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The Funeral Of The Anarchist Galli
''The Funeral of the Anarchist Galli'' (''Il Funerale dell’anarchico Galli'') is a painting by Italian painter Carlo Carrà. It was finished in 1911, during the artist's futurist phase, and is considered Carrà's most famous piece. The piece depicts the violent funeral of anarchist Angelo Galli, an event Carrà witnessed in his early adulthood. The piece was first displayed in 1912 and has been described as chaotic and violent. Since 1948, it has resided in New York City's Museum of Modern Art. Reception of the piece has praised its use of intense, heavy lines as a means to display movement. The ''Futurist Manifesto'' praised Carrà's adaptation of Pablo Picasso’s Cubist techniques in the piece. Critics have noted compositional similarities between ''The Funeral of the Anarchist Galli'' and Paolo Uccello's work ''The Battle of San Romano.'' History In 1906, anarchist Angelo Galli was killed on the eve of an Italian general strike. The strike had been called after a sec ...
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Carlo Carrà
Carlo Carrà (; February 11, 1881 – April 13, 1966) was an Italian painter and a leading figure of the Futurist movement that flourished in Italy during the beginning of the 20th century. In addition to his many paintings, he wrote a number of books concerning art. He taught for many years in the city of Milan. Biography Carrà was born in Quargnento, near Alessandria (Piedmont). At the age of 12 he left home in order to work as a mural decorator. In 1899–1900, Carrà was in Paris decorating pavilions at the Exposition Universelle, where he became acquainted with contemporary French art. He then spent a few months in London in contact with exiled Italian anarchists, and returned to Milan in 1901. In 1906, he enrolled at Brera Academy (''Accademia di Brera'') in the city, and studied under Cesare Tallone. In 1910 he signed, along with Umberto Boccioni, Luigi Russolo and Giacomo Balla the ''Manifesto of Futurist Painters'', and began a phase of painting that became his mo ...
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Cemetery
A cemetery, burial ground, gravesite or graveyard is a place where the remains of dead people are buried or otherwise interred. The word ''cemetery'' (from Greek , "sleeping place") implies that the land is specifically designated as a burial ground and originally applied to the Roman catacombs. The term ''graveyard'' is often used interchangeably with cemetery, but a graveyard primarily refers to a burial ground within a churchyard. The intact or cremated remains of people may be interred in a grave, commonly referred to as burial, or in a tomb, an "above-ground grave" (resembling a sarcophagus), a mausoleum, columbarium, niche, or other edifice. In Western cultures, funeral ceremonies are often observed in cemeteries. These ceremonies or rites of passage differ according to cultural practices and religious beliefs. Modern cemeteries often include crematoria, and some grounds previously used for both, continue as crematoria as a principal use long after the interment ...
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Private Collection
A private collection is a privately owned collection of works (usually artworks) or valuable items. In a museum or art gallery context, the term signifies that a certain work is not owned by that institution, but is on loan from an individual or organization, either for temporary exhibition or for the long term. This source is usually an art collector, although it could also be a school, church, bank, or some other company or organization. By contrast, collectors of books, even if they collect for aesthetic reasons (fine bookbindings or illuminated manuscripts for example), are called bibliophiles, and their collections are typically referred to as libraries. History Art collecting was common among the wealthy in the Ancient World in both Europe and East Asia, and in the Middle Ages, but developed in its modern form during the Renaissance and continues to the present day. The Royal collections of most countries were originally the grandest of private collections but are no ...
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Germany
Germany,, officially the Federal Republic of Germany, is a country in Central Europe. It is the second most populous country in Europe after Russia, and the most populous member state of the European Union. Germany is situated between the Baltic and North seas to the north, and the Alps to the south; it covers an area of , with a population of almost 84 million within its 16 constituent states. Germany borders Denmark to the north, Poland and the Czech Republic to the east, Austria and Switzerland to the south, and France, Luxembourg, Belgium, and the Netherlands to the west. The nation's capital and most populous city is Berlin and its financial centre is Frankfurt; the largest urban area is the Ruhr. Various Germanic tribes have inhabited the northern parts of modern Germany since classical antiquity. A region named Germania was documented before AD 100. In 962, the Kingdom of Germany formed the bulk of the Holy Roman Empire. During the 16th ce ...
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Giacomo Balla
Giacomo Balla (18 July 1871 – 1 March 1958) was an Italian painter, art teacher and poet best known as a key proponent of Futurism. In his paintings he depicted light, movement and speed. He was concerned with expressing movement in his works, but unlike other leading futurists he was not interested in machines or violence with his works tending towards the witty and whimsical. Biography Giacomo Balla was born in Turin, in the Piedmont region of Italy. He was the son of a photographer and as a child studied music. At age nine, after the death of his father, he gave up music and began working in a lithograph print shop. By age 20, his interest in visual art had developed to such a level that he decided to study painting at local academies, and several of his early works were shown at exhibitions. Following academic studies at the University of Turin, Balla moved to Rome in 1895, where he met and later married Elisa Marcucci. For several years he worked in Rome as an illustrator, ...
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Gino Severini
Gino Severini (7 April 1883 – 26 February 1966) was an Italian Painting, painter and a leading member of the Futurism (art), Futurist movement. For much of his life he divided his time between Paris and Rome. He was associated with neo-classicism and the "return to order" in the decade after the First World War. During his career he worked in a variety of media, including mosaic and fresco. He showed his work at major exhibitions, including the Rome Quadrennial, and won art prizes from major institutions. Early life Severini was born into a poor family in Cortona, Italy. His father was a junior court official and his mother a dressmaker. He studied at the Scuola Tecnica in Cortona until the age of fifteen, when he and a group of fellow-classmates were expelled from the entire Italian school system for the attempted theft of exam papers. The boys escaped a custodial sentence but Severini never again attended formal education. For a while he worked with his father; then in 1899 ...
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Luigi Russolo
Luigi Carlo Filippo Russolo (30 April 1885 – 4 February 1947) was an Italian Futurist painter, composer, builder of experimental musical instruments, and the author of the manifesto ''The Art of Noises'' (1913). He is often regarded as one of the first noise music experimental composers with his performances of ''noise music concerts'' in 1913–14 and then again after World War I, notably in Paris in 1921. He designed and constructed a number of noise-generating devices called Intonarumori. Biography Luigi Russolo was perhaps the first noise artist. His 1913 manifesto, '' L'Arte dei Rumori (The Art of Noises)'', stated that the industrial revolution had given modern men a greater capacity to appreciate more complex sounds. Russolo found traditional melodic music confining, and he envisioned noise music as its future replacement. Russolo designed and constructed a number of noise-generating devices called Intonarumori, and assembled a noise orchestra to perform with them. A ...
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Umberto Boccioni
Umberto Boccioni (, ; 19 October 1882 – 17 August 1916) was an influential Italian painter and sculptor. He helped shape the revolutionary aesthetic of the Futurism movement as one of its principal figures. Despite his short life, his approach to the dynamism of form and the deconstruction of solid mass guided artists long after his death. His works are held by many public art museums, and in 1988 the Metropolitan Museum of Art in New York City organized a major retrospective of 100 pieces. Biography Umberto Boccioni was born on 19 October 1882 in Reggio Calabria. His father was a minor government employee, originally from the Romagna region in the north, and his job included frequent reassignments throughout Italy. The family soon relocated further north, and Umberto and his older sister Amelia grew up in Forlì (Emilia-Romagna), Genoa and finally Padua. At the age of 15, in 1897, Umberto and his father moved to Catania, Sicily, where he would finish school. Some time after 189 ...
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Bernheim-Jeune
Bernheim-Jeune gallery is one of the oldest art galleries in Paris. Opened on Rue Laffitte in 1863 by Alexandre Bernheim (1839-1915), friend of Delacroix, Corot and Courbet, it changed location a few times before settling on Avenue Matignon. The gallery promoted realists, Barbizon school paintings and, in 1874, the first impressionist and later post-impressionist painters. It closed in 2019. History In 1901, Alexandre Bernheim, with his sons, Josse (1870-1941), and Gaston (1870-1953), organized the first important exhibition of Vincent van Gogh paintings in Paris with the help of art critic Julien Leclercq. In 1906, ''Bernheim-Jeune frères'' started presenting works by Pierre Bonnard, Édouard Vuillard, Paul Cézanne, Henri-Edmond Cross, Kees van Dongen, Henri Matisse, Le Douanier Rousseau, Raoul Dufy, Maurice de Vlaminck, Amedeo Modigliani, Maurice Utrillo and Georges Dufrénoy. From 1906 to 1925, art critic Félix Fénéon was the director of the gallery and was instrum ...
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Félix Fénéon
Félix Fénéon (; 22 June 1861 – 29 February 1944) was a French art critic, gallery director, writer and anarchist during the late 19th century and early 20th century. He coined the term ''Neo-Impressionism'' in 1886 to identify a group of artists led by Georges Seurat, and ardently promoted them. The Fénéon Prize was established in 1949 by his wife, Fanny Goubaux, from proceeds from the sale of his art collection. Early life Fénéon was born in Turin, Italy in 1861 to Marie-Louise Jacquin (a Swiss Schoolteacher) and Pierre Marie Jules Félix Fénéon (a French salesman). He was raised in Burgundy. After placing first in the competitive exams for jobs, Fénéon moved to Paris at age 20 to work for the War Office where he achieved the rank of chief clerk. During his time in there he edited many literary works, including those of Rimbaud and Lautréamont, and helped to advance the fledgling pointillist movement under Georges Seurat. He was a regular at Mallarmé's sal ...
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Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ...
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Pastel
A pastel () is an art medium in a variety of forms including a stick, a square a pebble or a pan of color; though other forms are possible; they consist of powdered pigment and a binder. The pigments used in pastels are similar to those used to produce some other colored visual arts media, such as oil paints; the binder is of a neutral hue and low saturation. The color effect of pastels is closer to the natural dry pigments than that of any other process. Pastels have been used by artists since the Renaissance, and gained considerable popularity in the 18th century, when a number of notable artists made pastel their primary medium. An artwork made using pastels is called a pastel (or a pastel drawing or pastel painting). ''Pastel'' used as a verb means to produce an artwork with pastels; as an adjective it means pale in color. Pastel media Pastel sticks or crayons consist of powdered pigment combined with a binder. The exact composition and characteristics of an individual ...
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