a church on the site. Pope Marcellus I supposedly hid on the site during the persecutions of Roman Emperor Maxentius, and Pope Damasus I was elected there in AD 366. Pope Sixtus III consecrated a church on the site in 440 AD. The church was denominated the ''Titulus Lucinae'', and is so mentioned in the acts of the synod of AD 499 of Pope Symmachus. The church was first reconstructed by Pop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his earliest surviving works. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
