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The Epiphany Of Glenn Jones
''The Epiphany of Glenn Jones'' is an album by American fingerstyle guitarist and composer John Fahey and the alternative rock/post-rock band Cul de Sac, released in 1997. History The project initially began with Geffen Records and was to be a collaboration between Fahey and young musicians influenced by his earlier work. When this idea later collapsed, Thirsty Ear Records producer Peter Gordon assembled the Cul de Sac/Fahey project. Cul de Sac had previously covered Fahey's song "The Portland Cement Factory at Monolith California" on their debut album ''Ecim''.Jones, Glenn. Original CD liner notes for ''The Epiphany of Glenn Jones''. Retrieved January 2010. Glenn Jones, the band's leader and guitarist, became interested and influenced by Fahey's early music while still in hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Deco
Art Deco, short for the French ''Arts Décoratifs'', and sometimes just called Deco, is a style of visual arts, architecture, and product design, that first appeared in France in the 1910s (just before World War I), and flourished in the United States and Europe during the 1920s and 1930s. Through styling and design of the exterior and interior of anything from large structures to small objects, including how people look (clothing, fashion and jewelry), Art Deco has influenced bridges, buildings (from skyscrapers to cinemas), ships, ocean liners, trains, cars, trucks, buses, furniture, and everyday objects like radios and vacuum cleaners. It got its name after the 1925 Exposition internationale des arts décoratifs et industriels modernes (International Exhibition of Modern Decorative and Industrial Arts) held in Paris. Art Deco combined modern styles with fine craftsmanship and rich materials. During its heyday, it represented luxury, glamour, exuberance, and faith in socia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Johnson (musician)
Robert Leroy Johnson (May 8, 1911August 16, 1938) was an American blues musician and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. Although his recording career spanned only seven months, he is now recognized as a master of the blues, particularly the Delta blues style, and is also one of the most influential musicians of the 20th century. The Rock and Roll Hall of Fame describes him as being "the first ever rock star". As a traveling performer who played mostly on street corners, in juke joints, and at Saturday night dances, Johnson had little commercial success or public recognition in his lifetime. He participated in only two recording sessions, one in San Antonio in 1936, and one in Dallas in 1937, that produced 29 distinct songs (with 13 surviving alternate takes) recorded by famed Country Music Hall of Fame producer Don Law. These songs, reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Come On In My Kitchen
"Come On in My Kitchen" is a blues song by Robert Johnson. Music writer Elijah Wald has described it as "a hypnotic lament" and "his first unquestionable masterpiece". A sometime traveling companion and fellow musician, Johnny Shines, recalled that Johnson's performance of the song could be overpowering: Background Blues scholars have identified a body of previously recorded songs with direct and indirect melodic similarities. Edward Komara suggests a line of recordings with notably high degree of sales and of imitation by other artists: 1925 "How Long Daddy How Long" (Ida Cox with Papa Charlie Jackson); 1928 "How Long How Long Blues" (Leroy Carr with Scrapper Blackwell); 1930 "Sitting on Top of the World: (Mississippi Sheiks); 1934 "Six Feet in the Ground" (St. Louis Jimmy Oden). Former neighbours report that Johnson learned "How Long" from Carr's record in the year following its release. Komara suggests that Johnson's thumbed bass lines in "Come On in My Kitchen" were directly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy Johnson (blues Musician)
Tommy Johnson (January 1896November 1, 1956) was an American Delta blues musician who recorded in the late 1920s and was known for his eerie falsetto voice and intricate guitar playing. He was unrelated to the blues musician Robert Johnson. Early life Johnson was born near Terry, Mississippi, and in about 1910 moved to Crystal Springs, where he lived for most of his life. He learned to play the guitar and, by 1914, was supplementing his income by playing at local parties with his brothers Major and LeDell. In 1916 Johnson married and moved to Webb Jennings' plantation near Drew, Mississippi, close to the Dockery Plantation. There he met other musicians, including Charlie Patton and Willie Brown."Tommy Johnson - Delta School" Career By 1920, Johnson was an itinerant musician bas ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ace Cannon
John Henry "Ace" Cannon (May 5, 1934 – December 6, 2018) was an American tenor and alto saxophonist. He played and toured with Hi Records stablemate Bill Black's Combo, and started a solo career with his record "Tuff" in 1961, using the Black combo as his backing group. "Tuff" hit #17 on the U.S. ''Billboard'' Hot 100 in 1962, and the follow-up single "Blues (Stay Away from Me)" hit #36 that same year. In April 1965, he released ''Ace Cannon Live'' (HL 12025); according to the liner notes by Nick Pesce the album was recorded in front of a live audience inside Hi's recording studio, and Pesce claims this was the first time such an album had ever been recorded (as opposed to previous live albums recorded in concert venues). Cannon was inducted into the Rockabilly Hall of Fame in 2000. In May 2007, his hometown of Calhoun City, Mississippi, hosted its first annual Ace Cannon Festival, and on December 9, 2008, he was honored with induction into the Mississippi Musicians' Hall of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuff (instrumental)
"Tuff" is a song written and performed by Ace Cannon, and was arranged and produced by Carl McVoy. It was featured on his 1962 album ''Tuff-Sax''. Chart performance It reached #3 on the U.S. R&B chart and #17 on the U.S. pop chart in 1962. The song ranked #40 on ''Billboard'' magazine's Top 100 singles of 1962. Other versions * Billy Vaughn and His Orchestra released a version of the song on their 1962 album ''Chapel by the Sea''. *Fausto Papetti released a version of the song on his 1965 album ''3a Raccolta''. *Boots Randolph released a version of the song on his 1965 album ''Plays 12 Monstrous Sax Hits!'' *Ray Anthony released a version of the song on his 1968 album ''Ray Anthony Now''. *Charlie Musselwhite released a version of the song on his 1979 album ''The Harmonica According to Charlie Musselwhite''. * Hank Crawford and Jimmy McGriff released a version of the song on their 1990 album '' On the Blue Side''. * Clifford Scott released a version of the song on his 1992 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The A
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mojo (magazine)
''Mojo'' is a popular music music magazine, magazine published monthly in the United Kingdom, initially by Ascential, Emap, and since January 2008 by Bauer Verlagsgruppe, Bauer. Following the success of the magazine ''Q (magazine), Q'', publishers Emap were looking for a title that would cater for the burgeoning interest in classic rock music. The magazine was designed to appeal to the 30 to 45-plus age group, or the baby boomer generation. ''Mojo'' was first published on 15 October 1993. In keeping with its classic rock aesthetic, the first issue had Bob Dylan and John Lennon as its first cover stars. Noted for its in-depth coverage of both popular and cult acts, it acted as the inspiration for ''Blender (magazine), Blender'' and ''Uncut (magazine), Uncut''. Many noted music critics have written for it, including Charles Shaar Murray, Greil Marcus, Nick Kent, Jon Savage and Sylvie Simmons. The launch editor of ''Mojo'' was Paul Du Noyer and his successors have included Mat Snow, P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CMJ New Music
CMJ Holdings Corp. is a music events and online media company, originally founded in 1978, which ran a website, hosted an annual festival in New York City, and published two magazines, ''CMJ New Music Monthly'' and ''CMJ New Music Report''. The company folded around 2017, but was bought by Amazing Radio in 2019 who will bring back the CMJ Music Marathon in New York, along with other new live and live-streamed offerings. The letters CMJ originally stood for ''College Media Journal'' but was also often considered short for ''College Music Journal''. History and operations The company was started by Robert Haber in 1978 as the ''College Media Journal'', a bi-weekly trade magazine aimed at college radio programmers in Great Neck, NY. The first issue was published on March 1, 1979, and featured Elvis Costello on the cover. Staff would often describe these early issues as "a bunch of photocopies stapled together." A year and a half later, the magazine was able to create the first a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Omnibus Press
Omnibus Press is a publisher of music-related books. It publishes around 30 new titles a year to add to a backlist of over 250 titles currently in print. History Omnibus Press was launched in 1972 as a general non-fiction publisher to complement the sheet music published and distributed by its parent company Music Sales Group. Music Sales had launched a separate company called Book Sales Ltd and the earliest Book Sales catalogue, issued in the early 70s, included compilations of underground comic strips, art and photography titles and one of the earliest books on the then newly discovered art of video. After former ''Melody Maker'' music journalist Chris Charlesworth joined as Omnibus editor in 1983, it was decided to concentrate exclusively on music books, and among its earliest acquisitions was Rock Family Trees by music archivist Pete Frame which remains in print and have been the basis of two BBC TV series. Over the succeeding decades Omnibus has published many biographies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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