|
The Injured Lovers
''The Injured Lovers; Or, The Ambitious Father'' is a 1688 tragedy by the English writer William Mountfort. It was premiered by the United Company at the Theatre Royal, Drury Lane. The original cast included Thomas Betterton as Rheusanes, Joseph Williams as King of Sicily, Philip Griffin as Ghinotto, William Mountfort as Dorenalus, Samuel Sandford as Old Colonel, Cave Underhill as Soldier, Thomas Jevon as Soldier, Elizabeth Barry as Princess Oryala and Anne Bracegirdle Anne Bracegirdle (possibly 167112 September 1748) was an English actress. Biography Bracegirdle was born to Justinian and Martha (born Furniss) Bracegirdle in Northamptonshire. She was baptised in Northampton on 15 November 1671, although her to ... as Antelina.Van Lennep p.362 References Bibliography * Van Lennep, W. ''The London Stage, 1660-1800: Volume One, 1660-1700''. Southern Illinois University Press, 1960. 1688 plays West End plays Tragedy plays Plays by William Mountfort {{17thC-play-s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Mountfort
William Mountfort (c. 1664 – 10 December 1692), England, English actor and dramatic writer, was the son of a Staffordshire gentleman. Biography His first stage appearance was with the Dorset Garden Theatre company about 1678, and by 1682 he was taking important parts, usually those of the fine gentleman. Mountfort wrote a number of plays, wholly or in part, and many prologues and epilogues. In 1686 he married the actress Susanna Verbruggen, Susanna Percival. Owing to jealousy of Mrs. Anne Bracegirdle, Anne Bracegirdle's supposed interest in Mountfort, Captain Richard Hill, an adventurer, who had annoyed her with persistent attentions, accompanied by Charles Mohun, 4th Baron Mohun, Charles Mohun, Baron Mohun, 4th Baron Mohun ambushed Mountfort in Howard Street, Strand, London, Strand, on 9 December 1692. During the struggle Mountfort was stabbed in the chest by Hill, and he died of his wounds the following day. Following the attack Hill fled to France. Lord Mohun was trie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
United Company
The United Company was a London theatre company formed in 1682 with the merger of the King's Company and the Duke's Company. Both the Duke's and King's Companies suffered poor attendance during the turmoil of the Popish Plot period, 1678–81. When the King's Company fell into difficulties due to mismanagement, the Duke's Company joined with them to form the United Company in 1682, managed by the Duke's Company leaders. The United Company began performances in November 1682. The King's Company theatre, the Theatre Royal in Drury Lane, was used mainly for plays, while the Duke's Dorset Garden Theatre was devoted to operas and spectaculars. The company began performing in November 1682 at Drury Lane. In February 1685 the theatre was closed by the death of Charles II, and reopened in January 1688 under the patronage of James II. The succession of William III and Mary II in 1689 brought no Royal patronage and a decline in interest in theatre.''The Cambridge History of Briti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Betterton
Thomas Patrick Betterton (August 1635 – 28 April 1710), the leading male actor and theatre manager during Restoration England, son of an under-cook to King Charles I, was born in London. Apprentice and actor Betterton was born in August 1635 in Tothill Street, Westminster.''The National Cyclopaedia of Useful Knowledge'', Vol.III, London, Charles Knight, 1847, p.273 He was apprenticed to John Holden, Sir William Davenant's publisher, and possibly later to a bookseller named John Rhodes, who had been wardrobe-keeper at the Blackfriars Theatre. In 1659, Rhodes obtained a license to set up a company of players at the Cockpit Theatre in Drury Lane; and on the reopening of this theatre in 1660, Betterton made his first appearance on the stage. Betterton's talents at once brought him into prominence, and he was given leading parts. On the opening of the new theatre in Lincoln's Inn Fields in 1661, Davenant, the patentee of the Duke's Company, engaged Betterton and all Rhodes's co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Williams (actor)
Joseph Williams was an English stage actor of the seventeenth and early eighteenth century. Williams initially joined the Duke's Company and was apprenticed to the senior actor Henry Harris In 1682 he moved to the merged United Company, appearing at Drury Lane and the Dorset Gardens Theatre. In 1695 when the company split, Williams initially planned to join Thomas Betterton and the breakaways at the Lincoln's Inn Fields Theatre, but ended up remaining at Drury Lane.The Routledge Anthology of Restoration and Eighteenth-Century Drama p.lxvi One of his contemporaries at the United Company was an actor named David Williams, and occasionally it is hard to distinguish their roles listed on playbills. Selected roles * Moses in ''The Town Shifts'' by Edward Revet (1671) * Hadland in ''The Counterfeit Bridegroom'' by Aphra Behn (1677) * Pylades in ''Circe'' by Charles Davenant (1677) * Troilus in '' The Destruction of Troy'' by John Banks (1678) * Cispin in ''The Counterfeits'' by John ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Griffin
Philip Griffin was an English stage actor of the seventeenth century and early eighteenth century. He joined the King's Company at Drury Lane during the 1670s, and was later a member of the merged United Company from 1685. He was named as a manager at Drury Lane in 1695, but then took military service and was styled as Captain Griffin. In 1699 he went to act in Dublin as part of Joseph Ashbury's company at the Smock Alley Theatre, but was back in London where he acted until retired from the stage in 1707.Highfill, Burnim & Langhans p.369-71 Selected roles * Sanchez in ''The Spanish Rogue'' by Thomas Duffett (1673) * Laula in ''The Empress of Morocco'' by Thomas Duffett (1673) * Caligula's Ghost in ''Nero'' by Nathaniel Lee (1674) * Menander in ''Sophonisba'' by Nathaniel Lee (1675) * Grimani in '' Love in the Dark'' by Francis Fane (1675) * Mecaenas in ''Gloriana'' by Nathaniel Lee (1676) * Vernish in ''The Plain Dealer'' by William Wycherley (1676) * Rash in ''The Country Innoce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Sandford
Samuel Sandford ( fl. 1661–1699) was an English character actor, known for his roles as villains. Career He joined William D'Avenant's company at Lincoln's Inn Fields about a year after its formation, and was, on 16 December 1661, the original Worm in Abraham Cowley's ''Cutter of Coleman Street''. On 1 March 1662 he was Sampson in ''Romeo and Juliet'', and on 20 October Maligni (the villain) in Thomas Porter's ''The Villain''. Early in January 1663 he was Ernesto in Samuel Tuke's ''Adventures of Five Hours'', and on 28 May Vindex in Robert Stapylton's ''Slighted Maid''. During the same season he was Sylvanus in the ''Stepmother'', also by Stapleton, and in 1664 was Wheadle in George Etherege's ''Comical Revenge, or Love in a Tub'', and Provost in ''The Rivals'', D'Avenant's alteration of ''The Two Noble Kinsmen''. After the break of performances on account of the Great Plague, Sandford on 26 March 1668, sang with Harris, as two ballad singers, the epilogue to D'Avenant's ''Man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cave Underhill
Cave Underhill (1634–1710?) was an English actor in comedy roles. Underhill entertained three generations of London theatre-goers. For over 40 years, as a member of the Duke's Company, Underhill played the first Gravedigger in ''Hamlet''. He was also successful in playing Gregory in ''Romeo and Juliet'', the clown in ''Twelfth Night'', and Trinculo in '' The Tempest''. Early life The son of Nicholas Underhill, a clothworker, he was born in St. Andrew's parish, Holborn, London, on 17 March 1634, and was admitted to Merchant Taylors' School in January 1645. He became first a member of the acting company which was gathered by John Rhodes. around Thomas Betterton. He was then recruited for Sir William D'Avenant and the Duke of York's company at the theatre in Lincoln's Inn Fields. In 1663 he was fined in an assault case, with Betterton and James Noke. Stage career The first character to which Underhill's name appears is Sir Morglay Thwack in D'Avenant's comedy ''The Wits'', re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Jevon
Thomas Jevon (1652–1688) was an English playwright, and one of the first English Harlequins. He began his career as a dancing master, but worked his way onto the stage, and played leading low-comedy parts in London between 1673 and 1688. His brother-in-law was the English playwright and poet laureate Thomas Shadwell. Jevon's only published play, the farce '' The Devil of a Wife, or, a Comical Transformation'' (with a plot borrowed from a Philip Sidney story, and possibly some assistance from Shadwell), was performed in 1686 at Dorset Garden, where Jevon usually acted. Jevon and George Powell played the two leading roles, and the piece achieved great success. Various versions with added music appeared later, and Charles Coffey Charles Coffey (late 17th century – 13 May 1745) was an Irish playwright, opera librettist and arranger of music from Westmeath. Following the initial failure of his ballad opera '' The Beggar’s Wedding'' (Dublin, Smock Alley Theatre, 24 Ma ... us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth Barry
Elizabeth Barry (1658 – 7 November 1713) was an English actress of the Restoration period. Elizabeth Barry's biggest influence on Restoration drama was her presentation of performing as the tragic actress. She worked in large, prestigious London theatre companies throughout her successful career: from 1675 in the Duke's Company, 1682 – 1695 in the monopoly United Company, and from 1695 onwards as a member of the actors' cooperative usually known as Betterton's Company, of which she was one of the original shareholders. Her stage career began 15 years after the first-ever professional actresses had replaced Shakespeare's boy heroines on the London stage. The actor Thomas Betterton said that her acting gave "success to plays that would disgust the most patient reader", and the critic and playwright John Dennis described her as "that incomparable Actress changing like Nature which she represents, from Passion to Passion, from Extream to Extream, with piercing Force and w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
