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The Eight Great Events In The Life Of Buddha
The ''Eight Great Events'' (''ashtammaha-pratharya'') are a set of episodes in the life of the Buddha, Gautama Buddha that by the time of the Pala Empire of North India around the 9th century had become established as the standard group Life of Buddha in art, of narrative scenes to encapsulate the Buddha's life and teachings. As such they were frequently represented in Buddhist art, either individually or as a group, and recounted and interpreted in Buddhist discourses. The ''Eight Great Events'' are: the ''Birth of the Buddha'', the ''Enlightenment in Buddhism, Enlightenment'', the ''First Sermon'', the ''Monkey's offering of honey'', the ''Taming of Nalagiri the elephant'', the ''Descent from Tavatimsa Heaven'', the ''Miracle at Sravasti'' and his death or ''Parinirvana''. Each event had taken place at a specific location, which had become a place of pilgrimage, and there was a matching set of "Buddhist_pilgrimage_sites#The_Eight_Great_Places_of_pilgrimage, Eight Great Plac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jagdispur Buddha Begley
Jagdishpur is a nagar panchayat town of the district Bhojpur of the state of Bihar in eastern India. It was the capital of the eponymous Jagdishpur estate, ruled by Rajputs of the Ujjainiya clan. One of its rulers, Kunwar Singh, was a major figure in the Indian Rebellion of 1857, considered the leader of the rebellion in Bihar. The sub-division occupies an area of and has a population of 263,959, while the town proper has a population of 32,447 (). History Jagdishpur's association with the Ujjainiya Rajputs predates the foundation of the eponymous state by at least two centuries. Gajpati Sahi, who defeated Sher Shah Suri, fortified Jagdishpur and made it his capital before 1539. After Sher Shah's victory over the Mughal emperor Humayun at the Battle of Chausa in 1539, he elevated Gajpati Sahi, who had fought in the battle, to the title of Raja. However, Dilpati Sahi, a rival claimant to the throne, later allied with the Mughal emperor Akbar against Gajpati Sahi. Mughal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thanka
A ''thangka'', variously spelled as ''thangka'', ''tangka'', ''thanka'', or ''tanka'' (; Standard Tibetan, Tibetan: ཐང་ཀ་; Nepal Bhasa: पौभा), is a Tibetan Buddhism, Tibetan Buddhist painting on cotton, silk appliqué, usually depicting a Buddhist deity, scene, or mandala. Thangkas are traditionally kept unframed and rolled up when not on display, mounted on a textile backing somewhat in the style of Chinese scroll paintings, with a further silk cover on the front. So treated, thangkas can last a long time, but because of their delicate nature, they have to be kept in dry places where moisture will not affect the quality of the silk. Most thangkas are relatively small, comparable in size to a Western half-length portrait, but some are extremely large, several metres in each dimension; these were designed to be displayed, typically for very brief periods on a monastery wall, as part of religious festivals. Most thangkas were intended for personal meditation or i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terracotta
Terracotta, terra cotta, or terra-cotta (; ; ), in its material sense as an earthenware substrate, is a clay-based ceramic glaze, unglazed or glazed ceramic where the pottery firing, fired body is porous. In applied art, craft, construction, and architecture, terracotta is the term normally used for sculpture made in earthenware and also for various practical uses, including bowl (vessel), vessels (notably flower pots), water and waste water pipes, tile, roofing tiles, bricks, and surface embellishment in building construction. The term is also used to refer to the natural Terra cotta (color), brownish orange color of most terracotta. In archaeology and art history, "terracotta" is often used to describe objects such as figurines not made on a potter's wheel. Vessels and other objects that are or might be made on a wheel from the same material are called earthenware pottery; the choice of term depends on the type of object rather than the material or firing technique. Unglazed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Museum, New Delhi
The National Museum in New Delhi, also known as the National Museum of India, is one of the largest museums in India. Established in 1949, it holds a variety of articles ranging from pre-historic era to modern works of art. It functions under the Ministry of Culture, Government of India. The museum is situated on Janpath. The blue–print of the National Museum had been prepared by the Gwyer Committee set up by the Government of India in 1946. The museum has around 200,000 works of art, mostly Indian, but some of foreign origin, covering over 5,000 years. It also houses the National Museum Institute of History of Art, Conservation and Museology on the first floor which was established in 1983 and has been a university since 1989, running master's and doctoral level courses in art history, conservation and museology. History In 1946, the idea of building a National Museum for India was proposed by the Gwyer Committee. Sir Maurice Gwyer, the former chief justice of India and vice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nalanda
Nalanda (, ) was a renowned ''mahavihara'' (Buddhist monastic university) in ancient Magadha (modern-day Bihar), India.Nalanda University Government of India Considered by historians to be the world's first residential university and among the greatest centers of learning in the ancient world, it was located near the city of Rajagriha (now ) and about southeast of Pataliputra (now ). Operating from 427 until 1197 CE, Nalanda played a vital role in promoting the patronage of arts and academics during the 5th and 6th century CE, a period that has since been described as the " |
Stupa
A stupa ( sa, स्तूप, lit=heap, ) is a mound-like or hemispherical structure containing relics (such as ''śarīra'' – typically the remains of Buddhist monks or nuns) that is used as a place of meditation. In Buddhism, circumambulation or ''pradakhshina'' has been an important ritual and devotional practice since the earliest times, and stupas always have a ''pradakhshina'' path around them. The original South Asian form is a large solid dome above a tholobate or drum with vertical sides, which usually sits on a square base. There is no access to the inside of the structure. In large stupas there may be walkways for circumambulation on top of the base as well as on the ground below it. Large stupas have or had ''vedikā'' railings outside the path around the base, often highly decorated with sculpture, especially at the torana gateways, of which there are usually four. At the top of the dome is a thin vertical element, with one of more horizontal discs spreadin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barhut
Bharhut is a village located in the Satna district of Madhya Pradesh, central India. It is known for its famous relics from a Buddhist stupa. What makes Bharhut panels unique is that each panel is explicitly labelled in Brahmi characters mentioning what the panel depicts. The major donor for the Bharhut stupa was King Dhanabhuti. The Bharhut sculptures represent some of the earliest examples of Indian and Buddhist art, later than the monumental art of Ashoka (circa 260 BCE), and slightly later than the early Shunga-period reliefs on railings at Sanchi Stupa No.2 (starting circa 115 BCE). Though more provincial in quality than the sculpture at Sanchi, Amaravati Stupa and some other sites, a large amount of sculpture has survived, generally in good condition. Recent authors date the reliefs of the railings of Bharhut circa 125–100 BCE, and clearly after Sanchi Stupa No.2, compared to which Bharhut has a much more developed iconography. The torana gateway was made slightly late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanchi
Sanchi is a Buddhist complex, famous for its Great Stupa, on a hilltop at Sanchi Town in Raisen District of the States and territories of India, State of Madhya Pradesh, India. It is located, about 23 kilometres from Raisen, Raisen town, district headquarter and north-east of Bhopal, capital of Madhya Pradesh. The Great Stupa at Sanchi is one of the oldest stone structures in India, and an important monument of Indian Architecture. It was originally commissioned by the Mauryan emperor Ashoka the Great in the 3rd century BCE. Its nucleus was a simple hemispherical brick structure built over the relics of the Gautama Buddha, Buddha. It was crowned by the '''chhatra, a parasol-like structure symbolising high rank, which was intended to honour and shelter the relics. The original construction work of this stupa was overseen by Ashoka, whose wife Devi was the daughter of a merchant of nearby Vidisha. Sanchi was also her birthplace as well as the venue of her and Ashoka's wedding. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandharan Art
The Greco-Buddhist art or Gandhara art of the north Indian subcontinent is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism. It had mainly evolved in the ancient region of Gandhara. The series of interactions leading to Gandhara art occurred over time, beginning with Alexander the Great's brief incursion into the area, followed by the Mauryan Emperor Ashoka converting the region to Buddhism. Buddhism became the prominent religion in the Indo-Greek Kingdoms. However, Greco-Buddhist art truly flowered and spread under the Kushan Empire, when the first surviving devotional images of the Buddha were created during the 1st-3rd centuries CE. Gandhara art reached its zenith from the 3rd-5th century CE, when most surviving motifs and artworks were produced. Gandhara art is characterized by Buddhist subject matter, sometimes adapting Greco-Roman elements, rendered in a style and forms that are heavily influenced by Greco-Roman ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Birth Of Buddha Peshawar
Birth is the act or process of bearing or bringing forth offspring, also referred to in technical contexts as parturition. In mammals, the process is initiated by hormones which cause the muscular walls of the uterus to contract, expelling the fetus at a developmental stage when it is ready to feed and breathe. In some species the offspring is precocial and can move around almost immediately after birth but in others it is altricial and completely dependent on parenting. In marsupials, the fetus is born at a very immature stage after a short gestation and develops further in its mother's womb pouch. It is not only mammals that give birth. Some reptiles, amphibians, fish and invertebrates carry their developing young inside them. Some of these are ovoviviparous, with the eggs being hatched inside the mother's body, and others are viviparous, with the embryo developing inside her body, as in the case of mammals. Mammals Large mammals, such as primates, cattle, horses, some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mudra
A mudra (; sa, मुद्रा, , "seal", "mark", or "gesture"; ,) is a symbolic or ritual gesture or pose in Hinduism, Jainism and Buddhism. While some mudras involve the entire body, most are performed with the hands and fingers. As well as being spiritual gestures employed in the iconography and spiritual practice of Indian religions, mudras have meaning in many forms of Indian dance, and yoga. The range of mudras used in each field (and religion) differs, but with some overlap. In addition, many of the Buddhist mudras are used outside South Asia, and have developed different local forms elsewhere. In hatha yoga, mudras are used in conjunction with pranayama (yogic breathing exercises), generally while in a seated posture, to stimulate different parts of the body involved with breathing and to affect the flow of prana. It is also associated with bindu, bodhicitta, amrita, or consciousness in the body. Unlike older tantric mudras, hatha yogic mudras are generally inte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reclining Buddha
A reclining Buddha is an image that represents Buddha lying down and is a major iconographic theme in Buddhist art. It represents the historical Buddha during his last illness, about to enter the parinirvana. He is lying on his right side, his head resting on a cushion or relying on his right elbow, supporting his head with his hand. This pattern seems to have emerged at the same time as other representations of the Buddha in the Greco-Buddhist art of Gandhara. In Thai art For Thai Buddha attitudes ( th, ปางพระพุทธรูป; ), the reclining Buddha ( th, ปางไสยาสน์; ) can refer to three different episodes, whilst the attribute of each remains unclear. * Nirvana attitude ( th, ปางปรินิพพาน; ) * Teaching the Rahu Asurin attitude ( th, ปางโปรดอสุรินทราหู; ) * Sleeping attitude ( th, ปางทรงพระสุบิน; ) Notable examples Burma: * Winsein Tawya Budd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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