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The Ice Break
''The Ice Break'' is an English-language opera in three acts, with music and libretto to an original scenario by Sir Michael Tippett. The opera received its premiere at the Royal Opera House, Covent Garden on 7 July 1977, conducted by Colin Davis, the dedicatee of the opera. One meaning of the opera's title is a reference to the actual physical breaking of ice on the frozen northern rivers, signaling the advent of spring. The composer has said that the subject of the opera is "whether or not we can be reborn from the stereotypes we live in." John Warrack has noted that the work "confronts questions of stereotype on a wider scale" compared to Tippett's earlier operas, and also in a contemporary setting. Tippett himself put this line on a preface page to a published score of the opera, the opening of François Villon's ''Ballade des pendus:'': :"Brother humans who live after us, do not harden your hearts against us." Performance history A German translation was given at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Tippett
Sir Michael Kemp Tippett (2 January 1905 – 8 January 1998) was an English composer who rose to prominence during and immediately after the Second World War. In his lifetime he was sometimes ranked with his contemporary Benjamin Britten as one of the leading British composers of the 20th century. Among his best-known works are the oratorio ''A Child of Our Time'', the orchestral '' Fantasia Concertante on a Theme of Corelli'', and the opera ''The Midsummer Marriage''. Tippett's talent developed slowly. He withdrew or destroyed his earliest compositions, and was 30 before any of his works were published. Until the mid-to-late 1950s his music was broadly lyrical in character, before changing to a more astringent and experimental style. New influences, including those of jazz and blues after his first visit to America in 1965, became increasingly evident in his compositions. While Tippett's stature with the public continued to grow, not all critics approved of these changes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew Gourlay
Andrew Gourlay (born 1982) is a British conductor. Born in Jamaica, Gourlay was subsequently raised in the Bahamas, the Philippines, Japan and the United Kingdom. He is of Russian ancestry.''Andrew Gourlay'' in ''Scherzo'' no.348, February 2019, p. 58-59. Gourlay began his musical training on the piano and the trombone. As a trombonist in his early twenties, he played with such orchestras as the Philhamonia, BBC Philharmonic, BBC National Orchestra of Wales, Hallé Orchestra and the London Sinfonietta. He was a member of the Gustav Mahler Jugendorchester, with whom he played under the baton of their founder, Claudio Abbado. Gourlay studied at the Royal Northern College of Music and University of Manchester, before specialising in conducting at the Royal College of Music in London, where he prepared orchestras for Bernard Haitink and Sir Roger Norrington. He acted as cover conductor for Kurt Masur, Valery Gergiev, Esa-Pekka Salonen, and Sir Colin Davis, twice replacing D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muhammad Ali
Muhammad Ali (; born Cassius Marcellus Clay Jr.; January 17, 1942 – June 3, 2016) was an American professional boxer and activist. Nicknamed "The Greatest", he is regarded as one of the most significant sports figures of the 20th century, and is frequently ranked as the greatest heavyweight boxer of all time. In 1999, he was named Sportsman of the Century by ''Sports Illustrated'' and the Sports Personality of the Century by the BBC. Born and raised in Louisville, Kentucky, he began training as an amateur boxer at age 12. At 18, he won a gold medal in the light heavyweight division at the 1960 Summer Olympics and turned professional later that year. He became a Muslim after 1961. He won the world heavyweight championship, defeating Sonny Liston in a major upset on February 25, 1964, at age 22. During that year, he denounced his birth name as a "slave name" and formally changed his name to Muhammad Ali. In 1966, Ali refused to be drafted into the military owing to his r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Countertenor
A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a specific kind of countertenor) may match the soprano's range of around C4 to C6.A sopranist is a term used to describe a countertenor whose vocal range is so high it is equivalent to that of a soprano; however, this term is widely used falsely. Countertenors often are baritones or tenors at core, but only on rare occasions do they use their lower vocal range, instead preferring their falsetto or high head voice. The nature of the countertenor voice has radically changed throughout musical history, from a modal voice, to a modal and falsetto voice, to the primarily falsetto voice which is denoted by the term today. This is partly because of changes in human physiology and partly because of fluctuations in pitch. The term first came into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josephine Barstow
Dame Josephine Clare Barstow, (born 27 September 1940) is an English operatic soprano. Education and early career Josephine Barstow was born in Sheffield and educated at the University of Birmingham. She made her professional debut (Mimì in ''La bohème'') with the touring company '' Opera for All'' in 1964. She won a scholarship to study during 1965–66 at the London Opera Centre, where she met her husband Ande Anderson (d. 1996). During the following season, she sang Gluck's Euridice and Verdi's Violetta for the Sadler's Wells Opera Company and in 1968 she began a three-year contract with Welsh National Opera. In 1969 she made her Royal Opera debut as one of the nieces in ''Peter Grimes'' Subsequent career Among other roles with the Royal Opera, she has sung Alice Ford (''Falstaff''), Santuzza (''Cavalleria rusticana''), Ellen Orford in ''Peter Grimes'', Leonore (''Fidelio'') and the Old Countess ('' The Queen of Spades''). She also appeared in the world premières of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanford Sylvan
Sanford Sylvan (December 19, 1953 – January 29, 2019) was an American baritone. Biography Sanford Mead Sylvan was born in New York City on December 19, 1953, and grew up in Syosset, New York. Starting at age 13 he participated in the Juilliard School's pre-college program and beginning in 1974 he spent four summers at the Tanglewood Music Center, where he studied with Phyllis Curtin, which he later cited as transforming his career: "I am the singer that I am today because of Phyllis Curtin." He worked as an usher at the Metropolitan Opera while completing his undergraduate degree at the Manhattan School of Music. He made his Glyndebourne Festival debut in 1994 as Leporello in Don Giovanni by Mozart. He performed with many leading conductors, opera companies and orchestras including Houston Grand Opera, San Francisco Opera, New York City Opera, the New York Philharmonic, Boston Symphony, Cleveland Orchestra, Los Angeles Philharmonic, San Francisco Symphony, London Symphony Orc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nadine Benjamin
Nadine Rohanda Smith Wray Willow Benjamin is a British lyric soprano singer.Jury, Louise (30 October 2014)"Singer who quit City stars in slave trade opera" ''London Evening Standard The ''Evening Standard'', formerly ''The Standard'' (1827–1904), also known as the ''London Evening Standard'', is a local free daily newspaper in London, England, published Monday to Friday in tabloid format. In October 2009, after be ...''. Biography She was born Nadine Rohanda Smith in Brixton, south London, of Jamaican-Indian heritage. Leaving St Martin-in-the-Fields High School for Girls when she was 16, she joined the Youth Training Scheme, which led to her working with a corporate finance company in City of London, the City for seven years.Browne, Malika (23 February 2018)"Nadine Benjamin: ‘I’m hungry to be a great singer’" ''The Times''. Realising that she wanted to be a singer, she attended Tech Music School in west London, before deciding to focus on opera. She was the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arlene Saunders
Arlene Saunders (Cleveland, October 5, 1930 – April 17, 2020) was an American spinto soprano opera singer. After making her operatic debut as Rosalinde von Eisenstein, in ''Die Fledermaus'', with the National Opera Company in 1958, she made her first appearance with the New York City Opera in 1961, as Giorgetta in ''Il tabarro'' (conducted by Julius Rudel). With that company, she soon sang in ''Carmen'' (as Micaëla), ''La bohème'' (as Mimì), ''Louise'' (opposite Norman Treigle as the Père), ''Die lustige Witwe'' and ''Don Giovanni'' (as Donna Elvira). In 1964, Saunders began a relationship with the Hamburg State Opera, with whom she made films of ''Le nozze di Figaro'' (as the Contessa, 1967), ''Der Freischütz'' (1968), and ''Die Meistersinger'' (with Giorgio Tozzi and Richard Cassilly, 1970). With the company she also created the part of the music teacher in the world premiere of Gian Carlo Menotti's '' Help, Help, the Globolinks!'' in 1968 (which was filmed the followin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heather Harper
Heather Mary Harper (8 May 1930 – 22 April 2019) was a Northern Irish operatic soprano. She was active internationally in both opera and concert. She performed roles such as Helena in Benjamin Britten's ''A Midsummer Night's Dream'' at the Royal Opera House, Elsa in Wagner's ''Lohengrin'' at the Bayreuth Festival, and the Countess in Mozart's ''The Marriage of Figaro'' at the Metropolitan Opera. She became known internationally when she stepped in for the world premiere of Britten's ''War Requiem'' in 1962, and remained associated with the composer's work, but also sang other premieres. Early life and education Heather Harper was born on 8 May 1930 in Belfast, the daughter of Mary (née Robb) and Hugh Harper, a lawyer. She and her three siblings received early musical training. She studied piano at the Trinity College of Music in London on a scholarship, with viola and cello as additional subjects. When the opportunity to study voice came up, she won another scholarship. Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
