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The Deserving Favourite
''The Deserving Favourite'' is a Literature in English#Caroline and Cromwellian literature, Caroline era stage play, a tragicomedy written by Lodowick Carlell that was first published in 1629. The earliest of Carlell's plays "and also the best," it is notable for its influence on other plays of the Caroline era. Performance and publication The play was first printed in 1629 in a book size, quarto issued by the Worshipful Company of Stationers and Newspaper Makers, stationer Matthew Rhodes. (The work was not entered into the Stationers' Register prior to publication. This violation of the rules was unusual, though not unprecedented; the same is true of a few other plays of the era, like ''Greene's Tu Quoque'' in 1614, and ''A Fair Quarrel'' in 1617.) The title page states that the play had "lately" been acted, first at Court before King Charles I of England, Charles I and then "publicly" at the Blackfriars Theatre, by the King's Men (playing company), King's Men. Carlell dedicate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literature In English
English literature is literature written in the English language from United Kingdom, its crown dependencies, the Republic of Ireland, the United States, and the countries of the former British Empire. ''The Encyclopaedia Britannica'' defines English literature more narrowly as, "the body of written works produced in the English language by inhabitants of the British Isles (including Ireland) from the 7th century to the present day. The major literatures written in English outside the British Isles are treated separately under American literature, Australian literature, Canadian literature, and New Zealand literature." However, despite this, it includes literature from the Republic of Ireland, "Anglo-American modernism", and discusses post-colonial literature. ; See also full articles on American literature and other literatures in the English language. The English language has developed over the course of more than 1,400 years. The earliest forms of English, a set of Angl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aglaura (play)
''Aglaura'' is a late Caroline era stage play, written by Sir John Suckling. Several aspects of the play have led critics to treat it as a key development and a marker of the final decadent phase of English Renaissance drama. Performance Suckling's earliest play, ''Aglaura'' was staged in 1637 by the King's Men at the Blackfriars Theatre — not because they thought it was a good play or a potential popular hit, but because Suckling subsidized its production, reportedly spending between £300 and £400. The acting company was paid with the production's lavish costumes (lace cuffs and ruffs made of cloth of silver and cloth of gold), a form of hand-me-down compensation that the King's men accepted only in the 1630s, at a time when the company's fortunes were in relative decline. (When the same company staged a revival of John Fletcher's ''The Faithful Shepherdess'' in 1634, they used the sumptuous costumes that had been created for Queen Henrietta Maria's masque of that y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Thompson (actor)
John Thompson (died December 1634) was a noted boy player acting women's roles in English Renaissance theatre. He served in the King's Men, the acting troupe formerly of William Shakespeare and Richard Burbage. Thompson's career is notable for his length. Some boy actors, like John Honyman and Stephen Hammerton, filled female roles for only three to five years before switching to male roles; others, like Richard Sharpe, appear to have continued in women's roles for a decade. Thompson is known to have played women for at least ten years, if not more. Beginnings Thompson began as an apprentice of veteran comedian and teacher John Shank. In 1636, Shank claimed in legal testimony to have spent £40 to acquire Thompson as an apprentice. (Apprentices' contracts were sometimes purchased from their "masters," as with the case of Stephen Hammerton.) According to the cast list in the 1623 first edition of Webster's ''The Duchess of Malfi'', Thompson played Julia, the "Cardinals Mis." T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Honyman
John Honyman (1613 – April 1636), also Honeyman, Honiman, Honnyman, or other variants, was an English actor of the Caroline era. He was a member of the King's Men, the most prominent playing company of its era, best known as the company of William Shakespeare and Richard Burbage. Honyman belonged to the generation that followed Shakespeare and Burbage. He was christened on 7 February 1613, in the parish of St. Botolph's, Bishopsgate. An apprentice of John Shank, he started his career as a boy player filling female roles; in his teens he was playing leading female parts, Domitilla in '' The Roman Actor'' (1626) and Sophia in '' The Picture'' (1629), both plays by Philip Massinger, and Clarinda in Lodowick Carlell's '' The Deserving Favourite'' (also 1629). Some boy actors of Honyman's era made successful transitions from filling lead female roles as boys to lead male roles as young men; Stephen Hammerton and Richard Sharpe are two examples of this successful transitio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King's Men Personnel
King's Men personnel were the people who worked with and for the Lord Chamberlain's Men and the King's Men (for all practical purposes a single continuous theatrical enterprise) from 1594 to 1642 (and after). The company was the major theatrical enterprise of its era and featured some of the leading actors of their generation – Richard Burbage, John Lowin, and Joseph Taylor among other – and some leading clowns and comedians, like Will Kempe and Robert Armin. The company benefitted from the services of William Shakespeare, John Fletcher, and Philip Massinger as regular dramatists. The actors who performed the plays have left the most evidence of their lives and activities; but they were supported by musicians and other functionaries, and were enabled by managers and financial backers like Cuthbert Burbage. For more information on specific individuals, see individual entries: Robert Armin, Christopher Beeston, Robert Benfield, etc. Terms * "Sharer" – an actor who was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Robinson (17th-century Actor)
Richard Robinson (died March 1648) was an actor in English Renaissance theatre and a member of Shakespeare's company the King's Men. Biography Robinson started out as a boy player with the company; in 1611 he played the Lady in their production of ''The Second Maiden's Tragedy.'' He was cast in their production of Ben Jonson's ''Catiline'' in the same year, and in their '' Bonduca,'' c. 1613. He became a sharer in the King's Men in 1619, perhaps succeeding Richard Cowley; and he was cast in their revival of Webster's ''The Duchess of Malfi'' c. 1621. Robinson reportedly played the part of Wittipol in Jonson's '' The Devil is an Ass'' in 1616. In the printed text of that play (1631), Jonson praises Robinson's acting of female roles and calls him an "ingenious youth." Robinson played the role of Aesopus in the company's 1626 production of Massinger's '' The Roman Actor,'' and Count Orsinio in Lodowick Carlell's '' The Deserving Favourite'' (1629). Robinson is included in the ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eliard Swanston
Eliard Swanston (died 1651), alternatively spelled Heliard, Hilliard, Elyard, Ellyardt, Ellyaerdt, and Eyloerdt, was an English actor in the Caroline era. He became a leading man in the King's Men, the company of William Shakespeare and Richard Burbage, in the final phase of its existence. Career Swanston started his acting career with Prince Charles's Men around 1620. In 1622 he moved to the Lady Elizabeth's Men, and two years later transferred to the King's Men. He may have been brought into that company to replace the veteran John Underwood, who died in 1624. By 1631 he had acquired a role in the management of the company, along with Joseph Taylor and John Lowin; the three men received the company's payments for their performances at Court. In some cases, Swanston was the sole payee for the King's Men's Court performances; he received sums of £120 (February 1632), £270 (March 1633), and £220 (April 1634), and other amounts, in trust for the company. Being a leader was not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Sharpe (actor)
Richard Sharpe (c. 1602 – January 1632) was an actor with the King's Men, the leading theatre troupe of its time and the company of William Shakespeare and Richard Burbage. Sharpe began his career as a boy player acting female roles, then switched to male roles in his young adulthood. ''The Duchess of Malfi'' Sharpe's earliest known role was, arguably, both his most significant and his most controversial. The first edition of John Webster's ''The Duchess of Malfi'', printed in 1623, contains the earliest cast list in English Renaissance drama. The list states that Sharpe originated the title role of the Duchess. The 1623 cast list actually covers two separate productions, the premiere staging and a later revival. * The original starred Richard Burbage and is usually dated to c. 1614. It must have occurred prior to William Ostler's death in December 1614, since Ostler played the role of Antonio. * The revival production starred Burbage's replacement Joseph Taylor, and s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Lowin
John Lowin (baptized 9 December 1576 – buried – 24 August 1653) was an English actor. Early life Born in St Giles-without-Cripplegate, London, Lowin was the son of a tanner. Like Robert Armin, he was apprenticed to a goldsmith. While he is not recorded as a free citizen of this company, he did perform as a goldsmith, Leofstane, in a 1611 city pageant written by Anthony Munday. This pageant was commissioned by the Goldsmiths' Company in honor of the election of one of their company as mayor; in the document employing him, Lowin is described as a "brother" of the company, suggesting some form of ongoing relationship with that community. He lived in Southwark, where parish registers record two marriages involving a man of his name (in 1607 and 1620); the latter definitely involved the actor. Career Lowin was definitely associated with the theatrical world by 1602. His name frequently occurs in the account books of Philip Henslowe in 1602, when he was playing with Worce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Taylor (17th-century Actor)
Joseph Taylor (died 1652) was a 17th-century English actor. As the successor of Richard Burbage as the leading actor with the King's Men, he was arguably the most important actor in the later Jacobean and the Caroline eras. Early career Taylor started as a child actor with the Children of the Chapel in the first decade of the century. As he matured he remained in the profession, with the Lady Elizabeth's Men and Prince Charles's Men. With those companies, he developed into an important leading man. King's men Richard Burbage died in March 1619; Taylor joined the King's Men the next month, and over the coming years he acted all the major roles of the Shakespearean canon. According to James Wright's ''Historia Histrionica'' (1699), Taylor "acted Hamlet incomparably well" and was noted for his Iago. He was also famous for the parts of Paris in ''The Roman Actor'' ( Philip Massinger), Ferdinand in '' The Duchess of Malfi'' (John Webster), and Mosca in '' Volpone,'' Face in ''The Al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Benfield
Robert Benfield (died July 1649) was a seventeenth-century actor, noted for his longtime membership in the King's Men in the years and decades after William Shakespeare's retirement and death. Nothing is known of Benfield's early life. He was most likely with the Lady Elizabeth's Men in 1613, and acted in their productions of Fletcher's ''The Coxcomb'' and the Fletcher/Massinger play '' The Honest Man's Fortune'' in that year. Benfield soon joined the King's Men, possibly to replace William Ostler, who died unexpectedly in December 1614. He acted in the company's production of John Webster's ''The Duchess of Malfi'' c. 1621. He was a shareholder in the company by 1619, when he is listed in the renewed patent for the King's Men issued in that year. Benfield also eventually became a sharer in both the Globe and Blackfriars theatres, but only after a conflict: in 1635 he was one of three King's Men (the others were Thomas Pollard and Eliard Swanston) who petitioned the Lord Cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henrietta Maria Of France
Henrietta Maria (french: link=no, Henriette Marie; 25 November 1609 – 10 September 1669) was Queen of England, Scotland, and Ireland from her marriage to King Charles I on 13 June 1625 until Charles was executed on 30 January 1649. She was mother of his sons Charles II and James II and VII. Contemporaneously, by a decree of her husband, she was known in England as Queen Mary, but she did not like this name and signed her letters "Henriette R" or "Henriette Marie R" (the "R" standing for ''regina'', Latin for "queen".) Henrietta Maria's Roman Catholicism made her unpopular in England, and also prohibited her from being crowned in a Church of England service; therefore, she never had a coronation. She immersed herself in national affairs as civil war loomed, and in 1644, following the birth of her youngest daughter, Henrietta, during the height of the First English Civil War, was compelled to seek refuge in France. The execution of Charles I in 1649 left her impoverished ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
