The Farewell Of Telemachus And Eucharis
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The Farewell Of Telemachus And Eucharis
''The Farewell of Telemachus and Eucharis'' is a painting from 1818 by Jacques-Louis David, now in the J. Paul Getty Museum in Los Angeles, California. Painted during David's exile in Brussels, it was purchased by the Count von Schönborn-Wiesentheid. It depicts Telemachus and Eucharis, two characters in François Fénelon's 1699 novel ''Les Aventures de Télémaque'', inspired by Homer's ''Odyssey''. The artist's last painting of a couple from mythology, it is a pendant painting to his '' Love and Psyche''. Background Commission and purchase David began ''The Farewell of Telemachus and Eucharis'' after his 1816 exile to Brussels, following the Bourbon return to the French throne. David may have started the painting on his own initiative, or an unknown patron may have suggested the subject to him. At some point between 1817 and early 1818, while David was at work on the painting, the Count von Schönborn heard about the project. He visited David's new studio in Brussels to discus ...
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Paintings In The Collection Of The J
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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1818 Paintings
Events January–March * January 1 ** Battle of Koregaon: Troops of the British East India Company score a decisive victory over the Maratha Empire. ** Mary Shelley's ''Frankenstein'' is published anonymously in London. * January 2 – The British Institution of Civil Engineers is founded. * January 3 (21:52 UTC) – Venus occults Jupiter. It is the last occultation of one planet by another before November 22, 2065. * January 6 – The Treaty of Mandeswar brings an end to the Third Anglo-Maratha War, ending the dominance of Marathas, and enhancing the power of the British East India Company, which controls territory occupied by 180 million Indians. * January 11 – Percy Bysshe Shelley's ''Ozymandias'' is published pseudonymously in London. * January 12 – The Dandy horse (''Laufmaschine'' bicycle) is invented by Karl Drais in Mannheim. * February 3 – Jeremiah Chubb is granted a British patent for the Chubb detector lock. * February 5 – Upon his death, King Cha ...
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Mythological Paintings By Jacques-Louis David
Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrative as a myth can be highly controversial. Many adherents of religions view their own religions' stories as truth and so object to their characterization as myth, the way they see the stories of other religions. As such, some scholars label all religious narratives "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars avoid using the term "myth" altogether and instead use different terms like "sacred history", "holy story", or simply "history" to avoid placing pejorative overtones on any sacred narrative. Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many socie ...
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Neoclassicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome largely thanks to the writings of Johann Joachim Winckelmann, at the time of the rediscovery of Pompeii and Herculaneum, but its popularity spread all over Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th and up to the 21st century. European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornamentati ...
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Sophie Frémiet
Sophie Rude (; 16 June 1797 – 4 December 1867) was a French painter. Biography Youth and art training Born in Dijon, her father was the assistant curator of the city's museum, a patron of artists and a fervent Bonapartist. Sophie was taught by Anatole Devosge, a former pupil of Jacques-Louis David. Her father supported the work of a young Dijon sculptor, François Rude. In the aftermath of the second Bourbon Restoration in 1815, the Frémiet family, along with many other Bonapartists, left France for Brussels (now Belgium, then part of the newly created United Kingdom of the Netherlands). Here Sophie studied under another French exile, her former teacher's master, Jacques-Louis David. She worked as David's copyist and exhibited her own works in Brussels and in Antwerp. In 1820, her ''Belle Anthia'' was a great success at an exhibition in Ghent. Sophie Rude - Portrait of Francois Rude.jpg, Sophie Frémiet, portrait of her husband, François Rude. Lamarseillaise.500px.jpg, ...
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Joseph Denis Odevaere
Joseph Denis Odevaere, or Joseph-Désiré Odevaere (2 December 1775, in Bruges – 26 February 1830, in Brussels), was a Neo-Classical painter from the Southern Netherlands (now Belgium). He served as court painter to King William I. Biography His first art lessons came at the , where he studied with . He then moved to Paris, continuing his studies with Joseph-Benoît Suvée and Jacques-Louis David. In 1804, he was awarded the Prix de Rome for his painting ''The Death of Phocion''. This earned him his first commissions, which he spent a year fulfilling prior to his departure. He then spent eight years at several locations in Italy, copying the old masters and taking particular inspiration from Raphael. While there, he was one of a large group of artists chosen to provide decorations for Napoleon's visit at the Palazzo del Quirinale although, as it turned out, he never produced more than sketches. After that, he spent some time in Paris and received a Gold Medal from Napoleon. Wh ...
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Classical Tradition
The Western classical tradition is the reception of classical Greco-Roman antiquity by later cultures, especially the post-classical West, involving texts, imagery, objects, ideas, institutions, monuments, architecture, cultural artifacts, rituals, practices, and sayings. Philosophy, political thought, and mythology are three major examples of how classical culture survives and continues to have influence. The West is one of a number of world cultures regarded as having a classical tradition, including the Indian, Chinese, and Islamic traditions. The study of the classical tradition differs from classical philology, which seeks to recover "the meanings that ancient texts had in their original contexts." It examines both later efforts to uncover the realities of the Greco-Roman world and "creative misunderstandings" that reinterpret ancient values, ideas and aesthetic models for contemporary use. The classicist and translator Charles Martindale has defined the reception of cla ...
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Bourbon Restoration In France
The Bourbon Restoration was the period of French history during which the House of Bourbon returned to power after the first fall of Napoleon on 3 May 1814. Briefly interrupted by the Hundred Days War in 1815, the Restoration lasted until the July Revolution of 26 July 1830. Louis XVIII and Charles X, brothers of the executed king Louis XVI, successively mounted the throne and instituted a conservative government intended to restore the proprieties, if not all the institutions, of the Ancien Régime. Exiled supporters of the monarchy returned to France but were unable to reverse most of the changes made by the French Revolution. Exhausted by decades of war, the nation experienced a period of internal and external peace, stable economic prosperity and the preliminaries of industrialization. Background Following the French Revolution (1789–1799), Napoleon Bonaparte became ruler of France. After years of expansion of his French Empire by successive military victories, a coaliti ...
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Jacques-Louis David
Jacques-Louis David (; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassicism, Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity and severity and heightened feeling, harmonizing with the moral climate of the final years of the Ancien Régime. David later became an active supporter of the French Revolution and friend of Maximilien Robespierre (1758–1794), and was effectively a dictator of the arts under the French First Republic, French Republic. Imprisoned after Robespierre's fall from power, he aligned himself with yet another political regime upon his release: that of Napoleon, the First Consul of France. At this time he developed his Empire style, notable for its use of warm Venetian school (art), Venetian colours. After Napoleon's fall from Imperial power and the Bourbon revival, David exiled himself ...
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Love And Psyche (David)
''Love and Psyche'' or ''Cupid and Psyche'' is an 1817 painting by Jacques-Louis David, now in the Cleveland Museum of Art. It shows Cupid and Psyche. It was produced during David's exile in Brussels, for the patron and collector Gian Battista Sommariva. On its first exhibition at the museum in Brussels, it surprised viewers with its realist treatment of the figure of Cupid. Critics generally saw the painting's unconventional style and realistic depiction of Cupid as proof of David's decline while in exile, but art historians have come to see the work as a deliberate departure from traditional methods of representing mythological figures. Background Exile David began planning ''Love and Psyche'' in Paris in 1813, then completed it while in exile in Brussels, following Napoleon's fall from power. It was the first painting that David finished in exile. Louis XVIII had offered David a pardon for his activities during the Revolution, but the painter decided instead to enter exi ...
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