The Impostor (hello Goodbye)
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The Impostor (hello Goodbye)
''The Impostor (hello goodbye)'' is a 2003 Canadian short experimental film by video artist Daniel Cockburn, one of several works commissioned for The Colin Campbell Sessions and inspired by the makings of video art pioneer Colin Campbell for the Tranz Tech festival. Cockburn's video draws formally on Campbell's style while at the same time metaphorically expresses the artist's anxiety in making the video itself. Plot In a split screen, a man dressed in a black suit and tie (Daniel Cockburn) speaks directly to the audience, while a black and white home movie is being projected next to him, on the left. He describes a dream in which he was asked to read a eulogy for his father. As he does so, the projectionist on the left hand side (Daniel Cockburn) is cutting the film with scissors. Watching his father (Daniel Cockburn) in the home movie, he realizes that the gestures his father made are a kind of prison; he is forced to repeat them involuntarily. Then the man in black looks ...
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Daniel Cockburn
Daniel Ernest Cockburn is a Canadian performance artist, film director and video artist. Cockburn won the Jay Scott Prize in 2010 and the European Media Art Festival's principal award in 2011 for his debut feature film '' You Are Here.'' Education and career in video and filmmaking Early short films and videos (1999-2007) Born in Belleville, Ontario, Cockburn grew up in Tweed. He graduated from York University with a Bachelor of Fine Arts in film studies in 1999, but felt "dissatisfied with his own final project", a 17-minute film that took him six months to finish; he decided to "abandon all that stuff", meaning big film productions heavy on stage design and light design, with sound engineers and a production manager, "in order to make much simpler films based on his own writing." He discovered the experimental film community in Toronto "and beyond," spending a decade making short films and video projects,"In the spotlight: Daniel Cockburn showcases 'You Are Here' at Toronto f ...
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Mike Hoolboom Crop
Mike may refer to: Animals * Mike (cat), cat and guardian of the British Museum * Mike the Headless Chicken, chicken that lived for 18 months after his head had been cut off * Mike (chimpanzee), a chimpanzee featured in several books and documentaries Arts * Mike (miniseries), a 2022 Hulu limited series based on the life of American boxer Mike Tyson * Mike (2022 film), a Malayalam film produced by John Abraham * ''Mike'' (album), an album by Mike Mohede * ''Mike'' (1926 film), an American film * MIKE (musician), American rapper, songwriter and record * ''Mike'' (novel), a 1909 novel by P. G. Wodehouse * "Mike" (song), by Elvana Gjata and Ledri Vula featuring John Shahu * Mike (''Twin Peaks''), a character from ''Twin Peaks'' * "Mike", a song by Xiu Xiu from their 2004 album ''Fabulous Muscles'' Businesses * Mike (cellular network), a defunct Canadian cellular network * Mike and Ike, a candies brand Military * MIKE Force, a unit in the Vietnam War * Ivy Mike, the f ...
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You Are In A Maze Of Twisty Little Passages, All Different
''You Are In a Maze of Twisty Little Passages, All Different: Films and Videos by Daniel Cockburn'' is a 2009 Canadian experimental film anthology film, anthology consisting of a curated programme of eleven short films by video artist Daniel Cockburn. Synopsis ''AUDIT'' An attempt to graph the shape of a human life through animation, with all its coincidences and repetitions. ''IdeaL'' Texts by Ludwig Wittgenstein are set against lyrics by the cock rock band Faith No More in a "1-to-1 syllable-to-syllable ratio." ''Rocket Man'' A karaoke muzak video version of Elton John / Bernie Taupin's ''Rocket Man (song), Rocket Man'' set to clips of fifty years' worth of American Interstellar travel, space science fiction films, films like ''Forbidden Planet'' and ''Lost in Space (film), Lost in Space''. ''Metronome'' An artist goes through his day keeping to a steady rhythm. All the while, his voice-over speaks rapidly, discussing mental patterns in life, language, rhythm, as well a ...
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Now (newspaper)
''Now'' (styled as ''NOW''), also known as ''NOW Magazine'' is an online publication based in Toronto, Ontario, Canada. Throughout most of its existence, ''Now'' was a free alternative weekly newspaper. Physical publication of ''Now'' was suspended in August 2022, and there are no current plans to resume printed publication. Publication history ''Now'' was first published on September 10, 1981, by Michael Hollett and Alice Klein."Publisher of Toronto's iconic NOW Magazine files for bankruptcy."
''blogTO'', April 1, 2022.
''NOW'' is an alternative weekly that covers news, culture, arts, and entertainment. In its printed incarnation, ''NOW'' was published 52 times a year and could be picked up in Toronto subway stations, cafes, variety st ...
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Morse Code
Morse code is a method used in telecommunication to encode text characters as standardized sequences of two different signal durations, called ''dots'' and ''dashes'', or ''dits'' and ''dahs''. Morse code is named after Samuel Morse, one of the inventors of the telegraph. International Morse code encodes the 26  basic Latin letters through , one accented Latin letter (), the Arabic numerals, and a small set of punctuation and procedural signals ( prosigns). There is no distinction between upper and lower case letters. Each Morse code symbol is formed by a sequence of ''dits'' and ''dahs''. The ''dit'' duration is the basic unit of time measurement in Morse code transmission. The duration of a ''dah'' is three times the duration of a ''dit''. Each ''dit'' or ''dah'' within an encoded character is followed by a period of signal absence, called a ''space'', equal to the ''dit'' duration. The letters of a word are separated by a space of duration equal to three ''dits'', ...
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Tarkovsky
Andrei Arsenyevich Tarkovsky ( rus, Андрей Арсеньевич Тарковский, p=ɐnˈdrʲej ɐrˈsʲenʲjɪvʲɪtɕ tɐrˈkofskʲɪj; 4 April 1932 – 29 December 1986) was a Russian filmmaker. Widely considered one of the greatest and most influential filmmakers of all time, his films explore spiritual and metaphysical themes, and are noted for their slow pacing and long takes, dreamlike visual imagery, and preoccupation with nature and memory. Tarkovsky studied film at Moscow's VGIK under filmmaker Mikhail Romm, and subsequently directed his first five features in the Soviet Union: ''Ivan's Childhood'' (1962), ''Andrei Rublev'' (1966), ''Solaris'' (1972), ''Mirror'' (1975), and ''Stalker'' (1979). A number of his films from this period are ranked among the best films ever made. After years of creative conflict with state film authorities, Tarkovsky left the country in 1979 and made his final two films abroad; ''Nostalghia'' (1983) and '' The Sacrifice'' (1986 ...
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Canada Council For The Arts
The Canada Council for the Arts (french: Conseil des arts du Canada), commonly called the Canada Council, is a Crown corporation established in 1957 as an arts council of the Government of Canada. It acts as the federal government's principal instrument for funding public arts, as well as for fostering and promoting the study and enjoyment of, and the production of works in, the arts. The Canada Council fulfills its mandate primarily through providing grants and services to professional Canadian artists and arts organizations in dance, interdisciplinary art, media arts, music, opera, theatre, writing, publishing, and the visual arts. In addition, the Canada Council administers the Art Bank, which operates art rental programs and an exhibitions and outreach program. The Canada Council Art Bank holds the largest collection of contemporary Canadian art in the world. The Canada Council is also responsible for the secretariat for the Canadian Commission for UNESCO and the Public Le ...
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Lisa Steele
Lisa Steele D.Litt. (born 1947) is a Canadian artist, a pioneer in video art, educator, curator and co-founder of Vtape in Toronto. Born in the United States, Steele moved to Canada in 1968 and is now a Canadian citizen. She has collaborated exclusively with her partner Kim Tomczak since the early 1980s. Early life Steele was born in Kansas City, Missouri in 1947 and immigrated to Canada in 1968. Her brother James B. Steele is a Pulitzer Prize winning journalist located in Philadelphia. Career An important pioneer of video art in Canada since the early 1970s, Steele has shown internationally at the Venice Biennale (1980), the Kunsthalle Basel, the Museum of Modern Art (NYC), the National Gallery of Canada, the Institute of Contemporary Art (Boston), 49th Parallel Videoseries, the Vancouver Art Gallery and the Long Beach Museum. She is a founding director of Vtape in Toronto, a national information and distribution service for independent video and a founding publisher and ed ...
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Denominations (film)
''Denominations'' is a 2003 Canadian short experimental documentary film created by video artist Daniel Cockburn about some time spent with American video artist Joe Gibbons. Synopsis The title refers to denominations of currency. The American video artist Joe Gibbons is in Daniel Cockburn's kitchen one morning during which they compare cameras. While this is taking place, a text scrolls up the left hand side of the screen, describing and commenting on the scene itself (Joe is a "self-professed sociopath" from "Massachusetts (USA)"), but also describing events that take place off screen later in the morning when they go for brunch. Joe Gibbons appears in the film as himself. Cockburn refers to the short as a "docu-anecdote" and suggests that the phrase "a penny for your thoughts" is subject to an exchange rate in practice. Production background In the mid 2000s, Cockburn was making several videos and short films any given year. In 2003, in addition to ''Denominations'', ...
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Steve Reinke
Steve Reinke (born 1963) is a Canadian video artist and filmmaker. Life Reinke was born June 5, 1963, in Eganville, Ontario, Canada. He lives and works in Chicago, Illinois, where he is a professor of Art Theory and Practice at Northwestern University. He received his M.F.A. from Nova Scotia College of Art and Design in 1993. Work Reinke's best known work is ''The 100 Videos'' (1996) and consists of one hundred separate videos created between 1990 and 1996. As a writer and editor, Reinke has co-edited ''Lux: A Decade of Artists' Film and Video'', 2000 and published ''Everybody Loves Nothing: Video 1996-2004,'' 2004. Exhibitions Reinke exhibited in the 2014 Whitney Biennial. He has additionally exhibited at the Museum of Modern Art, Pompidou Centre, Tate, National Gallery of Canada, International Film Festival Rotterdam and the New York Video Festival. Collections Reinke's work is included in the permanent collections of the National Gallery of Canada and the Museum of Modern Ar ...
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Video Art
Video art is an art form which relies on using video technology as a visual and audio medium. Video art emerged during the late 1960s as new consumer video technology such as video tape recorders became available outside corporate broadcasting. Video art can take many forms: recordings that are broadcast; installations viewed in galleries or museums; works streamed online, distributed as video tapes, or DVDs; and performances which may incorporate one or more television sets, video monitors, and projections, displaying live or recorded images and sounds. Video art is named for the original analog video tape, which was the most commonly used recording technology in much of the form history into the 1990s. With the advent of digital recording equipment, many artists began to explore digital technology as a new way of expression. One of the key differences between video art and theatrical cinema is that video art does not necessarily rely on many of the conventions that define t ...
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Postmodernist
Postmodernism is an intellectual stance or mode of discourseNuyen, A.T., 1992. The Role of Rhetorical Devices in Postmodernist Discourse. Philosophy & Rhetoric, pp.183–194. characterized by skepticism toward the " grand narratives" of modernism, opposition to epistemic certainty or stability of meaning, and emphasis on ideology as a means of maintaining political power. Claims to objective fact are dismissed as naïve realism, with attention drawn to the conditional nature of knowledge claims within particular historical, political, and cultural discourses. The postmodern outlook is characterized by self-referentiality, epistemological relativism, moral relativism, pluralism, irony, irreverence, and eclecticism; it rejects the "universal validity" of binary oppositions, stable identity, hierarchy, and categorization. Initially emerging from a mode of literary criticism, postmodernism developed in the mid-twentieth century as a rejection of modernism and has been observed ...
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