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The Dawn Of Love (painting)
''The Dawn of Love'', also known as ''Venus Now Wakes, and Wakens Love'', is an oil painting on canvas by English artist William Etty, first exhibited in 1828 and currently in the Russell-Cotes Art Gallery & Museum in Bournemouth. Loosely based on a passage from John Milton's 1634 masque ''Comus'', it shows a nude Venus leaning across to wake the sleeping Love by stroking his wings. While Etty often included nude figures in his work, he rarely depicted physical intimacy, and owing to this, ''The Dawn of Love'' is one of his more unusual paintings. The open sensuality of the work was intended to present a challenge to the viewer mirroring the plot of ''Comus'', in which the heroine is tempted by desire but remains rational and detached. While a few critics praised elements of its composition and execution, ''The Dawn of Love'' was very poorly received when first exhibited. Etty had developed a reputation for painting realistic figures, and his stylised Venus was thought undul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Etty
William Etty (10 March 1787 – 13 November 1849) was an English artist best known for his history paintings containing nude figures. He was the first significant British painter of nudes and still lifes. Born in York, he left school at the age of 12 to become an apprentice printer in Hull. He completed his apprenticeship seven years later and moved to London, where in 1807 he joined the Royal Academy Schools. There he studied under Thomas Lawrence and trained by copying works by other artists. Etty earned respect at the Royal Academy of Arts for his ability to paint realistic flesh tones, but had little commercial or critical success in his first few years in London. Etty's '' Cleopatra's Arrival in Cilicia'', painted in 1821, featured numerous nudes and was exhibited to great acclaim. Its success prompted several further depictions of historical scenes with nudes. All but one of the works he exhibited at the Royal Academy in the 1820s contained at least one nude ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Painting
History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible stories, opposed to a specific and static subject, as in portrait, still life, and landscape painting. The term is derived from the wider senses of the word ''historia'' in Latin and ''histoire'' in French, meaning "story" or "narrative", and essentially means "story painting". Most history paintings are not of scenes from history, especially paintings from before about 1850. In modern English, "historical painting" is sometimes used to describe the painting of scenes from history in its narrower sense, especially for 19th-century art, excluding religious, mythological, and allegorical subjects, which are included in the broader term "history painting", and before the 19th century were the most common subjects for history paintings. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comus
In Greek mythology, Comus (; grc, Κῶμος, ''Kōmos'') is the god of festivity, revels and nocturnal dalliances. He is a son and a cup-bearer of the god Dionysus. He was represented as a winged youth or a child-like satyr and represents anarchy and chaos. His mythology occurs in the later times of antiquity. During his festivals in Ancient Greece, men and women exchanged clothes. He was depicted as a young man on the point of unconsciousness from drink. He had a wreath of flowers on his head and carried a torch that was in the process of being dropped. Unlike the purely carnal Pan or purely intoxicated Dionysos, Comus was a god of excess. Comus in art A description of Comus as he appeared in painting is found in '' Imagines'' (Greek Εἰκόνες, translit. Eikones) by Philostratus the Elder, a Greek writer and sophist of the 3rd century AD. Comus appears at the start of the masque ''Pleasure Reconciled to Virtue'' by Ben Jonson and in ''Les fêtes de Paphos'' (''T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Female Nudity
Nudity is the state of being in which a human is without clothing. The loss of body hair was one of the physical characteristics that marked the biological evolution of modern humans from their hominin ancestors. Adaptations related to hairlessness contributed to the increase in brain size, bipedalism, and the variation in human skin color. While estimates vary, for at least 90,000 years anatomically modern humans were naked. The invention of clothing was part of the transition from being not only anatomically but behaviorally modern. Clothing and body adornments were elements in non-verbal communication reflecting social status and individuality. Through much of history until the late modern period, people might be unclothed in public by necessity or convenience either when engaged in effortful activity, including labor and athletics; or when bathing or swimming. Such functional nudity occurred in groups that were usually but not always segregated by sex. Among ancient ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proclamation For The Discouragement Of Vice
__NOTOC__ King George III's Royal Proclamation For the Encouragement of Piety and Virtue, and for the Preventing and Punishing of Vice, Profaneness and Immorality exhorted the British public against sexually explicit material. It called for the suppression of all "loose and licentious Prints, Books, and Publications, dispersing Poison to the minds of the Young and Unwary and to Punish the Publishers and Vendors thereof". Groups which promoted it included the Proclamation Society, which became The Society for the Suppression of Vice which was instituted in 1802 to "check the spread of open vice and immorality, and more especially to preserve the minds of the young from contamination by exposure to the corrupting influence of impure and licentious books, prints, and other publications". This had little effect, because they had no power to destroy the material. It was issued on 1 June 1787 – after William Wilberforce William Wilberforce (24 August 175929 July 1833) was a Briti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nude (art)
The nude, as a form of visual art that focuses on the unclothed human figure, is an enduring tradition in Western art. It was a preoccupation of Ancient Greek art, and after a semi-dormant period in the Middle Ages returned to a central position with the Renaissance. Unclothed figures often also play a part in other types of art, such as history painting, including allegorical and religious art, portraiture, or the decorative arts. From prehistory to the earliest civilizations, nude female figures are generally understood to be symbols of fertility or well-being. In India, the Khajuraho Group of Monuments built between 950 and 1050 CE are known for their erotic sculptures, which comprise about 10% of the temple decorations. Japanese prints are one of the few non-western traditions that can be called nudes, but the activity of communal bathing in Japan is portrayed as just another social activity, without the significance placed upon the lack of clothing that exists in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Arrival Of Cleopatra In Cilicia
''The Triumph of Cleopatra'', also known as ''Cleopatra's Arrival in Cilicia'' and ''The Arrival of Cleopatra in Cilicia'', is an oil painting by English artist William Etty. It was first exhibited in 1821, and is now in the Lady Lever Art Gallery in Port Sunlight, Merseyside. During the 1810s Etty had become widely respected among staff and students at the Royal Academy of Arts, in particular for his use of colour and ability to paint realistic flesh tones. Despite having exhibited at every Summer Exhibition since 1811, he attracted little commercial or critical interest. In 1820, he exhibited '' The Coral Finder'', which showed nude figures on a gilded boat. This painting attracted the attention of Sir Francis Freeling, who commissioned a similar painting on a more ambitious scale. ''The Triumph of Cleopatra'' illustrates a scene from Plutarch's '' Life of Antony'' and Shakespeare's ''Antony and Cleopatra'', in which Cleopatra, Queen of Egypt, travels to Tarsus in Cilicia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Academy Summer Exhibition
The Summer Exhibition is an open art exhibition held annually by the Royal Academy in Burlington House, Piccadilly in central London, England, during the months of June, July, and August. The exhibition includes paintings, prints, drawings, sculpture, architecture, architectural designs and models, and is the largest and most popular open exhibition in the United Kingdom. It is also "the longest continuously staged exhibition of contemporary art in the world". When the Royal Academy was founded in 1768 one of its key objectives was to establish an annual exhibition, open to all artists of merit, which could be visited by the public. The first Summer Exhibition took place in 1769; it has been held every year since without exception. History In 1768, a group of artists visited King George III and sought his permission to establish a society for Arts and Design. They proposed the idea of an annual exhibition and a school design. King George III approved of the idea and the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joshua Reynolds
Sir Joshua Reynolds (16 July 1723 – 23 February 1792) was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting which depended on idealization of the imperfect. He was a founder and first president of the Royal Academy of Arts, and was knighted by George III in 1769. Early life Reynolds was born in Plympton, Devon, on 16 July 1723 the third son of the Rev. Samuel Reynolds, master of the Plympton Free Grammar School in the town. His father had been a fellow of Balliol College, Oxford, but did not send any of his sons to the university. One of his sisters was Mary Palmer (1716–1794), seven years his senior, author of ''Devonshire Dialogue'', whose fondness for drawing is said to have had much influence on him when a boy. In 1740 she provided £60, half of the premium paid to Thomas Hudson the portrait-painter, for Joshua's pupilage, and nine years later a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Opie
John Opie (16 May 1761 – 9 April 1807) was an English historical and portrait painter. He painted many great men and women of his day, including members of the British Royal Family, and others who were notable in the artistic and literary professions. Life and work Opie was born in Harmony Cottage, Trevellas, between St Agnes and Perranporth Perranporth ( kw, Porthperan) is a seaside resort town on the north coast of Cornwall, England, United Kingdom. It is 1 mile east of the St Agnes Heritage Coastline, and around 8 miles south-west of Newquay. Perranporth and its long beach f ... in Cornwall, UK. He was the youngest of the five children of Edward Opie, a master carpenter, and his wife Mary (née Tonkin). He showed a precocious talent for drawing and mathematics, and by the age of twelve, he had mastered Euclid and opened an evening school for poor children where he taught reading, writing, and arithmetic. His father, however, did not encourage his abilities, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Life Class
A figure drawing is a drawing of the human form in any of its various shapes and postures using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches. A life drawing is a drawing of the human figure, traditionally nude, from observation of a live model. Creating life drawings, or life studies, in a life class, has been a large element in the traditional training of artists in the Western world since the Renaissance. A figure drawing may be a composed work of art or a figure study done in preparation for a more finished work such as a painting. Figure drawing is arguably the most difficult subject an artist commonly encounters, and entire courses are dedicated to the subject. The human figure is one of the most enduring themes in the visual arts, and the human figure can be the basis of portraiture, illustration, sculpt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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