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The Crucifixion (Margkazinis)
The Crucifixion is a painting created by Georgio Markazini. Markazini was a Greek painter from the island of Crete. He migrated to Venice. He was active during the middle part of the 17th century. Two of the painter's works survived. The crucifixion was a very popular subject among Cretan painters. Andreas Pavias, Emmanuel Lambardos, and Theophanes the Cretan created a similar style crucifixion. The Cretan painters frequently influenced each other. Jan Sadeler I was a Renaissance Flemish engraver who migrated to Venice with his son and nephew. He was active during the second half of the 16th century. His engravings of the crucifixion series influenced Markazini's Work. Around this same period, the engravings were circulating through the Venetian Greek community. Theodore Poulakis and Konstantinos Tzanes both used the engravings as inspiration. They were Georgio Markazini's contemporaries active during the same period. Greek and Italian Painters frequentl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georgios Markazinis
Georgios Markazinis ( el, Γεώργιος Μαρκαζίνης, ), also known as Georgius Margazinis or Margazinius, was a Greek painter from the island of Crete. His style is different from his contemporaries. He can be likened to Ioannis Permeniates, Theodore Poulakis, Elias Moskos and Konstantinos Tzanes. His work escapes the typical lines of the maniera greca and his art is heavily influenced by the Venetian style. Only two of his works have survived. His most notable work is The Crucifixion. The Crucifixion is held at the Hellenic Institute in Venice. His other work is of the Last Judgment which is located in a church at Skradin, Croatia. History Markazinis was born in the ancient Cretan city of Cydonia, now modern-day Chania. Not much is known about his life. He signed his work in Latin. He eludes to his origin because he adds the city to his signature which was ''Cydonius''. His surviving signatures were ''Opus Georgi Margazini'' and ''Georgius Margazinus Cydonius''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elias Moskos
Ilias or Elias Moskos ( el, Ηλίας Μόσκος, 1620/1629- January 26, 1687) was a Greek educator, shipping merchant and painter from Crete. The last name Moskos was associated with three famous painters of the Cretan School alive during the same period, along with Ioannis Moskos and Leos Moskos, possibly his relatives. Elias incorporated Italo-Byzantine, maniera greca with the Venetian style. Theodore Poulakis and Moskos brought the art and style of Crete into the Heptanese School (painting), Heptanese School of the Ionian Islands. Some of his work was inspired by Angelos Akotantos. He was affiliated with other artists such as Philotheos Skoufos. He is often confused with Leos Moskos. His son was not Ioannis Moskos although they were probably related. Elias most popular painting is ''Christ Pantocrator''. Fifty-two of his paintings survived. History Elias was born in Rethymno Crete. His father's name was Ioannis. He was a painter, shipping merchant, and teacher. He e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In Venice
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Paintings
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanhedrin
The Sanhedrin (Hebrew and Aramaic: סַנְהֶדְרִין; Greek: , ''synedrion'', 'sitting together,' hence 'assembly' or 'council') was an assembly of either 23 or 71 elders (known as "rabbis" after the destruction of the Second Temple), appointed to sit as a tribunal in every city in the ancient Land of Israel. There were two classes of Rabbinite Jewish courts which were called Sanhedrin, the Great Sanhedrin and the Lesser Sanhedrin. A lesser Sanhedrin of 23 judges was appointed to sit as a tribunal in each city, but there was only supposed to be one Great Sanhedrin of 71 judges, which among other roles acted as the Supreme Court, taking appeals from cases which were decided by lesser courts. In general usage, ''the Sanhedrin'' without qualifier normally refers to the Great Sanhedrin, which was presided over by the ''Nasi'', who functioned as its head or representing president, and was a member of the court; the ''Av Beit Din'' or the chief of the court, who was second to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Penitent Thief
The Penitent Thief, also known as the Good Thief, Wise Thief, Grateful Thief, or Thief on the Cross, is one of two unnamed thieves in Luke's account of the crucifixion of Jesus in the New Testament. The Gospel of Luke describes him asking Jesus to "remember him" when Jesus comes into his kingdom. The other, as the impenitent thief, challenges Jesus to save himself and both of them to prove that he is the Messiah. He is officially venerated in the Catholic Church. The Roman Martyrology places his commemoration on 25 March, together with the Feast of the Annunciation, because of the ancient Christian tradition that Christ (and the penitent thief) were crucified and died exactly on the anniversary of Christ's incarnation. He is given the name Dismas in the Gospel of Nicodemus and is traditionally known in Catholicism as Saint DismasLawrence Cunningham, ''A brief history of saints'' (2005), page 32. (sometimes Dysmas; in Spanish and Portuguese, ''Dimas''). Other traditions have b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impenitent Thief
The impenitent thief is a man described in the New Testament account of the Crucifixion of Jesus. In the Gospel narrative, two criminal bandits are crucified alongside Jesus. In the first two Gospels (Matthew and Mark), they both join the crowd in mocking him. In the version of the Gospel of Luke, however, one taunts Jesus about not saving himself and them, and the other (known as the penitent thief) asks for mercy. In apocryphal writings, the impenitent thief is given the name Gestas, which first appears in the Gospel of Nicodemus, while his companion is called Dismas. Christian tradition holds that Gestas was on the cross to the left of Jesus and Dismas was on the cross to the right of Jesus. In Jacobus de Voragine's ''Golden Legend'', the name of the impenitent thief is given as Gesmas. The impenitent thief is sometimes referred to as the "bad thief" in contrast to the good thief. The apocryphal Arabic Infancy Gospel refers to Gestas and Dismas as Dumachus and Titus, respect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Magdalene
Mary Magdalene (sometimes called Mary of Magdala, or simply the Magdalene or the Madeleine) was a woman who, according to the four canonical gospels, traveled with Jesus as one of his followers and was a witness to crucifixion of Jesus, his crucifixion and Resurrection of Jesus, resurrection. She is mentioned by name twelve times in the canonical gospels, more than most of the Apostles in the New Testament, apostles and more than any other woman in the gospels, other than Jesus' family. Mary's epithet ''Magdalene'' may mean that she came from the town of Magdala, a fishing town on the western shore of the Sea of Galilee in Roman Judea. The Gospel of Luke Luke 8, chapter 8 lists Mary Magdalene as one of the women who traveled with Jesus and helped support his ministry "out of their resources", indicating that she was probably wealthy. The same passage also states that seven demons Exorcism, had been driven out of her, a statement which is repeated in Mark 16. In all the four can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John The Evangelist
John the Evangelist ( grc-gre, Ἰωάννης, Iōánnēs; Aramaic: ܝܘܚܢܢ; Ge'ez: ዮሐንስ; ar, يوحنا الإنجيلي, la, Ioannes, he, יוחנן cop, ⲓⲱⲁⲛⲛⲏⲥ or ⲓⲱ̅ⲁ) is the name traditionally given to the author of the Gospel of John. Christians have traditionally identified him with John the Apostle, John of Patmos, and John the Presbyter, although this has been disputed by most modern scholars. Identity The Gospel of John refers to an otherwise unnamed "disciple whom Jesus loved", who "bore witness to and wrote" the Gospel's message.Theissen, Gerd and Annette Merz. The historical Jesus: a comprehensive guide. Fortress Press. 1998. translated from German (1996 edition). Chapter 2. Christian sources about Jesus. The author of the Gospel of John seemed interested in maintaining the internal anonymity of the author's identity, although interpreting the Gospel in the light of the Synoptic Gospels and considering that the author names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virgin Mary
Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jewish woman of Nazareth, the wife of Joseph and the mother of Jesus. She is a central figure of Christianity, venerated under various titles such as virgin or queen, many of them mentioned in the Litany of Loreto. The Eastern and Oriental Orthodox, Church of the East, Catholic, Anglican, and Lutheran churches believe that Mary, as mother of Jesus, is the Mother of God. Other Protestant views on Mary vary, with some holding her to have considerably lesser status. The New Testament of the Bible provides the earliest documented references to Mary by name, mainly in the canonical Gospels. She is described as a young virgin who was chosen by God to conceive Jesus through the Holy Spirit. After giving birth to Jesus in Bethlehem, she raised him in the city of Nazareth in Galilee, and was in Jerusal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cangiante
According to the theory of the art historian Marcia B. Hall, which has gained considerable acceptance, ''cangiante'' is one of the canonical painting modes of the Renaissance; i.e. one of the four modes of painting colours available to Italian High Renaissance painters, along with sfumato, chiaroscuro and unione. The word itself derives from the Italian ''cangiare'' ("to change"). ''Cangiante'' is characterized by a change in color necessitated by an original color's darkness or lightness limitation. For example, when painting shadows on a yellow object, the artist may use a red color simply because the yellow paint cannot be made dark enough. There are other methods of rendering shadows or highlights (for example, mixing the original hue with black or brown), but these can render the shadow color dull and impure. During the Renaissance, the variety and availability of paint colors were severely limited. The greatest practitioner of the ''cangiante'' technique was Michelangelo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passion Of Jesus
In Christianity, the Passion (from the Latin verb ''patior, passus sum''; "to suffer, bear, endure", from which also "patience, patient", etc.) is the short final period in the life of Jesus Christ. Depending on one's views, the "Passion" may include, among other events, Jesus' triumphal entry into Jerusalem, his cleansing of the Temple, his anointing, the Last Supper, Jesus' agony in the Garden, his arrest, his Sanhedrin trial, his trial before Pontius Pilate, his crucifixion and his death on Good Friday, his burial, and the resurrection of Jesus. Those parts of the four canonical Gospels that describe these events are known as the "Passion narratives". In some Christian communities, commemoration of the Passion also includes remembrance of the sorrow of Mary, the mother of Jesus, on the Friday of Sorrows. The word ''passion'' has taken on a more general application and now may also apply to accounts of the suffering and death of Christian martyrs, sometimes using the Lati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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